Tracklist:
1. A Good American Life
2. Remember My Love
3. This Old Town
4. Flag
5. Home in Time
6. Until Blue Comes ‘Round
7. With Love You Never Know
8. Whiskey Bones
9. Train
10. You Don’t Get to Explain
11. Too Late Now
12. Without You
Ed Dupas is a singer-songwriter based in Ann Arbor, Michigan. A self-described searcher and thinker, Ed
writes songs that examine life, love, and loss, while also exploring societal themes through the voice of
the everyman. His music is a blend of folk, country, and Americana. Often compared to Steve Earle, Ed’s musical influences include Neil Young, Bob Dylan, Townes Van Zandt, Richard Shindell and Ryan Adams among others.
http://rapidgator.net/file/5988636331a8d226f39fa32cddbbf3fd/edagal.rar.html
The post Ed Dupas – A Good American Life (2015) appeared first on MusDL.
Along with drummer Warren Hall who previously played with The Drones and bass player Stu Loasby DATURA4 have been steadily building a reputation in their hometown with their live performances. With a healthy nod to Early ’70’s Australian Psych/Blues/Boogie from the likes of Buffalo, Coloured Balls, The Aztecs and latter era Masters Apprentices, “Demon Blues” represents Mariani & Hitchcock’s love of hard hitting bell-bottom blues.
320 kbps | 144 MB | UL |
Looks like the loneliness can get to every singer-songwriter, even the one as experimental in his approach as Iain Matthews, which is why in the last decades he veered off from the venerable solo career to revive his past ensembles – first PLAINSONG and then MATTHEWS’ SOUTHERN COMFORT, a band the artist delivered two albums with shortly after leaving FAIRPORTS. Now, 40 years on and despite the apostrophe in the name, there’s even more of a collective feel, what with Terri Binion’s voice and songs taking a half of the album, yet Iain’s own current attitude is so laid back that all too often the music induces slumber rather than a dream, the best example being a new version of “Woodstock”, where paradise lost gets turned into a foray into sun-kissed orchard. By the same token, the honeyed flow of countrified “Money” lacks the sharpness of its own words, and it’s only anxious “The Way Things Are” and “O’Donnel Street” with their jazzy grit that have cobblestones in their urban stride to bounce off from.
But there’s a clear warning of things to come in the rural sparseness of opener “Letting The Mad Dogs Lie”, the piano and steel guitar wrapping around Matthews’ voice, smooth and soothing, even velvety in the “Kingfish” croon, whereas his female counterpart goes for homespun roughness in “Dear Richard”, asking “Are these the songs you write?” for all the puzzled listeners, and rocks gently in “These Days”. Yet all too often the songs gel into blissful sameness, rippled in places with Bart-Jan Baartman’s mandolin and vocal harmonies, most perfect in “Blood Red Roses”, another Richard Farina’s cover from Iain’s old repertoire. Revisiting here “The Road To Ronderlin” from the group’s 1970’s debut, the veteran dusts off more classics on the companion album, “Kind Of Live”, and adds some new cuts, from “New”, which, on-stage, possess more vigor. That’s where the stardust rubs off.
