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older | 1 | .... | 1495 | 1496 | (Page 1497) | 1498 | 1499 | .... | 2481 | newer

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    konadus-band-front

    Alex Konadu has a load of followers here at the GG. And
    that is totally justified, such nice highlife. Today’s album
    is one made in Nigeria although he is from Ghana. If you’re
    new here, check his previous posts using our search-bar.

    Alex Konadu’s Band heeft een berg vaste aanhangers hier
    op de Global Groove. En dat is volkomen terecht met zulke
    lekkere highlife. Dit album uit 1976 is in Nigeria geproduceerd
    hoewel Alex uit Ghana komt. Als je hier nieuw bent, kijk dan
    eens naar zijn andere platen middels onze zoekbalk links op
    de pagina. Veel luisterplezier maar weer..

    01 – Akom mu yehu
    ——Mman serwaah
    ——Nantwi nam aba
    ——Ebo mfho
    ——Naano asem
    02 – Yadee ama masee
    03 – A good one there
    04 – Maya ndwene
    05 – Abusua monkye ndi
    06 – Ono anusuawa
    07 – Obiara nenekunu

    downloadbutton


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  • 03/08/18--09:23: Alela Diane Cusp
  • Alela Diane
    Cusp
    (AllPoints, 2018)
    more details


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  • 03/08/18--09:41: VA - Time For A Kiss (2016)
  • rip by Boris1

    VA - Time For A Kiss (2016)

    Performer: VA
    Album: Time For A Kiss
    Label: United Audio Entertainment Ltd.
    Catalog #: ummc22732
    Style: Pop, Oldies
    Year: 2016
    Format: Flac (*image + .cue,log,scans)
    Bitrate: lossless
    Covers: in archive
    Amount of tracks: 30
    Size RAR: ~ 361 MB
    Upload: deposit, cloud.mail
    Recovery: 3%
    Password: sim-sim

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    ? ?????? ??????? ?????? ?????
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  • 03/08/18--09:41: Atrocity - The Hunt (1996)
  • Atrocity - The Hunt (1996)

    ???????????: Atrocity
    ??????: Germany
    ??????: The Hunt
    ????????! ? ??? ??? ???? ??? ????????? ???????? ??????.

    ????: Death Metal
    ??? ??????: 2012
    ????????: (CD-Rip) Massacre (MASS CD 112)
    ??????: 1037 kbps FLAC (image. cue. log. cd scans)
    ??????: 147.76 Mb
    ?????????????: Depositfiles/Cloud.mail

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    61FbXJMwtKL.jpg320 kbps | 134 MB | LINKS

    Brash, exciting Chicago blues and old school rock ‘n’ roll, honest, intense and powerful. With ten terrific new original songs and three reinvigorated vintage gems. The Nick Moss Band Featuring Dennis Gruenling makes their Alligator Records debut with ‘The High Cost of Low Living’.


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    61Z38jvQvkL._SS500.jpg320 kbps | 92 MB | LINKS

    Get ready for some powerhouse originals and the country, blues, rock, & Motown covers you love -Jill can sing anything! Nashville recording artist Jill Fulton’s fiery vocals will blow you away! Jill Fulton is a soulful singer/songwriter (formerly the Tall Blond & Thirsty Band). Jill has been performing since she was 3 years old. Growing up in Churchville, MD just below the Mason-Dixon Line, near Baltimore, Washington, and Philadelphia, gives her original songs influences from Philadelphia funk to Patsy country. With her band, made up of four highly skilled professional musicians: Michael Quinlivan on guitar, Dale Sharrah on bass, David Gorozdos on the keyboard, and Jeffery Shoop on drums, and frequent guest musicians: Andrew Elwood on guitar/keys and Josh French on guitar will make sure you have a good time! Jill is currently working with renowned Nashville producer, Gary Carter on her, “Southern Breeze” album; a spring 2018 release is expected. Jill’s powerful vocal skill is awe-inspiring and all entertainment on stage. She’ll get your toes tapping, body shaking and you’ll leave with a smile on your face!


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  • 03/08/18--10:11: David Kitt – Yous (2018)
  • 51D5F6EOwIL._SS500.jpg320 kbps | 84 MB | LINKS

    Describing his first solo record for nine years as “the most free I’ve felt making a record since my debut Small Moments”, David Kitt’s sense of freedom is bound up in themes of renewal, movement, and a constant reshaping of his musical preoccupations.

    The last number of years have seen him touring and recording as a member of Tindersticks, producing other musicians’ work, exploring techno, disco, and house under his New Jackson moniker, remixing everyone from Shit Robot to The XX, and producing intriguing, eclectic DJ sets and radio shows.

    All of these experiences have been brought to bear on his latest record Yous, which mingles a sense of freedom, and calm reflection, with an independent impulse, “There was no pressure whatsoever with this record,” he says. “No label or manager, or anyone breathing down my neck. I was happy to wait as long as it took to have the right 10 songs”.
    “The intention was to release it very low-key via Bandcamp and do a small vinyl run, but when it was done and mastered I had a feeling I had something special on my hands, and for the first time in a long while all my friends were chiming in saying it was their favourite thing I’d done. So I played it for Olan at All City and he convinced me to give it a proper
    release”.

