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  • 07/23/18--22:41: Ansley – Rituals (2018)
  • 51bg0aR4toL._SS500.jpg320 kbps | 84 MB | LINKS

    There are great bands, great writers, great voices, great performers. They are rarely unique, and they are rarely combined. Ansley’s voice is perhaps the most captivating in the Texas scene. Not because of notes she can sing, or trivial r&b choir tricks, but because her voice tells a story in itself. The songs, the words, the keys, are only half of the story, and the voice behind the music is the beacon that draws you in. Somewhere between hopeful and melancholy, between search and resolve, every note matters and is felt. Her voice conveys an honesty and wholehearted effort at every turn and without meaningless filler. Ansley is among the top tier of her scene, and after cultivating a following with hard rock trio Panic Volcanic, she’s ready to take her own swing.

    Ansley has been playing on stages for over a decade, and now with the help of producer Taylor Tatsch at Audiostyles, Hand Drawn Records, and Fort Worth Artist Publishing, Ansley has crafted a new record, Rituals, and is paving her own way to audiences everywhere.


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    Daddy DJ - Let Your Body Talk (2001) FLAC (tracks + .cue)
    Artist: Daddy DJ | Album: Let Your Body Talk | Released: 2001 | Label: R.K.G. Records | Catalog #: DAN505184 2 | Genre: Trance, House | Country: France | Duration: 01:05:09

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    Paul McCartney - Tripping The Live Fantastic Highlights! (1990) FLAC (image + .cue)
    Artist: Paul McCartney | Album: Tripping The Live Fantastic Highlights! | Released: 1990 | Label: Capitol Records | Catalog #: CDP 7 95379 2 | Genre: Pop Rock | Country: UK | Duration: 01:13:55

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    Powerwolf - The Sacrament Of Sin (2018) FLAC (image + .cue)
    Artist: Powerwolf | Album: The Sacrament Of Sin | Label: Napalm Records GmbH. | Catalog #: NPR 783 SC | Released: 2018 | Genre: Metal, Power Metal | Country: Germany | Duration: 02:07:26

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    VA - Space Odyssey: Journey To The Sun (2018) FLAC (tracks)
    Artist: VA | Album: Space Odyssey: Journey To The Sun | Released: 2018 | Genre: Synth Pop, SpaceSynth | Country: Russia | Duration: 02:39:05

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    VA - Space Odyssey: New Year's Voyage 2018 (2017) FLAC (tracks)
    Artist: VA | Album: Space Odyssey: New Year's Voyage 2018 | Released: 2017 | Genre: Synth Pop, SpaceSynth | Country: Russia | Duration: 02:45:30

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    51bZ7WlXrjL._SS500.jpg320 kbps | 91 MB | LINKS

    Ranger Doug steps out to sing a few of the ballads he has collected in his long career, ably supported by fellow Riders In The Sky; story songs, folk songs, sentimental songs, and songs of the trail and the wagon train.


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    Akira Ifukube - Godzilla (50th anniversary edition, bonus tracks) (2004) FLAC (image+.cue)
    Artist: Akira Ifukube | Album: Godzilla (50th anniversary edition, bonus tracks) | Released: 2004 | Label: La-La Land Records, USA, Toho Music Corporation, Japan | Genre: Soundtrack

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    Oldelaf - Le monde est beau (2011) FLAC
    Artist: Oldelaf | Album: Le monde est beau | Released: 2011 | Genre: Rock

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    Alexandre Desplat - Godzilla (2014) FLAC (tracks + .cue)
    Artist: Alexandre Desplat | Album: Godzilla | Released: 2014 | Genre: Soundtrack

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    R-2906548-1470932991-5992.jpeg.jpgFLAC | 609 MB | LINKS

    Recorded Live at Fairfield Hall, Croydon and the Oz Benefit Concert, London, July 1971.

    Bass – Rick Grech
    Congas, Timbales, Bongos – “Reebop” Kwaku Baah*
    Drums – Jim Gordon
    Saxophone, Flute, Electric Piano, Organ – Chris Wood (2)
    Vocals, Lead Guitar, Acoustic Guitar – Dave Mason
    Vocals, Organ, Electric Piano, Guitar – Steve Winwood
    Vocals, Tambourine, Percussion – Jim Capaldi

    Tracks:

    01. Traffic – Medicated Goo
    02. Traffic – Sad And Deep As You
    03. Traffic – 40,000 Headmen
    04. Traffic – Shouldn’t Have Took More Than You Gave
    05. Traffic – Dear Mr. Fantasy
    06. Traffic – Gimme Some Lovin’


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    Ben Sidran - Don't Let Go (SHM-CD Universal Japan 2010) (1974) FLAC (image+.cue)
    Artist: Ben Sidran | Album: Don't Let Go (SHM-CD Universal Japan 2010) | Released: 1974 | Label: Blue Thumb Records | Catalog: UICY-93416 | Genre: Jazz, Soul

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    2608opc.jpgFLAC | 2,4 GB | LINKS

    1972 – Dual Unity
    1972 – I’m The One
    1978 – X-Dreams
    1979 – The Perfect Release
    1982 – Sky-skating
    1986 – I Have No Feelings
    1988 – Abstract-Contact
    2000 – An Acrobat’s Heart
    2004 – My Mama Never Taught Me How to Cook
    2005 – 3131
    2007 – 4 Emilia-Romagna WLW


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    Ministry - AmeriKKKant (2018)

    ???????????: Ministry
    ??????: USA
    ??????: AmeriKKKant
    ????: Industrial Metal
    ????????: Soyuz Music; Nuclear Blast GmbH. [27361 42752]
    ???: 2018
    ??????: FLAC (*tracks + .cue,log, covers)
    ??????: 517Mb
    ??????: Depositfiles | Turbobit (3% ?? ??????????????)

