| Artist: | Olamide |
| Title of Album: | Science Student |
| Genre: | Ethnic |
| Year of Release: | 2018 |
| Tracks: | 1 |
| Total Time: | 3 minutes and 23 seconds |
| Format: | MP3 |
| Bitrate: | 320 Kbps |
| Total Size: | 7.88 MB |
| # | Song Title | Artist | Time |
|---|---|---|---|
| 01 | Science Student | Olamide | 3:23 |
The post Olamide-Science Student-WEB-2018-AZF appeared first on AlbumDL.
Almost two years ago we already had a record from their hand.
It was a 1975 album and according to Youtube this one is too.
On Disque Esperance and recorded in Kenya, this is Mpete Wa
Mpete. The previous one was in Cavacha style, this is called
Kibutshi or Kibushi. Both styles should be Congolese I think,
you tell me..
Bijna twee jaar geleden hadden we er al eentje van hun hand.
Het was een elpee uit 1975 en volgens Youtube is deze dat ook.
Op Disque Esperance en opgenomen in Kenya is dit Mpete Wa
Mpete. De vorige was in Cavacha stijl en dit wordt Kibutshi of
Kibushi genoemd. Beide stijlen moeten volgens mij Congolees
zijn, vertel jij het mij..
tracks ;
01 – Anna
02 – Joyce take one
03 – Mokili eko baluka pt. 1
04 – Mokili eko baluka pt. 2
05 – Coup direct
06 – Babotoli mobali
07 – M.P.R.
98 – Olukaka makambo
320 kbps | 172 MB | LINKS
A Real Labour Of Love, a brand new studio album of 16 tracks from UB40 featuring Ali, Astro & Mickey. The band have chosen a mix of well-known & less well-known reggae songs to cover in true UB40 style. Tracks featured Barrington Levy’s Here I Come, Ken Boothe’s, Moving Away, Gregory Isaac’s Hush Darling & more. Cover art includes a bespoke painting by the respected American painter Mark T Smith & he has incorporated elements from the tracks to create art unique to the band.
320 kbps | 89 MB | LINKS
David Byrne announced his new album American Utopia, the former Talking Heads singer’s first solo LP in 14 years.Byrne said of American Utopia in a statement, “These songs don’t describe an imaginary or possibly impossible place but rather attempt to depict the world we live in now. Many of us, I suspect, are not satisfied with that world—the world we have made for ourselves. We look around and we ask ourselves—well, does it have to be like this? Is there another way? These songs are about that looking and that asking.”
American Utopia, due out March 9th through Nonesuch Records, marks Byrne’s first solo album since 2004’s Grown Backwards. Since then, the Talking Heads mastermind has released album-length collaborations with Brian Eno, St. Vincent and Fatboy Slim.
For the LP, Byrne worked with a fleet of in-demand producers, including Eno, Rodaidh McDonald, Daniel Lopatin (Oneohtrix Point Never), Jack Pinate, Jam City and Thomas Bartlett (Doveman). The album was recorded in Byrne’s home studio in New York City as well as studios in New York and London.
“This album is indirectly about those aspirational impulses. Sometimes to describe is to reveal, to see other possibilities. To ask a question is to begin the process of looking for an answer. To be descriptive is also to be prescriptive, in a way. The act of asking is a big step,” Byrne continued. “The songs are sincere—the title is not ironic. The title refers not to a specific utopia, but rather to our longing, frustration, aspirations, fears, and hopes regarding what could be possible, what else is possible. The description, the discontent and the desire—I have a feeling that is what these songs touch on.”
320 kbps | 150 MB | LINKS
Both Sides Of The Sky presents 13 studio recordings including 10 which have never before been released. All but two of these studio recordings were made during a fertile period between January 1968 and 1970. Jimi’s mastery and use of the studio as a proving ground for new songs resulted in a growing collection of extraordinary material. This album completes a trilogy of albums [with Valleys Of Neptune and People, Hell & Angels] presenting the best and most significant unissued studio recordings remaining in the Hendrix archive. The songs include fascinating alternate versions of “Stepping Stone,” “Lover Man” and “Hear My Train A Comin'” as well as recordings where Jimi is joined by special guests Johnny Winter and Stephen Stills. Both Sides Of The Sky was mixed by Eddie Kramer, the engineer for all of Hendrix’s albums throughout the guitarist’s lifetime, and produced by Janie Hendrix, Kramer and John McDermott.
There’s a reason why Seun Kuti looks so confident on the cover of Black Times. Released four years since his last LP, 2014’s robust A Long Way to the Beginning, the Nigerian vocalist and saxophonist seems committed to crafting his own version of Afrobeat, while paying homage to the jazz-inspired, rhythmic genre invented by his late father, Fela Kuti.
Joined by Egypt 80 (the band his dad helped form in the late ’70s and which Seun fronted as a youth), while bringing soul keyboardist Robert Glasper back into the producer’s chair, this eight-track/63-minute LP blends in neo-soul and rock (best exemplified on the title track, featuring surprisingly low-key guitar work from Carlos Santana) with his regular funk, jazz and scorching lyrics.
Although the call-and-response of “Last Revolutionary” and the epic sax intro of “Kuku Kee Me” deliver on Afrobeat’s blazing energy, Seun also adds a new flavour to tracks like the dance-y, dub-inspired “Bad Man Lighter,” smoother edges to “African Dreams” and a James Brown-like charm to “Struggle Sounds.”
But it’s Seun’s lyrics that make his third LP such an engaging listen, as issues like commercialism (“African Dreams”) and corrupt politics (“Corporate Public Control Department (C.P.C.D.)”) seem both contemporary and timeless. On Black Times, Seun Kuti continues to be one of the most important voices in music, by simply reinforcing to us what we already know.
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