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Betti Betti & T.P. Poly Rythmo Albarika Stores 1977

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betti-betti-t-p-poly-rythmo-front

t-p-poly-rythmo

Een tamelijk zeldzaam plaatje uit Benin vandaag. Zangeres Betti Betti
verschijnt op deze elpee met de Tout Puissant Poly Rythmo uit 1977.
De vrouwelijke vocalisten zijn in de Afrikaanse muziek over het
algemeen in de minderheid. Zeer onterecht getuige deze pracht
plaat uit dit West Afrikaanse land. Luister en oordeel zelf..

A quite rare album from Benin today. Singer Betti Betti appears
on this record with the Tout Puissant Orchestre Poy Rythmo from
1977. Female singers are in general outnumbered by the male
part of African musicians. Highly injust witness this beautiful
elpee from West Africa. Listen and be your own judge..

tracks :

01 – Goussoufa
02 – Ndolam
03 – Mahana
04 – Mbala
05 – Guidoho guitcho
06 – Iototi

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Fancy - 30 Years: The New Best Of (2018)

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Fancy - 30 Years: The New Best Of (2018)

???????????: Fancy
??????: Germany
??????: 30 Years: The New Best Of
????: Disco | Pop | EuroDance
????????: Sony Music Entertainment; Jupiter Records [19075819432]
???: 2018
??????: FLAC (*image + .cue,log, covers)
??????: 580Mb
??????: Depositfiles | Turbobit (3% ?? ??????????????)

Jenny Darren & Robert Webb – Rare Bird In Rock (2018)

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51F%2BIKiu8UL._SS500.jpg320 kbps | 82 MB | LINKS

Jenny Darren ( the ‘Rock Shock’ chick’s) collaboration with co-songwriter, Robert Webb in the late 70s early 80s. A top selection of fine recordings of their unreleased material.

Tracks:
01. White Chariot (3:36)
02. Ode To Billie Joe (4:37)
03. Oceans Away (2:38)
04. This Is The Big One (3:42)
05. He’s Going Home (3:37)
06. Where Did Billy Go? (4:36)
07. You Could Have Been Rich (3:09)
08. Fifties Teen (3:59)
09. Running With Tony (3:07)
10. I Can’t Look Up For Looking Down (3:33)

Bullet - Dust To Gold [Japanese Edition] (2018)

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Bullet - Dust To Gold [Japanese Edition] (2018)

???????????: Bullet
??????: Sweden
??????: Dust To Gold [Japanese Edition]
????: Heavy Metal | Hard Rock
????????: Spiritual Beast Co. [IUCP-16285]
???: 2018
??????: FLAC (*image + .cue,log, covers)
??????: 528Mb
??????: Depositfiles | Turbobit (3% ?? ??????????????)

Mirror To The Soul – Caribbean Jump-Up, Mambo & Calypso Beat 1954-77 (2013)

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mirror-to-the-soul-caribbean-jump-up-mam

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Colton Chapman – Raised This Way (2018)

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51mkzWnMLpL._SS500.jpg320 kbps | 83 MB | LINKS

Tracks:
01. Helluva Goodbye
02. Without a Sound
03. Another Shot of Jack
04. Raised This Way
05. They Don’t Know You
06. Slowin It Down
07. Wildside
08. Drown the Memory of Lovin You
09. You Ain’t Got Me
10. Wrong Things Right

