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    eryf13.jpg320 kbps | 208 MB | LINKS

    Before the release of his first album, a 20 year old Bob Dylan made his way to Pacifica Radio WBAI 99.5 FM in March of 1962. Host Cynthia Gooding wasn’t quite sure what to make of this incredibly young OLD SOUL… Bob Dylan performed one of a kind live versions of some of his favorite Blues and Roots Music tunes. He also performs a few originals for the first time on radio.

    Tracklist:
    1. Lonesome Whistle (Folksingers Choice Radio Show 1962) (4:13)
    2. When I First Heard Bob Dylan Conversation (Folksingers Choice Radio Show 1962) (4:35)
    3. Fixin’ To Die (Folksingers Choice Radio Show 1962] (4:31)
    4. Harmonica Conversation (Folksingers Choice Radio Show 1962) (1:02)
    5. Smokestack Lightning (Folksingers Choice Radio Show 1962] (3:13)
    6. Bob’s Necklace Conversation (Folksingers Choice Radio Show 1962) (1:25)
    7. Hard Travelin’ (Folksingers Choice Radio Show 1962) (3:41)
    8. Contemporary Songs Conversation (Folksingers Choice Radio Show 1962) (0:45)
    9. The Death Of Emmett Till (Folksingers Choice Radio Show 1962) (5:26)
    10. Poetic Contortions Conversation (Folksingers Choice Radio Show 1962) (1:46)
    11. Standing On The Highway (Folksingers Choice Radio Show 1962) (3:24)
    12. Carnival Conversation (Folksingers Choice Radio Show 1962) (1:37)
    13. Roll On John (Folksingers Choice Radio Show 1962) (3:10)
    14. Necklace No Hat Conversation (Folksingers Choice Radio Show 1962) (1:28)
    15. Stealin’, Stealin’ (Folksingers Choice Radio Show 1962) (3:09)
    16. Don’t Talk About That Conversation (Folksingers Choice Radio Show 1962) (4:21)
    17. Makes A Long Time Man Feel Bad (Folksingers Choice Radio Show 1962) (3:37)
    18. The Hat Again Convesation (Folksingers Choice Radio Show 1962) (0:55)
    19. Baby Please Don’t Go (Folksingers Choice Radio Show 1962) (2:15)
    20. New Songs Convesation (Folksingers Choice Radio Show 1962) (0:23)
    21. Hard Times In New York Town (Folksingers Choice Radio Show 1962) (2:35)
    22. Folsingers Choice Radio Show Outro (Folksingers Choice Radio Show 1962) (0:30)
    23. Ballad Of Donald White (New Edit Live Cynthia Gooding’s Apartment 1962) (5:11)
    24. Witcha (Going To Louisiana) [Live Cynthia Gooding’s Apartment 1962] (5:35)
    25. Acne Teenager In Love (Live Cynthia Gooding’s Apartment 1962) (4:19)
    26. Rocks And Gravel (Live Cynthia Gooding’s Apartment 1962) (4:49)
    27. Long Time Man (Live Cynthia Gooding’s Apartment 1962) (2:46)
    28. Ballad Of Donald White (No Edit With Tape Flaws Live Cynthia Gooding ‘s Apartment 1962) (5:34)


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    Imperial Tiger Orchestra - Mercato (2011)

    Label: Mental Groove / Absinthe Music
    Жанр: Jazz-Funk, Afrobeat
    Год выпуска: 2011
    Формат: FLAC (tracks)
    Битрейт аудио: Lossless
    Продолжительность: 45:00
    Размер: 281 Mb

     


