Truckstop Honey – Polaroid (2017)

October 10, 2017, 1:29 am

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320 kbps | 126 MB | LINKS

Truckstop Honey is the Winter Records Recording Artist Nashville duo comprised of Amanda Jo and Billy Lee. Their show has been described as a modern day Johnny and June. With his dry sense of humor and endless jokes and her sweet nature and quick wit, they have been captivating audiences all over The United States. They have opened for acts such as Marshall Tucker Band, Maddie and Tae, Chris Janson, and Tyler Farr. Their music brings a unique blend of country and bluegrass, with a little bit of rock and roll mixed in. The combination results in a show you’ll never forget.

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BLUES REVIVAL 19: SLEEPY JOHN ESTES (1899 ή 1900-1977)

October 10, 2017, 2:04 am

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Ψάχνοντας κανείς στο παραμέσα των τραγουδιών διαπιστώνει πολλές φορές πόσο σκοτεινή είναι η ιστορία και πώς ορισμένοι μπορεί να δημιουργούν φήμη και περιουσίες, την ώρα που οι πραγματικοί δημιουργοί ψοφολογάνε. Αυτό σκέπτομαι φέρνοντας στο νου μου το τραγούδι τού Sleepy John Estes “The girl I love she got long curly hair” (1929), που διασκεύασαν οι LedZeppelin ως “The girl I love she got long black wavy hair” (άλλαξαν τον τύπο των μαλλιών δηλαδή!) στα BBC Sessions το 1969, που ήταν ουσιαστικά το “Moby Dick” με λόγια [με το επίσης «δανεισμένο» riff από το “Watch your step” (1961) του Bobby Parker]. Βουτάς από ’δω, βουτάς από ’κει στο τέλος κάτι μένει κι από ’σένα…

Γεννημένος στη Ripley του Tennessee το 1899 ή το 1900, ο Sleepy John Estes μπαίνει στις ηχογραφήσεις το 1929 και μέχρι το 1941 θα φτιάξει 50 περίπου τραγούδια, μεταξύ των οποίων το “Milk cow blues” (1930), που επηρέασε τον Kokomo Arnold  στο ομότιτλο δικό του κι από ’κει τον Elvis Presley και κυρίως το περίφημο “Someday baby blues” (1935), που ξεπατικώθηκε ή επηρέασε (διαλέξτε το ρήμα που θέλετε) τον Big Maceo Merriweatherστο πασίγνωστο “Worried life blues”.

Μετά τον πόλεμο ο Sleepy John Estes εμφανίζεται το 1948, όταν γράφει δύο θέματα για την εταιρία Ora-Nelle και λίγο αργότερα, το 1952, όταν είχε ένα μικρό session για τη Sun!

Χαμένος στην ουσία για πολλά χρόνια, ο Estes θα επανέλθει το 1962, καταμεσής του blues revival. Τον αποκαμωμένο τραγουδιστή, που είχε χάσει το ένα μάτι του όταν ήταν μικρός και το άλλο γύρω στο ’50, τον ανακάλυψε κάποιος David Blumenthal, όταν ο ίδιος γύριζε ένα φιλμ στο Νότο (των ΗΠΑ) και αναζητούσε πρόσωπα. Για τον Estes του είχε πρωτομιλήσει ο Memphis Slim, ο οποίος είχε ακούσει γι’ αυτόν από τον Big Joe Williams (το κινητό ληξιαρχείο των εξαφανισμένων μουσικών). Ο Blumenthal μίλησε στον Bob Koester της Delmark Records και τη συνέχεια τη φαντάζεστε… 

O Sleepy John Estes θα γράψει για την Delmark πέντε άλμπουμ, τα οποία και θα τον αναδείξουν σε ηγετική φιγούρα του blues revival.

Αυτό που πρέπει να τονίσουμε, εδώ, είναι πως το ύφος του Estes παρέμεινε αναλλοίωτο μέχρι το τέλος της ζωής του, κάτι που οφειλόταν όχι μόνο στις δικές του αισθητικές πεποιθήσεις, αλλά και στο γεγονός πως, για πάρα πολλά χρόνια, εξακολουθούσε να παίζει με τα ίδια πρόσωπα, τους κολλητούς του Hammie Nixon φυσαρμόνικα και Yank Rachell μαντολίνο, κιθάρα.

