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    320 kbps | 126 MB | LINKS

    Truckstop Honey is the Winter Records Recording Artist Nashville duo comprised of Amanda Jo and Billy Lee. Their show has been described as a modern day Johnny and June. With his dry sense of humor and endless jokes and her sweet nature and quick wit, they have been captivating audiences all over The United States. They have opened for acts such as Marshall Tucker Band, Maddie and Tae, Chris Janson, and Tyler Farr. Their music brings a unique blend of country and bluegrass, with a little bit of rock and roll mixed in. The combination results in a show you’ll never forget.


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    Ψάχνοντας κανείς στο παραμέσα των τραγουδιών διαπιστώνει πολλές φορές πόσο σκοτεινή είναι η ιστορία και πώς ορισμένοι μπορεί να δημιουργούν φήμη και περιουσίες, την ώρα που οι πραγματικοί δημιουργοί ψοφολογάνε. Αυτό σκέπτομαι φέρνοντας στο νου μου το τραγούδι τού Sleepy John EstesThe girl I love she got long curly hair” (1929), που διασκεύασαν οι LedZeppelin ως “The girl I love she got long black wavy hair” (άλλαξαν τον τύπο των μαλλιών δηλαδή!) στα BBC Sessions το 1969, που ήταν ουσιαστικά το “Moby Dick” με λόγια [με το επίσης «δανεισμένο» riff από το “Watch your step” (1961) του Bobby Parker]. Βουτάς από ’δω, βουτάς από ’κει στο τέλος κάτι μένει κι από ’σένα…
    Γεννημένος στη Ripley του Tennessee το 1899 ή το 1900, ο Sleepy John Estes μπαίνει στις ηχογραφήσεις το 1929 και μέχρι το 1941 θα φτιάξει 50 περίπου τραγούδια, μεταξύ των οποίων το “Milk cow blues” (1930), που επηρέασε τον Kokomo Arnold  στο ομότιτλο δικό του κι από ’κει τον Elvis Presley και κυρίως το περίφημο “Someday baby blues” (1935), που ξεπατικώθηκε ή επηρέασε (διαλέξτε το ρήμα που θέλετε) τον Big Maceo Merriweatherστο πασίγνωστο “Worried life blues”.
    Μετά τον πόλεμο ο Sleepy John Estes εμφανίζεται το 1948, όταν γράφει δύο θέματα για την εταιρία Ora-Nelle και λίγο αργότερα, το 1952, όταν είχε ένα μικρό session για τη Sun!
    Χαμένος στην ουσία για πολλά χρόνια, ο Estes θα επανέλθει το 1962, καταμεσής του blues revival. Τον αποκαμωμένο τραγουδιστή, που είχε χάσει το ένα μάτι του όταν ήταν μικρός και το άλλο γύρω στο ’50, τον ανακάλυψε κάποιος David Blumenthal, όταν ο ίδιος γύριζε ένα φιλμ στο Νότο (των ΗΠΑ) και αναζητούσε πρόσωπα. Για τον Estes του είχε πρωτομιλήσει ο Memphis Slim, ο οποίος είχε ακούσει γι’ αυτόν από τον Big Joe Williams (το κινητό ληξιαρχείο των εξαφανισμένων μουσικών). Ο Blumenthal μίλησε στον Bob Koester της Delmark Records και τη συνέχεια τη φαντάζεστε… 
    a401.jpg
    O Sleepy John Estes θα γράψει για την Delmark πέντε άλμπουμ, τα οποία και θα τον αναδείξουν σε ηγετική φιγούρα του blues revival.
    Αυτό που πρέπει να τονίσουμε, εδώ, είναι πως το ύφος του Estes παρέμεινε αναλλοίωτο μέχρι το τέλος της ζωής του, κάτι που οφειλόταν όχι μόνο στις δικές του αισθητικές πεποιθήσεις, αλλά και στο γεγονός πως, για πάρα πολλά χρόνια, εξακολουθούσε να παίζει με τα ίδια πρόσωπα, τους κολλητούς του Hammie Nixon φυσαρμόνικα και Yank Rachell μαντολίνο, κιθάρα.
    Από τα τραγούδια που συνέθεσε ο Estes στα χρόνια του ’60 θεωρείται κλασικό του το “Rats in my kitchen” (από το “The Legend of” του 1962). Στο δεύτερο άλμπουμ του, το θαυμάσιο “Broke and Hungry”, υπάρχει το “Electric chair” (ο Estes είχε διάφορα προβλήματα με το νόμο και φαίνεται πως, κάποτε, την είχε γλιτώσει φτηνά), όπως και μια επανεκτέλεση του “Girl I love”. Αξίζει να σημειωθεί, επίσης, πως στο συγκεκριμένο LP συμμετείχε σ’ ένα από τα πρώτα του sessions και ο Michael Bloomfield!
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    Ο Sleepy John Estes θα ηχογραφήσει επίσης για τις εταιρείες Southland, Folkways, Vanguard, Storyville, Roots, Revival κ.ά., πριν το 1969 δώσει κι αυτός το δικό του ηλεκτρικό άλμπουμ (“Electric Sleep”), όταν συνεργάστηκε με τους Carey Bell, Sunnyland Slim, Jimmy Dawkins και Earl Hooker.
    Τα seventies θα βρουν τον Sleepy John Estesμε κλονισμένη την υγεία του και κατά συνέπεια με λιγότερες δημόσιες εμφανίσεις. Απ’ αυτή την περίοδο αξίζει να αναφερθεί η παρουσία του στο δίσκο του Ry CooderBoomers Story” [Reprise, 1972], εκεί όπου θα ερμηνεύσει το topicalPresident Kennedy”. Ακόμη δεν θα πρέπει να λησμονηθεί η ύπαρξη δύο ιαπωνικών άλμπουμ του ηχογραφημένα στο Τόκιο τον Νοέμβρη του 1974 και τον Δεκέμβρη του 1976 αντιστοίχως.
    Μεγάλη μορφή!
    Δισκογραφία(επιλογή) 
    1. The Legend of Sleepy John Estes – Delmark DL-603 – 1962
    2. Broke and Hungry – Delmark DE-608 – 1964 
    3. Portraits In Blues Vol. 10 – DK. Storyville SLP 172 – 1964 
    4. In Europe – Delmark DL-611 – 1965 
    5. Brownsville Blues – Delmark DS-613 – 1965
    6. Electric Sleep – Delmark DS-619 – 1969 
    7. Blues Live! Sleepy & Hammie Meet Japanese People – JAP. Trio PA6059 – 1976
    8. Blues Is A-Live – JAP. Trio 3A-2025 – 1976 
    9. Recorded Live – AUS. Wolf 120.913 – 198? (rec. 1966, 1974)
    10. Southern Blues – AUS. Wolf 120.916 – 1988 (rec. 1974) 
    11. Goin’ To Brownsville – Testament TCD-6008 – 1998 (rec. 1962)
    12. Newport Blues – Delmark DE 639 – 2002 (rec. 1964) 
    13. On 80 Highway – Delmark DE 797 – 2008 (rec. 1974)