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    Αν και αποφεύγω όπως ο διάβολος το λιβάνι τους ανώφελους παραλληλισμούς, σκέφτομαι τι θα σήμαινε για το ελληνικό τραγούδι της δεκαετίας του ’60, ας πούμε, το να εμφανιζόταν από το πουθενά και σε μια ηλικία εξήντα-βάλε, ένας άγνωστος τραγουδοποιός τού λαϊκού τού επιπέδου τού Καλδάρα. Ως κάτι τέτοιο υποθετικό ανάλογο χαιρετίστηκε η περίπτωση του Mance Lipscomb στα αμερικανικά blues sixties.
    Ο Lipscombυπήρξε, κατά πρώτον, μια κινητή ηχοθήκη της προφορικής παράδοσης, αφού ο ίδιος είχε διασώσει δεκάδες λαϊκά τραγούδια και, κατά δεύτερον, ένας όλο φωτιά performer, υπερήφανος αλλά όχι κομπάζων για όσους τον γνώρισαν (έτσι γράφουν τα βιβλία), ο οποίος σχολίαζε ή παρατηρούσε τραγουδώντας.
    Από εκείνους τους τύπους των ανθρώπων, που μιλάνε στη ζωή κοιτώντας την κατάματα, ο Mance Lipscomb έζησε στο μεγαλύτερο μέρος τού βίου του σε ξένα κτήματα, καρπούμενος μέρος των σοδειών τις οποίες παρήγαγε. Μάλιστα, ακόμη και όταν τον ανακάλυψε ο Mack McCormick σε κάποια φυτεία του Texas στις αρχές του ’60, ο Lipscomb θεώρησε πως ο «όρκος» του να μείνει πιστός στη γη δεν θα μπορούσε με τίποτα να παραβλεφθεί, μπροστά στη δόξα μιας εφήμερης μπίζνας. Περιττό να πούμε πως τα άλμπουμ που πρόλαβε να εκδώσει μέσα στα δέκα πέντε χρόνια της ηχογραφικής περιπέτειάς του θα παραμένουν, ες αεί, μνημεία τού πιο ανόθευτου λαϊκού μουσικού πολιτισμού.
    a501.jpg
    Το συντριπτικό μέρος των εγγραφών του Mance Lipscomb έγινε για λογαριασμό της εταιρείας Arhoolieτου Chris Strachwitz. Μάλιστα, ο πολωνός εμιγκρές ξεκίνησε την εταιρία του με το θρυλικό άλμπουμ τού Lipscomb Texas Sharecropperand Songster”, εκεί όπου ακούστηκαν για πρώτη φορά οι εκδοχές των “Sugar babe”, “Going down slow”, “Baby please dont go”, “Jack ODiamonds” και “Ella Speed”.
    Άψογος τραγουδιστής και επίσης εξαίρετος κιθαρίστας, ο Lipscomb θα πεθάνει στην πόλη που γεννήθηκε, στην Navasotaτου Τέξας, την οποίαν, εξάλλου, ελάχιστες φορές εγκατέλειψε.
    a502.jpg
    Ο Μance Lipscomb στην ταινία του Ροβήρου Μανθούλη
    Να σημειώσουμε, τέλος, πως ο Lipscomb εμφανίζεται στην ταινία του Ροβήρου Μανθούλη Le Blues Entre les Dents(1973) και πως η πρώτη-πρώτη εγγραφή του υπάρχει σ’ ένα LP-συλλογή της βρετανικής 77 Records – πρόκειται για την “Tom Moores farm”, που ηχογραφήθηκε από τους Chris Strachwitzκαι Mack McCormick την 30η Ιουνίου 1960 στη Navasota και συμπεριλήφθηκε στο άλμπουμ “A Treasury of Field Recordings Vol.2”. 
    Δισκογραφία(επιλογή)
    1. Texas Sharecropper and Songster – Arhoolie F1001 – 1960 
    2. Trouble in Mind – Reprise R-2012 – 1961 
    3. Texas Songster Volume 2 – Arhoolie F-1023 – 1964 
    4. Vol.3 – Arhoolie F-1026 – 1965 
    5. Vol.4 – Arhoolie F 1033 – 1967 
    6. Vol.5 – Arhoolie 1049 – 1970 
    7. Volume 6 – Arhoolie 1069 – 1974 
    8. You’ll Never Find Another Man Like Mance – Arhoolie 1077 – 1978 (rec. 11/1964) 
    9. So Different Blues – Collectables CD COL-5289 – 1993 (rec. 1965) 
    10. Texas Songster Volume 2, You Got to Reap What you Sow – Arhoolie 398 – 1993 (rec. 5/1964) 
    11. Texas Blues Guitar – Arhoolie CD 001 – 1994 (ως ένθετο του βιβλίου Mance Lipscomb: Texas Blues Guitar Solos των Mel Bay Publications) 
    12. Songster – Orbis BLU NC 085 – 1996 (rec. 1964-1973) 
    13. Live! at The Cabale – Arhoolie CD 482 – 1998 (rec. 1964 και 1972) 
    14. The Texas Country Blues Guitar of Mance Lipscomb/ “Captain, Captain!”/ Texas Songster Vol.3 – Arhoolie 465 – 1999 (rec. 1960, 1966) 
    15. Trouble in Mind – AU. Aim CD 1306 – 2000 (rec. 1964)

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    fliphi.jpg320 kbps | 82 MB | LINKS

    Record Store Day Black Friday 2017
    Limited Edition of 1500 copies per the RSD website.