Από τα τραγούδια που συνέθεσε ο Estes στα χρόνια του ’60 θεωρείται κλασικό του το “Rats in my kitchen” (από το “The Legend of” του 1962). Στο δεύτερο άλμπουμ του, το θαυμάσιο “Broke and Hungry”, υπάρχει το “Electric chair” (ο Estes είχε διάφορα προβλήματα με το νόμο και φαίνεται πως, κάποτε, την είχε γλιτώσει φτηνά), όπως και μια επανεκτέλεση του “Girl I love”. Αξίζει να σημειωθεί, επίσης, πως στο συγκεκριμένο LP συμμετείχε σ’ ένα από τα πρώτα του sessions και ο Michael Bloomfield!

Ο Sleepy John Estes θα ηχογραφήσει επίσης για τις εταιρείες Southland, Folkways, Vanguard, Storyville, Roots, Revival κ.ά., πριν το 1969 δώσει κι αυτός το δικό του ηλεκτρικό άλμπουμ (“Electric Sleep”), όταν συνεργάστηκε με τους Carey Bell, Sunnyland Slim, Jimmy Dawkins και Earl Hooker.

Τα seventies θα βρουν τον Sleepy John Estesμε κλονισμένη την υγεία του και κατά συνέπεια με λιγότερες δημόσιες εμφανίσεις. Απ’ αυτή την περίοδο αξίζει να αναφερθεί η παρουσία του στο δίσκο του Ry Cooder “Boomer’s Story” [Reprise, 1972], εκεί όπου θα ερμηνεύσει το topical “President Kennedy”. Ακόμη δεν θα πρέπει να λησμονηθεί η ύπαρξη δύο ιαπωνικών άλμπουμ του ηχογραφημένα στο Τόκιο τον Νοέμβρη του 1974 και τον Δεκέμβρη του 1976 αντιστοίχως.

Μεγάλη μορφή!

Δισκογραφία(επιλογή) 

1. The Legend of Sleepy John Estes – Delmark DL-603 – 1962

2. Broke and Hungry – Delmark DE-608 – 1964 

3. Portraits In Blues Vol. 10 – DK. Storyville SLP 172 – 1964 

4. In Europe – Delmark DL-611 – 1965 

5. Brownsville Blues – Delmark DS-613 – 1965

6. Electric Sleep – Delmark DS-619 – 1969 

7. Blues Live! Sleepy & Hammie Meet Japanese People – JAP. Trio PA6059 – 1976

8. Blues Is A-Live – JAP. Trio 3A-2025 – 1976 

9. Recorded Live – AUS. Wolf 120.913 – 198? (rec. 1966, 1974)

10. Southern Blues – AUS. Wolf 120.916 – 1988 (rec. 1974) 

11. Goin’ To Brownsville – Testament TCD-6008 – 1998 (rec. 1962)

12. Newport Blues – Delmark DE 639 – 2002 (rec. 1964) 

13. On 80 Highway – Delmark DE 797 – 2008 (rec. 1974)

fRoots Radio 182 November 2017

October 10, 2017, 2:22 am

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1. (Sig) English Country Blues Band: The Italian Job from the CD Unruly (Weekend Beatnik) 2. Kries: Zelena Lipa from the CD Selo Na Okuke / Village Tracks (Riverboat) 3. Canzoniere Grecanico Salentino: Subbra Sutta from the CD Canzoniere (Ponderosa) 4. Melrose Quartet: The Seeds Of Love from the CD Dominion (Melrose Quartet) 5. Edgelarks: Yarl's Wood from the CD Edgelarks (Dragonfly Roots) 6. Three City Four: Oxford Town from the CD Take What You Need (Ace) 7. Lankum: The Granite Gaze from the CD Between The Earth And Sky (Rough Trade) 8. Orchestre Les Mangelepa: Maindusa from the CD Last Band Standing (Strut) 9. Monoswezi: A Djaha from the CD A Je (Riverboat) 10. Jon Boden: Bee Sting from the CD Afterglow (Hudson) 11. Richard Dawson: Soldier from the CD Peasant (Weird World/ Domino) 12. Dona Onete: Proposta Indecente from the CD Banzeiro (Mais Um Discos) 15. Eljuri: Bangbang from the CD La Lucha (Manovill) 14. Julie Fowlis: Camariñas from the CD Alterum (Machair) 15. Cocanha: Lo Companhon De l'Avairon from the CD i ès ? (Pagans) 16. Mark T: Follow The Drinking Gourd from the CD From Blues To Rembetika (Circle Of Sound) 17. Boubacar Traore: Je Chanterai Pour Toi from the CD Dounia Tabolo (Lusafrica) 18. The Emily Askew Band: Cantiga De Santa Maria 42 / Bourrée from the CD Alchemy (Askew Music) fRoots Radio can also be heard streamed live on Mixcloud. You can find more details including past playlists and links to labels at www.podwireless.com Follow the links for the past two years previous fRoots Radio podcasts.