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    itunes pic
    1. (Sig) English Country Blues Band: The Italian Job from the CD Unruly (Weekend Beatnik) 2. Kries: Zelena Lipa from the CD Selo Na Okuke / Village Tracks (Riverboat) 3. Canzoniere Grecanico Salentino: Subbra Sutta from the CD Canzoniere (Ponderosa) 4. Melrose Quartet: The Seeds Of Love from the CD Dominion (Melrose Quartet) 5. Edgelarks: Yarl's Wood from the CD Edgelarks (Dragonfly Roots) 6. Three City Four: Oxford Town from the CD Take What You Need (Ace) 7. Lankum: The Granite Gaze from the CD Between The Earth And Sky (Rough Trade) 8. Orchestre Les Mangelepa: Maindusa from the CD Last Band Standing (Strut) 9. Monoswezi: A Djaha from the CD A Je (Riverboat) 10. Jon Boden: Bee Sting from the CD Afterglow (Hudson) 11. Richard Dawson: Soldier from the CD Peasant (Weird World/ Domino) 12. Dona Onete: Proposta Indecente from the CD Banzeiro (Mais Um Discos) 15. Eljuri: Bangbang from the CD La Lucha (Manovill) 14. Julie Fowlis: Camariñas from the CD Alterum (Machair) 15. Cocanha: Lo Companhon De l'Avairon from the CD i ès ? (Pagans) 16. Mark T: Follow The Drinking Gourd from the CD From Blues To Rembetika (Circle Of Sound) 17. Boubacar Traore: Je Chanterai Pour Toi from the CD Dounia Tabolo (Lusafrica) 18. The Emily Askew Band: Cantiga De Santa Maria 42 / Bourrée from the CD Alchemy (Askew Music) fRoots Radio can also be heard streamed live on Mixcloud. You can find more details including past playlists and links to labels at www.podwireless.com Follow the links for the past two years previous fRoots Radio podcasts.