Tracklist
———
01. Mama’s Don’t Let Your Babies Grow Up to Be Cowboys
02. The Last Cowboy Song
03. Girls, Women & Ladies
04. You’re the Best Break This Old Heart Ever Had
05. After All
06. You Turn Me On (Like a Radio)
07. Nights
08. Ever, Never Loving You
09. When You Fall in Love Everything’s a Waltz
10. In the Garden
11. My First Taste of Texas
12. There’s a Hand
13. He Lives
14. The Lord’s Prayer
Like so many other artists, singer Ed Bruce got his start as a rockabilly act for Memphis’ famed Sun Records; however, he was probably best known for his songwriting acumen. Born William Edwin Bruce Jr. in Arkansas in 1939, he cut his first sides for Sun at the age of 17. His career as a frenetic rockabilly performer was largely unsuccessful, however, and by 1964 Bruce had moved to Nashville to become a member of the Marijohn Wilkins Singers. He also entered into a lucrative career singing advertising jingles; his best-known campaign cast him as a character called the Tennessean. In 1966, Bruce signed with RCA, notching his first chart hit with the single "Walker’s Woods." More singles and a change of labels followed, but the singer struggled until 1975, when he took his composition "Mammas Don’t Let Your Babies Grow Up to Be Cowboys" into the Top 20. The song, Bruce’s best-known, was later a monster hit when covered by the duo of Waylon Jennings and Willie Nelson in 1977. His songs have also been recorded by the likes of Charlie Louvin, Tex Ritter, Tanya Tucker, and Crystal Gayle. After a brief tenure at Epic Records between 1977 and 1978, Bruce achieved his greatest commercial success with MCA in the 1980s. "The Last Cowboy Song," featuring guest vocals from Willie Nelson, hit number 12 in 1980; both "Girls, Women and Ladies" and "(When You Fall in Love) Everything’s a Waltz" also fell just short of entering the Top Ten. In 1981, Bruce hit number one with "You’re the Best Break This Heart Ever Had"; other Top Five singles included "Ever, Never Lovin’ You" (number four, 1982), "After All" (number four, 1983), "You Turn Me On (Like a Radio)" (number three, 1984), and "Nights" (number four, 1986). After the 1986 album Night Things and a 1988 self-titled follow-up, Bruce made a conscious decision to cut back on his music to focus on his acting career, appearing in several made-for-TV films.
http://rapidgator.net/file/936ca6d40546699408107015abb60f9a/-9129EBS16.rar.htmlhttp://ssh.tf/8zL2kGDlJ/-9129EBS16.rar
http://uploaded.net/file/tj701fbr/-9129EBS16.rar
http://rapidgator.net/file/a5f71d182f42e652942535a9abc9eb04/-9129EBS16flac.rar.html
The post Ed Bruce – The Last Cowboy Song (2016) appeared first on MusDL.
Reissue with the latest DSD remastering. Comes with liner notes. 2016 reissue of this live album, recorded in July 1980 at the legendary venue the Budokan in Japan over two nights. The album features a who’s who of Jazz Fusion musicians including Richard Tee, Steve Gadd, Eric Gale, Ralph MacDonald, Anthony Jackson, Jeff Mironov and Dave Grusin. Grusin also arranged and conducted the Tokyo Philharmonic Orchestra on these two magical nights. How’s Everything contains versions of the Sadao Watanabe classics ‘Up Country’ and ‘Nice Shot’. a positively must-have CD for all Jazz Fusion fans. Robinsongs.
Tracklist:
01 – Up Country
02 – Mzuri
03 – Tsumagoi
04 – All About Love
05 – Nice Shot
06 – Seeing You
07 – No Problem
08 – Boa Noite
09 – Sun Dance
10 – M&M Studio
11 – My Dear Life
http://rapidgator.net/file/37352b848a2533986674662aaa4118d9/SWnbe80100016JnF.part1.rar.html
http://rapidgator.net/file/a48a2c88cb4a8b72038c2ee4838294c9/SWnbe80100016JnF.part2.rar.htmlhttp://ssh.tf/9QaxlV6E7/SWnbe80100016JnF.part2.rar
http://ssh.tf/LzHjFhwf7/SWnbe80100016JnF.part1.rarhttp://uploaded.net/file/d2bo0iwn/SWnbe80100016JnF.part2.rar
http://uploaded.net/file/dqk4srya/SWnbe80100016JnF.part1.rar
The post Sadao Watanabe – How’s Everything: Sadao Watanabe Live At Budokan (1980) [2016 Japan] appeared first on MusDL.
Tracklist:
1. Through The Wild (3:13)
2. Little Girl (4:21)
3. Carry Me (3:47)
4. Creative Side (3:19)
5. Storm Cloud (4:33)
6. Waterside (3:50)
7. Your Joy (4:06)
8. This Town (3:57)
9. When Will I Be Home (4:30)
10. Optimist (4:38)
11. Mond Am Eiliad (3:53)
12. Through The Night (5:23)
Sera, the acclaimed singer/songwriter from the North Wales town of Caernarfon, releases her new album Little Girl, which continues her development of a rootsier, country/folk sound sweetened by some tasty pop flourishes. Recorded in Cardiff with producer Eddie Boogie, (Eddie Al-Shakarchi), it more than fulfils Sera’s aim of making an album which “takes you on a bit of a journey, musically, with a variety of upbeat and slower songs, different moods and genre-crossing”.
