FLAC | 5,4 GB | LINKS
Albums:
1986 Whites Off Earth Now!!
1988 The Trinity Session
1990 The Caution Horses
1992 Black Eyed Man
1993 Pale Sun, Crescent Moon
1996 Lay It Down
1998 Miles from Our Home
2001 Open
2004 One Soul Now
2005 Early 21st Century Blues
2007 At the End of Paths Taken
2010-2012 The Nomad Series (Box) FLAC
2010 Nomad Series, Vol.1 Renmin Park
2011 Nomad Series, Vol.2 Demons
2011 Nomad Series, Vol.3 Sing in My Meadow
2012 Nomad Series, Vol.4 The Wilderness
2012 Nomad Series, Vol.5 Extras
A reggae album we used to play a lot back in the days, Fatman
Reddim Section with Ian lewis and a bunch of other stars. We
find Sly and Robbie, Barnabas and Mikey Rastar, Touter, Sky Juice
Sticky and Skully and of course the famous Downtown Horns,
Dean, Madden and Fraser. Smooth instrumental reggae from
the old days. Get it and spread it..
Een reggae plaatje die we vroeger veel draaiden, Fatman Reddim
Section met Ian Lewis en een ploegje andere sterren. We vinden
Sly en Robbie, Barnabas en Mikey Rastar, Touter, Sky Juice, Sticky
en Skully en natuurlijk de grote drie, de Downtown Horns met
Dean, Madden en Fraser. Gesmeerde instumentale reggae
uit de oude doos. Haal binnen, luister en geef door..
tracks ;
01 – Black orphans
02 – 1190 rock
03 – Nyah-man solo (copticcosmic)
04 – Take it all
320 kbps | 290 MB | LINKS
Tracks;
01. John Michael Montgomery – Weekend Superstar
02. Tamra Rosanes – Country Party
03. Big & Rich – You Shook Me All Night Long
04. Kid Rock – All Summer Long
05. Whitney Duncan – Tulsa Time
06. Zac Brown Band – Chicken Fried
07. Uncle Kracker – This Time
08. Michael Peterson – Drink, Swear, Steal & Lie
09. Black Stone Cherry – Cowboys
10. Pontus Assarsson – Somebody Like You
11. Cowboy Troy – Hook ‘Em Horns (Single Version)
12. James Otto – Shake What God Gave Ya
13. Shannon Brown – Corn Fed
14. Michael Ray – Livin’ It Up
15. Johnny Lee – Hey Bartender
16. Confederate Railroad – I Am Just a Rebel
17. Travis Tritt – Start the Car
18. Old 97’s – Beer Cans
19. Rodney Crowell – I Walk the Line
20. Blackfoot – Train, Train
21. Chad Brock – Park the Pickup (Kiss the Girl)
22. John Rich – You Rock Me
23. The JaneDear Girls – Every Day’s a Holiday
24. Trick Pony – Can’t Say That On the Radio
25. Montgomery Gentry – Git-R-Done
26. Ray Scott – Rats Don’t Race
27. Dwight Yoakam – Crazy Little Thing Called Love
28. Lila McCann – Like a Rocket
29. The Dirt Drifters – Something Better
30. Bill Engvall – Fruitcake Makes Me Puke (Rock Version)
31. Tracy Lawrence – Excitable Boy
32. The Lynns – Crazy World of Love
33. Neal McCoy – The Shake
34. Reckless Kelly – Nobody’s Girl
35. Beth Nielsen Chapman – Happy Girl
320 kbps | 132 MB | LINKS
On his millionth album (or does it just feel that way?), Willie Nelson teams with a new band — except for Family Band harmonicat Mickey Raphael — and duets with some major leaguers. Most of the time, It Always Will Be feels like a Willie album of old. Recorded for the Lost Highway label and produced by James Stroud in Nash Vegas, it’s an inspired collection of fine songs for the most part, and Nelson is in fine voice with the edges beginning to show just a tiny bit. He wrote the title cut, one of the strongest here. Lyrically, it’s tender without being overly sentimental, sweet without being saccharine, and delivered with his trademark elegance and grace. The cover of Tom Waits and Kathleen Brennan’s “Picture in a Frame,” though faithful, puts Nelson’s stamp firmly on it. With Raphael’s harmonica, Willie’s acoustic, and a skeletal band featuring an understated pedal steel, Nelson’s dignity in the delivery is deeply moving. When he’s this on fire, the only place he usually blows it is in duets — at least on his own records. There are duets here. “Be That As It May,” with daughter Paula and written by her, is just a gorgeous country song. The pair’s voices contrast beautifully and the tune itself is tight and hooky in a Texas country music way. “Dreams Come True,” with Norah Jones, is a pretty swing tune that is forgettable but far from offensive, and Lucinda Williams is the star on her own “Overtime.” Willie and Lucinda were made to sing together; the melancholy of the tune lends itself well to her whiskey contralto and his easy baritone. The tune sweetly drifts and lilts with swaying guitars, an accordion, and whispering brushwork. Toby Keith makes an appearance singing background vocals on his “Tired,” but Nelson makes the song his own. Nelson’s “Texas” is a wonderful mariachi blues song that gives way to bittersweet Southwestern honky tonk balladry and showcases his excellent guitar work. The set closes with the album’s only dog, a big-beat over-produced dancy punch-up of Gregg Allman’s classic “Midnight Rider.” It sucks bad. Why this song made the cut is a mystery, but it’s a typical thing for Nelson, to add something that just doesn’t fit. Thankfully, it’s the album’s final song and can be skipped. Be that as it may, It Always Will Be is the best outing for Nelson since Teatro.
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