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    Derek Ryan • The Fire Жанр : Country Страна : Ireland (Carlow) Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:58:52 Наличие сканов : нет Источник релиза : Lossless 01.

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    Linda Ronstadt - Simple Dreams (40th Anniversary Edition) (1977, 2017) FLAC (tracks)
    Artist: Linda Ronstadt | Album: Simple Dreams (40th Anniversary Edition) | Released: 1977, 2017 | Genre: Pop, Folk, World | Country: US | Duration: 00:43:27

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    The Weeknd - Starboy (Deluxe) (2016) FLAC (image + .cue)
    Artist: The Weeknd | Album: Starboy | Label: XO, Republic Records | Released: 2016 | Genre: RnB, Electronic, Indie Pop | Country: Canada | Duration: 01:12:41

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    T. Rex - Remixes (2017) FLAC (image + .cue)
    Artist: T. Rex | Album: Remixes | Label: Edsel Records | Catalog #: EDSL0011 | Released: 2017 | Genre: Rock, Glam, Classic Rock | Country: UK | Duration: 01:40:35

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    De-Phazz - Greatest Hits (2011) FLAC (image + .cue)
    Artist: De-Phazz | Album: Greatest Hits | Label: Star Mark | Catalog #: 16119 • 1/2 | Released: 2011 | Genre: Electronic, Jazz, Downtempo, Latin Jazz | Country: Germany | Duration: 02:37:18

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    Above & Beyond - Acoustic II (2016) (Vinyl) FLAC (tracks)
    Artist: Above and Beyond | Album: ‎Acoustic II | Released: 2016 | Genre: Lounge, Electronic, Pop | Country: UK | Duration: 01:03:38

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    Above & Beyond - Acoustic (2014) (Vinyl) FLAC (tracks)
    Artist: Above and Beyond | Album: ‎Acoustic | Released: 2014 | Genre: Acoustic, Lounge | Country: UK | Duration: 00:58:40

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    Donna Ulisse • Breakin' Easy Жанр : Country/Bluegrass/Americana Страна : USA (Nashville, TN) Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:36:30 Наличие сканов : нет Источник релиза : Lossless 01.

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    VA - Retro Futurism - Italo Is Still Alive (2017) FLAC (image + .cue)
    Artist: VA | Album: Retro Futurism - Italo Is Still Alive | Label: Analog Language | Catalog #: AL12 | Released: 2017 | Genre: Electronic, Italo-Disco | Country: All World | Duration: 01:10:02

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    320 kbps | 104 MB | LINKS

    In the liner notes for his new album, Steve Martin recounts a conversation with his agent in which, “as a warning, he said, ‘Remember, Steve, you’re selling something no one wants.’ He meant CDs, but I also heard it as ‘music from a 70-year-old comedian.’” Well, sure, if they want to put it that way. Beyond little things like the death of physical media, ageism, and aversion to actors crossing over to other disciplines, there’s also the nearly global disinterest in acoustic string bands. Martin is too much the bluegrass booster, of course, to cite as an additional reason why “The Long-Awaited Album” might not move in the quantities “Jerk” videotapes once did.

    But with this new record, actually, just as he has for the last decade, Martin is giving fans exactly what they want — at least that admittedly smaller subset of fans who value both his absurdity and his seriousness of intent. He seems to feel that the time for doing it all in movies like “Roxanne” has passed, but now he’s able to independently pull it off in his music, where lowbrow joke songs are juxtaposed with tender ones, and where the chops are serious even in the ones where the words aren’t. These primarily musical last 10 years of his have been on par with his first decade as a star, and if the mixture of comedy riffing and clawhammer banjo he’s doing out on the road have distracted him from fielding any “Grandfather of the Bride” offers, all the better for everyone (except maybe that agent).

    The very title of “The Long-Awaited Album” tells you that Martin has gotten a lot more comfortable with making comedy a crucial part of his bluegrass persona than he was when he released the less wackily titled “The Crow: New Songs for the Five String Banjo” to kick off this part of his career in 2009. It’s a veritable variety show of an album, with three overtly laughable numbers that Martin sings, six less comedic tunes in which he defers to the Steep Canyon Rangers’ Woody Platt for more melodious lead vocals, and five quickie instrumentals. It’s a good mix that lets you know Martin realizes no one wants to hear him sing novelty tunes for an entire album, and that he also realizes no one wants to hear him sing no novelty tunes for an entire album.


