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Triggerfinger - Colossus (2017) FLAC (tracks)

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Triggerfinger - Colossus (2017) FLAC (tracks)
Artist: Triggerfinger | Album: Colossus | Released: 2017 | Genre: Alternative Rock | Country: Belgium | Duration: 00:36:29

VA - Buddha-Bar Clubbing Saint-Tropez (2016) FLAC (tracks + .cue)

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VA - Buddha-Bar Clubbing Saint-Tropez (2016) FLAC (tracks + .cue)
Artist: VA | Album: Buddha-Bar Clubbing Saint-Tropez | Label: Wagram Music | Catalog #: 3338942 | Released: 2016 | Genre: Electronic, Downtempo | Country: EU | Duration: 01:14:47

Dan Holt – Driftin’ (2017)

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320 kbps | 83 MB | LINKS

His distinct voice, dynamic guitar playing and soulful harmonica combine for a sound that is as powerful as it is unique.

Kenny Brown – Tobaccocao (2017)

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320 kbps | 149 MB | LINKS

Tracklist:

01. Unite We Can 02:35
02. Exodus 04:48
03. Tired Of Livin’ 03:34
04. Lonely 02:52
05. Takin Off My Shoes 03:04
06. No Homes In Homs 03:00
07. So Thin 06:24
08. Open Me 03:54
09. Medicine Song 02:56
10. Waves 04:19
11. Heard It From The Om 06:39
12. Mountain Pt. II 04:15
13. Like Three Cups Of Coffee 04:30
14. Grandma Diaries 04:23
15. Thank You 04:29

Re: [CD] Frei Hermano Da Câmara - Grandes Êxitos (2017)

Skrillex & Kill The Noise - Recess Remixes (2014) FLAC

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Skrillex & Kill The Noise - Recess Remixes (2014) FLAC
Artist: Skrillex & Kill The Noise | Album: Recess Remixes | Released: 2014 | Genre: Dubstep | Duration: 00:16:36

The Nights - The Nights (2017) FLAC (image + .cue)

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The Nights - The Nights (2017) FLAC (image + .cue)
Artist: The Nights | Album: The Nights | Label: Frontiers Records | Catalog #: FR CD 806 | Released: 2017 | Genre: Melodic Rock, Hard Rock | Country: Finland | Duration: 00:47:46

The Rorschach Garden - Everything Must Burn (2017) FLAC (image + .cue)

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The Rorschach Garden - Everything Must Burn (2017) FLAC (image + .cue)
Artist: The Rorschach Garden | Album: Everything Must Burn | Label: Bazooka Joe | Catalog #: BUBBLE19 | Released: 2017 | Genre: Electronic, Synth Pop | Country: Germany | Duration: 00:59:26

Sarah Jarosz – Undercurrent (2016)

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Z320 kbps | 82 MB | LINKS

On her new album, “Undercurrent” (Sugar Hill), out this week, singer-composer Sarah Jarosz prizes simplicity, presenting her latest country-flavored folk songs in an intimate environment. Moving away from the verdant, experimental arrangements of her 2013 Grammy-nominated “Build Me Up From Bones,” the 25-year-old performs four songs accompanied only by her guitar. On four others, she’s joined only by Mark Schatz’s upright bass and the guitar of either Jedd Hughes or Luke Reynolds. On all, her soprano remains pure and affecting.

This economical approach brings the listener closer to Ms. Jarosz than on any of her previous recordings, and it suits the lyrical theme of passion that, mostly, is forbidden and unrequited. Love can satisfy, Ms. Jarosz states through “Undercurrent,” but not for long. In “Everything to Hide,” she sings: “Well, I never really thought I could be a child of sin” and “When I’m with you, baby, we got everything to hide.” (That phrase, “child of sin,” also appears later in the album in the song “Still Life.”) In “Lost Dog,” she sings: “Home’s not a word you say / Something made you stray,” adding, “If I open my door, make you my friend / Are you gonna run out and get lost again?” She refuses to dilute the raw sentiments with gloss or misdirection. As she mentioned during a phone conversation last week, “I realized the meaning behind a lot of the songs would be made more powerful if they were these solitary things.”