THE SOUND EXPLOSION ένα έξοχο garage-punk comeback

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Θυμάμαι τους Sound Explosion από τις αρχές της δεκαετίας του ’90 – από τα live και τους δίσκους τους (LP και 45άρια). Καθαρό και αμόλυντο garage-punk, ναι μεν στο πέρας της «αναβίωσης», αλλά πάντα με δύναμη και με πάθος παιγμένο και με πολλές και ωραίες (να το λέμε και τούτο) ελληνικές αναφορές (“Hopeless endless way” / Olympians, “Misirlou the Greek” κ.λπ.), που για ’μας είχαν, έχουν και θα έχουν και αυτές το νόημά τους. Οι άνθρωποι ζούσαν για ’κείνο που έκαναν, τα έδιναν όλα στη σκηνή και τα βινύλια, ο κόσμος από κάτω όχι απλώς γούσταρε μα παραληρούσε… και καθώς τα χρόνια κυλούσαν η μπάντα θα ετοποθετείτο από την ιστορία σ’ ένα άλλο επίπεδο, όπως συχνά συμβαίνει. Σ’ εκείνο του δικού μας rock nroll… μύθου. Δεν ξέρω αν είναι βαριά η κουβέντα, όμως αυτό που συνέβη με την πρόσφατη δισκογραφική και συναυλιακή επανεμφάνιση των Sound Explosion κάτι τέτοιο φανερώνει. Ο κόσμος… σαν έτοιμος από καιρό. Κι έτσι, με το που έσκασαν τα νέα άρχισε να ξετυλίγεται το σχετικό πανηγύρι σε όλες τις διαστάσεις του. Αρκεί να δει κανείς τι ειπώθηκε και τι γράφτηκε στα μίντια για τους Sound Explosion, ώστε να αντιληφθεί του λόγου το αληθές. Το χάρηκε το συγκρότημα, το χάρηκαν οι φίλοι του, το χαίρεται και η απανταχού garage κοινότητα, με το «διαμάντι» που κυκλοφόρησε (LP και CD) από την Lost in Tyme εσχάτως.
Τι να πει κανείς για το The Explosive Sounds ofThe Sound Explosion; Ό,τι και να πεις θα είναι μικρό και λίγο μπροστά σ’ εκείνο που ξεχύνεται από τα ηχεία, καταβροχθίζοντας τα πάντα στο πέρασμά του – και βασικά εκείνη την πομφόλυγα που θέλει το rock nroll να έχει προ πολλού πεθάνει. Τρίχες…
ajazz%2Bsound.jpg
Να πω λοιπόν και κατ’ αρχάς πως ο τίτλος του άλμπουμ με παρέπεμψε αμέσως στο “The Explosive Sound of the Atlantics” (1964), στο αριστούργημα των Αυστραλών Atlantics (με τους δύο συμπατριώτες μας στη σύνθεσή τους – να μην το ξεχνάμε αυτό) και πως από το cover ήδη η σιξτίλα και η αναβιωτική εϊτίλα είναι παντού και οπουδήποτε, ώστε να μην έχει κανένας την παραμικρή αμφιβολία γύρω από το τι ακριβώς πρόκειται κι εδώ ν’ ακολουθήσει.
Κι έτσι, κι ενώ κυλάει το “The Explosive Sounds ofThe Sound Explosion”, αρχίζω να σκέφτομαι πως δεν έχει κανένα απολύτως νόημα να γράψεις οτιδήποτε, ούτε να αναλύσεις, ούτε να εξηγήσεις, ούτε άλλα τέτοια ουτιδανά, καθώς οι δεκατέσσερις garage δυναμίτες του δεν αφήνουν κανένα περιθώριο αμφισβήτησης –έστω και του παραμικρού– της αγνότητας, της δύναμης και της λειτουργικότητας του rock nroll. Όταν κάτι σε ξεπερνάει οφείλεις να κάνεις, απλώς, στην άκρη…
Το «εύγε» να πω μόνο στους ανθρώπους που συνέταξαν αυτό το θησαυρό –στα μέλη του γκρουπ πρωτίστως (Γιάννης Αλεξόπουλος κιθάρες, φωνή, Δημήτρης Δημόπουλος μπάσο, φωνητικά, Στέλιος Ασκοξυλάκης φαρφίζα, φωνητικά, Σταύρος Δακτυλάς ντραμς, κρουστά), μα και στην Lost in Tyme περαιτέρω–, κάνοντας σαφέστερη την ύστερη προτροπή μου προς όλες και όλους. Ακούστε αυτόν το δίσκο.

Aversion - The Ugly Truth (1990)

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Aversion - The Ugly Truth (1990)

???????????: Aversion
??????: U.S.A.
??????: The Ugly Truth
????????! ? ??? ??? ???? ??? ????????? ???????? ??????.

