Alva Noto & Ryuichi Sakamoto
Glass
(Noton, 2018)
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Alva Noto & Ryuichi Sakamoto Glass
Ryuichi Sakamoto Async – Remodels
Ryuichi Sakamoto
Async – Remodels
(Commmons, 2017)
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Delta Generators - Live at the Spire (2018)
Genre: Blues Rock
Format: flac (track)
Quality: Lossless
Tracks: 9
Total Time: 00:51:12
Total Size: 324.71 MB
Label: Independent
Jennifer Lyn & The Groove Revival - Badlands (2018)
Genre: Blues Rock
Format: flac (track)
Quality: Lossless
Tracks: 10
Total Time: 00:37:31
Total Size: 239.81 MB
Label: Jennifer Lyn Music, LLC
Jennifer Lyn - I'm All Wrong for You Baby (2016)
Genre: Blues Rock
Format: flac (track)
Quality: Lossless
Tracks: 5
Total Time: 00:16:44
Total Size: 109.55 MB
Label: Jennifer Lyn
VA - Time-Life Music - The Timeless Music Collection [39CD] (2003)
ΠΡΩΤΟΣ ΟΡΟΦΟΣ η 9η avant / πειραματική / ηλεκτρονική συλλογή
Το άλμπουμ ξεκινά με το “Human geometry” των/του Mytripαπό τη Βουλγαρία. Το κομμάτι έχει ambient χαρακτηριστικά (που θα το έφερναν κοντά ακόμη και στο kraut), drone στο βάθος και μια προοδευτική αύξηση της έντασής του πριν το κάπως βιαστικό κλείσιμο (εννοώ πως αυτού του τύπου τα tracks, μπορεί να τραβάνε μέχρι το άπειρο).
VA – Ernesto Chahoud presents TAITU: Soul-fuelled Stompers from 1960s-1970s Ethiopia (2018)
Ernesto Chahoud’s Taitu is a collection of soul-fuelled stompers straight from the dancefloors of 1970s Addis Ababa. A breathless journey through the unique Ethio sound that bands were forging at the time, the 24-track compilation is the result of the Lebanese DJ and crate digger’s decade long love affair with the ‘golden age’ of Ethiopian music.
Among the musical gems featured are 7″s by some of the heavyweights of the scene including Mulatu Astatke and Alemayehu Eshete, the vocalist dubbed the ‘Ethiopian Elvis’, alongside tracks by more obscure artists such as Merawi Yohannis and Birkineh Wurga.
For Taitu, Chahoud has selected 24 of his essential Ethio-Soul 7″s, that never leave his DJ box, and together they capture this opportune…
…moment in Ethiopian music history that saw bands experiment with an armful of influences: gliding through R&B, rock & roll, jazz, funk, soul and boogaloo. What came out was a distinctly Ethiopian interpretation: pentatonic scales, horn-driven melodies and soul-shattering vocals sung in Amharic.
The songs are difficult to box in to one genre but they share a simplicity and rawness, added to by their lo-fi quality – with many recordings made in rudimentary studios with only a couple of mics for the entire band.
From the R&B stomper ‘Honey Baby’ by Alemayehu Eshete to Astatke’s swaggering ethnic-jazz instrumental ‘Emnete’ and the bluesy melancholic vocals of Hirut Bekele on ‘Ewnetegna Feker’, ‘Taitu’ is a window in on the exciting records being made in Ethiopia in the 1970s.
Mishouris Blues Band - I Got Money! (2018)
Genre: Blues
Format: flac (track)
Quality: Lossless
Tracks: 13
Total Time: 00:59:04
Total Size: 391.59 MB
Label: United Music Group
VA - Mr Music Hits 2007 Volume 1-12 (2007)
Various Artists We Out There
Various Artists
We Out There
(Brownswood Recordings, 2018)
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Bloodlust - Behind... (1993)
??????: France
??????: Behind...
