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ΓΙΩΡΓΟΣ ΒΑΡΣΑΜΑΚΗΣ inside me

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Δεν είναι χθεσινός ο συνθέτης Γιώργος Βαρσαμάκης, καθώς υπάρχει δισκογραφικά για περισσότερο από μια δεκαετία. Μέσα σ’ αυτό το διάστημα έχουν κυκλοφορήσει κάποια ορχηστρικά CD του κι ένα απ’ αυτά, το τελευταίο του, που τιτλοφορείται Inside me[ΕΜΣΕ, 2017], μας απασχολεί αυτή τη στιγμή.
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Ο Βαρσαμάκης έχει κλασικές-ρομαντικές αναφορές και από πιο σύγχρονες μινιμαλιστικά περάσματα (ύστερος Philip Glass, Wim Mertens) και soundtracks «ανοικτών» κινηματογραφικών εικόνων (κάπως αδόκιμο αυτό το τελευταίο, αν και όλοι αντιλαμβάνονται τι εννοούμε). Ως συνθέτης και πιανίστας επενδύει πολλά στη μελωδία και στον αρμονικό πλούτο, ενορχηστρώνοντας με γνώση τα θέματά του. Προς τούτο ζητά τη βοήθεια πολλών και καλών σολιστών (εκτός του ιδίου στην ηχογράφηση του “Inside me” συμπράττουν 15 ακόμη μουσικοί) σε βιολιά, βιόλα, τσέλο, φλάουτο, κλαρινέτο, άλτο σαξόφωνο, σοπράνο σαξόφωνο, τρομπέτα, τρομπόνι, γαλλικό κόρνο, μπάσο, κρουστά, φωνή…
Το αποτέλεσμα είναι όμορφο. Οι συνθέσεις του Βαρσαμάκη προάγουν δηλαδή την ηχητική ομορφιά, το πάθος που κινείται μέσα σε κάποια όρια (όπως και η μουσική του εξάλλου) και περαιτέρω τη μαγεία (του φυσικού τοπίου ενδεχομένως), τον έρωτα, την αγάπη… Αυτός είναι ο στόχος, ο οποίος επιτυγχάνεται μέσω τής… καθαρής μουσικής και ενός τραγουδιού, του “Then you came…”, σε στίχους και ερμηνεία τής Νατάσας Μάρε-Μουμτζίδου.

(Country/Blues/Folk) Colter Wall - Imaginary Appalachia - 2015, MP3, 320 kbps

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Colter Wall / Imaginary Appalachia Жанр : Country/Blues/Folk Страна исполнителя (группы) : United States Год издания : 2015 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:22:56 Наличие сканов в содержимом раздачи : нет Треклист : 01.

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6'37

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Today's motto:
All those the Father gives me will come to me, and whoever comes to me I will never drive away.

The work i do for radio gave me the habit of timing audio. So a lot, not all, of my digitalised music has it's duration added to the titel. As a result the first song in todays collection is listed as: A2-Willy&Jane-Kyosimba-6'37.mp3

Sometimes when i am not inspired to choose the music to listen to, i simply put a lenght of time in my search order. This time i picked 6 minutes en 37 seconds, don't ask me why.

This is the result. If you really like one of them, just say so and perhaps i can post the album where it's coming from. With the exception of the one coming from CD. That one you could buy,

To obtain a proper illustration for this post i 'binged' 6'37 and what happened that most pictures have to do with the gospel of John 6 vs 37, so  that explains the motto of today.

6'37

het motto van vandaag:
Al wat Mij de Vader geeft, zal tot Mij komen; en die tot Mij komt, zal Ik geenszins uitwerpen.

Vanwege het werk  voor de radio, heb ik de gewoonte audio te timen. Dus veel van de muziek in mp3 heeft een lengte aan de titel geplakt gekregen, Zo heeft het eerste  lied van de collectie van vandaag de volgende titel: A2-Willy&Jane-Kyosimba-6'37.mp3
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Venice
Soms als ik geen zin heb muziek uit te zoeken, geef ik een tijd  op als zoekopdracht. Deze keer was dat 6 minuut 37, vraag me niet waarom.

Dit is het resultaat. Als een ervan je bijzonder bevalt, meldt dat dan en welliht post ik het hele album. Met uitzondering van die ene van CD. Die is nog wel te koop, schat ik.

Om voor deze post een afbeelding te verkrijgen, 'bingde' ik dezelfde lengte en wat gebeurde: meeste plaatjes hadden een relatie tot het evangelie van Johannes 6 vs 37. Daarmee is het motto van vandaag verklaard.