    Tracklist:
    01. Good Time
    02. The Best Side Of Me
    03. Changin’ Baby’s Mind
    04. World By The Tail
    05. Along For The Ride
    06. What Good Would It Do
    07. A Few Decembers Ago
    08. Muhammed Ali
    09. Mickey
    10. Billy, Whitey, And Me
    11. Talk Good Boogie


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    yx320 kbps | 104 MB | LINKS

    Tracks:
    01. No Bells On Sunday
    02. Gray Goes Black
    03. Dry Iced
    04. One Way Street
    05. Creeping Coastline Of Lights
    06. Gravedigger’s Song
    07. Riot In My House
    08. Floor Of The Ocean
    09. Atmosphere
    10. Methamphetamine Blues


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    Oumou%2BSangare%2B-%2BMogoya_front.jpg
    La gran diva de la música de Malí, Oumou Sangaré, que llevaba 8 años sin grabar, nos entrega una obra magistral, Mogoya, bajo nuevo sello (No Format!), con sonidos más modernos y bailables, con la dosis justa de electrónica para crear unas atmósferas donde se mantienen las esencias de la música de la región de Wassoulou, de la que Oumou Sangaré es una de sus grandes embajadoras.
    Al igual que en sus trabajos anteriores, Sangaré compone todas las canciones, que continúan abordando lo que sus oyentes esperan de ella, teniendo en cuenta que la cantante de Malí es el modelo para una generación de mujeres africanas: feminista, empresaria, arraigada en la tradición y abierta a nuevas influencias. Mogoya se basa en el poder crudo de la voz Oumou, combinando instrumentos tradicionales africanos –n´goni (arpa), karignan (raspador de metal) y percusión de calabaza– con guitarra eléctrica, bajo, teclados, sintetizadores y el legendario Tony Allen en la batería.
    El primer tema, "Bena Bena", trata de la ingratitud o de la falta de aprecio de la gente de hoy en día. El baterista nigeriano Tony Allen es artista invitado en el anti-suicidio "Yere Faga" y el electrificante "Fadjamou", que enfatiza la importancia de honrar el apellido y la ascendencia.
    Oumou%2BSangare%2B-%2BMogoya.jpg
    "Mali Niale" confía en la música acústica folclórica que Sangaré representa tan bien, y es un llamamiento para que la diáspora maliense regrese a casa para marcar una diferencia en el futuro del país. Benogo Diaketé interpreta el n´goni en "Kamelemba", junto a Guimba Koyaté, quien toca la guitarra eléctrica con un estilo y técnica particularísima, en una canción que tiene un ángulo de orientación parental, ya que es una advertencia severa para que las jóvenes desconfíen de determinados tipos de hombres.
    Hay un sabor popular de baile afro-pop en "Djoukourou" que elogia la amistad y el sistema de apoyo familiar, mientras que "Kounkoun" predica sobre la impropiedad de la calumnia y el chisme. La madre de Sangaré, Aminata Diaknite, es reconocida y alabada por "Minata Waraba", interpretada con un arreglo maliense reconocible.
    Oumou Sangaré es conocida como el "pájaro cantor de Wassoulou", que es su hogar ancestral y espiritual y cuya herencia musical defiende. Sangaré ha construido su reputación no en la cantidad de discos que ha producido sino en la calidad y significado de su mensaje. Como un modelo querido y emulado, ella representa a las mujeres africanas con dignidad y elegancia, exigiendo el respeto que merecen.

    facebook: Oumou Sangaré

    tracks list:
    01. Bena Bena
    02. Yere Faga (feat. Tony Allen)
    03. Fadjamou
    04. Mali Niale
    05. Kamelemba
    06. Djoukourou
    07. Kounkoun
    08. Minata Warabe
    09. Mogoya






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    Jar / Дискография (6 альбомов) Жанр : Medieval Folk Страна исполнителя (группы) : Sławków, Poland Год издания : 2007-2015 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : VBR-320 kbps Продолжительность : 04:45:31 Наличие сканов в содержимом раздачи : Да (частично)Раздача была создана из найденных в сети рипов, по причине отсутствия некоторых альбомов на данном трекере, альбом 2014 года рипнут мной с этого Lossless с частично снабжена сканами, добавлен альбом 2015 года!

