The Cure - The Complete B-Side Collection 1987-1992 (1993)
Thee Oh Sees - An Odd Entrances (2016)
GALILEO MUSIC COMMUNICATION νέες κυκλοφορίες μιας σημαντικής ετικέτας (μέρος Α)
Lonnie Shields Band – Code Blue (2017)
320 kbps | 145 MB | LINKS
Delta blues artist Lonnie Shields and two-time Living Blues Magazine Critics Choice award winner is back and better than ever with his 6th release, “Code Blue.” This release contains Lonnie’s new original material and covers by various artists who have been extremely influential to blues lovers everywhere. With a rock solid rhythm section and a powerful, dynamic horn section, “Code Blue” covers: 50’s Big Band style Blues, Soul, R&B, Funk, and everything in between. If you want to hear the blues like you’ve never heard before, this CD is for you!
New Music Friday UK From Spotify 07-04 (2018)
Title: New Music Friday UK from Spotify
Label: Daniel Ek, Martin Lorentzon
Style: Indie, Neo Soul, Electropop, Trap, Future Bass, Country, Synthpop, Afrobeats, Folk, Britpop
Release Date: 07-04-2018
Format: CD, Top, Compilation
Quality: 320 Kbps/Joint Stereo/44100Hz
Codec: MP3
Tracks: 98 Tracks
Time: 05:41:32 Min
Size: 805 MB
VA - Time Life - Sounds Of The Seventies - Series Collection (1989-1990)
Bob Dylan – He Was A Friend Of Mine – Live (2018)
320 kbps | 64 MB | LINKS
Tracklist:
1. He Was A Friend Of Mine
2. Riding In My Car
3. Man On the Street
4. Song To Woody
5. Talkin’ Bear Mountain Massacre’
6. Pretty Polly
7. The Story Of East Orange
Gregorian Chill Out Lounge (2011)
Boogie Wonder Band - Kiss My Disco [2CD Set] (2004)
King Tuff – The Other (2018)
320 kbps | 104 MB | LINKS
When asked to describe the title track from his new record, Kyle Thomas—aka King Tuff—takes a deep breath. “It’s a song about hitting rock bottom,” he says. “I didn’t even know what I wanted to do anymore, but I still had this urge, like there was this possibility of something else I could be doing… and then I just followed that possibility. To me, that’s what songwriting, and art in general, is about. You’re chasing something. ‘The Other’ is basically where songs come from. It’s the hidden world. It’s the invisible hand that guides you whenever you make something. It’s the thing I had to rediscover to bring me back to making music again in a way that felt true and good.”
The ten tracks that make up The Other represent a kind of psychic evolution for King Tuff. No less hooky than previous records, the new songs ditch the goofy rock-and-roll bacchanalia narratives of earlier records in favor of expansive arrangements, a diversity of instrumentation, and lyrics that straddle the fence between painful ruminations and a childlike, creative energy untarnished by cynicism. The soulful and cosmic new direction is apparent from the album’s first moments: introduced by the gentle ringing of a chime, acoustic guitar, and warm organ tones, “The Other” is a narrative of redemption born of creativity. As Thomas sings about being stuck in traffic, directionless, with no particular reason to be alive, he hears the call of “the other,” a kind of siren song that, instead of leading towards destruction, draws the narrator towards a creative rebirth. Elsewhere, tracks like “Thru the Cracks” and “Psycho Star” balance psychedelia with day-glo pop hooks. “The universe is probably an illusion, but isn’t it so beautifully bizarre?” he asks on “Psycho Star,” providing one of the record’s central tenets. At a time when everything in the world feels so deeply spoiled and the concept of making meaning out of the void seems both pointless and impossible, why not try?
Thomas self-produced the record, as he did his 2007 debut, Was Dead, but on a far grander scale. He recorded it at The Pine Room, the home studio Thomas built to work on the record, and playing every instrument aside from drums and saxophone. He pulled Shawn Everett (War On Drugs, Alabama Shakes) in to assist with the mixing process.
While it would be easy to think of The Other as a kind of reinvention for King Tuff, Thomas views the entire experience of the record as a kind of reset that’s not totally removed from what he’s done in the past. “I can’t help but sound like me,” he says. “It’s just that this time I let the songs lead me where they wanted to go, instead of trying to push them into a certain zone. King Tuff was always just supposed to be me. When I started doing this as a teenager, it was whatever I wanted it to be. King Tuff was never supposed to be just one thing. It was supposed to be everything.”
though i may be dreaming.
Robin Gibb - Sing Slowly Sisters (2015)
Sarah Marie Hughes Coy Fish
Sarah Marie Hughes
Coy Fish
(Sarah Marie Hughes, 2018)
more details
SUPERMAX ?Discography on vinyl? (8 x LP ? 1st Germany Press ? 1977-1990)
Performer: SUPERMAX
Album / collection: ?Discography on vinyl?
