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(Country, Singer/Songwriter) Lisa Brokop - Коллекция 1994-2008 (5 релизов), MP3, 192-320 kbps

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Lisa Brokop (Lisa Ann Brokop) Жанр : Country, Singer/Songwriter Год выпуска диска : 1994-2008 Страна : June 6, 1973-, Surrey, British Columbia, Canada Аудио кодек : MP3 Тип рипа : tracks Битрейт аудио : 192-320 kbps Продолжительность : 03:08:52 Albums: 01.

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(Folk, Psychedelic Rock) [LP] [24/96] The Incredible String Band - Changing Horses - 1969, FLAC (tracks+.cue)

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The Incredible String Band - Changing Horses Жанр : Folk, Psychedelic Rock Носитель : LP, Gatefold Год выпуска : 1969 Лейбл : Elektra - EKS 74057 Страна-производитель : UK Аудио кодек : FLAC Тип рипа : tracks+.

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BLACK RAINBOWS PANDAEMONIUM - 2018 https://heavypsychsoundsrecords.bandcamp.com/album/black-rainbows-pandaemonium...

(Folk) Ewan Maccoll (and Peggy Seeger, A.L. Lloyd, Roy Harris) - Коллекция 1956-2008 (52 альбома), MP3, 192-320 kbps

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Ewan Maccoll (James Henry Miller) Жанр : Folk Год выпуска диска : 1956-2008 Страна : Broughton, Salford, Lancashire to Scottish parents Аудио кодек : MP3 Тип рипа : tracks Битрейт аудио : 192-320 kbps Продолжительность : 1:18:54:31 Albums: 01.

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Dizzy Gillespie - Groovin' High (1955) [Remastered 1994]

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Dizzy Gillespie - Groovin' High (1955) [Remastered 1994]

Artist: Dizzy Gillespie
Title Of Album: Groovin' High
Year Of Release: 1955/1994
Label (Catalog#): Drive Archive [DE2-41018]
Country: United States
Genre: Jazz, Bebop
Quality: FLAC (tracks,cue,log,scans)
Bitrate: Lossless
Time: 39:10
Full Size: 242 mb
Upload: Turbobit / HitFile / DipFile

La Seleccion Vallenata – Various Artists Tropical LDE 2830

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la-seleccion-vallenata-front

This is the type of record that puts your mind in the wrong direction.
I personally think the frontsleeve is as tasteless as possible, when
listening however that will change completely. 12 vallenatos from
players at the top in the field. From Andrés Landero to Julio de la
Ossa, Manuel Caraballo, Alejo Duran and Luis Enrique Martinez.
Get the selection, listen and share it with your buddies..

Dit is typisch zo’n plaatje waarbij de hoes je volledig op het
verkeerde been zet. Van de afbeelding ben ik persoonlijk niet
heel erg gecharmeerd, van de muziek daarentegen des te meer.
12 vallanatos van de top uit het veld. Van Andrés Landero tot Julio
de la Ossa, Manuel Caraballo, Alejo Duran en Luis Enrique Martinez.
Geniet van deze selectie vallenata en deel hem met je maten..

tracks ;

01 – Julio de la Ossa – La colegiala
02 – Hermanos Ramos – Fuiste mala
03 – Alejo Durán – lamento de un negro
04 – Manuel Caraballo – Mujer ingrata
05 – Juan polo Valencia – El pajaro carpintero
06 – Andrés Landero – Maritza
07 – Juan Polo Valencia – Si, si, si
08 – Julio de la Ossa – Mi visita
09 – Andrés Landero – Dos amigos
10 – Luis Enrique Martinez – El cantor de fonseca
11 – Alejo Durán – La cachucha bacana
12 – Andrés Landero – El desahuciado

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Collin Taylor and The Blues Jets - Blues at Sunrise (2018) FLAC

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Collin Taylor and The Blues Jets - Blues at Sunrise (2018) FLAC
Artist: Collin Taylor and The Blues Jets | Album: Blues at Sunrise | Released: 2018 | Genre: Blues, Rock

VA – Women Of Blues (2018)

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41O2W6FO4lL._SS500.jpg320kbps | 182 MB | LINKS