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6'37?
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Nick J.D. Hodgson – Tell Your Friends (2018)

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51J%2BmDh1zeL._SS500.jpg320 kbps | 81 MB | LINKS

As main songwriter and founder member of Kaiser Chiefs, Hodgson already has an enviable record of global hits under his belt, including number 1 single Ruby and I Predict A Riot. Since leaving the band in 2012 he has written and produced for other artists, and has seen success in this new world with the likes of Mark Ronson, John Newman, Hurts and Ratboy. A solo career was not something Hodgson was even considering, as he explains: ‘It was a long time since I’d written a song just for myself… and then I wrote Thank You”

(Bluegrass, Country, Jam band) Steep Canyon Rangers - Out in the Open - 2018, MP3, 320 kbps

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Steep Canyon Rangers / Out in the Open Жанр : Bluegrass, Country, Jam band Страна исполнителя (группы) : USA Label : Ramseur Rec. Год издания : 2018 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 46:52 Треклист : 01.

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VA - The Acoustic Album [2CD Set] (2006)

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VA - The Acoustic Album [2CD Set] (2006)

Artist: Various Artists
Title Of Album: The Acoustic Album
Year Of Release: 2006
Label (Catalog#): Virgin TV [VTDCD 813]
Genre: Acoustic Pop/Rock, Folk, Singer/Songwriter
Quality: FLAC (tracks,cue,log,scans)
Bitrate: Lossless
Time: 2:37:24
Full Size: 1.01 gb
Upload: Turbobit / DipFile

Dirtmusic – Bu Bir Ruya (2018)

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DirtmusicDirtmusic return for their fifth album, a full-scale collaboration with Turkish-psych visionary Murat Ertel from Baba Zula. Recorded in Istanbul, the album navigates hypnotic rhythms, cinematic atmospheres and dark political realities.
…The striking figure of Murat Ertel is standing at the door of his home studio, a converted mechanic’s garage in a suburb of Istanbul. The Turkish capital is a tense and conflicted place these days, but Baba Zula’s leader and saz man is on fine form. Before him stand those current and former musical nomads, Chris Eckman and Hugo Race, guitars in hand. Dirtmusic are about to take on their latest, and perhaps most thrilling, form.
…Originally a straight-talking, mainly acoustic trio mining blues and country for 21st century…

102 MB  320 ** FLAC

…gold, the band’s first happy accident was to stumble upon Tamikrest at the fabled Festival au Désert in Timbuktu in 2008. A musical love story began, running through that joyous first collaboration with Tamikrest in BKO (2010), followed by Troubles (2013) and Lion City (2014), which expanded the roster to include Ben Zabo, Samba Touré and a host of other superb Malian musicians. In the meantime, however, the Islamist takeover of Northern Mali in 2012 had darkened the sound and the songwriting, giving them a tone that continues to resonate through the new record.

Back to that garage. True to form, Eckman and Race look to improvise, for that line to the Bamako years is still strong. They’ve come with a couple of beats and loops – and they’re not even sure whether they will attach any words to this year’s Dirtmusic. But Ertel knows they need to tell a story. The time and the place demand it. This is being recorded in Istanbul after all, and Eckman has flown there from Slovenia, a country that has secured its southern border with razor wire – and Race from Australia, where sea-borne refugees are detained indefinitely on remote islands. And so it goes, a tale of borders and walls, of cold fronts and cold hearts.

The opening track, ‘Bi De Sen Söyle’, is a statement of intent, musically and lyrically: shared vocals that mass in urgent call-and-response, the psychedelic grip of Ertel’s saz, which barely leaves the record for a second, and percussion from Ümit Adakale that tells us that this is music for clubs and parties as much as for private spaces. It shares this with ‘The Border Crossing’, the prime slice of Pop Group-inflected postpunk-funk that follows it, with its voice of hard truth, perhaps even of cynicism, but also of ambiguity. Both tracks ask you to consider who is speaking. The world is indeed ‘getting smaller’, but for whom? Is it the privileged traveller who’s in trouble here, or the refugee? Everyone has a story to tell, even if we can only catch glimpses of it. The shadow of the new despots hangs over them, but the refusal to preach, that insistent ambiguity again, asks just as many questions of the liberal challenge.