Nação Zumbi

October 10, 2017, 3:33 am

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Nação Zumbi, D'Abord Né Autour De Chico Science Est LE Groupe De Manguebeat,
Crée En 1991 à Recife, Le Groupe Melange Les Sonorités Du Nordeste
Avec Des Sonorités Plus Punk Rock ou Hard Rock

Nação Zumbi, Al Inicio Nace Alrededor De Chico Science Es LA Banda De Manguebeat,
Creado En 1991 En Recife, El Grupo Mezcla Los Sonoridades Del Nordeste
Con Sonoridades Mas Punk Rock O Hard Rock

Nação Zumbi, At First Born Around Chico Science, Is THE Band Of Manguebeat
Born In 1991 In Recife, The Band Mix Sonorities Of The Nordeste
With Sonorities More Punk Rock Or Hard Rock

Site Officiel

Bom Tom Radio 1987
01 A Cidade
02 Negros
03 Valor
04 Samba Do Lado [Bonus Track]- Ao Vivo No Oasis 1991

De Lama Ao Caos 1994

01 Monologo Ao Pe Do Ouvido
02 Rios, Pontes & Overdrives
03 A Cidade
04 A Praieira
05 Samba Makossa
06 De Lama Ao Caos
07 Maracatu De Tiro Certeiro
08 Salustiano Song
09 Antene-Se
10 Risoflora
11 Lixo De Mangue
12 Computadores Fazem Arte
13 Coco Dub (Afrociberdelia)

Afrociberdelia 1996

01 Mateus Enter (Intro)
02 O Didadao Do Mundo/ Ciudado Com O Bulldog/ Louvacao/ Bat Macumba
03 Etina
04 Quilombo Groove- Instrumental
05 Maco/ A Minha Mennia/ Take Five
06 Um Passeio No Mundo Livre
07 Samba Do Lado
08 Maracatu Atomico
09 O Encontro De Isaac Asimov Com Santos Dumont No Céu
10 Corpo De Lama
11 Sobremesa
12 Manguetown
13 Um Satelite Na Cabeca (Bitnik Generation)
14 Baiao Ambiental- Instrumental
15 Sangue De Bairro
16 Enquanto O Mundo Explode
17 Interlunde Zumbi
18 Criança De Domingo
19 Amor De Muito
20 Samidarish- Instrumental
21 Maracatu Atomico- Atomic Version
22 Maracatu Atomico- Ragga Mix
23 Maracatu Atomico- Trip Hope

02-02-97 Morte de Chico Science

CSNZ 1998

DISCO I DIA

01 Malungo- Part Esp.Jorge Ben Jor, Fred 04, Marcelo D2 & Falção
02 Nos Quintais Do Mundo (Mucuña)
03 Prototipo Sambalico de Mensagem Digital
04 Dubismo
05 Interlude Cien-Zia
06 Quilombo Groove- Ao Vivo
07 Um Satelite Na Cabeça (Bitnik Generation)- Ao Vivo
08 Pot-Pourri [Ao Vivo] Lixo Do Mangue Enquanto O Mundo Explode Da Lama Ao Caos
09 Sobremesa- Ao Vivo
10 Salustiano Song- Ao Vivo
11 Samba Makossa [Bonus Track]- By Planet Hemp

DISC II NOITE

01 Amor De Muito- Mario Caldato Remix
02 Banditismo Por Uma Questão De Classe- DZCutz Remix
03 A Cidade- DJ Soul Slinger Remix
04 Rios, Pontes E Overdrive- David Byrne Remix
05 Macô- Fila Brazilia Remix
06 Corpo De Lama- Apollo 9 Remix
07 Coco Dub (Afrociberdelia)- Mad Professor Remix
08 O Cidadão Do Mundo- Arto Lindsay Remix
09 Risoflora- BiD Remix
10 Chico-Death Of A Rockstar Maracatu Atômico (Sample)- By Goldie
11 Todo Estão Surdo [Bonus Track]- Tributo A Roberto Carlos

Radio S.Amb.A 2000

01 Do Mote Do Doutor Charles Zambohead/ Azougue
02 Caranguejo Da Praia Das Virtudes [Madame Satã]
03 Lo-Fi Dream [Los Sebosos Postizos]
04 Arrancando As Tripas
05 Pela Orla Dos Velhos Tempos
06 Remedios
07 O Carimbo/ Coco Assassins [Bailado Capenga]
08 Quando A Maré Encher
09 Antromangue/ Brasilia
10 Na Badala Do Rio Salgado
11 João Galafuz
12 Jornal Da Morte
16 Zumbi X Zulu
17 Del Chifre's Beach