????: Thrash Metal, Crossover
??? ??????: 1990
????????: (CD-Rip) Armageddon (SPV 084-36152)
??????: 947 kbps FLAC (image. cue. log. CD scans)
??????: 216.85 Mb
?????????????: Depositfiles/Cloud.mail

Chiara String Quartet - Bartok by Heart (2016) [Hi-Res]

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Chiara String Quartet - Bartok by Heart (2016) [Hi-Res]

Artist: Chiara String Quartet
Title Of Album: Bartok by Heart
Year Of Release: 2016
Label: Azica Records
Genre: Classical, Chamber Music
Quality: FLAC (tracks)
Bitrate: Lossless [24bit-96kHz]
Time: 2:34:34
Full Size: 2.77 gb
Upload: Turbobit

Dayramir González – The Grand Concourse (2018)

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Dayramir GonzalezCuban pianist Dayramir Gonzalez has innovative style, energetic performance, and impressive diversity shining through on his new album, The Grand Concourse. Serving as the follow up to his 2007 debut, this record is defined by the voyage of a young artist from Havana whose creation of musical works sheds light on the gems of traditional Cuban sentiments, contemporary Afro-Cuban jazz, and the vanguard sounds of New York.
…His first album, Habana enTRANCe (2007) certainly announced the arrival of another master musician from the fertile musical topography of Cuba, which continues to suggest that it has an almost magical and mystical formula for creating pianists. Although he needed no introduction from older masters such as Chucho Valdés,…

168 MB  320 ** FLAC

…he got one anyway. However with the explosive start to the album from “Gozando” and the nine other pieces that followed, Mr. González’s music spoke for itself and it seemed that not since Gonzalo Rubalcaba had Cuba produced an artist with such impressive credentials. The Grand Concourse is an enormous development.

From the very (title) The Grand Concourse, an artistic and spiritual portal of sorts, Mr. González beckons us into the deeply spiritual world of Santeria. But the welcome here is unique and it isn’t until “Iyesa Con Miel” with the elemental Lucumi chant by Pedrito Martinez, that one is greeted with something familiar in the way of the Afro-Cuban sprit world. But it is always there, right from the first bars of “Smiling”. It is just that Mr. González has found a new idiom to express what is traditional to him rhythmically. And this is what makes this music so wonderfully unique. This is unlike almost every recent album of Afro-Cuban music, even music by Cuban musicians who visit the same musical ground over and over again, making the evocation of the Lucumi idiom seem laboured.

Mr. González, on the other hand, has invented something wholly new; a sensory experience of epic proportions ensconced in twelve works featuring beautifully crafted arrangements of his own work; a beguiling variety and sensuousness, in every lovingly-crafted phrase of “Moving Forward”, the bittersweet melody of “Blood Brothers” dedicated to his late brother Daymell. Clearly Mr. González’s genius for composition is evocative not only of his tradition, but also for the often-evasive imagery of Jazz. His material focuses on the craftsmanship of the narrative, deeply influenced by his innate spirituality, born of Lucumi worship and this reaches a sublime climax in “Situaciones En 12/8”, rhythmically-sculpted in long, sustained inventions in the West African “bembé” metre.

Mr. González’s musicians include a stellar cast. Yosvany Terry – on alto saxophone and shekere graces several songs as does the fine percussionists and musicians – Pedrito Martinez, Mauricio Herrera, Willy Rodriguez, Paulo Stagnaro, Zack Mullings and many others. Mr. González’s wife and multi-instrumentalist, Tatiana Ferrer can be heard here as well and the elusive, but brilliant reeds and woodwinds player Caris Visentin Liebman also makes a rare appearance on oboe on “Blood Brothers”, which also features the extraordinary String Bembe. Everyone here is completely attuned to Mr. González’s vision and artistry right down to the engineers with enormous ears: Jaclyn Sanchez, Marcos Torres and Willy Torres, and the photographers and exquisite designer, Olivia Solis. This is an album to die for.