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  • 10/10/17--03:33: Nação Zumbi
  • nz.jpg

    Nação Zumbi, D'Abord Né Autour De Chico Science Est LE Groupe De Manguebeat,
    Crée En 1991 à Recife, Le Groupe Melange Les Sonorités Du Nordeste
    Avec Des Sonorités Plus Punk Rock ou Hard Rock

    Nação Zumbi, Al Inicio Nace Alrededor De Chico Science Es LA Banda De Manguebeat,
    Creado En 1991 En Recife, El Grupo Mezcla Los Sonoridades Del Nordeste
    Con Sonoridades Mas Punk Rock O Hard Rock

    Nação Zumbi, At First Born Around Chico Science, Is THE Band Of Manguebeat
    Born In 1991 In Recife, The Band Mix Sonorities Of The Nordeste
    With Sonorities More Punk Rock Or Hard Rock


    Site Officiel

    nz%2Bbom%2Btom%2Bradio.jpg
    Bom Tom Radio 1987
    01 A Cidade
    02 Negros
    03 Valor
    04 Samba Do Lado [Bonus Track]- Ao Vivo No Oasis 1991

    nz%2Bde%2Blama.jpg
    De Lama Ao Caos 1994

    01 Monologo Ao Pe Do Ouvido
    02 Rios, Pontes & Overdrives
    03 A Cidade
    04 A Praieira
    05 Samba Makossa
    06 De Lama Ao Caos
    07 Maracatu De Tiro Certeiro
    08 Salustiano Song
    09 Antene-Se
    10 Risoflora
    11 Lixo De Mangue
    12 Computadores Fazem Arte
    13 Coco Dub (Afrociberdelia)

    nz%2Bafro.jpg
    Afrociberdelia 1996

    01 Mateus Enter (Intro)
    02 O Didadao Do Mundo/ Ciudado Com O Bulldog/ Louvacao/ Bat Macumba
    03 Etina
    04 Quilombo Groove- Instrumental
    05 Maco/ A Minha Mennia/ Take Five
    06 Um Passeio No Mundo Livre
    07 Samba Do Lado
    08 Maracatu Atomico
    09 O Encontro De Isaac Asimov Com Santos Dumont No Céu
    10 Corpo De Lama
    11 Sobremesa
    12 Manguetown
    13 Um Satelite Na Cabeca (Bitnik Generation)
    14 Baiao Ambiental- Instrumental
    15 Sangue De Bairro
    16 Enquanto O Mundo Explode
    17 Interlunde Zumbi
    18 Criança De Domingo
    19 Amor De Muito
    20 Samidarish- Instrumental
    21 Maracatu Atomico- Atomic Version
    22 Maracatu Atomico- Ragga Mix
    23 Maracatu Atomico- Trip Hope

    02-02-97 Morte de Chico Science

    nz%2Bcsnz.jpg
    CSNZ 1998

    DISCO I DIA

    01 Malungo- Part Esp.Jorge Ben Jor, Fred 04, Marcelo D2 & Falção
    02 Nos Quintais Do Mundo (Mucuña)
    03 Prototipo Sambalico de Mensagem Digital
    04 Dubismo
    05 Interlude Cien-Zia
    06 Quilombo Groove- Ao Vivo
    07 Um Satelite Na Cabeça (Bitnik Generation)- Ao Vivo
    08 Pot-Pourri [Ao Vivo] Lixo Do Mangue Enquanto O Mundo Explode Da Lama Ao Caos
    09 Sobremesa- Ao Vivo
    10 Salustiano Song- Ao Vivo
    11 Samba Makossa [Bonus Track]- By Planet Hemp

    DISC II NOITE

    01 Amor De Muito- Mario Caldato Remix
    02 Banditismo Por Uma Questão De Classe- DZCutz Remix
    03 A Cidade- DJ Soul Slinger Remix
    04 Rios, Pontes E Overdrive- David Byrne Remix
    05 Macô- Fila Brazilia Remix
    06 Corpo De Lama- Apollo 9 Remix
    07 Coco Dub (Afrociberdelia)- Mad Professor Remix
    08 O Cidadão Do Mundo- Arto Lindsay Remix
    09 Risoflora- BiD Remix
    10 Chico-Death Of A Rockstar Maracatu Atômico (Sample)- By Goldie
    11 Todo Estão Surdo [Bonus Track]- Tributo A Roberto Carlos

    nz%2Bradio%2Bsamba.jpg
    Radio S.Amb.A 2000

    01 Do Mote Do Doutor Charles Zambohead/ Azougue
    02 Caranguejo Da Praia Das Virtudes [Madame Satã]
    03 Lo-Fi Dream [Los Sebosos Postizos]
    04 Arrancando As Tripas
    05 Pela Orla Dos Velhos Tempos
    06 Remedios
    07 O Carimbo/ Coco Assassins [Bailado Capenga]
    08 Quando A Maré Encher
    09 Antromangue/ Brasilia
    10 Na Badala Do Rio Salgado
    11 João Galafuz
    12 Jornal Da Morte
    16 Zumbi X Zulu
    17 Del Chifre's Beach

    nz%2Bnz02.jpg
    Nação Zumbi 2002

    01 Blunt Of Judah
    02 Mormaço
    03 Propaganda
    04 Amnesia Express
    05 Meu Maracatu Pesa Uma Tonelada
    06 Faz Tempo
    07 Prato De Flores
    08 Know How
    09 Ogan Di Bele
    10 Caldo De Cana
    11 O Fogo Anda Comigo
    12 Tempo Amarelo