Ms. Jarosz recorded her debut album, the folk-and-bluegrass-based “Song Up in Her Head,” for Sugar Hill while still in high school in Wimberley, Texas, about an hour southwest of Austin. Rather than go out on the road full-time, Ms. Jarosz chose to attend the New England Conservatory of Music to, as she said, “open my ears and incorporate what I heard into my music. I wanted an expanded knowledge of sounds for the greater good of the songs.” She graduated with a degree in Contemporary Improvisation in 2013, shortly before “Build Me Up From Bones” was released.

On that album, Ms. Jarosz revealed how much she could integrate into her core sound. Her guests included mandolinist Chris Thile, cellist Nathaniel Smith, and Jerry Douglas on dobro; Ms. Jarosz played clawhammer banjo on one tune, and on Bob Dylan’s “Simple Twist of Fate” she sang accompanied only by Mr. Smith, who plucked his cello as if it were an upright bass. The overall effect was a somewhat exotic sonic landscape within the context of Americana, and yet she remained the controlling hand at its center.

A growth step for Ms. Jarosz, “Build Me Up From Bone” brought her much-warranted recognition: In addition to being nominated for a Best Folk Album Grammy, it was also up for the Best Album prize at the Americana Music Association’s annual Honors & Awards gala. (That year, “My Favorite Picture of You” by Guy Clark, who died last month, won the Grammy in the folk category while Jason Isbell’s “Southeastern” received the AMA’s award for best album.) Thus, it might have been expected that she would do something similar as a follow-up.

But Ms. Jarosz said she felt a newfound freedom in the notion that what became “Undercurrent” would be her first album after graduating. While recording for two months last fall in Nashville, she fought off the temptation to repeat herself. Parker Millsap joins her on “Comin’ Undone,” the closest “Undercurrent” comes to rocking out, and “Still Life” features friends Aoife O’Donovan and Sara Watkins, with whom Ms. Jarosz toured last year as the trio I’m With Her, but she remained firm. The solo and near-solo renditions of her latest compositions “felt truest to me,” she said. “It was so essential to keep simplicity intact.”

While the arrangements may be simple, there is a kind of conspiratorial complexity to her stories. Repeatedly, Ms. Jarosz lays out a sketch in which the listener becomes a partner in exploring the song’s meaning. In “Take Another Turn,” she asks: “What does it mean to be lonely?” While she says memory provides a balm, she doesn’t answer the question. In “Jacqueline,” Ms. Jarosz plucks an electric guitar as she unreels a song that uses what one assumes is the image of Jacqueline Kennedy in “your pillbox hat and your pink dress.” The significance of her appearance is anything but explicit.

Ms. Jarosz began her American tour on Sunday, and it will run into mid-August before she heads to the U.K. She said she will play by herself and with Mr. Hughes on guitar and Jeff Picker on bass. She intends to present the songs of “Undercurrent” as they are on the album: direct, unadorned and thoroughly beautiful.

By Jim Fusilli

VA – Rockin’, Boppin’ & Bluesin’: Hot Instrumental Hits 1956-1962 (2016)