It’s a questing, restless record for the head, but perhaps more so for the body. It broods throughout, as post-punk, Turkish psych, funk, rock and electronics stalk the grooves with widescreen intent – listen to ‘Safety in Numbers’, for example, an instant classic that sees Race in imperious form, or ‘Love is a Foreign Country’, which features a startling appearance by Gaye Su Akyol, a treat for those who loved her Hologram İmparatorluğu, one of the most striking Glitterbeat releases of 2016. Fans of Baba Zula, Turkey’s premier psychedelicists, will also have more than enough to chew on, particularly in the remarkable title track that closes the album.

Embrace Tracks Pop, Dance, Edm (2018)

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Embrace Tracks Pop, Dance, Edm (2018)

Artist: Various Artists
Title: Embrace Tracks Pop, Dance, Edm
Label: Armada Music, Hot Creations, Monkeytown, Comorbid Records
Style: Indie Dance, Nu Disco, Trap, Carnival, Electronica, Dubstep, Future Bass
Release Date: 20-01-2018
Format: CD, Compilation
Quality: 320 Kbps/Joint Stereo/44100Hz
Codec: MP3
Tracks: 42 Tracks
Time: 02:46:22 Min
Size: 383 MB

Grateful Dead – RFK Stadium Washington, DC, July 12 & 13, 1989 (2017)

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The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine.

Jerry Garcia and Bob Weir along with drummers Mickey Hart and Bill Kreutzmann plus bassist Phil Lesh and keyboardist Brent Mydland were joined by future member Bruce Hornsby during both RFK ‘89 shows. Hornsby can be heard adding accordion on a rare second set “Sugaree” as well as “Man Smart (Woman Smarter)” during the first night. Bruce showed up on July 13 to add accordion to “Tennessee Jed” and “Stuck Inside of Mobile with the Memphis Blues Again.”

July 12, 1989
1. Touch of Grey
2. New Minglewood Blues
3. Mississippi Half-Step Uptown Toodeloo
4. Just Like Tom Thumb’s Blues
5. Far from Me
6. Cassidy
7. Friend of the Devil
8. Promised Land
9. Sugaree>
10. Man Smart, Woman Smarter
11. Ship of Fools>
12. Estimated Prophet>
13. Eyes of the World>
14. Drums>
15. Space>
16. I Need A Miracle>
17. Dear Mr. Fantasy>
18. Black Peter>
19. Turn On Your Lovelight>
20. Black Muddy River

July 13, 1989
1. Hell in a Bucket
2. Cold Rain and Snow
3. Little Red Rooster
4. Tennessee Jed
5. Stuck Inside of Mobile with the Memphis Blues Again
6. To Lay Me Down
7. Let It Grow
8. He’s Gone
9. Looks Like Rain
10. Terrapin Station
11. Drums
12. Space
13. I Will Take You Home
14. The Other One
15. Wharf Rat
16. Throwing Stones
17. Good Lovin’
18. U.S. Blues

R. Finn – Collecting Trip (2018)

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jjbiuw.jpg320 kbps | 88 MB | LINKS

Collecting Trip — a ten-track collection of timeless Americana that finds the singer-songwriter channeling influences from Woody Guthrie to Leon Russell. Co-produced by legendary drummer Jim Keltner (Bob Dylan, Neil Young, John Lennon), Collecting Trip is an ode to the singer-songwriter’s (nee Chris Rondinella) deep dive into folk and Americana and features contributions from Benmont Tench (Tom Petty & the Heartbreakers), Sean & Sara Watkins (Nickel Creek), and more.

Running Songs: The Ultimate Collection 5CD (2018)

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Running Songs: The Ultimate Collection 5CD (2018)

Artist: Various Artists
Title: Running Songs: The Ultimate Collection
Label: Union Square Music, BMG Company
Style: East Coast Hip Hop, Gangsta Rap, R&B, Nu Disco, Eurodance, Europop, Hard House, Garage, Old School
Release Date: 12-01-2018
Format: CD, Compilation
Quality: 320 Kbps/Joint Stereo/44100Hz
Codec: MP3
Tracks: 100 Tracks
Time: 06:31:27 Min
Size: 996 MB

(African Folk, Desert Blues, Sahrawi) [CD] Mariem Hassan - Shouka - 2010, FLAC (tracks+.cue), lossless

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Mariem Hassan / Shouka Жанр : African Folk, Desert Blues, Sahrawi Носитель : CD Страна-производитель диска (релиза) : Spain Год издания : 2010 Издатель (лейбл) : Nubenegra Номер по каталогу : INN 1136-2 Страна исполнителя (группы) : Spanish Sahara Аудиокодек : FLAC (*.