    nz%2Bfuturo.jpg
    Futura 2005

    01 Hoje, Amanhã E Depois
    02 Na Hora De Ir
    03 Memorando
    04 A Ilha
    05 Respirando
    06 Voyager
    07 Expresso Da Eletrica Avenida
    08 Nebulosa
    09 Sem Preço
    10 Vai Buscar
    11 Pode Acreditar
    12 Futura

    nz%2Bpropagand.jpg
    Propagando Ao Vivo 2006

    01 Mormaço
    02 Samba Do Lado
    03 Quando A Maré Encher
    04 Propaganda
    05 Macô
    06 Prato De Flores
    07 Blunth Of Judah
    08 Blunth Of Judah
    09 Know How
    10 Remedios
    11 Zumbi X Zulu/ Banditismo Por Uma Questão De Classe/ Um Satelite Na Cabeçà
    12 Amnesia Express
    13 Purple Haze
    14 Meu Maracatu Pesa Uma Tonelada
    15 O Cidadão Do Mundo
    16 Manguetown
    17 De Lama Ao Caos/ Umbabarauma Ponta De Lançà Africano

    nz%2Bfome%2Bde%2Btud.jpg
    Forme De Tudo 2007

    01 Bossa Nostra
    02 Infeste
    03 Carnaval
    04 Inferno
    05 Nascedouro
    06 Onde Tenho Que Ir
    07 Assustado
    08 Fome De Tudo
    09 Toda Surdez Sera Castigada
    10 A Culpa
    11 Originais Do Sonho
    12 No Olimpo

    nz%2Bbossa.jpg
    Bossa Nostra 2007

    01 Bossa Nostra
    02 Originais Do Sonho- Maq Remix

    nz%2Bao%2Bvivo.jpg
    Ao Vivo No Recife 2012

    01 Fome De Tudo
    02 Hoje, Amanhã E Depois
    03 Bossa Nostra
    04 Etnia
    05 Inferno
    06 Corpo De Lama
    07 Trincheira Da Fuloresta
    08 Cordão De Ouro
    09 Infeste
    10 Rios, Pontes E Overdrivers
    11 Salustiano Song
    12 Antene-Se
    13 Maracatu Atomico
    14 Jornal Da Morte
    15 Manguetown

    nz%2Bmundo%2Blive.jpg
    Mundo Livre S.A Vs Nação Zumbi 2013 Meets Mundo Livre S.A

    01 A Cidade
    02 Praiera
    03 Etnia
    04 Meu Maracatu Pesa Uma Tonelada
    05 No Olimpo
    06 Rio Pontes E Overdrives
    07 Samba Makossa
    08 Livre Iniciativa
    09 Musa Da Ilha Grande
    10 Bolo De Ameixa
    11 Girando Em Torno Do Sol
    12 Pastilhas Coloridas
    13 Seu Suor E O Melhor De Você
    14 O Velho James Brown Dizia...

    nz%2Bnz07.png
    Nação Zumbi 2014

    01 Cicatriz
    02 Bala Perdida
    03 O Que Te Faz Rir
    04 Defeito Perfeito
    05 A Melhor Hora Da Praia
    06 Um Sonho
    07 Novas Auroras
    08 Nunca Te Vi
    09 Foi De Amor
    10 Cuidado
    11 Pegando Fogo

    nz%2Brdio.jpeg
    Rdio Sessions 2015

    01 Cicatriz
    02 Um Sonho
    03 Defeito Perfeito
    04 Novas Auroras
    05 Manguetown
    06 Quando A Maré Encher

    nz%2Bguararap.jpg
    Guararapes

    01 Mister Moto
    02 Antene-Se
    03 Praieira
    04 Bandistismo Por Uma Questão De Classe
    05 Lixo No Mangue
    06 Maracatu De Tiro Certeiro
    07 Sobremesa
    08 Risoflora
    09 Rios, Pontes & Overdrives

    nz%2Bbonus.jpg
    Bonus

    01 Todo Estao Surdos
    02 Sangue De Bairro [Baile Perfumado Ost]
    03 Inclassificaveis
    04 Rio 40 Graus- Feat Fernanda Abreu
    05 Angicos [Suba's Remix][Baile Perfumado Ost]
    06 Roda Rodete Rodiano- Feat Bid
    07 Improviso [Ao Vivo]
    08 Improviso [Declarações Alucinadas De Chico Durante O Temino De Show]