Little Girl manages to balance a range of styles and sounds while remaining true to Sera’s musical vision. She has an impressive ability to weave together strands from different genres to create songs which allow her individuality to shine through. Taking the listener on a thoroughly absorbing journey from start to finish, Little Girl looks set to reach a wide audience and bring Sera the commercial success she so richly deserves.
http://rapidgator.net/file/f4488d544d5c53f11bdfc730cbf6c9a9/Sera_-_Little_Girl_2016_FLAC.rar.htmlhttp://ssh.tf/Q1L1qVYE7/Sera_-_Little_Girl_2016_FLAC.rar
http://uploaded.net/file/tgo2m88a/Sera_-_Little_Girl_2016_FLAC.rar
http://rapidgator.net/file/c4337049abc7dd605ff9bb151a1da31c/Sera_-_Little_Girl_2016.rar.html
http://ssh.tf/COhAowFD7/Sera_-_Little_Girl_2016.rar
http://uploaded.net/file/ggenezw3/Sera_-_Little_Girl_2016.rar
The post Sera – Little Girl (2016) appeared first on MusDL.
Best known for her Grammy-winning smash “Rose Garden,” Lynn Anderson was one of the most popular female country singers of the early ’70s, helped by her regular exposure on national television.
In June 2015, Anderson released the album Bridges. Her first studio recording in over ten years, Bridges featured collaborations with the Oak Ridge Boys and the Martins. On July 30, 2015, Anderson died of a heart attack after having been admitted to a hospital in Nashville suffering from pneumonia. She was 67 years old.
Tracklist:
1. High Time (3:54)
2. Fire In The Belly (2:52)
3. Back Around (4:14)
4. Call My Name (5:36)
5. Movin’ On (3:38)
6. Way Past Midnight (3:51)
7. Home Again (3:11)
8. The Sound Of Your Voice (4:29)
9. Turn This Thing Around (2:55)
10. Dreamer (3:31)
11. Gotta Get Back (4:32)
12. Blow Wind Blow (3:28)
Like the prior Sky Still Blue (2014), Gotta Get Back bears the involvement of the Wood Brothers but instead of Oliver Wood in the producers seat, that job is handed off to Wood Brothers keyboardist and drummer Jano Rix. Rix like Wood does nothing to get in the way of Walker, his guitar, his voice and his songs; his job was to make sure all is heard in full glory. Gotta Get Back is a little less guitar-heavy but manages to be timeless overall even more so than its immediate predecessor.
That timeless factor get raised a tad with some help close to Walker’s heart, which brings us back to that family of his. He brought in his father, mother and sister to contribute to string parts for a handful of tunes, something that Seth hadn’t had on his records since Leap Of Faith three albums back, but this time, it’s – ahem – personal. He even assigned dad Scott the task of creating the string arrangements and three sat in a semi-circle around the son as he stood with his guitar and let that naturally soulful voice of his stream out. The best of these family affairs, “The Sound Of Your Voice,” is lifted by Scott Walker’s thoughtful string arrangement coming in and out of focus around a nocturnal organ; the chart pours some syrup on it with none of the sappiness.
The presence of orchestral flourishes do nothing to disrupt the overall down-home vibe of Walker’s music, and while there’s that emphasis on “gettin’ back,” much of the music is connected to Walker’s current New Orleans environs. That is unmistakable when the album leads off with a couple of Big Easy funky numbers “High Time” and “Fire In The Belly.” The former is fueled by frisky piano tinkling and Chris Wood’s acoustic bass, and the latter by Walker’s own good ‘n’ dirty Jimmie Vaughan guitar. “Way Past Midnight” is yet more joyful Nola reverie, a Seth Walker twist on ‘Fess Longhair.