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Z320 kbps | 180 MB | LINKS

Tracklist:
01 Ernie Freeman Combo – Jivin’ Around, Pt. 1 (2:32)
02 Ernie Freeman Combo – Jivin’ Around, Pt. 2 (2:34)
03 Floyd Cramer – Flip Flop And Bop (2:11)
04 Chet Atkins – Boo Boo Stick Beat (2:06)
05 Bobby Peterson – The Hunch (2:36)
06 The Fireballs – Bulldogg (2:10)
07 Preston Epps – Bongo Bongo Bongo (2:07)
08 James Booker – Gonzo (2:22)
09 The Royaltones – Flamingo Express (1:53)
10 The Ramrods – (Ghost) Riders In The Sky (2:33)
11 The Ventures – Ram-Bunk-Shush (1:43)
12 Paul Revere & The Raiders – Like, Long Hair (1:54)
13 Freddie King – Hide Away (2:34)
14 B. Bumble & The Stingers – Bumble Boogie (2:10)
15 Phil Upchurch – You Can’t Sit Down, Pt. 2 (2:12)
16 B. Bumble & The Stingers – Boogie Woogie (Pinetop’s Boogie Woogie) (2:09)
17 Freddie King – San-Ho-Zay (2:33)
18 The Duals – Stick Shift (2:27)
19 The Parkays – Late Date (2:18)
20 Ace Cannon – Tuff (2:19)
21 Megatons – Shimmy, Shimmy, Pt. 1 (2:29)
22 Billy Joe & The Checkmates – Percolator (Twist) (2:11)
23 King Curtis – Soul Twist (2:45)
24 B. Bumble & The Stingers – Nut Rocker (1:57)
25 Bobby Gregg – The Jam, Pt. 1 (2:24)
26 The Frogmen – Underwater (2:05)
27 The Famous Flames – Night Train (3:16)
28 Al Casey – Cookin’ (2:17)
29 Sandy Nelson – Drummin’ Up A Storm (2:17)
30 Dave ‘Baby’ Cortez – Rinky Dink (Des) (2:48)
31 Dave ‘Baby’ Cortez – Happy Weekend (2:33)
32 Jerry Reed – Hully Gully Guitar (2:11)

Train – Does Led Zeppelin II (2016)

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cover320 kbps | 101 MB | LINKS

Multi-platinum-selling band Train is set to pay homage to one of their biggest musical inspirations with the first cover album of their career called Does Led Zeppelin II. The album is set for release on June 3, 2016 on Crush Music in association with Atlantic Records, Led Zeppelin’s record label, which released the original Led Zeppelin II in October 1969. The nine-track collection follows the original Led Zeppelin II track listing, including classic hit songs such as “Ramble On” and “Whole Lotta Love.”

Tracklist:

01. Whole Lotta Love (5:31)
02. What Is and What Should Never Be (4:51)
03. The Lemon Song (6:24)
04. Thank You (5:01)
05. Heartbreaker (4:15)
06. Living Loving Maid (She’s Just a Woman) (2:41)
07. Ramble On (4:22)
08. Moby Dick (4:24)
09. Bring It On Home (4:26

The Searchers – The Pye Anthology (2017)

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320 kbps | 615 | LINKS

Disc 1

01. Sweets For My Sweet (Mono) (2:30)
02. It’s All Been a Dream (1:49)
03. Alright (Mono) (2:10)
04. Love Potion No. 9 (Mono) (2:06)
05. Farmer John (Mono) (1:59)
06. Stand By Me (Mono) (3:27)
07. Money (That’s What I Want) [Mono] (2:47)
08. Da Doo Ron Ron (Mono) (2:23)
09. Ain’t Gonna Kiss Ya (Mono) (2:05)
10. Since You Broke My Heart (Mono) (2:50)
11. Tricky Dicky (Mono) (2:09)
12. Where Have All the Flowers Gone (Mono) (2:58)
13. Twist and Shout (Mono) (2:45)
14. Mais C’etait Un Reve (”It’s All Been a Dream” in French) (1:50)
15. Farmer John (1:59)
16. Liebe (”Money” in German) (2:47)
17. Sugar and Spice (Mono Version) (2:17)
18. Saints and Searchers (Mono Version) (3:17)
19. Don’t Cha Know (Mono Version) (2:03)
20. Some Other Guy (Mono Version) (2:07)
21. One of These Days (Mono Version) (2:18)
22. Listen to Me (Mono Version) (2:12)