    RCqrBAe8.png
    Collaboraçãos Vol.I

    Cassia Eller- De Esquina [Ao Vivo]- Feat NZ
    Cassia Eller- Quando A Mare Encher [Ao Vivo]- Feat NZ
    Chico Science & BID- Roda Rodete Rodiano
    Chico Science & NZ- Eu Tambem Sou Caranguejo
    Chico Science & NZ- Prot Tipo SAmbad Lico De Mensagem Digital
    Chico Science & NZ- Todos Estão Surdos [Roberto Carlos Cover]
    Gal Costa- Barato Total- Feat NZ
    Instituto- Alto Zé Do Pinho- Feat Sabotage, NZ & Otto E Sombra
    Jorge Ben Jo- Charles Jr.- Feat NZ
    Jorge Mautner & Nelson Jacobina- Maracatu Atomico- Feat CSNZ
    Muzenza- Guerrilheiros Da Jamaica [Rumpilé]- Feat NZ
    Nação Zumbi Projet- Live Carnaval, Recife 2016- Meets Franz Treicher [The Young Gods]
    NZ- Conserve O Seu Mundo
    NZ- O Fole Roncou [Tributo A Luiz Gonzaga]
    NZ- Sangue De Bairro

                                                      CONCERTS -- CONCIERTOS -- LIVES
    nz%2Bconc.jpg


    nz%2Bmangue.jpg
    Mangue Feliz 24-12-93

    01 A Cidade
    02 Advogado Do Diabo
    03 Apraieira
    04 Da Lama Ao Caos
    05 Banditismo
    06 A Cidade- Reprise
    07 Improviso

    nz%2Bcirco.jpg
    Circo Benetton 1994

    01 A Cidade
    02 A Hora E A Vez Do Cabelo Crescer
    03 Salustiano Song
    04 A Praieira
    05 Da Lama Ao Coas/ Roda, Rodete, Rodiano
    06 Rios, Pontes & Overdrives

    nz%2Bmontreux.jpg
    Montreux, Jazz Festival xx-07-95

    01 Anouncement
    02 Monologo Ao Pe Do Ouvido/ Banditismo
    03 Etnia
    04 Antene-Se
    05 Maracatu De Tiro Certeiro
    06 Vinheta
    07 Rios, Pontes & Overdrives
    08 Salustiano Song
    09 Sobremesa
    10 A Praieira
    11 Samba Makossa
    12 Enquanto O Mundo Explode
    13 Filha De Gaiamun
    14 De Lama Ao Caos
    15 Coco Dub
    16 Thanks
    17 Todo Estão Surdos
    18 A Cidade
    19 Corpo De Lama
    20 Mister Moto

    nz%2Bhollywood.jpg
    Hollywood Rock Festival, Rio De Janeiro xx-01-96

    01 Mateus Enter/ Rios, Pontes & Overdrives
    02 Todos Estao Surdos
    03 A Cidade
    04 A Praieira
    05 Enquanto O Mudo Explode
    06 Filhos De Guaiamun
    07 Lixo Do Mangue
    08 Da Lama Ao Coas/ Refuse-Resist [Sepultura Cover]
    09 Salustiano Song
    10 Macô
    11 Manguetown

    nz%2Babril%2Bpro.jpg
    Abril Pro Rock, Recife xx-04-96

    01 Mateus Enter/ O Cidadao Do Mundo
    02 A Praieira
    03 Etna
    04 Quilombo Groove
    05 Corpo De Lama
    06 Todos Estao Surdos
    07 Banditismo Por Uma Questao De Classe
    08 Rios, Pontes & Overdrives
    09 Coco Dub
    10 Roda, Rodete, Rodiano

    nz%2Bbem%2Bbraz.jpg
    Bem Brasil 19-05-96

    01 O Cidadão Do Mundo
    02 Manguetown
    03 Etnia
    04 Bate Papo
    05 A Praieira- Feat Samuel Rosa [Skank]
    06 Samba Makossa- Feat Samuel Rosa [Skank]
    07 Quilombo Groove
    08 Corpo De Lama
    09 A Cidade (Boa Noite Do Velho Faceta)
    10 Bate Papo- Feat Samuel Rosa [Skank]
    11 Todo Estão Surdos
    12 Maracatu De Tiro Certeiro- Feat Arnaldo Antunes
    13 Sobremesa- Feat Arnaldo Antunes
    14 Bate Papo- Feat Arnaldo Antunes
    15 Salustiano Song
    16 Um Satelite Na Cabeça (Bitnik Generation)
    17 Enquante O Mundo Explode/ De Lama Ao Caos/ Refuse Resist [Sepultura Cover]
    18 Bate Papo- Feat João Gordo
    19 Lixo Do Mangue
    20 Macô
    21 Samba Do Lado- Feat Fred 04
    22 Computadores Fazem Arte- Feat Fred 04
    23 Bate Papo- Feat Wandi
    24 Um Passeio No Mundo Livre- Feat Fred 04
    25 Manguetown- Feat Convidados

    nz%2Bradio%2Btrans.jpg
    Radio Transamerica 1996

    01 Mateus Enter
    02 O Cidadao Do Mundo
    03 Maracatu De Tiro Certeiro
    04 Enquanto O Mundo Explode
    05 Da Lama Ao Caos
    06 Filho De Guainamun/ Lixo Do Mangue
    07 Salustiano Song
    08 Samba Do Lado
    09 Corpo De Lama
    10 A Cidade
    11 Something's Got To Give
    12 Manguetown
    13 Todos Estao Surdos
    14 Coco Dub
    15 Remix E Apresentação