Nação Zumbi 2002

01 Blunt Of Judah
02 Mormaço
03 Propaganda
04 Amnesia Express
05 Meu Maracatu Pesa Uma Tonelada
06 Faz Tempo
07 Prato De Flores
08 Know How
09 Ogan Di Bele
10 Caldo De Cana
11 O Fogo Anda Comigo
12 Tempo Amarelo

Futura 2005

01 Hoje, Amanhã E Depois
02 Na Hora De Ir
03 Memorando
04 A Ilha
05 Respirando
06 Voyager
07 Expresso Da Eletrica Avenida
08 Nebulosa
09 Sem Preço
10 Vai Buscar
11 Pode Acreditar
12 Futura

Propagando Ao Vivo 2006

01 Mormaço
02 Samba Do Lado
03 Quando A Maré Encher
04 Propaganda
05 Macô
06 Prato De Flores
07 Blunth Of Judah
08 Blunth Of Judah
09 Know How
10 Remedios
11 Zumbi X Zulu/ Banditismo Por Uma Questão De Classe/ Um Satelite Na Cabeçà
12 Amnesia Express
13 Purple Haze
14 Meu Maracatu Pesa Uma Tonelada
15 O Cidadão Do Mundo
16 Manguetown
17 De Lama Ao Caos/ Umbabarauma Ponta De Lançà Africano

Forme De Tudo 2007

01 Bossa Nostra
02 Infeste
03 Carnaval
04 Inferno
05 Nascedouro
06 Onde Tenho Que Ir
07 Assustado
08 Fome De Tudo
09 Toda Surdez Sera Castigada
10 A Culpa
11 Originais Do Sonho
12 No Olimpo

Bossa Nostra 2007

01 Bossa Nostra
02 Originais Do Sonho- Maq Remix

Ao Vivo No Recife 2012

01 Fome De Tudo
02 Hoje, Amanhã E Depois
03 Bossa Nostra
04 Etnia
05 Inferno
06 Corpo De Lama
07 Trincheira Da Fuloresta
08 Cordão De Ouro
09 Infeste
10 Rios, Pontes E Overdrivers
11 Salustiano Song
12 Antene-Se
13 Maracatu Atomico
14 Jornal Da Morte
15 Manguetown

Mundo Livre S.A Vs Nação Zumbi 2013 Meets Mundo Livre S.A

01 A Cidade
02 Praiera
03 Etnia
04 Meu Maracatu Pesa Uma Tonelada
05 No Olimpo
06 Rio Pontes E Overdrives
07 Samba Makossa
08 Livre Iniciativa
09 Musa Da Ilha Grande
10 Bolo De Ameixa
11 Girando Em Torno Do Sol
12 Pastilhas Coloridas
13 Seu Suor E O Melhor De Você
14 O Velho James Brown Dizia...

Nação Zumbi 2014

01 Cicatriz
02 Bala Perdida
03 O Que Te Faz Rir
04 Defeito Perfeito
05 A Melhor Hora Da Praia
06 Um Sonho
07 Novas Auroras
08 Nunca Te Vi
09 Foi De Amor
10 Cuidado
11 Pegando Fogo

Rdio Sessions 2015

01 Cicatriz
02 Um Sonho
03 Defeito Perfeito
04 Novas Auroras
05 Manguetown
06 Quando A Maré Encher

Guararapes

01 Mister Moto
02 Antene-Se
03 Praieira
04 Bandistismo Por Uma Questão De Classe
05 Lixo No Mangue
06 Maracatu De Tiro Certeiro
07 Sobremesa
08 Risoflora
09 Rios, Pontes & Overdrives

Bonus

01 Todo Estao Surdos
02 Sangue De Bairro [Baile Perfumado Ost]
03 Inclassificaveis
04 Rio 40 Graus- Feat Fernanda Abreu
05 Angicos [Suba's Remix][Baile Perfumado Ost]
06 Roda Rodete Rodiano- Feat Bid
07 Improviso [Ao Vivo]
08 Improviso [Declarações Alucinadas De Chico Durante O Temino De Show]