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    The John Berberian Ensemble - Music Of The Middle East (1966/2001)
    Re-Up

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    Artist: Various Artists Title Of Album: La Legende Des Tubes - Polygram Collection Year Of Release: 1996-1998 Label: Polygram Country: International Genre: Synth-pop, Disco, Pop, Chanson, Funk/Soul, Vocal Quality: FLAC (tracks + log) Bitrate: Lossless Full Size: 14.80 gb

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    Home Free / Timeless (Deluxe Edition) Жанр : Country Страна исполнителя (группы) : USA Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 48:54 Треклист : 01.

    Тема на форуме



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    Για το σέρβο κιθαρίστα Dusan Jevtovic έχουμε γράψει κι άλλη φορά, όταν αναφερθήκαμε στο άλμπουμ του “Am I Walking Wrong?”, που είχε κυκλοφορήσει κι εκείνο από την MoonJune, το 2013. Στο παρόνNo Answer [MoonJune, 2017] ο Jevtovic«απλώνει» εννέα δικές του συνθέσεις, τις οποίες διεκπεραιώνουν (πλην του ιδίου) οι Vasil Hadzimanovδιάφορα πλήκτρα και Asaf Sirkisντραμς. Δεν υπάρχει μπάσο δηλαδή στην ηχογράφηση, αν και κάποιο πλήκτρο κάνει καλή δουλειά.
    ajazz%2Bjevtovic.jpg
    Ο Jevtovicείναι βασικά συνθέτης – όχι πως δεν είναι και επαρκής ως εκτελεστής. Εννοώ πως έχει άποψη για το τι θέλει να κάνει, να προτείνει, και για το πώς γουστάρει, περαιτέρω, να ηχεί η κιθάρα του. Κάτι που ήταν φανερό και από το προηγούμενο CD του εξάλλου. Έτσι λοιπόν μέσα στο κυρίως σώμα του fusion, τη ηλεκτρικής επικοινωνίας της jazz με το rock, ο Jevtovic παίρνει θέση. Μια θέση δική του, κοντολογίς, που χαρακτηρίζεται από τους υπαινιγμούς στον κιθαριστικό ήχο της ECM (Terje Rypdal κυρίως, λιγότερο John Ambercrombie), αλλά και στο κλασικό ροκ… των Pink Floyd π.χ. (άκου το φερώνυμο track, το τέταρτο τού CD του, που συνδυάζει και τα δύο). Υπάρχουν επίσης συνθέσεις, όπως η “Lifetime” που ηχούν περισσότερο bluesy, και με επαρκή μέτρα αυτοσχεδιασμού, ενώ άλλες είναι πιο απλωμένες στο χρόνο, πιο ambient να τις πούμε, εμφανίζοντας σχεδόν πάντα εκείνο το nordicκλίμα (του Rypdal και άλλων – μη κιθαριστών εννοώ). Συχνά, συχνότατα επίσης, συνοδοιπόρος του Jevtovic είναι ο Hadzimanov στο πιάνο, ενώ ο Sirkis έχει ενισχυμένο ρόλο – να κρατάει το ρυθμικό τμήμα, συχνά, με ελεύθερους ρούλους.
    Ωραίο ηλεκτρικό άλμπουμ, που δεν θα περάσει απαρατήρητο από τους φίλους του είδους.
    Επαφή: www.moonjune.com

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    320 kbps | 140 MB | LINKS

    “Echoes Springsteen…recalls Mellencamp…& draws inspiration from Dylan.” – ICON Magazine

    “Hayes writes songs about small town, everyday life with intimacy & grace.” – No Depression


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    320 kbps | 108 MB | LINKS

