Vorig jaar oktober plaatste ik deze van de grote Jackie Mittoo.
Op de een of andere manier is het tiende nummer, “Division
One” ergens verdwenen. Nu dus nog eens en dan wel compleet.
Scraps was zo goed mij hierop te wijzen, dank daarvoor..
Last october I posted Macka Fat from the great Jackie Mittoo.
Unfortunately somehow one track got lost, it was the tenth
called “Division One”. So one more time and now complete.
Thank you Scraps for pointing me on this mistake..
tracks ;
01 – Henrey the great
02 – Good feeling
03 – Macka fat
04 – Lazy bones
05 – Fancy pants
06 – Something else
07 – Happy people
08 – Purple heart
09 – Whoa whoa
10 – Division one
11 – Ghetto organ
12 – Dad is home
In m’n vroege jaren als muziekverzamelaar was het voornamelijk
pop muziek waar ik warm voor liep. Op de een of andere manier
duik ik in december altijd in de kast op zoek naar oude juweeltjes
die ik dan weer herbeleef. Deze plaat van Love is er een uit 1969
die ik nog altijd met erg veel plezier beluister. Prachtige muziek,
artwork dat het oog streelt, zo’n hoes alleen al. Al draaiend ga je
vanzelf terug in de tijd. probeer eens iets anders,
luister naar Love..
In my early years as a music collector it was mostly pop music
that caught my attention. Somehow in december I always dive
into the past, going through the records searching for old time
jewells I do than relive. This album by Love is one from 1969 I
still listen to with lots of pleasure. Beautiful sound, artwork that
catches the eye, its cover alone. Playing such a record makes you
go back in time. Try something else for a change,
listen to Love ..
tracks ;
01 – August
02 – Your friend and mine,neil’s song
03 – I’m with you
04 – Good times
05 – Singing cowboy
06 – Dream
07 – Robert montgomery
08 – Nothing
09 – Talking in my sleep
10 – Always see your face
Light in the Attic is almost peerless in the variety, volume, and quality of its reissues and compilations. From never released albums by Lynn Castle to wondrously assembled compilations such as Native North America, Vol. 1: Aboriginal Folk, Rock and Country 1966-1985, LITA finds the best and presents it handsomely.
Even a Tree Can Shed Tears: Japanese Folk & Rock 1969-1973 is the first volume in the label’s Archival Japan series. Its 19 tracks are the first fully licensed compilation of this music outside Japan. Obsessive attention was paid to detail in art, sound, and curation. The Japanese angura (underground) music movement sprang up in Tokyo’s Shibuya district in the aftermath of Beatlemania (and later became known simply as “New Music”).
Musicians and artists hung out and played the kissas (cafes and clubs) that stood side by side with skin palaces in the red-light district. At the same time, another scene was developing on the Eastern side of the country in the Kansai region around Osaka, Kyoto, and Kobe, where early acid folk and Japanese takes on American West Coast country-rock and pop were also developing. Assembled, these tracks don’t so much tell a story as illustrate the depth and breadth of what Japan offered as it created a scene dedicated to discovery and experimentation.
Most Westerners have never heard of these artists, but for others, Haruomi Hosono, founder of Yellow Magic Orchestra, will be familiar. He has both a solo track and one with his band Happy End, experimenting with dreamy pop and rootsy countrified sounds. The iconic and mysterious blues and jazz singer Maki Asakawa (who deserves to have her entire catalog reissued) is also represented by an uncharacteristically pop-ish 1973 single entitled “Konna Fu Ni Sugite Iku No Nara.” “Curry Rice” by Kenji Endo is a wondrously moody acid folk tune that surreally juxtaposes Japan’s favorite food with author Yukio Mishima’s suicide by seppuku. Singer Sachiko Kanenobu is represented here by the 1971 grooving dream pop single “Anata Kara Toku E,” and as part of her earlier rock group Gu from 1969. The slippery, laid-back psychedelia of their “Marianne” is a high point in the set. Ryo Kagawa’s 1971 “Zeni No Koyoryoku Ni Tsuite” offers a Neil Young/Crazy Horse-esque melody with requisite rock power, while Hachimitsu Pie’s “Hei No Ue De” offers vocal harmonies and layered melodies worthy of CSN. Closer “Otokorashiitte Wakaru Kai” by Dylan II is actually a rewrite of Bob Dylan’s “I Shall Be Released” using his melody.
Virtually everything on Even a Tree Can Shed Tears is a revelation. The more one listens, the more (s)he feels compelled to research and learn — not only about the artists, but the scene that birthed them. Ultimately, this is a soundtrack for an era of discovery that reflects the powerful desire of a generation striving to claim an identity of its own.
320 kbps | 85 MB | LINKS
Tracklist:
1. Every Day I Have The Blues (2:51)
2. You Upset Me Baby (2:52)
3. Blind Love (3:28)
4. Three O’clock Blues (3:37)
5. Bad Luck (2:59)
6. Sweet Little Angel (3:05)
7. You Know I Love You (3:48)
8. Woke Up This Morning (My Baby’s Gone) (3:05)
9. Please Love Me (2:52)
10. Crying Won’t Help You (2:24)
11. Did You Ever Loved A Woman (3:02)
12. Ten Long Years (3:05)
320 kbps | 363 MB | LINKS
“Blind Willie” McTell was one of the finest bluesmen of the 1920s and 1930s. His voice was soft and expressive, and his musical tastes were influenced by southern blues, ragtime, gospel, hillbilly, and popular music. He also developed superb technique and a highly personal style on the twelve-string guitar.
Based out of Atlanta, McTell cut more than 120 different tracks at different recording sessions during his 30-year career. This newly remastered CD release contains a selection of 51 Blind Willie McTell songs, recorded between 1927 and 1940. All of these poignant tracks would form the basis of McTell’s enduring legacy and secure his place as one of the blues legends of that classic era. This is acoustic blues of the highest order, full of emotion and heartfelt commitment.
320 kbps | 107 MB | LINKS
Known as Australia’s Queen of Boogie Piano, Jan Preston has a reputation as an astonishing piano player with a rich resonant voice who is a magnetic live performer. Jan captivates, moves and uplifts audiences around the world with her original songs, compositions and her mastery of boogie woogie piano.
320 kbps | 82 MB | LINKS
The Sun Machine is a 5 piece Schitzo Pop band from Austin, Texas. Inspired by the psychedelic sounds of the ’60s and classic Rock ‘n’ Roll music, the’ve formed Third Coast Surf music for your cerebral cortex.
Their new album Turn On To Evil will be out November 22nd. The album is a collection of stories and cautionary tales of the Austin underground nightlife and is a mixture of Garage Surf, ’60s Soul and Texas Psych. They affectionately refer to this sound as the “Third Coast Surf.” With an emphasis on spooky grooves and lo-fi tones, the concept is ’50s/’60s revival music.
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