Collaboraçãos Vol.I

Cassia Eller- De Esquina [Ao Vivo]- Feat NZ
Cassia Eller- Quando A Mare Encher [Ao Vivo]- Feat NZ
Chico Science & BID- Roda Rodete Rodiano
Chico Science & NZ- Eu Tambem Sou Caranguejo
Chico Science & NZ- Prot Tipo SAmbad Lico De Mensagem Digital
Chico Science & NZ- Todos Estão Surdos [Roberto Carlos Cover]
Gal Costa- Barato Total- Feat NZ
Instituto- Alto Zé Do Pinho- Feat Sabotage, NZ & Otto E Sombra
Jorge Ben Jo- Charles Jr.- Feat NZ
Jorge Mautner & Nelson Jacobina- Maracatu Atomico- Feat CSNZ
Muzenza- Guerrilheiros Da Jamaica [Rumpilé]- Feat NZ
Nação Zumbi Projet- Live Carnaval, Recife 2016- Meets Franz Treicher [The Young Gods]
NZ- Conserve O Seu Mundo
NZ- O Fole Roncou [Tributo A Luiz Gonzaga]
NZ- Sangue De Bairro

                                                  CONCERTS -- CONCIERTOS -- LIVES

Mangue Feliz 24-12-93

01 A Cidade
02 Advogado Do Diabo
03 Apraieira
04 Da Lama Ao Caos
05 Banditismo
06 A Cidade- Reprise
07 Improviso

Circo Benetton 1994

01 A Cidade
02 A Hora E A Vez Do Cabelo Crescer
03 Salustiano Song
04 A Praieira
05 Da Lama Ao Coas/ Roda, Rodete, Rodiano
06 Rios, Pontes & Overdrives

Montreux, Jazz Festival xx-07-95

01 Anouncement
02 Monologo Ao Pe Do Ouvido/ Banditismo
03 Etnia
04 Antene-Se
05 Maracatu De Tiro Certeiro
06 Vinheta
07 Rios, Pontes & Overdrives
08 Salustiano Song
09 Sobremesa
10 A Praieira
11 Samba Makossa
12 Enquanto O Mundo Explode
13 Filha De Gaiamun
14 De Lama Ao Caos
15 Coco Dub
16 Thanks
17 Todo Estão Surdos
18 A Cidade
19 Corpo De Lama
20 Mister Moto

Hollywood Rock Festival, Rio De Janeiro xx-01-96

01 Mateus Enter/ Rios, Pontes & Overdrives
02 Todos Estao Surdos
03 A Cidade
04 A Praieira
05 Enquanto O Mudo Explode
06 Filhos De Guaiamun
07 Lixo Do Mangue
08 Da Lama Ao Coas/ Refuse-Resist [Sepultura Cover]
09 Salustiano Song
10 Macô
11 Manguetown

Abril Pro Rock, Recife xx-04-96

01 Mateus Enter/ O Cidadao Do Mundo
02 A Praieira
03 Etna
04 Quilombo Groove
05 Corpo De Lama
06 Todos Estao Surdos
07 Banditismo Por Uma Questao De Classe
08 Rios, Pontes & Overdrives
09 Coco Dub
10 Roda, Rodete, Rodiano

Bem Brasil 19-05-96

01 O Cidadão Do Mundo
02 Manguetown
03 Etnia
04 Bate Papo
05 A Praieira- Feat Samuel Rosa [Skank]
06 Samba Makossa- Feat Samuel Rosa [Skank]
07 Quilombo Groove
08 Corpo De Lama
09 A Cidade (Boa Noite Do Velho Faceta)
10 Bate Papo- Feat Samuel Rosa [Skank]
11 Todo Estão Surdos
12 Maracatu De Tiro Certeiro- Feat Arnaldo Antunes
13 Sobremesa- Feat Arnaldo Antunes
14 Bate Papo- Feat Arnaldo Antunes
15 Salustiano Song
16 Um Satelite Na Cabeça (Bitnik Generation)
17 Enquante O Mundo Explode/ De Lama Ao Caos/ Refuse Resist [Sepultura Cover]
18 Bate Papo- Feat João Gordo
19 Lixo Do Mangue
20 Macô
21 Samba Do Lado- Feat Fred 04
22 Computadores Fazem Arte- Feat Fred 04
23 Bate Papo- Feat Wandi
24 Um Passeio No Mundo Livre- Feat Fred 04
25 Manguetown- Feat Convidados

Radio Transamerica 1996

01 Mateus Enter
02 O Cidadao Do Mundo
03 Maracatu De Tiro Certeiro
04 Enquanto O Mundo Explode
05 Da Lama Ao Caos
06 Filho De Guainamun/ Lixo Do Mangue
07 Salustiano Song
08 Samba Do Lado
09 Corpo De Lama
10 A Cidade
11 Something's Got To Give
12 Manguetown
13 Todos Estao Surdos
14 Coco Dub
15 Remix E Apresentação