Personnel – Dayramir González: Steinway Grand Piano, Fender Rhodes and synthesizers (2, 8, 9) and coro (2, 3, 10, 12); Antoine Katz: electric bass (1, 4, 6, 8, 10, 12); Alberto Miranda: electric bass (2); Carlos Mena: contrabass (3); Zwelakhe Duma-Bell Le Pere: contrabass (5, 7, 9); Zack Mullings: drums (1, 4, 6, 10); Keisel Jimenez Leyva: drums (2); Jay Sawyer: drums (5); Willy Rodriguez: drums (5); Raul Pineda: drums (8); David Rivera: drums (12); Paulo Stagnaro: congas (1,, 3, 6, 10), batá drums: (6), surdo, cajón, güiro, pandeiro and miscellaneous percussion (1, 5, 7, 8, 9) ; Marcos Lopez: congas (2); Mauricio Herrera: congas (12), batá drums (2); Pedrito Martinez: batá drums (4) and lead vocals (4); Gregorio Vento: miscellaneous percussion and lead vocals (12); Yosvany Terry: alto saxophone (1, 4, 8, 10), shekere (10); Marcos Lopez: timbal (10); Harvis Cuni: trumpet (1); Oriente Lopez: flute (1, 3, 4, 8, 10); Kalani Trinidad: flute (12); Rio Konishi: alto saxophone (12); Dean Tsur: alto saxophone (7), tenor saxophone (1, 4, 8, 10); Edmar Colon: tenor saxophone (12); Ameya Kalamdani: electric and acoustic guitars (1, 6); Tatiana Ferrer: coro (2, 3, 10, 12) and viola (1, 3, 5, 7); Jaclyn Sanchez: coro (2, 3, 10); Nadia Washington: lead vocals (6) and coro (3, 10); Ilmar Lopez Gavilan: violin (1, 3, 5, 7); Audrey Defreytas Hayes: violin (1, 3, 5, 7); Jennifer Vincent: violoncello (1, 3, 5, 7); Caris Visentin Liebman: oboe (5); Amparo Edo Biol: French horn (5)

(Country) Colton Chapman - Raised This Way - 2018, MP3, 320 kbps

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Colton Chapman • Raised This Way Жанр : Country Страна : USA (Fairland, IN) Год издания : 2018 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:36:35 Наличие сканов : нет Источник релиза : Lossless 01.

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Alexander von Schlippenbach Globe Unity Orchestra Global Unity 50 Years

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Alexander von Schlippenbach Globe Unity Orchestra
Global Unity 50 Years
(Intakt, 2018)
more details

Deep Purple - Burn (1974) [Vinyl Rip 24/192, LP Remast. 2015]

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Deep Purple - Burn (1974)  [Vinyl Rip 24/192, LP Remast. 2015]

???????????: Deep Purple
??????: Burn
??? ??????: 1974 / 2015
????: Hard Rock / Classic Rock
??????: FLAC (tracks, scans)
????????: Lossless
?????: Purple Rec. (3635841)
????? ????????? ??????: Mint
??????: 1.8 Gb
??: gigapeta.com/katfile.com

a circular ceremony.

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& of course some more hassell for y'all.

Snow Patrol – Wildness (2018)

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51-4remZ0bL._SS500.jpg320 kbps | 152 MB | LINKS

Seven years have passed since Snow Patrol’s last album ‘Fallen Empires’. In that time the band have all ventured off into a variety of projects. Gary Lightbody continued his work with his Tired Pony side project with members of Belle and Sebastian, R.E.M, Reindeer Section and Fresh Young Fellows and moved to Los Angeles to begin writing songs for movies and doing a number of high-profile co-writes with Ed Sheeran, Taylor Swift, Biffy Clyro and One Direction. Taking this extended break from Snow Patrol proved to be a source of inspiration, and writing songs that were not pulled directly from his own psyche helped heal what Lightbody considered to be not so much writer’s block as life block.In the meantime the band have been working on Wildness, Snow Patrol’s 7th studio album.

The album finds the band searching for clarity, connection, and meaning, while staying true to the melodic songwriting prowess that brought them to prominence. Wildness taps into something raw and primitive, and lead-singer and songwriter Gary Lightbody says of the album: “There are many types of wildness, but I think it can be distilled into two: the wildness of the modern age, all it’s confusion, illogic and alienation and a more ancient wildness. Something primal, alive and beautiful that speaks to our true connectivity, our passion, our love, our communion with nature and each other. This is the kind of wildness the album is centered around. The loss of it. Trying to reconnect with it. To remember it.”

The 15 track deluxe version of Wildness features 5 stunning stripped back versions of tracks from the album packaged together in a 32 page bookpack featuring exclusive photos of the band by photographer Bradley Quinn.