    Yous is a finely wrought and elemental piece of work, folding in electronic hisses and beats that ground carefully finger-picked guitars (inspired by the likes of Mississippi John Hurt and John Fahey) and stirring violin, weaving between glorious pop-kissed melodies and stark, immersive, poignant compositions – something Kitt does so well.

    In the spirit of J.J. Cale, Love is Overtaking Me-era Arthur Russell, and Ronnie Lane, the relaxed nature of the album was intentional, “I’m getting my electronics fix from New Jackson, so I wanted to leave room for all the live instrumentation on this, and keep the backing as simple as possible, to let every element have room to breathe, and be heard, and have a strong personality.”


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    41CMvosyHTL._SS500.jpg320 kbps | 102 MB | LINKS

    Sunflower Bean made a late play for putting out one of 2017’s best songs when they released “I Was a Fool” in November, the first new music they had released since their acclaimed 2016 debut Human Ceremony. Today, the New York trio have done us one better by announcing their second album Twentytwo in Blue, due out March 23 via Mom + Pop. Jacob Faber, Julia Cumming and Nick Kivlen will each be 22 years old at the time of the record’s release, which comes almost two years and two months after that of Human Ceremony.


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    Various Artists
    Ernesto Chahoud presents TAITU
    Soul​-​fuelled Stompers from 1960s-1970s Ethiopia
    (BBE, 2018)
    more detail


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    Marc Edwards Mick Barr Duo
    The Bowels of Jupiter
    (Sleeping Giant Glossolalia/SGG Records, 2018)
    more detail


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    Eric Carr - The Rockheads (1998) [EP]

    ???????????: Eric Carr
    ??????: The Rockheads
    ????: Rock / Hard Rock
    ??? ??????: 1998
    ??????: FLAC (image+cue, log, covers)
    ????????: Lossless
    ??????: 157 Mb
    ??: turbobit.net/depositfiles.com/katfile.com/uploadboy.com/gigapeta.com

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    61M7Zr8ktVL._SS500.jpg320 kbps | 92 MB | LINKS

    Tracks:
    01. High Hopes
    02. The Sailor’s Son
    03. New Home
    04. Little Becky
    05. Miss Me (But Let Me Go)
    06. Hold My Hand
    07. Long Lost Friend
    08. Your Beautiful Mind
    09. Celebrate The Sun
    10. Perfect Crime
    11. Looking Back
    12. Alive And Kicking
    13. Ossies Lullaby


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  • 03/08/18--11:22: Brad Mehldau After Bach
  • Brad Mehldau
    After Bach
    (Nonesuch, 2018)
    more details


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    519usMeEMPL._SS500.jpg160 kbps | 104 MB | LINKS

    Robert Pollard is well-known for redefining what it means to be prolific. The 60-year-old rocker’s career has consisted of over 100 albums, a number he hit just last year with Guided By Voices’ first double LP, August By Cake. The indie alternative outfit also dropped How Do You Spell Heaven in 2017, but 2018 will see Pollard and the group deliver only one full-length. It’s called Space Gun and is out March 23rd. Well ahead of the street date, you can stream it in full below.

    Pollard recored Space Gun with GBV’s most recent lineup, a mix of veterans (Doug Gillard and Kevin March) and newcomers (Mark Shue and Bobby Bare Jr.). The band mastermind has said he feels invigorated by the current mix of musicians, and that their “adroit talents pushes him to more daring and dizzying heights.”


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    81ob10lclmL._SL1200_.jpg320 kbps | 120 MB | LINKS

    Blasting out of Boston, Massachusetts in the mid-80s like a wailing, screaming R&B banshee, Barrence Whitfield and the Savages provided music with a much-needed return to a solid rhythm & blues base at a time when popular music in general was being over-run with synthy pop trivialities and bombastic stadium rock. Armed only with real instruments, a pile of obscure cover versions and new group originals that sounded like they should have been obscure covers, Barrence and the Savages didn’t so much reinvent the wheel as remind everyone what was so good about it in the first place. Their rock-hard, white-hot shows won them plenty of fans. Almost 35 years later those fans are still with them and will be glad to replace their worn-out copies of the band’s first two UK Rounder LPs with Dig Everything, a new Ace compilation which features both albums in their original formats, released for the first time ever on compact disc. Featured across this collection are many of the numbers most immediately identifiable with the band, including several such as Bloody Mary, Rockin The Mule In Kansas and Big Mamou which can still be heard on most nights in any live set they play, anywhere around the world. Ace’s previous Savages CD of their first, independently released album was responsible for Barrence and the group getting back together after a 20-year hiatus. Ace feel it’s only right and proper that Dig Everything! continues their association with one of their favourite bands who will also be releasing a new album in early 2018.