02-02-97 Morte de Chico Science

Recife, Carnaval 2009 Meets Siba & A Fuloresta

01 Trincheira Da Fuloresta
02 Meu Maracatu Pesa Uma Tonelada
03 Sera
04 Mormaço
05 Bringa/ Fuloresta Do Samba/ Caluanda
06 Praieira
07 A Bagaceira
08 Blunt Of Judah
09 Infeste
10 Fome De Tudo
11 Hoje, Amanhã E Depois
12 Manguetown
13 Coco Dub
14 A Velha Da Capa Preta/ Arranha Aranha/ Bloco Da Bicharada
15 Quando A Maré Encher
16 Nascedouro

Estudio Coca-Cola 2013 Meets Skank

01 Blunth Of Judah
02 Um Mais Um
03 A Cidade
04 Pacato Cidadão
05 Umabarauma
06 Hoje, Amanhã E Depois
07 Maracatu Atômico
08 Uma Partida De Futebol

The Church - Parallel Universe (2CD) (2002) FLAC (tracks+.cue)

October 10, 2017, 3:45 am

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Artist: The Church | Album: Parallel Universe | Released: 2002 | Label: Cooking Vinyl | Catalog #: COOK CD 248 | Genre: Alternative Rock, Neo-Psychedelia

Kane Brown – Kane Brown (2017) 24bit Hi-Res Deluxe Edition FLAC (tracks)

October 10, 2017, 3:45 am

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Artist: Kane Brown | Album: Kane Brown | Released: 2017 | Genre: Country

Liam Gallagher – As You Were (2017) [24bit Hi-Res Deluxe Edition] FLAC (tracks)

October 10, 2017, 3:45 am

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Artist: Liam Gallagher | Album: As You Were | Released: 2017 | Genre: Alternative Rock

Vance Joy – Lay It On Me (Acoustic) (2017) [Single] FLAC

October 10, 2017, 3:45 am

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Artist: Vance Joy | Album: Lay It On Me (Acoustic) | Released: 2017 | Genre: Alternative Rock

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Muse - Drones (2015) FLAC (tracks)

October 10, 2017, 3:45 am

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Artist: Muse | Album: Drones | Released: 2017 | Label: Warner Bros. / Helium 3 | Genre: Alternative Rock

Night Runner – Thunderbird (2017) [24bit Hi-Res] FLAC (tracks)

October 10, 2017, 3:45 am

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Artist: Night Runner | Album: Thunderbird | Released: 2017 | Genre: Outrun, Rock

Zak Abel – Only When We’re Naked (2017) [24bit Hi-Res] FLAC (tracks)

October 10, 2017, 3:45 am

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Artist: Zak Abel | Album: Only When We’re Naked | Released: 2017 | Genre: Pop

Tonebox – Nocturn (2016) [24bit Hi-Res] FLAC (tracks)

October 10, 2017, 3:45 am

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Artist: Tonebox | Album: Nocturn | Released: 2016 | Genre: Chillout, Dreamwave

Sébastien Llinares – Érik Satie Gnossiennes, Gymnopédies, Parade & Other Pieces (2017) [24bit Hi-Res] FLAC (tracks)

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Artist: Sebastien Llinares | Album: Érik Satie Gnossiennes, Gymnopédies, Parade & Other Pieces | Released: 2017 | Genre: Classical

Re: [CD] Adriana Marques - Simplesmente (2017)

October 10, 2017, 4:12 am

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The Voice of Deep Purple – The Gillan Years Gillan (3CD) (2017)

October 10, 2017, 4:43 am

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320 kbps | 321 MB | LINKS

CD 1 (Gillan)
01. Gut Reaction (03:41)
02. Talking To You (03:34)
03. No Good Luck (04:06)
04. Nothing But The Best (03:39)
05. Loving On Borrowed Time (04:59)
06. Sweet Lolita (03:46)
07. Nothing To Lose (06:11)
08. Moonshine (02:41)
09. Long And Lonely Ride (03:43)
10. Love Gun (03:25)
11. No More Cane On The Brazo (08:13)

CD 2 (Ian Gillan Band)
01. Scarabus (04:56)
02. Exhausted (04:09)
03. Poor Boy Hero (03:10)
04. Mercury High (03:33)
05. Pre-Release (04:24)
06. Slags To Bitches (05:10)
07. Apathy (04:17)
08. Mad Elaine (04:19)
09. Country Lights (03:18)
10. Fool’s Mate (04:20)

CD 3 (Gillan & Glover)
01. Clouds And Rain (04:00)
02. Evil Eye (04:10)
03. She Took My Breath Away (04:33)
04. Dislocated (03:22)
05. Via Miami (04:59)
06. I Can’t Dance To That (04:24)
07. Can’t Believe You Wanna Leave (03:08)
08. Lonely Avenue (03:07)
09. Telephone Box (05:16)
10. I Thought No (03:34)
11. Cayman Island (03:54)
12. The Purple People Eater (02:33)
13. Chet (04:16)