Carl Solomon – Simple Things (2018)

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61Lq3tgB%2B3L._SS500.jpg320 kbps | 82 MB | LINKS

Americana/Folk songs with the faint echoes of storytellers: Leonard Cohen, Bruce Springsteen,Townes Van Zandt

Tracks:
01. Simple Things (3:03)
02. Hard Freeze (4:06)
03. Coney Island (3:48)
04. Just Like You (3:13)
05. Come What May (2:55)
06. Ticket To Nowhere (3:10)
07. Navajo Rain (3:19)
08. Always Running (2:46)
09. Whistle Of The Train (3:18)
10. Dreaming About You (4:06)

Spock’s Beard – Noise Floor (2018)

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51O8hlTLmYL._SS500.jpg320 kbps | 160 MB | LINKS

Noise Floor is album number three for Spock’s 3.0, referring to the third incarnation of the band with a new lead singer. Following the departures of Neal Morse and Nick D’Virgilio as the previous front men, Ted Leonard confidently took the reins with the tour de-force Brief Nocturnes and Dreamless Sleep in 2013. Fans of that album will find much to love on this new release, too. Indeed, Ted continues to be the star of the show, which is quite a feat given his predecessors and the stellar musicianship provided by this seasoned band. However, the personnel features one prominent shift from the two previous albums: drummer and backing vocalist Jimmy Keegan is absent. Big shoes to fill indeed, and the only logical solution (to quip the band’s namesake) is to return to their roots and bring original member Nick D’Virgilio back to the drummer’s seat. Sadly, Nick’s current schedule does not allow him the possibility of officially being a full-time member of the band (and he most likely will not be able to tour with them in the near future), but you wouldn’t know it from listening to his performance on this album. As usual, he goes all out and returns to the Spock’s fold seamlessly. It’s the first album on which Ted has fronted the band with Nick manning the drum kit, but feels as natural as if this had always been the lineup.

Unsurprisingly, the production throughout is immaculate thanks to long-time engineer Rich Mouser and the collective band studio skills. You won’t find a finer sounding band thanks to Rich’s knowledge of the members’ playing style and how to bring out their best performances. Much of the recording was done at Nick’s “day job”, Sweetwater Studios, so they likely had all the toys they could want at their immediate disposal. The songwriting is strong throughout, provided by the band members and their regular contributors John Boegehold and Stan Ausmus. None of the material here may reach the Top 10 Spock’s songs of all time, but they all hover within a good to excellent range which will stay in your active playlist for quite some time. As with most good progressive rock, the album will grow on you with repeated listenings and by spin #4, you’ll be hooked.

Dimmu Borgir - Eonian (2CD) [Japanese Edition] (2018)

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Dimmu Borgir - Eonian (2CD) [Japanese Edition] (2018)

???????????: Dimmu Borgir
??????: Norway
??????: Eonian (2CD) [Japanese Edition]
????: Symphonic Black Metal
????????: Ward Records; Chaos Reigns [GQCS-90589-0]
???: 2018
??????: WV-Pack (*image + .cue,log)
??????: 603Mb
??????: Depositfiles | Turbobit (3% ?? ??????????????)

Samba Touré – Wande (2018)

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61BFbTbCCKL._SX425_.jpg320 kbps | 105 MB | LINKS

 

Wande is a record that reconciles continuity and change. But both have been the hallmarks of Touré’s career. Starting out as a guitarist in a soukous band, everything was altered when he became an accompanist to Mali’s greatest legend, the late Ali Farka Touré (with whom his mother had performed). Later, as a solo artist, he’s become renowned across the globe for his passionate guitar work and fiery singing, one of the masters of his art, a man who’s learned from the greatest and gone on to develop a sound that’s completely his own. But, Touré says, don’t call it desert blues. Don’t call it African Rock. That’s lazy. It doesn’t need labels like that.

“It’s contemporary music from Mali,” he insists. “Maybe our traditional music has changed. We live all in the same world wherever we are on that planet, we all have the same music on radio or TV, we hear the same music in movies, so even if we don’t really know what’s rock music in Mali, we hear some everywhere every day, it has become part of our inspirations, easy inspirations because it’s sometimes so close to what we do traditionally. If you attend a traditional ceremonies in villages north of Mali, you’ll see that musician always use distortion at maximum level but they don’t know anything about rock or blues. But believe me they do some. And desert blues…to me it’s a way to name music from the region north Mali, Niger or Mauritania but it has no more sense.”

if music could talk: If Music Could Talk - April 29 2018 - Old 78 rpm records and more!, Segment 1

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