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    41dLLRlSfdL._SS500.jpg320 kbps | 135 MB | LINKS

    Tracks;

    1. On Through The Years
    2. Love Wash Away This Love
    3. Slow Night Train To Freedom*
    4. Make America Great Again
    5. Headin’ For The Temple, Runnin’ From The Regime
    6. Paris Blues*
    7. From Me To You
    8. Addy Nijenboer Sailing Song*
    9. Big Snakes In The River*
    10. Ho Chi Minh City
    11. Las Vegas Money*
    12. Rain Woman Blues*
    13. A Rare And A Foreign Coin
    14. Inside The Wind
    15. Planetary Nights

    David Munyon – vocals & guitar

    *Biber Herrmann – guitar


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    51E4mkxGylL._SS500.jpg320 kbps | 151 MB | LINKS

    Early Tom Waits recording with a jazz trio …tenor sax,bass and drums.The backing musicians are superb throughout as is Mr Waits (mostly on piano).It’s a live recording in a studio, the sound quality is great as is the atmosphere in the room.

    Tracklist:

    01. Opening Intro (Live) 2:57
    02. Emotional Weather Report (Live) 3:46
    03. Intro To On A Foggy Night (Live) 2:16
    04. On A Foggy Night (Live) 3:48
    05. Intro To Eggs And Sausage (In A Cadillac With Susan Michelson) (Live) 1:52
    06. Eggs And Sausage (In A Cadillac With Susan Michelson) (Live) 4:18
    07. Intro To Better Off Without A Wife (Live) 3:02
    08. Better Off Without A Wife (Live) 3:58
    09. Nighthawk Postcards (From Easy Street) (Live) 11:28
    10. Intro To Warm Beer And Cold Women (Live) 0:56
    11. Warm Beer And Cold Women (Live) 5:20
    12. Intro To Putnam County (Live) 0:48
    13. Putnam County (Live) 7:33
    14. Spare Parts I (A Nocturnal Emission) (Live) 6:25
    15. Nobody (Live) 2:50
    16. Intro To Big Joe And Phantom 309 (Live) 0:41
    17. Big Joe And Phantom 309 (Live) 6:27
    18. Spare Parts II And Closing (Live) 5:16


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    Three Days Grace - Outsider (2018)
    ???????????: Three Days Grace
    ??????: Outsider
    ??? ??????: 2018
    ????: Alternative Rock, Post-Grunge
    ?????? / ???????: FLAC (tracks) / Lossless
    ??????: 281 Mb
    ?????: 00:39:26


    Three Days Grace ? ????????? ???-??????, ??????????? ?????????????? ????? ? ?????????. ???? ???????????? ??? ????????? Groundswell ? ???????, ???????, ?????? ? 1992 ????.

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    4110y2MyY0L._SS500.jpgFLAC | 237 MB | LINKS

    “Tom Waits’ debut album is a minor-key masterpiece filled with songs of late-night loneliness. Within the apparently narrow range of the cocktail bar pianistics and muttered vocals, Waits and producer Jerry Yester manage a surprisingly broad collection of styles, from the jazzy “Virginia Avenue” to the up-tempo funk of “Ice Cream Man” and from the acoustic guitar folkiness of “I Hope That I Don’t Fall in Love With You” to the saloon song “Midnight Lullaby,” which would have been a perfect addition to the repertoires of Frank Sinatra or Tony Bennett. Waits’ entire musical approach is stylized, of course, and at times derivative — “Lonely” borrows a little too much from Randy Newman’s “I Think It’s Going to Rain Today” — and his lovelorn lyrics can be sentimental without being penetrating. But he also has a gift for gently rolling pop melodies, and he can come up with striking, original scenarios, as on the best songs, “Ol’ 55” and “Martha,” which Yester discreetly augments with strings. Closing Time announces the arrival of a talented songwriter whose self-conscious melancholy can be surprisingly moving.” (William Ruhlmann, AMG)

    Tom Waits, vocals, piano, guitar, harmonium, harpsichord, celeste
    Delbert Bennett, trumpet
    Shep Cooke, guitar, backing vocals on “Old Shoes (& Picture Postcards)”
    Peter Klimes, guitar, pedal steel guitar on “Rosie”
    Bill Plummer, double bass
    John Seiter, drums, backing vocals on “Ol’ 55” and “Rosie”
    Additional musicians:
    Arni Egilsson, bass guitar on “Closing Time” (Instrumental)
    Jesse Ehrlich, cello on “Martha”
    Tony Terran, trumpet on “Closing Time” (Instrumental)

    Recorded Early 1972 at Sunset Sound Recorders and United Western Recorders, Hollywood, California
    Produced by Jerry Yester

    Digitally remastered


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    Music that inspired the Black Panther score; deep dub; chicha and cumbia; and Super Djata vs. Toubab Krewe in a jam band showdown, West African style

older | 1 | .... | 1495 | 1496 | (Page 1497) | 1498 | 1499 | .... | 2481 | newer