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Laramarka - Llamerada (2008)

October 10, 2017, 6:47 am

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Re: [CD] Adriana Marques - Simplesmente (2017)

October 10, 2017, 7:12 am

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Re: [CD] Camané - Canta Marceneiro (2017)

October 10, 2017, 7:12 am

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The Voice of Ibu Ana: Dayak Kayan Song on the Mendalam River

October 10, 2017, 7:24 am

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Location: Tanjung Karang, West Kalimantan

Sound: Talimaa’/Dayung

Returning to Kalimantan felt like coming back to a strange and distant dream, one I must have woken from years ago. Had I really been here three years ago on these same gravel roads, wandering in search of sounds? Had I really spent one month on Indonesian Borneo’s steamy east coast, teaching English to middle aged refinery workers? I wasn’t really sure if it any of that had happened at all.

As soon as I hit that forest road outside of Putussibau, though, I knew it had all really happened. Here was that same broad blue river, bridgeless but serviced by narrow little rafts to carry you and your motor across. Here was that same fork in the road where we’d asked a confused local, “Where can we find sape’?” It had all really happened: despite the surreal haze of those memories, it was real.

We had come during the Lebaran holiday, Sinta and I. It wasn’t the most romantic idea for a vacation, but Sinta (then my girlfriend, now soon-to-be wife) was game. I had almost broken her, though, making pitch black river crossings in the night, following forest roads between far-flung villages. Our next trip was a conventional one to the beaches of Bali, a thanks for putting up with my wannabe ethnomusicologist insanity.

I’d been woefully unprepared that time, with no contacts in the area and no idea of what to look for except for sape’ Kenyah, a wonderfully sweet Dayak lute which continues to bewitch me. Instead I’d stumbled upon Pak Paran and his ‘sape Kayan, an earthy two-stringed lute played almost exclusively in this area of the Mendalam river deep in the province of West Kalimantan.

If only I’d bothered to listen to Philip Yampolsky’s brilliant albums from the Music of Indonesia series, I would’ve known that this part of Kalimantan is richer than I could have ever guessed. Volume 13, Kalimantan Strings, featured the sape’ Kayan I knew nothing about, plus a gorgeous   track featuring sape’ Kayan together with soulful singing called talimaa’. If I’d had a listen to Volume 17, Kalimantan: Dayak Ritual and Festival Music, I would have heard a stirring take on dayung, all stomping feet and choral vocals. They’d both been recorded not far from the river Sinta and I crossed years ago, unaware.

As I detailed in my post on Pak Bunau and his kadedek, I got a chance to return to Kalimantan as a guide for Jan Schulte, a German musician in search of sounds for a Europalia International Arts Festival residency. The trip was about Jan’s own recording efforts, not mine, but we agreed that it wouldn’t hurt for me to share some of the raw music we met there in our ten days on the massive island. 

How lucky we were to be accompanied by amateur Dayakologist Yadi, a Pontianak-based musician whose group Balaan Tumaan specialized in the music of the Kayan people in this part of Kalimantan. It was Yadi who led us down those familliar forest roads once more, right to the house of Ibu Ana, a singer and Kayan shaman who Yadi and his girlfriend had studied with months before.

It was such a delight to finally arrive after literally days on the road, climbing the rickety wooden stairs of the raised wooden house to be greeted by Bu Ana herself, a beautiful woman in her fifties wearing an easy smile and a girlish skirt. Soon we met Jugah, her kind and humble son, a fine player of the sape’ Kayan. We were to stay with them for a few days, allowing Jan to soak up the jungle sounds and lazy river life of this part of Kalimantan.

I first got a glimpse of Ibu Ana’s power on our first night in the village. Explaining that she had some work to do, she left us on the front porch with Jugah and his colorfully painted sape’ Kayan. We’d been sitting on the porch for around an hour, soaking in Jugah’s sape’ sounds, when Ibu Ana quietly returned, climbing those wooden stairs in the dark. Without explanation, she came to each of us in turn, placing a small knife between our lips and telling us to bite. As I felt the cold metal between my teeth, Ibu Ana stood above me, mumbling prayers.

Later that night, she attempted an explanation. Ibu Ana is a dayung, a kind of shaman. She is often called to help in spiritual matters in the village, acting as an intermediary between the spirit world and this one. That night, she had gone to meet a neighbor who’d been having nightmares. Nightmares are like haunted dreams, she’d explained, and it was her duty to make sure the spirit in those dream did no harm in this world. The knife and prayers had been a protective spell, a trick to make sure the spirit did not follow her home and harm us. 