It’s not just the Creole stuff, there’s almost no Southern-birthed music style Walker doesn’t present here with style, grace and nothing more. A little church organ and spiritual chorus of vocals help to make “Back Around” a gospel delight and a rockabilly guitar puts a accent on the jazzy RnB number “Movin’ On.” “Call My Name” is a serving of soul-drenched folk-rock characteristic of classic Dobie Gray, “Turn This Thing Around” sounds inspired by the pre-Beatles doo-wop rock of Dion, and then there’s the breezy, Caribbean soul of “Dreamer.”
Walker takes the airplane to a soft landing with his last couple of songs. “Gotta Get Back” encapsulates Walker’s seamless blend of country, blues and folk ever so subtly reinforced by a horn arrangement and “Blow Wind Blow” is just Walker with an acoustic guitar, harmony vocals and his familial string section.
North Carolina, Nashville, New York, Austin or New Orleans, it doesn’t matter where Seth walker hangs his fedora, his rich musical upbringing is always there with him, on this album and, really, any of his records. Gotta Get Back can’t be considered return to his core strengths and values when he never really strayed from them. Think of it more as a renewal of his vows to the family and music that made him who he is. ~S. Victor Aaron
http://rapidgator.net/file/9252927b85fc4626302a04eb21af1a9a/SethWalkerBackLL2016.rar.htmlhttp://ssh.tf/p5suR13E7/SethWalkerBackLL2016.rar
http://uploaded.net/file/5d8atlnd/SethWalkerBackLL2016.rar
http://rapidgator.net/file/b0e520e7a4b326062b7c358c6f1fc2fb/SethWalkerBack2016.rar.html
The post Seth Walker – Gotta Get Back (2016) appeared first on MusDL.
Tracklist:
1. Will I Ever (3:44)
2. Long Range Forecast (3:32)
3. Little Lights (3:37)
4. I’m Movin’ On (3:53)
5. Believe In (4:01)
6. So Hard (5:02)
7. More Than The Sun (4:21)
8. Angel (6:23)
9. I Was Wrong (4:35)
10. Three Wishes (5:28)
Nominated for "Group of the Year" at 2016 Vancouver Island Music Awards!
?
These ladies are a force! Brodie Dawson, Tracy Riley, and Christy Vanden are excited to collaborate and unleash this dynamic trio of heavy-hitting Femmes!
?
This potent mix of cross genres has been captivating those lucky enough to be a part of it on their current spring #TroubleOnFireTour! While these three songbirds have graced many venues and delivered stellar performances in their own right.now they combine forces to drive you even further and leave you wanting more. The audiences have been blown away with the amount of talent on one stage. Blues, soul, gospel, rootsy funk-folk, with a twist of pop and a twang of old-school country is combined into one delicious mix for the eyes and ears, as they each take the lead, backing each other with funky bass, sassy percussion, tasty electric guitar solos, and luscious harmonies.
They are turning heads wherever they go…
http://rapidgator.net/file/930b9e3e6341b9db1303f7bb04b4464f/She_Could_Be_Trouble_-_Nineteen_Hours_2016_FLAC.rar.htmlhttp://ssh.tf/o4q39vZE7/She_Could_Be_Trouble_-_Nineteen_Hours_2016_FLAC.rar
http://uploaded.net/file/ln2jrueh/She_Could_Be_Trouble_-_Nineteen_Hours_2016_FLAC.rar
http://ssh.tf/RgZJaL3D7/She_Could_Be_Trouble_-_Nineteen_Hours_2016.rar
http://uploaded.net/file/5t0l968d/She_Could_Be_Trouble_-_Nineteen_Hours_2016.rar
The post She Could Be Trouble – Nineteen Hours (2016) appeared first on MusDL.
Tracklist
———–
01. You’re Looking At Me
02. Jamaica Farewell
03. Before
04. Let Me
05. Tell Me My Name
06. The Moon’s A Harsh Mistress
07. Return To Paradise
08. You’re Nearer
09. Do It The Hard Way
10. Slow Hot Wind
11. Far From New York
12. Por Toda Minha Vida
Drawing from a broad palette of instrumental and rhythmiccoloration, The Sky Could Send You features re-imaginedjazz and Brazilian standards, original compositions bycontemporary artists and unexpected covers of pop tunessuch as Harry Belafonte’s Jamaica Farewell.Undulating world and jazz grooves provide a richfoundation for and, at times, stunning contrast to Sherri’s unique sense of phrasing and her very personal and intimate delivery of lyrics. Nothing is straight ahead here; this is jazz for the new millennium.In praising Sherri’s last outing, JazzTimes magazineexclaimed ‘Encore Ms. Roberts!’ We believe this newand exciting recording serves as a very fitting encore indeed.