    02-02-97 Morte de Chico Science

    nz%2Bcarnaval%2Brecife.jpg
    Recife, Carnaval 2009 Meets Siba & A Fuloresta

    01 Trincheira Da Fuloresta
    02 Meu Maracatu Pesa Uma Tonelada
    03 Sera
    04 Mormaço
    05 Bringa/ Fuloresta Do Samba/ Caluanda
    06 Praieira
    07 A Bagaceira
    08 Blunt Of Judah
    09 Infeste
    10 Fome De Tudo
    11 Hoje, Amanhã E Depois
    12 Manguetown
    13 Coco Dub
    14 A Velha Da Capa Preta/ Arranha Aranha/ Bloco Da Bicharada
    15 Quando A Maré Encher
    16 Nascedouro

    nz%2Bskank.jpeg
    Estudio Coca-Cola 2013 Meets Skank

    01 Blunth Of Judah
    02 Um Mais Um
    03 A Cidade
    04 Pacato Cidadão
    05 Umabarauma
    06 Hoje, Amanhã E Depois
    07 Maracatu Atômico
    08 Uma Partida De Futebol



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    The Church - Parallel Universe (2CD) (2002) FLAC (tracks+.cue)
    Artist: The Church | Album: Parallel Universe | Released: 2002 | Label: Cooking Vinyl | Catalog #: COOK CD 248 | Genre: Alternative Rock, Neo-Psychedelia

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    Kane Brown – Kane Brown (2017) 24bit Hi-Res Deluxe Edition FLAC (tracks)
    Artist: Kane Brown | Album: Kane Brown | Released: 2017 | Genre: Country

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    Liam Gallagher – As You Were (2017) [24bit Hi-Res Deluxe Edition] FLAC (tracks)
    Artist: Liam Gallagher | Album: As You Were | Released: 2017 | Genre: Alternative Rock

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    Vance Joy – Lay It On Me (Acoustic) (2017) [Single] FLAC
    Artist: Vance Joy | Album: Lay It On Me (Acoustic) | Released: 2017 | Genre: Alternative Rock

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    Muse - Drones (2015) FLAC (tracks)
    Artist: Muse | Album: Drones | Released: 2017 | Label: Warner Bros. / Helium 3 | Genre: Alternative Rock

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    Night Runner – Thunderbird (2017) [24bit Hi-Res] FLAC (tracks)
    Artist: Night Runner | Album: Thunderbird | Released: 2017 | Genre: Outrun, Rock

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    Zak Abel – Only When We’re Naked (2017) [24bit Hi-Res] FLAC (tracks)
    Artist: Zak Abel | Album: Only When We’re Naked | Released: 2017 | Genre: Pop

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    Tonebox – Nocturn (2016) [24bit Hi-Res] FLAC (tracks)
    Artist: Tonebox | Album: Nocturn | Released: 2016 | Genre: Chillout, Dreamwave

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    Sébastien Llinares – Érik Satie Gnossiennes, Gymnopédies, Parade & Other Pieces (2017) [24bit Hi-Res] FLAC (tracks)
    Artist: Sebastien Llinares | Album: Érik Satie Gnossiennes, Gymnopédies, Parade & Other Pieces | Released: 2017 | Genre: Classical

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     :obrigado...

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    320 kbps | 321 MB | LINKS

    CD 1 (Gillan)
    01. Gut Reaction (03:41)
    02. Talking To You (03:34)
    03. No Good Luck (04:06)
    04. Nothing But The Best (03:39)
    05. Loving On Borrowed Time (04:59)
    06. Sweet Lolita (03:46)
    07. Nothing To Lose (06:11)
    08. Moonshine (02:41)
    09. Long And Lonely Ride (03:43)
    10. Love Gun (03:25)
    11. No More Cane On The Brazo (08:13)

    CD 2 (Ian Gillan Band)
    01. Scarabus (04:56)
    02. Exhausted (04:09)
    03. Poor Boy Hero (03:10)
    04. Mercury High (03:33)
    05. Pre-Release (04:24)
    06. Slags To Bitches (05:10)
    07. Apathy (04:17)
    08. Mad Elaine (04:19)
    09. Country Lights (03:18)
    10. Fool’s Mate (04:20)