Disc 2

01. Unhappy Girls (Mono Version) (2:39)
02. Ain’t That Just Like Me (Mono Version) (2:25)
03. Oh My Lover (Mono Version) (2:22)
04. Cherry Stones (Mono Version) (2:30)
05. All My Sorrows (Mono Version) (3:26)
06. Hungry for Love (Mono Version) (2:23)
07. Once Upon a Time (2:04)
08. C’est De Notre Age (”Sugar & Spice” in French) [Mono Version] (2:16)
09. Ils La Chantalent II Y a Longtemps (”Saints & Searchers” in French) [Mono Version] (3:18)
10. Needles and Pins (Mono) (2:14)
11. Saturday Night Out (Mono Version) (1:43)
12. Bye Bye Johnny (Mono Version) (2:47)
13. Tausend Nadelstiche (”Needles & Pins” in German) (2:12)
14. Don’t Throw Your Love Away (Mono) (2:16)
15. I Pretend I’m With You (2:00)
16. C’est Arrive Comme Ca (”Don’t Throw Your Love Away” in French) (2:18)
17. It’s In Her Kiss (The Shoop Shoop Song) [Stereo] (2:17)
18. Glad All Over (Mono) (1:55)
19. Sea of Heartbreak (Mono) (2:23)
20. Livin’ Lovin’ Wreck (Mono) (1:47)
21. Where Have You Been? (Mono) (2:37)

Disc 3

01. Shimmy Shimmy (Mono) (2:26)
02. This Empty Place (Mono) (2:06)
03. Gonna Send You Back to Georgia (Mono) (2:18)
04. I Count the Tears (Mono) (2:02)
05. Hi-Heel Sneakers (Mono) (2:26)
06. Can’t Help Forgiving You (Mono) (2:05)
07. Sho’ Know a Lot About Love (Mono) (2:21)
08. Shame, Shame, Shame (2:41)
09. I (Who Have Nothing) (2:45)
10. Someday We’re Gonna Love Again (Mono) (2:00)
11. No One Else Could Love Me (2:13)
12. Someday We’re Gonna Love Again (Alternate Take) (2:02)
13. When You Walk in the Room (2:23)
14. (I’ll Be) Missing You [Mono Version] (2:05)
15. Wenn Ich Dich Seh (”When You Walk in the Room” in German) [Mono Version] (2:23)
16. What Have They Done to the Rain (Mono Version) (2:34)
17. This Feeling Inside (Mono Version) (1:43)
18. The System (Mono Version) (2:31)
19. Goodbye My Love (Mono Version) (2:58)
20. Till I Met You (Mono Version) (2:56)
21. Everybody Come Clap Your Hands (Mono Version) (2:38)

Disc 4

01. If I Could Find Someone (Mono Version) (2:10)
02. Magic Potion (Mono Version) (2:33)
03. I Don’t Want to Go On Without You (Mono Version) (3:01)
04. Bumble Bee (Mono Version) (2:12)
05. Something You Got Baby (Mono Version) (2:37)
06. Let the Good Times Roll (Mono Version) (1:49)
07. A Tear Fell (Mono Version) (3:01)
08. Till You Say You’ll Be Mine (Mono Version) (2:19)
09. You Wanna Make Her Happy (Mono Version) (2:12)
10. Everything You Do (Mono Version) (1:38)
11. Goodnight Baby (Mono Version) (2:17)
12. I Don’t Want to Go On Without You (Version 1) (3:27)
13. I’ll Be Doggone (Alternate Version) (2:59)
14. He’s Got No Love (2:35)
15. So Far Away (2:01)
16. When I Get Home (2:10)
17. I’m Never Coming Back (2:02)
18. Take Me for What I’m Worth (2:42)
19. Too Many Miles (2:11)
20. I’m Ready (1:57)
21. I’ll Be Doggone (2:55)
22. Does She Really Care for Me (2:06)