Ibu Ana looked exhausted from that spiritual labor, but she continued to sit and talk with us that night, breaking the heavy vibe with unexpected bouts of infectious laughter. She seemed bemused to be hosting these two strange young foreigners in her home: she’d muse out loud in her accented Indonesian, “If only I were younger…”, only to giggle once more to herself. 

That first night was capped with a song. As Jugah strummed his sape’ lute, Ibu Ana sat by his side and sang, eyes closed. The electric buzz of cicadas streamed in the open window as she improvised poetic verses called talimaa’. Talimaa’, she later explained, uses a ritual form of the Kayan language which is rarely understood by the younger generation. The verses often accompany dance, with the lyrics outlining the meaning and origins of the movements as the dance proceeds. That night, though, Ibu Ana had came up with a new text. She sang of our journey to come see her, told stories of everyday Kayan life, and lamented her status as one of the few dayung left in the area. 

We spent the next day out and about, mostly taking baths in the cool blue river, the steady current pushing us gently downstream. Jan would wander off into the forest to record insect noises as I sat on the floorboards of Ibu Ana’s living room, showing her my mouth harps. She reminisced about the old days, when she’d play the tung, the Kayan take on the widespread instrument. She demonstrated on my brass dan moi, but could only play for a few seconds at a time before bursting out in that endearing giggle once again.

On our last night, Ibu Ana promised something special: she and some other women from the village would sing dayung, another form of sung poetry named after the shaman-soloist who led the group in song. Just as the time was coming, though, the power went out. We sat for an hour in black of night, a flickering gas flame on the floor shedding a weak light that seemed to be eaten up by the thick darkness. One by one, Ibu Ana’s team of singers creaked up to the front door from across the village, joining us with whispers in the dark. 

Soon enough we learned that the local chapel had a generator, so we headed there to fill it with song. The small wooden building had the feel of a colonial schoolhouse, but it was almost totally empty, a lace-covered altar standing at the end of the room, a crucified Christ looking down from the wall. It struck me as an odd place to sing this music: dayung has roots in the animist world of spirits, with songs sometimes acting like powerful spells. Maybe, I thought, it was more evidence of the permissive syncretism of the Catholic Church in Indonesia, one which has made for Christmas gongs in Sumba and Good Friday laments in West Timor. The dayung they’d be sharing, though, was secular, a reconfigured version for the Catholic Kayan of today. 

We started with another take on talimaa’. Ibu Ana and her small choir were now dressed for the occasion: their long black dresses were sequined and beaded with organic filigrees, while their hair was wrapped in patterned red headbands, each with a single black and white eagle feather sticking proudly upwards. Ibu Ana looked especially lovely, her rouged lips highlighted by red beaded earrings which swayed when she moved her head. This time, Ibu Ana’s bluesy vocals were answered by a chorus between verses, each time the same meaningless incantation: “Saloi.” 

For the dayung, Ibu Ana humbly asked one of the other women to sing the solo part, that of the shaman or dayung for which the style is named. She didn’t want to hog the spotlight, it seemed, and the other dayung could use the practice. This new dayung stood in the middle of the room, with the others holding a large loop of rattan around her in their left hands. As the dayung sung each verse, the choir circled her counter-clockwise, their rhythmic footsteps shaking the floor of the small chapel. Just as with the talimaa’, each verse was answered with five voices in unison. While the talimaa’ chorus had been subdued, almost mournful, the dayung chorus was bold, powerful: their voices shook the rafters as their footsteps shook the floor. My digital recorder hung from a hook in the ceiling (the only way to get a balanced mix without getting in the way!), spinning slightly as the women circled below.

Later Ibu Ana explained the meaning of the dayung vocals. It was again improvised poetic verse, a song aimed towards the small audience of Yadi, Jan, and I. "Don't forget us," they'd sang, their voices filling the chapel. Oh, we won't, I assured Ibu Ana. That would be impossible. Not only would those days on the river live on in my memory forever, but their voices will now stream forth from this site, a plea to the world from the heart of Borneo, to listen, and to take notice. 

Mastermix Issue 375 (2017)

October 10, 2017, 7:54 am

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Artist: Various Performers
Title: Mastermix Issue 375
Label: Music Factory
Style: R&B, Funk, Soul, Disco, Synthpop, Electropop, Soft Rock, Country, Gospel, Bubblegum, Novelty Song
Release Date: 20-08-2017
Format: 2CD, Compilation, Mixed
Quality: 320 Kbps/Joint Stereo/44100Hz
Tracks: 10 Tracks