    Multi-instrumentalist/singer Larry Campbell and singer/guitarist Teresa Williams have long provided musical firepower for fellow artists including Levon Helm, Bob Dylan, Mavis Staples, Little Feat, Phil Lesh and Friends, and Rosanne Cash. When the duo stepped onto center stage in 2015 with their Red House Records debut, Larry Campbell & Teresa Williams, the response was immediate: the release placed them atop the Americana radio charts, Mojo called them “The first couple of Americana” and Uncut gave the album 9/10 stars, describing it as “Passionate, eloquent, spilling over with regal harmonies… channeling Emmylou and Gram.” In January 2017, armed with a new collection of Campbell originals, the pair headed back into the studio with longtime drummer/engineer Justin Guip and new bassist Jesse Murphy to record their follow up. Contraband Love represents a leap forward for Larry and Teresa as they dive even more deeply into their shared pool of musical and life experience. Williams continues to impress as a vocalist, turning in stunning performances on Campbell originals “Contraband Love” and “Save Me From Myself.” Her interpretive skills are showcased on two surprising covers: the Carl Perkins classic “Turn Around” (featuring drumming by Levon Helm on one of his last sessions), and “My Sweetie Went Away,” penned in 1923 and popularized by Bessie Smith. High octane originals “Hit & Run Driver” and “The Wishing Well” give Campbell ample room to show off his vocal prowess as well as his legendary dexterity as a guitarist. Campbell particularly shines on his soul ballad “When I Stop Loving You,” co-written with Stax Records songwriting legend and recent Grammy winner William Bell. Building on the bedrock of album one, Contraband Love features adventurous songwriting, powerful new interpretations of their blues and gospel influences, sterling musicianship and some achingly vulnerable vocals by Teresa and Larry as they tackle emotionally stormy themes of love and betrayal.


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    320 kbps | 105 MB | LINKS

    Lopez’s Red Arrow, out September 22nd, finds him aiming higher than ever. No longer wishing his years away, he captures a transitional moment familiar to anyone with a Y chromosome – but he does it in real time, not after the fact. Like Onward, it’s full of old-soul insight and melodies as crisp as Appalachian spring water, but now he sings about being young and stupid from experience, letting the mental tug of war between love, exploration and home leave its mark.

    Working with a different acclaimed producer this time – Marshall Altman, who’s produced Marc Broussard and Frankie Ballard – Lopez landed on a sound with Red Arrow that flies straight through multiple eras of rock, pop and country. Organic sounds are favored over electronics, while Lopez’s versatile guitar playing provides a millennial take on everything from Eighties rock to timeless folk. Sly, generation-bridging vocals are the common thread, and as interest in Americana rises, Lopez could connect the dots for many young listeners.


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    320 kbps | 101 MB | LINKS

    Tracklist:
    1. Voa Cavaquinho (1:01)
    2. Galope Do Deserto (3:19)
    3. Comboio Azul (3:07)
    4. Noitada Extravagante (4:12)
    5. Ponte Da Barca (3:30)
    6. Palacio Das Necessidades (3:08)
    7. Indios Da Meia-Praia (3:22)
    8. Dança Da Lua Cheia (3:20)
    9. Praça Do Comercio (3:47)
    10. The Common Rave (3:34)
    11. Lagoa Das Sereias (3:29)


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    320 kbps | 101 MB | LINKS

    Tracklist:
    1. Voa Cavaquinho (1:01)
    2. Galope Do Deserto (3:19)
    3. Comboio Azul (3:07)
    4. Noitada Extravagante (4:12)
    5. Ponte Da Barca (3:30)
    6. Palacio Das Necessidades (3:08)
    7. Indios Da Meia-Praia (3:22)
    8. Dança Da Lua Cheia (3:20)
    9. Praça Do Comercio (3:47)
    10. The Common Rave (3:34)
    11. Lagoa Das Sereias (3:29)


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    320 kbps | 169 MB | LINKS

    Loomis’s trademark deep-grooved funk and soulful blues-rock is definitely present. “I wanted this record to be more stripped-down. Even the CD jacket is black and white and pretty basic itself,” he says of the disc, which features songwriting collaborations with Grammy-award winning songwriter/producer/bassist Tommy Sims, co-writer of Eric Clapton’s “Change the World.”


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