    Тема на форуме



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  • 12/19/17--06:00: Carpenters
  • Carpenters.jpg

    This Wednesday, December 20, from 7-10 PM ET, Bodega Pop Live on WFMU's Give the Drummer Radio celebrates America's favorite 70s lite pop duo with a chronological throw-down of covers, deconstructions, deep cuts, hits, mashups, samples, strip-downs, and more, from Downey, Calif., to Manila, Osaka, and Phnom Penh.



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    1%2BEmiri%2BMiyamoto%2B.jpg

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    Link download: 
    Emiri Miyamoto - Smile (2007) [FLAC - 24bit-192KHz]
    CD1 - 2007:http://yoitect.com/2hta

    Emiri Miyamoto - Tears (2008) [FLAC - 24bit-192KHz]

    CD2 - 2008:http://yoitect.com/2hw8
    Emiri Miyamoto - Break (2009) [FLAC - 16bit-44,1KHz]

    CD3 - 2009:http://yoitect.com/2hzW
    Emiri Miyamoto - Dream (2009) [FLAC - 24bit-192KHz]

    CD4 - 2009:http://yoitect.com/2i1g
    Emiri Miyamoto - For (2010) [FLAC - 24bit-192KHz]

    CD5 - 2010:http://yoitect.com/2i3e
    Emiri Miyamoto - Okinawa (2011) [FLAC - 16bit-44,1KHz]

    CD6 - 2011:http://yoitect.com/2i5p
    Emiri Miyamoto - Renaissance (2012) [SACD]

    CD7 - 2012:http://yoitect.com/2i7o
    Emiri Miyamoto - Emiri best (2013) [FLAC - 24bit-96KHz]

    CD8 - 2013:http://yoitect.com/2iAG
    Emiri Miyamoto - birth (2015) [DSD128 - 24bit-96KHz]

    CD9 - 2015:http://yoitect.com/2iDL

    Emiri Miyamoto - amour (2017) [DSD128 - 24bit-96KHz]
    CD10 - 2017:http://yoitect.com/2iGt

    Bài được thực hiện bởi Hà Nguyễn, mọi chi tiết liên hệ qua email: hanguyen@hpmtech.vn

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    Songs%2Bof%2BChristmas%2BCover%2BArt.jpg

    Songs%2Bof%2BChristmas%2BCover%2BArt-b.j

    Link download:http://yoitect.com/2koU
    Bài được thực hiện bởi Hà Nguyễn, mọi chi tiết liên hệ qua email: hanguyen@hpmtech.vn

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    Jar / Дискография (6 альбомов) Жанр : Medieval Folk Страна исполнителя (группы) : Sławków, Poland Год издания : 2007-2015 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : VBR-320 kbps Продолжительность : 04:45:31 Наличие сканов в содержимом раздачи : Да (частично)Раздача была создана из найденных в сети рипов, по причине отсутствия некоторых альбомов на данном трекере, альбом 2014 года рипнут мной с этого Lossless с частично снабжена сканами, добавлен альбом 2015 года!

    Тема на форуме



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    Prinz Grizzley • Come On In Жанр : Alt. Country/Folk/Americana Страна : Austria (Egg) Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:44:12 Наличие сканов : нет Источник релиза : Lossless 01.

    Тема на форуме



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    Curtis/Sutton & The Scavengers • Whiskey Rain Жанр : Alt. Country/Blues/Folk/Americana Страна : USA (Boise, ID) Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:50:16 Наличие сканов : нет Источник релиза : Lossless 01.

    Тема на форуме



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    R-10686985-1502396749-5042.jpeg.jpg320 kbps | 104 MB | LINKS

    Surrounded by rugged wild country, with god-loving, hardworking folk, whose simple living and gentle loving he finds an inspiration for songs that might have been written across the ocean, in another land, way down south. Influenced yet filtered and fed from the ground he now stands; his music has found its way — based on inspirations and his life’s personal journeys.