This stylistically varied set of laid-back, musically impeccable jazz vocalizing from the Bay Area singer includes a couple of Caribbean calypso classics, some Rodgers and Hart tunes, and a slinky Latin composition by Antonio Carlos Jobim.
Personnel: Sherri Roberts (vocals, background vocals); John Hart (guitar); Benjamin Lapidus (tres); Phil Woods (saxophone); Lew Soloff (trumpet); David Udolf, Pablo Vergara (piano); Tim Collins (vibraphone); Harvie S (bass instrument); Vince Cherico (drums); Daniel Sadownick, Renato Thoms (percussion); Daria, Skyler Jett (background vocals).
http://rapidgator.net/file/535537083f1746629929185ec84b54e8/SherriRobertsSendYou.rar.html
The post Sherri Roberts – The Sky Could Send You appeared first on MusDL.
Tracklist:
1. Suffocation (04:49)
2. Jazz Crime (08:26)
3. First Lady (08:34)
4. Mr. Clean (09:29)
5. Montara (07:31)
6. Una Mas (09:59)
7. Spartacus Love Theme (10:07)
Soil & "Pimp" Sessions are a Japanese jazz combo who play music inspired by the sound and style of classic bebop, Latin jazz, and cool jazz, but with a funky undertow and the passion, aggression, and force of rock & roll. The group features five musicians — Josei on piano, Tabu Zombie on trumpet, Motoharu on sax, Akita Goldman on double bass, and Midorin on drums — as well as Shacho, credited as "agitator and spirit," who prowls the stage as the group performs and occasionally offers gravel-voiced encouragement. The group first came together when Tabu Zombie and Shacho began appearing at dance clubs featuring jazz nights; as DJs spun groove jazz sides, Zombie would jam along on his horn as Shacho worked the crowd, and the response was strong enough that they eventually formed the band to play full live sets without the DJs. As Soil & "Pimp" Sessions’ reputation on the Tokyo club scene grew, in 2003 they became the first unsigned band invited to appear at the Fuji Rock Festival, and in 2004 they released their first album for JVC Victor, Pimpin’, which was followed by a steady stream of albums and EPs. Giles Peterson, the British DJ who launched the Acid Jazz label, took notice of Soil & "Pimp" Sessions, and after giving them steady airplay on his BBC radio show invited them to play London in 2005. The combo signed with Peterson’s Brownwood Records label for Europe and the U.K., and soon became regulars on the international festival circuit, impressing audiences with their energy and instrumental skill. In 2008, Soil & "Pimp" Sessions struck an American record deal with Koch Records, and Planet Pimp became their first U.S. release. ~ Mark Deming
http://rapidgator.net/file/cf3ebcf5887eb9a62334861c2d03cbaf/NISBM.rar.htmlhttp://ssh.tf/jyRPSXWE7/NISBM.rar
http://uploaded.net/file/vy1vm5v5/NISBM.rar
http://rapidgator.net/file/ac3f34ffd11de653b4e635fb312f1b11/NISBM320.rar.html
The post Soil & “Pimp” Sessions – A Night In South Blue Mountain (2015) appeared first on MusDL.
Tracklist:
01. I Had A Notion
02. Walk on Boy
03. Keep Your Lamps Trimmed and Burning
04. Country Blues (Hustling Gamblers)
05. Future Blues
06. Wasted Mind
07. Mr. Blue
08. Devil’s Side
09. I Know You Rider
10. Rake and Rambling Blade
When Texas comes up in a conversation most folks immediately think of Dallas or Houston, and musicians always extoll the virtues of Austin. Well, Steve Howell of Steve Howell & The Mighty Men hails from Marshall, Texas, which is a lot closer to Shreveport, Louisiana than any of these places. That is fortunate for us because his brand of American roots and blues music is flavored by the Sportsmen’s Paradise and the Lone Star State; it is the best of both worlds…
http://rapidgator.net/file/895f5cff157bf26dd7ffa55953874f21/shatmmyibiw.rar.html
The post Steve Howell & The Mighty Men – Yes, I Believe I Will (2013) appeared first on MusDL.