Tracklist:
01 Ruth Brown – Takin’ Care Of Business (2:19)
02 Betty Lavette – Here I Am (Single Version) (2:48)
03 Louise Hoffsten – When It Rains It Really Pours (4:34)
04 Aretha Franklin – Today I Sing The Blues (4:24)
05 Lavern Baker – Sugar Daddy Blues (2:57)
06 Ike & Tina Turner – Aint Nobody’s Business (3:41)
07 Bette Midler – Empty Bed Blues (3:18)
08 Delaney & Bonnie & Friends – Dirty Old Man (2:31)
09 Carla Thomas – Red Rooster (3:56)
10 Nina Simone – Gin House Blues (3:04)
11 Judy Henske – Blues Chase Up A Rabbit (2:36)
12 Dinah Washington – How Long (Malcolm Addey Remix) (4:58)
13 Odetta – Easy Rider (5:06)
14 Esther Phillips – Confessin’ The Blues (3:01)
15 Alannah Myles – Hurry Make Love (4:59)
16 Kate & Anna McGarrigle – Blues In D (4:13)
17 Slaptones – I Can’t Let Go (4:40)
18 Fanny – Lonesome Pine (UK Edit) (4:40)
19 Maria Muldaur – Jon The Generator (3:20)
20 Martha Velez – Drive Me Daddy (4:52)
21 Honey B. & T-Bones – 99 (2:41)


Saffire - From Ashes To Fire (2013)

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Saffire - From Ashes To Fire (2013)
Artist: Saffire
Title Of Album: From Ashes To Fire
Release Date: 2013
Location: Sweden
Label: Inner Wound Recordings (IW83026)
Genre: Progressive Metal, Hard Rock, AOR
Quality: FLAC (image+.cue+covers)
Length: 67:18 min
Tracks: 13
Total Size: 540 MB (+5%)

Mark Selby - Mark Otis Selby: Naked Session (2018) FLAC

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Mark Selby - Mark Otis Selby: Naked Session (2018) FLAC
Artist: Mark Selby | Album: Mark Otis Selby: Naked Session | Released: 2018 | Genre: Blues, Rock

Mahalia Barnes + The Soul Mates - Hard Expectations (2018) FLAC

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Mahalia Barnes + The Soul Mates - Hard Expectations (2018) FLAC
Artist: Mahalia Barnes + The Soul Mates | Album: Hard Expectations | Released: 2018 | Genre: Pop, Soul

Guano Apes - Dont Give Me Names (2000) FLAC (tracks)

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Guano Apes - Dont Give Me Names (2000) FLAC (tracks)
Artist: Guano Apes | Album: Don’t Give Me Names | Released: 2000 | Genre: Rock | Country: Germany | Duration: 00:45:00

Sailor Jerri - No Rules in Sight (2018) FLAC

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Sailor Jerri - No Rules in Sight (2018) FLAC
Artist: Sailor Jerri | Album: No Rules in Sight | Released: 2018 | Genre: Country

Al Lethbridge - Islands In Time: A Wildlife Odyssey (2018) FLAC

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Al Lethbridge - Islands In Time: A Wildlife Odyssey (2018) FLAC
Artist: Al Lethbridge | Album: Islands In Time: A Wildlife Odyssey | Released: 2018 | Genre: Score, Soundtrack

Body Heat Gang Band - Body Heat Disco (2018) FLAC

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Body Heat Gang Band - Body Heat Disco (2018) FLAC
Artist: Body Heat Gang Band | Album: Body Heat Disco | Released: 2018 | Genre: House

Ridley Bent - Ridley Bent and the Killer Tumbleweeds (2018) FLAC

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Ridley Bent - Ridley Bent and the Killer Tumbleweeds (2018) FLAC
Artist: Ridley Bent | Album: Ridley Bent and the Killer Tumbleweeds | Released: 2018 | Genre: Country

Benjamin Dean Wilson – The Smartest Person in the Room (2018)

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41UXBerM7YL._SS500.jpg320 kbps | 105 MB | LINKS

Storytellers are no new category in modern music. From serious jokers like Jonathan Richman, to witty and ironic like Randy Newman to lyrical and prophetic like Leonard Cohen to stream of consciousness and often dystopian like Mark Kozelek in his latest incarnation as Sun Kil Moon. And here comes Benjamin Dean Wilson, a practical newcomer, as far as music is concerned, with his album The Smartest Person in the Room. With a title like that and presenting himself as a musical storyteller, you immediately start thinking – is he joking or is he serious”

Both. Wilson started out as a film man, a camera assistant working on commercials. Not exactly the credentials for somebody who then ventures into music and who plays practically all instruments on the album, except a guest fiddle player. He was obviously inspired by film-style storytelling because none of the tracks on the album runs below four minutes, and we are not talking instrumentals.

Usually, artists like Richman, Newman, and Cohen or The Go-Betweens’ Robert Forster, restrict their stories to relatively brief formats, condensing the images to present, while on the other hand, Kozelek has opted to a sort of rambling long-winding, practically spoken storytelling that has musical backing.