    CD 3 (Gillan & Glover)
    01. Clouds And Rain (04:00)
    02. Evil Eye (04:10)
    03. She Took My Breath Away (04:33)
    04. Dislocated (03:22)
    05. Via Miami (04:59)
    06. I Can’t Dance To That (04:24)
    07. Can’t Believe You Wanna Leave (03:08)
    08. Lonely Avenue (03:07)
    09. Telephone Box (05:16)
    10. I Thought No (03:34)
    11. Cayman Island (03:54)
    12. The Purple People Eater (02:33)
    13. Chet (04:16)

    • Use JDownloader for easier downloads •


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  • 10/10/17--06:47: Laramarka - Llamerada (2008)
  • Laramarka - Llamerada (2008)

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     :obrigado...

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    Estrondoso :...

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    IMG_8122.jpg

    Location: Tanjung Karang, West Kalimantan

    Sound: Talimaa’/Dayung

    Returning to Kalimantan felt like coming back to a strange and distant dream, one I must have woken from years ago. Had I really been here three years ago on these same gravel roads, wandering in search of sounds? Had I really spent one month on Indonesian Borneo’s steamy east coast, teaching English to middle aged refinery workers? I wasn’t really sure if it any of that had happened at all.

    As soon as I hit that forest road outside of Putussibau, though, I knew it had all really happened. Here was that same broad blue river, bridgeless but serviced by narrow little rafts to carry you and your motor across. Here was that same fork in the road where we’d asked a confused local, “Where can we find sape’?” It had all really happened: despite the surreal haze of those memories, it was real.

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    We had come during the Lebaran holiday, Sinta and I. It wasn’t the most romantic idea for a vacation, but Sinta (then my girlfriend, now soon-to-be wife) was game. I had almost broken her, though, making pitch black river crossings in the night, following forest roads between far-flung villages. Our next trip was a conventional one to the beaches of Bali, a thanks for putting up with my wannabe ethnomusicologist insanity.

    I’d been woefully unprepared that time, with no contacts in the area and no idea of what to look for except for sape’ Kenyah, a wonderfully sweet Dayak lute which continues to bewitch me. Instead I’d stumbled upon Pak Paran and his ‘sape Kayan, an earthy two-stringed lute played almost exclusively in this area of the Mendalam river deep in the province of West Kalimantan.

    If only I’d bothered to listen to Philip Yampolsky’s brilliant albums from the Music of Indonesia series, I would’ve known that this part of Kalimantan is richer than I could have ever guessed. Volume 13, Kalimantan Strings, featured the sape’ Kayan I knew nothing about, plus a gorgeous   track featuring sapeKayan together with soulful singing called talimaa’. If I’d had a listen to Volume 17, Kalimantan: Dayak Ritual and Festival Music, I would have heard a stirring take on dayung, all stomping feet and choral vocals. They’d both been recorded not far from the river Sinta and I crossed years ago, unaware.

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    As I detailed in my post on Pak Bunau and his kadedek, I got a chance to return to Kalimantan as a guide for Jan Schulte, a German musician in search of sounds for a Europalia International Arts Festival residency. The trip was about Jan’s own recording efforts, not mine, but we agreed that it wouldn’t hurt for me to share some of the raw music we met there in our ten days on the massive island. 

    How lucky we were to be accompanied by amateur Dayakologist Yadi, a Pontianak-based musician whose group Balaan Tumaan specialized in the music of the Kayan people in this part of Kalimantan. It was Yadi who led us down those familliar forest roads once more, right to the house of Ibu Ana, a singer and Kayan shaman who Yadi and his girlfriend had studied with months before.

    It was such a delight to finally arrive after literally days on the road, climbing the rickety wooden stairs of the raised wooden house to be greeted by Bu Ana herself, a beautiful woman in her fifties wearing an easy smile and a girlish skirt. Soon we met Jugah, her kind and humble son, a fine player of the sapeKayan. We were to stay with them for a few days, allowing Jan to soak up the jungle sounds and lazy river life of this part of Kalimantan.

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    I first got a glimpse of Ibu Ana’s power on our first night in the village. Explaining that she had some work to do, she left us on the front porch with Jugah and his colorfully painted sape’ Kayan. We’d been sitting on the porch for around an hour, soaking in Jugah’s sape’ sounds, when Ibu Ana quietly returned, climbing those wooden stairs in the dark. Without explanation, she came to each of us in turn, placing a small knife between our lips and telling us to bite. As I felt the cold metal between my teeth, Ibu Ana stood above me, mumbling prayers.

    Later that night, she attempted an explanation. Ibu Ana is a dayung, a kind of shaman. She is often called to help in spiritual matters in the village, acting as an intermediary between the spirit world and this one. That night, she had gone to meet a neighbor who’d been having nightmares. Nightmares are like haunted dreams, she’d explained, and it was her duty to make sure the spirit in those dream did no harm in this world. The knife and prayers had been a protective spell, a trick to make sure the spirit did not follow her home and harm us. 