Series: Germany 1st Press? Series ?
Label / country: ⒸⓅ 1977-1990 Elektra | Atlantic | WEA Music GmbH. Made in Germany.
Source: Rip by bazar
Official DR value: 11?12?12?12?13?14?12?13
Catalog (Barcode): much
Genre / Style: Pop, Electronic, Funk / Soul, Reggae, Rock Fusion, Austrian Disco
Year (info): 1977-1990 (8 × Original Vinyl, LP, Collection)
Format: FLAC (image + .cue)
Bitrate: 24bit/192kHz Stereo
Covers: in archive
Amount of tracks: 63
Total time: 5:12:14
Size RAR: ~ 12.60 Gb
Password / ?????? : 1965
Upload: DepositFiles.com, TurboBit.net
Recovery 3%
Clarence Carter - Dance to the Blues (2015)
Manic Street Preachers – Resistance is Futile [Deluxe Edition] (2018)
320 kbps | 234 MB | LINKS
“Resistance Is Futile’, the band’s 13th studio album, heralds a return to a classic Manics sound described by the band as “”widescreen melancholia””. The songs on the album are the first recorded in the band’s new Door to the River studio (near Newport). Of their first new recordings in four years, the band said: “”The main themes of ‘Resistance is Futile’ are memory and loss; forgotten history; confused reality and art as a hiding place and inspiration. It’s obsessively melodic – in many ways referencing both the naive energy of ‘Generation Terrorists’ and the orchestral sweep of ‘Everything Must Go’. After delay and difficulties getting started, the record has come together really quickly over the last few months through a surge of creativity and some old school hard work.”” Presented in a hardback digibook, complete with a 24-page booklet, this limited edition 2-CD album set features the album lyrics, images of the band and a bonus CD containing the original demos for the entire album, plus two bonus tracks.
John Prine – The Tree Of Forgiveness (2018)
320 kbps | 80 MB | LINKS
John Prine has released his new album The Tree of Forgiveness. It’s the acclaimed singer-songwriter’s followup to his 2016’s duets album For Better, or Worse and his first album of original songs since 2005’s Fair and Square. The record features guest spots from Jason Isbell and Brandi Carlile, and includes songs Prine co-wrote with The Black Keys’ Dan Auerbach and Phil Spector.
Art Tatum - Piano Starts Here: Live At The Shrine (2008) [SACD]
Title Of Album: Piano Starts Here: Live At The Shrine
Year Of Release: 2008
Label (Catalog#): Sony Classical [88697-22218-2]
Country: US
Genre: Swing, Ragtime
Quality: DSD64 image (*.iso) | FLAC (HDtracks)
Bitrate: 2.0 > 1-bit/2.8224 MHz | [24bit/88,2 kHz]Hz
Time: 01:17:02
Full Size: 2,65 GB / 1,20 GB (+3%rec.)
WebSite: discogs.com
Laura Veirs – The Lookout (2018)
320 kbps | 81 MB | LINKS
A prolific songwriter for nearly twenty years, Laura Veirs proves the depth of her musical skill on her tenth solo album, The Lookout, released 13th April via Bella Union. Here is a batch of inimitable, churning, exquisite folk-pop songs; a concept album about the fragility of precious things. Produced by Grammy-nominated Tucker Martine, Veirs’ longtime collaborator, The Lookout is a soundtrack for turbulent times, full of allusions to protectors: the camper stoking a watch fire, a mother tending her children, a sailor in a crows nest and a lightning rod channelling energy.
Josh T Pearson – The Straight Hits (2018)
320 kbps | 88 MB | LINKS
The unpredictable Texan’s first album in seven years begins by slamming out an unprecedentedly upbeat, cocksure rocker with motormouthed declarations of his invincible sprint to a musical Mount Olympus. “Straight to the Top!” recalling twang-punk architects Jason & the Scorchers, stands as one of three brilliant songs on the Lift to Experience frontman’s sophomore solo release, which could be seen as a back-to-basics effort.
That’s if the Limestone County resident had ever been – or ever could be – basic.
Gone is the quavering slow-folk of 2011’s Last of the Country Gentlemen. Now Pearson’s baritone drawl jumps like a frog, occasionally exuding a campy gooberness. For yuks, cue up barroom anthem “Give It to Me Straight.”
Renowned for wrestling the divine and profane on Lift’s masterwork The Texas-Jerusalem Crossroads, Pearson now serenades the heavy concept of love – with varying quality. The seductive “Straight Laced Come Undone” is a horny dud, but drum-machine transport “A Love Song (Set Me Straight)” deftly communicates the vise-grips of amore. The musically dense “Loved Straight to Hell” so beautifully captures the magic of Lift that you can envision a Leslie speaker with a cow skull on it.