Tracklist:
01 Mongolia: Mon-gu tuul 2 : xhöömeij duet (anon.)
02 Uzbekistan: Uzbekiston dyorim (A. Mirzaeva)
03 Kirghizia: Dzuregumden (M. Omukanova)
04 Tajikistan: Bulbulon (Sh. Dzhuraev & family)
05 Mongolia: Mon-gu tuul 1 : duo with morin-khuur, dobshur (anon.)
06 Azerbaijan: Segiakh murza gusein (Khan Shushinsky)
07 Kirghizia: Syrtabay (D. Dzhumabaev)
08 Mongolia: Sharyin, sharyin shoru (Chimiddorzh Ghanshuryin)
09 Karishalshi antebulo (Tatyana Makharadze)
10 Uzbekistan: Ey pari (S. Yarashev & A. Imamkhodzhaev)
11 Azerbaijan: Aman nene (Nadzhiba Kerimova)
12 Daghestan: Kolkhoze odzhy (A. Ibragimova)
13 Kazakhstan: Ayraukh (D. Mykhtybaev)
14 Tajikistan: Khar-shabi (T. Fazylova)
15 Turkestan: Urul chykdy (D. Khansakatov)
16 Azerbaijan: Bakhtaver (G. Gadjibabekov)
17 Azerbaijan: Vagzalia (Temiuv Damirov)
18 Kazakhstan: Ashkelen (D. Nurpeisova)
19 Azerbaijan: Shushe dzheirany (N. Mamedova)
20 Tajikistan: Kazharnai sarvinoz (Levi Mulladzhanov)
21 Kirghizia: Ak manday (A. Dzhumabaev)
22 Tajikistan: Dodarakam (Mme. Babaeva, Neizova & Dzhuraev)
23 Azerbaijan: Ker-oglu nagarasy (Ali Kerimova)
24 Sinkiang: Shest ʻgolubaii (Abdulimu & Aimunisa)
25 Crimea: Beym odaman (Krimm-Tatar Orkiestra)
26 Mongolia: Zkenerin du (Mme. B. Shambueva)
Not only the dissatisfaction of the proletariat class was burgeoning in Russia during the first decade of the 20th century. A recording industry was flourishing, one that was competing with western European companies for an "ethnic music" market. By drawing on the musicality of its neighboring central Asian minorities, this Russian industry was provided with the sounds to succeed. This superb CD is a compilation of 26 of these early recordings. Many of the ensembles heard on this release utilize highly developed vocal techniques, small-bodied long-necked lutes, reed pipes, and compact drums. The reason for this similarity in instrumentation is due to the fact that many central Asian cultures were nomadic and, thus, required their belongings to be portable. Because these recordings are old, you may hear an occasional skip and crackle of the needle. These extrinsic characteristics do not take away from the beauty of the music. If anything, the minor pops and hisses serve to remind listeners of the historical import of these recordings.
http://rapidgator.net/file/5bb092c907d4d85a45a5b639619815c5/The_Secret_Museum.rar.html
The post The Secret Museum Of Mankind – Central Asia: Ethnic Music Classics 1925-48 (1996) appeared first on MusDL.
VBR~235 | 258 MB | UL |
Before The Dawn a 3-CD set, a 4-disc vinyl box set or a 29 track digital album. The sound quality is almost unparalleled; nothing has been re-recorded or overdubbed. The three act show, containing many well known Kate Bush songs, also included two song suites: ‘The Ninth Wave’ from Hounds of Love and ‘A Sky of Honey,’ from Aerial. Included in the show are an abundance of well loved songs from her extraordinary career including ‘Running Up That Hill,’ ‘Hounds of Love,’ ‘And Dream of Sheep,’ ‘Waking The Witch’ and ‘Cloudbusting.’