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    Ibu Ana looked exhausted from that spiritual labor, but she continued to sit and talk with us that night, breaking the heavy vibe with unexpected bouts of infectious laughter. She seemed bemused to be hosting these two strange young foreigners in her home: she’d muse out loud in her accented Indonesian, “If only I were younger…”, only to giggle once more to herself. 

    That first night was capped with a song. As Jugah strummed his sape’ lute, Ibu Ana sat by his side and sang, eyes closed. The electric buzz of cicadas streamed in the open window as she improvised poetic verses called talimaa’. Talimaa’, she later explained, uses a ritual form of the Kayan language which is rarely understood by the younger generation. The verses often accompany dance, with the lyrics outlining the meaning and origins of the movements as the dance proceeds. That night, though, Ibu Ana had came up with a new text. She sang of our journey to come see her, told stories of everyday Kayan life, and lamented her status as one of the few dayung left in the area. 

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    We spent the next day out and about, mostly taking baths in the cool blue river, the steady current pushing us gently downstream. Jan would wander off into the forest to record insect noises as I sat on the floorboards of Ibu Ana’s living room, showing her my mouth harps. She reminisced about the old days, when she’d play the tung, the Kayan take on the widespread instrument. She demonstrated on my brass dan moi, but could only play for a few seconds at a time before bursting out in that endearing giggle once again.

    On our last night, Ibu Ana promised something special: she and some other women from the village would sing dayung, another form of sung poetry named after the shaman-soloist who led the group in song. Just as the time was coming, though, the power went out. We sat for an hour in black of night, a flickering gas flame on the floor shedding a weak light that seemed to be eaten up by the thick darkness. One by one, Ibu Ana’s team of singers creaked up to the front door from across the village, joining us with whispers in the dark. 

    Soon enough we learned that the local chapel had a generator, so we headed there to fill it with song. The small wooden building had the feel of a colonial schoolhouse, but it was almost totally empty, a lace-covered altar standing at the end of the room, a crucified Christ looking down from the wall. It struck me as an odd place to sing this music: dayung has roots in the animist world of spirits, with songs sometimes acting like powerful spells. Maybe, I thought, it was more evidence of the permissive syncretism of the Catholic Church in Indonesia, one which has made for Christmas gongs in Sumba and Good Friday laments in West Timor. The dayung they’d be sharing, though, was secular, a reconfigured version for the Catholic Kayan of today. 

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    We started with another take on talimaa’. Ibu Ana and her small choir were now dressed for the occasion: their long black dresses were sequined and beaded with organic filigrees, while their hair was wrapped in patterned red headbands, each with a single black and white eagle feather sticking proudly upwards. Ibu Ana looked especially lovely, her rouged lips highlighted by red beaded earrings which swayed when she moved her head. This time, Ibu Ana’s bluesy vocals were answered by a chorus between verses, each time the same meaningless incantation: “Saloi.” 

    For the dayung, Ibu Ana humbly asked one of the other women to sing the solo part, that of the shaman or dayung for which the style is named. She didn’t want to hog the spotlight, it seemed, and the other dayung could use the practice. This new dayung stood in the middle of the room, with the others holding a large loop of rattan around her in their left hands. As the dayung sung each verse, the choir circled her counter-clockwise, their rhythmic footsteps shaking the floor of the small chapel. Just as with the talimaa’, each verse was answered with five voices in unison. While the talimaa’ chorus had been subdued, almost mournful, the dayung chorus was bold, powerful: their voices shook the rafters as their footsteps shook the floor. My digital recorder hung from a hook in the ceiling (the only way to get a balanced mix without getting in the way!), spinning slightly as the women circled below.

    Later Ibu Ana explained the meaning of the dayung vocals. It was again improvised poetic verse, a song aimed towards the small audience of Yadi, Jan, and I. "Don't forget us," they'd sang, their voices filling the chapel. Oh, we won't, I assured Ibu Ana. That would be impossible. Not only would those days on the river live on in my memory forever, but their voices will now stream forth from this site, a plea to the world from the heart of Borneo, to listen, and to take notice. 


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  • 10/10/17--07:54: Mastermix Issue 375 (2017)
  • Mastermix Issue 375 (2017)

    Artist: Various Performers
    Title: Mastermix Issue 375
    Label: Music Factory
    Style: R&B, Funk, Soul, Disco, Synthpop, Electropop, Soft Rock, Country, Gospel, Bubblegum, Novelty Song
    Release Date: 20-08-2017
    Format: 2CD, Compilation, Mixed
    Quality: 320 Kbps/Joint Stereo/44100Hz
    Tracks: 10 Tracks

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