Wilson seems to have taken some sort of middle ground. He definitely sings with a voice that is anywhere between Richman and Adam Green, but at no point slipping out of tune, intentionally or unintentionally. His instrumental capabilities are quite good, but there are no dazzling solos on any of the instruments he plays. But he obviously has the smarts (and not only within a room) to use them exactly in the manner that suits his musical flow and the story he is literally trying to tell.

Where Wilson truly impresses is with his compositional skills and yes, his storytelling. The tracks are long, but at no point does Wilson allow the listener to get bored, either musically or lyrically. The musical stories on The Smartest Person in the Room shift and change and are essentially quite impressive for somebody who is practically a newcomer to recording music.

While all the tracks can be freely labeled as exceptional, the personal standout is one of the longer stories here – “Mr. Paranoid, Lizzy, and Her Family”. Benjamin Dean Wilson might not be material for regular radio play but has certainly come up with an album that will acquire him a cult status, at least.

Judee Sill – Songs of Rapture and Redemption: Rarities & Live (2018)

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81gq37zTvZL._SL1500_.jpg320 kbps | 161 MB | LINKS

A brand new 2LP collection of Judee Sill demos, outtakes and rarities making their debut
Songs of Rapture and Redemptions: Rarities & Live will be a limited and numbered pressing.

Hailing from California, Judith Lynn Sill was an American singer songwriter born 10/7/44. Her father owned a bar in Oakland and that’s where Judee initially learned how to play piano. Sill met, befriended and started opening shows for Graham Nash and David Crosby in the mid-to-late 1960s. After a bit of interest from Atlantic Records, David Geffen offered Judee a contract and she became the first artist to sign with his then fledgling Asylum label. During her early days at Asylum she sold her song Lady-O to the Turtles and was featured on the cover of Rolling Stone. Graham Nash produced her first single, “Jesus Was A Cross Maker,” off her self-titled debut album which was released on September 15, 1971 and engineered by Henry Lewy who worked with Joni Mitchell throughout the 1970s. The song was inspired by her romance with singer songwriter JD Souther. He later wrote the song, “Something In the Dark,” about her.

he album featured Sill’s voice in multiple overdubs, often in a four-part chorale or fugue. Her debut album was not a commercial success, despite good reviews. Sill took over orchestration and arrangements for her second album, “Heart Food,” which was released in March of 1973. The album was critically acclaimed but sold poorly which ended her association with Asylum and David Geffen. Judee continued to write songs and in 1974 began to record new material planned for a third album that was never finished. By this time she relapsed into more drug use and developed health problems. After a series of car accidents and failed surgery for back pain, Sill continued to struggle with drug addiction and dropped out of the music scene completely. Judee tragically died of a drug overdose on November 23, 1979 at her apartment in North Hollywood. Judee Sill’s music was not commercially viable at the time but was incredibly influential as well as ground-breaking and many notable songwriters admired her work and covered her songs.

MALI

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TONIGHT, Wednesday April 18, from 7-10 PM EDT, Bodega Pop Live on WFMU's Give the Drummer Radio spins three solid hours of scorchers from Mali. From classics and contemporaries to field recordings and unfairly forgottens ...

Bookmark the page and see you at 7!

Marcia Ball – Shine Bright (2018)

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51o8ixrM9ML._SS500.jpg320 kbps | 78 MB | LINKS

Shine Bright sure lives up to its name, with Texan/Louisiana-raised keyboard wizard Marcia Ball delivering 12 tracks packed to exploding with her raw, raucous and rollicking boogie-woogie chops and powerful voice. Ball is always a pleasure, with each successive release simply cementing her position at the top of the good-fun-feeling blues end of the spectrum. This is music with edge, clever lyricism and an excellent bunch of backing musicians. Irresistible, toe-tapping stuff that positively roars along firing on all cylinders.

Ball’s last effort, Tattooed Lady & the Alligator Man, was an equally impressive album, full of her trademark keyboard chops with their swampy, Louisiana drive and delight. With Shine Bright, she again works a similar vein, slipping into a more reflective, soulful side-stream from time to time.

This marks her seventh release on Chicago’s Alligator label, and Ball, of course, picked up a well-deserved Grammy back in 2010 for her Alligator release, Roadside Attractions. Although Shine Bright is unlikely to mirror that 2010 success, it remains an absolutely wonderful, high-octane release, well worth discovering. An album with an inbuilt repeat at its very core, Ball is firing full-on again, as we have come to expect these days.

—Iain Patience

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