????: Thrash, Death Metal
??? ??????: 1993
????????: (CD-Rip) Not On Label (BLOOD 01)
??????: 939 kbps FLAC (image. cue. log. cd scans)
??????: 142.10 Mb
?????????????: Depositfiles/Cloud.mail
Sonoko La Débutante
Sonoko
La Débutante
(Crammed Discs, 1987)
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Christian Lillinger’s Grund COR
Christian Lillinger’s Grund
COR
(Plaist, 2018)
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VA - Mr Music Hits 2006 Volume 1-12 (2006)
Argus - Argus (2009) FLAC (image+.cue)
Artist: Argus | Album: Argus | Released: 2009 | Label: Shadow Kingdom Records | Catalog #: SKR022CD | Genre: Doom Metal, Heavy Metal
Steven Reinhardt Quartet – Thaissy Bolero (2018)
320 kbps | 85 MB | LINKS
Steven Reinhardt’s second album, dedicated to his daughter Thaissy. Quartet is: Steven Reinhardt: Lead guitar Benji Winterstein: Rythm guitar Antoine abed: Double bass Alban Chapelle: Saxophone
(Country) Tamara Walker - Discography 2001 - 2005 (1 Album + 2 Single), MP3, 320 kbps
Alhaji Waziri oshomah – Ota Pea Pea Polygram / Waziri 1978
It is not highlife as I stated before, it is no juju, no afrobeat,
this Nigerian artist produces a type of music they call Afemai
Sound. There are juju elements as well as highlife but same time
it is different. At Superfly Records you will find a lot of info
on the subject. Listen to- and enjoy Ota Pea Pea..
Het is geen highlife zoals ik eerder beweerde, geen juju en geen
afrobeat. Deze Nigeriaanse artiest maakt muziek die men Afemai
Sound noemt. Het bevat wel degelijk elementen van highlife en ook
juju maar is toch anders. Op Superfly Records vindt je een hoop informatie.
Luister naar- en geniet van Ota Pea Pea..
tracks ;
01 – Ota pea pea
02 – Late ojeiku aisuku
03 – Ozemede alhaji abu ali
04 – Gold and silver alhaji m.s. umoru
VA – The Britxotica! Box: Three Amazing Albums of Primitive Pop and Savage Jazz from the Wild British Isles (2017)
With American servicemen returning home from Hawaii in the post-World War 2 years, it’s perhaps no surprise that a breed of tiki-tinged music started to infiltrate US culture throughout the ’50s, with the likes of composers Les Baxter and Martin Denny spearheading the exotica movement. Could the same wave hit the UK? Forget about it… Our coastal towns were all about zoetropes and donkey rides.
Or were they? British jazz icon Johnny Dankworth recorded the instrumental ‘African Waltz’ –“crazy music with a beat to make you wanna dance”, as onetime Vernon Girl Lyn Cornell puts it on her enthusiastic vocal version of the song, which leads off this collection of Britxotica recordings. That’s right: these cuts are strictly British,…
…but with plenty of loose limbs to make those stiff upper lips wobble. And while Harry H Corbett’s reading of “The Green Eye of the Little Yellow God” is firmly parodic in a way that may come more naturally to British sensibilities, appearances by Ted Heath (the restrained cool of “Jungle Drums”) and Sounds Incorporated (giving their guitar twang an exotic twist courtesy of tribal drumming and a wayward flute) belie the suggestion that fish’n’chips was about as exotic as it got in old Blighty.
Compiled by Martin Green, the man who collaborated with Trunk on the collection of swinging hymns that became Resurrection, Britxotica! is another insight into the improbable places that British jazz musicians found themselves – and further proof that walking that fine line between parody and sincerity has always been a favourite national pastime. — Record Collector
Album 1: Britxotica! Primitive Pop and Savage Jazz
Album 2: Britxotica! Goes East! Persian Pop and Casbah Jazz
Album 3: Tropical Britxotica! Polynesian Pop and Placid jazz