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    Tift Merritt - Another Country (2008)
    Artist: Tift Merritt
    Title Of Album: Another Country
    Release Date: 2008
    Location: USA
    Label: Fantasy (FCD-30455)
    Genre: Country
    Quality: APE (image+.cue+covers)
    Length: 42:02 min
    Tracks: 11
    Total Size: 267 MB (+5%)

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    51rksMpGcvL._SS500.jpg320 kbps | 106 MB | LINKS

    Ilana’s fiddling stems from the old-time Appalachian tradition and dives deep into the Blues. Her unique style – as a solo artist and in a band – has taken her to the stage and to the studio with greats such as (BMA) Blues Music Award Winner Ronnie Earl, BMA nominee Barry Levenson (Canned Heat), NY Blues Hall of Famer Bobby Radcliff, multi-grammy nominated Cedric Watson and Grammy nominee Chas Justus – to name a few. In addition to her Blues and Appalachian music mainstays, she is a versatile, improvisational musician, as comfortable performing solo in large theaters as she is being featured in 14 piece rock bands or on Boston’s Subway platforms (where you can find her most Fridays).


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    Abdullah Ibrahim | Dollar Brand
    The Journey
    (Chiaroscuro Records, 1977)
    more details


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    51CxkKgHxsL._SS500.jpg320 kbps | 335 MB | LINKS

    Tracklist:

    01. Fire
    02. Nothin’ But a Heartache
    03. Lay It On the Line
    04. Come and Get Your Love
    05. Happiness
    06. Where Did the Time Go
    07. Movin’ On
    08. He’s so Shy
    09. Slow Hand
    10. Someday We’ll Be Together (UK Single Edit)
    11. What a Surprise
    12. Should I Do It
    13. American Music
    14. I’m So Excited
    15. I Feel for You
    16. Heart to Heart
    17. If You Wanna Get Back Your Lady
    18. Nightline
    19. I Need You (Single Mix)
    20. Happy
    21. Automatic (Single Version)
    22. Jump (For My Love) (Single Remix)
    23. Neutron Dance (Single Version)
    24. Baby Come and Get It (Single Version)
    25. Dare Me (Hot New Remix)
    26. Freedom (Single Version)
    27. Twist My Arm (Single Version)
    28. Back In My Arms
    29. Goldmine
    30. All I Know Is the Way I Feel (Single Mix)
    31. Mercury Rising (Single Mix)
    32. He Turned Me Out (Extended Radio Version)
    33. I’m In Love (Single Edit)
    34. Power of Persuasion
    35. Jump (For My Love) (12″ Long Version)
    36. Automatic (12″ Special Remix)


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    PAUL ROLAND
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    BATES MOTEL - REDUX! - 2017











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    2ntjk7t.jpg320 kbps | 120 MB | LINKS

    The Jet Plane and Oxbow tour was one of our shortest, but also one of the most intense and rewarding; it was certainly the loudest (and for good reason). 2016 seems far away now.

    Most of these recordings come from a sweaty, hometown-ish show at the Croc in Seattle, recorded by Matthew Barnhart (who also recorded Rook back in 2007). “You As You Were” comes from Islington Assembly Hall in London, recorded by Jay Demko (who ran live sound and emotional support for us for much of the year). It was still the old pre-Brexit UK way back then, and a great place for a show; when I fired my laser gloves at the hall’s enormous mirror ball, the beams skittered all over the room.

    The other songs come from live moments where there wasn’t an audience. The first “Radio Silence” is from an early-morning live performance on KUTX in Austin when I wasn’t very awake; “Only Child” is a one-mic demo I made with Emily Lee at home in New York, “Wildlife in America” comes from a live performance on XM radio in DC, and “Kick in the Eye” is a Bauhaus cover we did for the AV Club’s Undercover series, in the same room in their Chicago office where we played a full live take of Bowie’s Lodger album that afternoon. (Sold separately). Lucas heroically mixed all this stuff in Austin months later.

    Being on stage is like being in a trance; I don’t remember much of the shows themselves when we’re done, besides a huge surge of relief when nothing goes wrong. But I do remember more of the drives on this tour than usual. One in particular, when Sadie and I carted the van back to Texas after the last show of the first US tour in Portland, stands out; I remember rocketing through snow in Utah late at night, going about 80 with my eyes drilled into the taillights of the car ahead and my knuckles locked in place on the wheel.

    The next day we outran the storm, took the van way up on the ridge at the Bears Ears and more or less camped in it. I woke up freezing and mummified in the driver’s seat to see that the snow had caught up with us again, and inched down the mountain with both feet on the brake. Then I drove down the Moqui dugway, without telling Sadie what that was in advance; it’s one of the best stretches of road in the US, even when there aren’t cascades of snow pouring off the Cedar Mesa.

    There was a lot of good thinking time on that drive. The country was very beautiful, everywhere, all through northern New Mexico, west Texas. I can’t think of another time when I’ve felt that so keenly.


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