Disc 5

01. It’s Time (2:34)
02. You Can’t Lie to a Liar (2:21)
03. Don’t You Know Why (2:39)
04. I’m Your Loving Man (2:05)
05. Each Time (2:47)
06. Be My Baby (3:19)
07. Four Strong Winds (3:06)
08. Take It or Leave It (2:45)
09. Don’t Hide It Away (2:40)
10. Have You Ever Loved Somebody (2:38)
11. It’s Just the Way (Love Will Come and Go) (2:39)
12. Popcorn Double Feature (2:56)
13. Lovers (2:46)
14. Western Union (2:28)
15. I’ll Cry Tomorrow (3:48)
16. Second Hand Dealer (3:43)
17. Crazy Dreams (2:36)
18. I Don’t Want to Be the One (3:38)
19. Hollywood (3:50)
20. Innocent Victim (3:58)
21. Good Way To Fall (2:57)
22. New Heart (3:51)

VA – Sweet As Broken Dates: Lost Somali Tapes from the Horn of Africa (2017)

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320 kbps | 184 MB | LINKS

Sweet as Broken Dates: Lost Somali Tapes from the Horn of Africa is strikingly unique, and the collection does an excellent job of capturing the high quality and musical sophistication characteristic of Somalia’s musical community during the ‘70s and ‘80s. These tracks, though, were nearly lost to history. They were originally located in the archive of Radio Hargeisa, the state-run public radio station; when authoritarian ruler Siad Barre, seeking to quash any potential dissent or resistance, bombed the station, a few quick-thinking radio operators hid the archive throughout neighboring countries, knowing that the preservation of musical culture was crucial.

One could characterize the recording aesthetic here as “lo-fi,” but when listening to the songs of love, passion, devotion, and celebration compiled on Sweet As Broken Dates, it is abundantly clear that there is something deeper happening here. The musical choices made on these recordings were both borne out of necessity and are a reflection of the unique tastes and triumphs of Somalia’s musical community—and, by extension, the Somali people. As brilliant as this and similar compilations are, they will not stop the violence or free the Somali people from the cycle of war, poverty, and the aftermath of Western neocolonialism that plagues many nations on the African continent. Despite this grim reality, it is apparent that the salvaging, archiving, and distribution of these recordings is a small, yet incredibly important, part of the work of reconstructing Somalia’s rich and ancient cultural history.

Re: [CD] Frei Hermano Da Câmara - Grandes Êxitos (2017)

VA – Sweet As Broken Dates: Lost Somali Tapes from the Horn of Africa (2017)

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0

320 kbps | 184 MB | LINKS

Sweet as Broken Dates: Lost Somali Tapes from the Horn of Africa is strikingly unique, and the collection does an excellent job of capturing the high quality and musical sophistication characteristic of Somalia’s musical community during the ‘70s and ‘80s. These tracks, though, were nearly lost to history. They were originally located in the archive of Radio Hargeisa, the state-run public radio station; when authoritarian ruler Siad Barre, seeking to quash any potential dissent or resistance, bombed the station, a few quick-thinking radio operators hid the archive throughout neighboring countries, knowing that the preservation of musical culture was crucial.

One could characterize the recording aesthetic here as “lo-fi,” but when listening to the songs of love, passion, devotion, and celebration compiled on Sweet As Broken Dates, it is abundantly clear that there is something deeper happening here. The musical choices made on these recordings were both borne out of necessity and are a reflection of the unique tastes and triumphs of Somalia’s musical community—and, by extension, the Somali people. As brilliant as this and similar compilations are, they will not stop the violence or free the Somali people from the cycle of war, poverty, and the aftermath of Western neocolonialism that plagues many nations on the African continent. Despite this grim reality, it is apparent that the salvaging, archiving, and distribution of these recordings is a small, yet incredibly important, part of the work of reconstructing Somalia’s rich and ancient cultural history.


Re: [CD] Frei Hermano Da Câmara - Grandes Êxitos (2017)

Re: [CD] Frei Hermano Da Câmara - Grandes Êxitos (2017)

Re: [CD] Frei Hermano Da Câmara - Grandes Êxitos (2017)

Re: [CD] Frei Hermano Da Câmara - Grandes Êxitos (2017)

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Obrigado pela partilha.

 :s...

Re: [CD] Frei Hermano Da Câmara - Grandes Êxitos (2017)

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