320 kbps | 80 MB | LINKS
This album is expected to break the barriers between mainstream commercial and country radio and blaze a new trail in Australian country music history.
Tracks:
01. Like We Ain’t Ever
02. Beer Weather
03. Girls Like Guys with Trucks
04. Kids in a Country Town
05. Heavensville
06. I Know a Little Somethin’ Bout That
07. All I Need Tonight
08. I Showed Me
09. Unlove Me
10. Itallstartstorumtogether
11. Nothin’ but a Party
Op veler verzoek vandaag meer King Sunny Adé. We hadden er al
30 van zijn hand. Sommige als Sunny Adé, anderen Als King Sunny
Adé. Het is reeds een hele stapel. Altijd weer lekkere mellow Juju.
Eenmaal in de juju flow zal ik er nog een paar doen, stay tuned..
Requested by many, today another King Sunny Adé. We already
had some 30 by his hand. Some as Sunny Adé, some as King Sunny
Adé. It is becoming quite a pile. Nice mellow juju as always. Once
in the flow of juju, I’ll post us some more, stay tuned..
tracks ;
01 – A gbe kini de
—–Oluwa ni ngbe ni ga
—–Yio ma dun won ni
—–Nibo nio yan si
02 – Tumi ninu aya rere
—–Sere fun mi baby
—–Koluwa pin’re mowa
—–Alhaji olalekan makanjuola
—–Werepe masomo
320 kbps | 90 MB | LINKS
Robert Jon & The Wreck is:
Robert Jon Burrison: Lead Vocal/Guitar
Kristopher Butcher: Lead Guitar/Vocals
Steve Maggiora: Keys/Vocals
Andrew Espantman: Drums/Percussion
Dave Pelusi: Bass/Vocals
Tracks:
01. Old Friend (4:44)
02. Let It Go (3:17)
03. I Know It’s Wrong (3:57)
04. Shine On (5:54)
05. High Time (5:06)
06. I Got My Eyes On You (3:48)
07. Witchcraft (8:25)
08. Forever Isn’t Long Enough (4:13)
300 kbps | 87 MB | LINKS
Tracklist:
01. She Never Quite Believed You
02. Deal with Your Disenchantment
03. God Kills Someone Every Day
04. Old Enough to Be Your Mother
05. Tattered Skirt Girl
06. Mr Television Man
07. Desolation Row (Updated)
08. Can I Have Your Autograph?
320 kbps | 102 MB | LINKS
The Weight Band formed when a group of musicians convened in Levon Helm’s famous Woodstock farm to carry on the legacy of The Band’s iconic music. Since then, the lineup has evolved along with the mission. Now, The Weight Band are their own entity and are set to release their debut album, World Gone Mad, on February 23rd.
Recorded at Clubhouse Studio in Rhinebeck, New York, World Gone Mad features The Weight Band’s current lineup of The Band’s Jim Weider and Randy Ciarlante, Levon Helm Band’s Brian Mitchell, The Rick Danko Band’s Marty Grebb, and drummer Michael Bram. The album seeks to capture the “Woodstock sound” while providing “a powerful glance at the current national mood.”
Two of the tracks, ““You’re Never Too Old (To Rock N Roll)” and “Common Man”, were co-written by Helm but never previously released. As a preview of the LP, The Weight Band has shared the latter song. Though written well before things like Twitter and border walls were part of the general cultural discussion, the track hits upon the “divisiveness of today’s political climate and the hardship of life in America.”
Gosheven
Bivaq
(Opal Tapes, 2018)
more details
Before we get started on new album (04:30) Idler, let’s recap where Jamie Isaac left off; his 2016 debut Couch Baby. By and large, it did everything a debut album is supposed to do. Isaac’s experimentation saw him flit between jazz, soul and R&B. Some interesting electronics here, and a flirtation with hip-hop there kept things fresh and exciting. A ‘revisited’ version of the album saw Isaac work with a handful of the new crop of underground US rappers; Denzel Curry, Allan Kingdom, Rejjie Snow and Ratking’s Wiki, which introduced even more stylistic variation, and took the project to a whole new audience.
Fast forward to 2018 and the picture seems clearer; if Couch Baby was a talented multi-instrumentalist trying things out, (04:30) Idler is his…
…confident, self-assured follow-up. Sonically, Isaac appears completely comfortable in his slightly more refined new skin. In the main, this is a bossa nova album. Syncopated rhythms in 2/4 time are the order of the day, laced with Isaac’s impossibly delicate and tender vocal — not necessarily the sort of thing you’d expect from a 23 year-old South Londoner.
That said, Isaac’s experimental nature is still evident. First single ‘Doing Better’ places a lilting piano refrain over a straight-up hip-hop beat which he adorns with bittersweet lyrics like “I’m doing better with my sleeping / I need less time for weeping”. The layers of vocals, horns and bass accompanying such complex jazz percussion on the album’s title track are something quite extraordinary. The electronic melody on ‘Eyes Closed’ and the distorted, sweeping white noise on ‘Melt’ also nod to his experimental nature.
Although it feels as though Jamie Isaac has found a lane in terms of his sound, the album’s central themes reveal that he’s far from comfortable, its title a reference to the small hours of the morning in which the album was conceived, owing to his personal struggle with sleep. He’s vulnerable and yearning throughout; the kind of emotion you can’t help but feel his plaintive vocal was bestowed upon him to convey. Fittingly for an album that was written partly in LA and partly in London, ‘04:30 Idler’ seems to speak to that sense of odd, lonely nostalgia one might feel when travelling late at night.
Translated from Portuguese, the literal translation of ‘bossa nova’ is ‘new trend’. Having evolved in the late 1950s, it’s been a long time since it’s felt like anything close to that, until now.
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