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Bardo Pond Volume 8

Arthur H Amour Chien Fou

Jesse Marchant – Illusion of Love (2018)

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51USz26U0TL._SS500.jpg320 kbps | 105 MB | LINKS

Illusion of Love marks the end of an era. It’s the sound of awakening and emergence – from crises both personal and political. Though the opening track, “All These Kids I Never Knew,” starts the record off with Marchant recalling a year of social atrocities alone at the piano “shot in the back / while running away”, leading the first-time listener to believe that he might be setting the table for a collection of lonely ruminations, the opposite holds true. It’s a farewell to isolation, ushering in an album of buoyant, triumphant anthems. “Heart of Mine,” one of the album’s lead singles, which Marchant and his band tear through with an urgency unhinged, channels the essence of Neil Young with the spirit of Jim James, relating from the soul of a troubled youth as it comes to learn defiance.

Ever the patient observer, Marchant watches on at those around him who have suffered, decidedly more than he, with an openness to understand and ability to empathize that brings gravity to his lyrics. Layers of lyrical context can be peeled away and sifted through as Marchant runs the thematic gamut from the social commentary of “I’ve Got Friends” (“nowadays you can make a show of your life / to convince yourself of its worth / what do you think of my private vacation?”) to the tender, plaintive “Burning Red” which was written for an old love but never completed (“We could drive into the night / I’d play the songs you like / And let you sleep when you get tired”). Perhaps the definitive lyric from the album comes in the final song (and its title track) when Marchant asks twice, in a flurry of swelling synths and strings, “who do you love?”. A fitting moment, for an artist who’s grappled with so many difficult choices, to ironically find the ultimate answer in the form of a question.
Illusion of Love was recorded in the Autumn of 2016, at Isokon Studio in Woodstock, NY re-pairing Jesse with his Engineer and Co-Producer D. James Goodwin (Kevin Morby, Bob Weir, Craig Finn) and many of his current and former touring bandmates, Anthony LaMarca (The War on Drugs, St-Vincent,The Building) on Guitar, Piano, Pedal Steel, Synths, Logan Coale (The National, Joanna Newsom, Jonsi, Wordless Music Orchestra, Now Ensemble) on Bass, and Jason Lawrence (Dean & Britta, The Building) on Drums. Strings were performed and arranged by film composer Danny Bensi (Enemy, Martha Marcy May Marlene, Christine). The album was mastered by Greg Calbi.


Fire! The Hands

Velma Powell & Bluedays – Blues To The Bone (2018)

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51J0nFCI8UL._SS500.jpg320 kbps | 117 MB | LINKS

12 songs make up the album: eleven originals, where Velma gives us lyrics full of sensitivity and double senses characteristic of the blues, and a single version that finishes rounding the solidity of the final set.

Dirtmusic – Bu Bir Ruya (2018)

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Dirtmusic – Bu Bir Ruya (2018)

  • Artist: Dirtmusic
  • Album: Bu Bir Ruya
  • Genre: World Music
  • Released: 2018
  • Format: MP3 / FLAC
  • Quality: 320Kbps / Lossless
  • Size: 96 MB / 218 MB

Tracklist:
01 – Bi De Sen Söyle feat. Brenna Mac Crimmon
02 – The Border Crossing
03 – Go the Distance
04 – Love Is a Foreign Country feat. Gaye Su Akyol
05 – Safety in Numbers feat. Brenna Mac Crimmon
06 – Outrage feat. Görkem Şen
07 – Bu Bir Ruya feat. Görkem Şen
Download Links:
rapidgator: Download

FLAC:
rapidgator: Download

(Country Pop, Country) Anne Murray - Дискография 1968-2017 (73 релиза), MP3, 192-320 kbps

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Anne Murray Жанр : Country Pop, Country Год выпуска диска : 1968-2017 Страна : June 20, 1945-, Springhill, NS, Canada Аудио кодек : MP3 Тип рипа : tracks Битрейт аудио : 192-320 kbps Продолжительность : 02:16:17:12 Albums: 01.

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'There's something missing in African American music today.'

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Cedric Watson is known for playing Cajun, Creole and zydeco music on his violin. He's from Lafayette, Louisiana. Watson appears on the new album by Malian guitarist Boubacar Traoré. And through that collaboration, Cedric Watson has been able to find where the music from Louisiana and Mali meet.
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