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    Ralph Towner & Gary Burton - Matchbook (1975) [Reissue 2000]

    ???????????: Ralph Towner & Gary Burton
    ??????: Matchbook
    ????: Jazz
    ??? ??????: 1975 / 2000
    ??????: FLAC (image+.cue, log)
    ????????: Lossless
    ??????: 172 Mb
    ??: katfile/gigapeta/uploadboy

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    roberto-ribeiro-front

    roberto-ribeiro-backsleeve-detail

    Altijd even degelijk is de samba van Roberto Ribeiro. Krachtige
    violão structuren, klassieke sound die ik niet kan weerstaan.
    De vierde van zijn hand op de Global Groove, uit 1978 en op
    Odeon. Kwaliteits samba die je niet moet laten liggen..

    Always reliable and solid is the sound of Roberto Ribeiro’s samba.
    Powerful violão structures, classic sound I can impossibly resist.
    His fourth album here at the Global groove, from 1978 and on
    Odeon. Quality samba you better don’t let go..

    tracks ;

    01 – Todo menino é um rei
    02 – Favela
    03 – Isso não são horas
    04 – meu drama
    05 – Flor mulher
    06 – Noite amiga
    07 – Amei demais
    08 – Um poema prá você
    09 – Rosas do mar
    10 – Quero
    11 – Ão povo em forma de arte
    12 – Não sou feliz no amor

    downloadbutton


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    51Gcqp5KNcL.jpg320 kbps | 156 MB | LINKS

    Featuring all 10 of Love Unlimited’s US 7” singles released between 1972-1975, this set is the first compilation to pull together all the group’s A- and B-sides that appeared on Uni, MCA, and 20th Century Records. Perfectly positioned for all Barry White collectors and soul / R&B aficionados, it includes the hits: Walkin’ In The Rain With The One I Love, Is It Really True Boy – Is It Really Me, It May Be Winter Outside (But In My Heart It’s Spring), Under The Influence Of Love, and People Of Tomorrow Are The Children Of Today.


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    2nc16xh.jpg320 kbps | 418 MB | LINKS

    Set One
    01-Party Time 8:21
    02-Punch You in the Eye 8:22
    03-Mike’s Song 8:51
    04-I Am Hydrogen 3:01
    05-Weekapaug Groove 8:02
    06-Infinite 8:02*
    07-It’s Ice 9:30
    08-Divided Sky 15:51
    09-Cavern 5:30

    Set Two
    01-Tweezer 14:27
    02-Golden Age 13:41
    03-Farmhouse 7:03
    04-Piper 11:48
    05-Prince Caspian 6:13
    06-Wading in the Velvet Sea 6:35
    07-Rise/Come Together 6:31
    08-Run Like an Antelope 12:07

    Encore
    09-Bug 6:44
    10-Tweezer Reprise 3:42

    Notes:
    *First time played: Infinite


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    1zx5ieq.jpgFLAC | 612 MB | LINKS

    CD 1:
    01. Rita May
    02. Romance In Durango
    03. Catfish
    04. Money Blues
    05. Abandoned Love
    06. Golden Loom
    07. Oh Sister
    08. Sara
    09. Isis
    10. Oh Sister
    11. One More Cup Of Coffee

    CD 2:
    01. Black Diamond Bay
    02. Mozambique
    03. Hurricane
    04. Rita May
    05. Rita May
    06. Joey
    07. Hurricane


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    Mulatu AstatkeStrut conclude their series of official reissues by Mulatu Astatke, the “Godfather of Ethio Jazz”, with his early classics Afro-Latin Soul, Vols. 1 & 2 from 1966, as recorded by his Ethiopian Quintet.
    Interestingly, they were recorded in New York, by Gil Snapper of Worthy Records. Astatke would venture to New York City from Boston’s Berklee College of Music on the weekends. He was already formulating the ideas for creating an “Ethio-Jazz” that he would perfect six years later on 1972’s Mulatu of Ethiopia. While playing in the Big Apple and checking out jazz and the Nuyorican boogaloo scene, he formed his quintet with a host of Ethiopian, Latin, and African-American musicians — he was originally trying to showcase the African continent’s connection to Latin music.

    151 MB  320 ** FLAC

    His outfit would play the Village Gate opening for Dave Pike’s legendary sextet, and it was there he met Snapper, already a marginally well-known producer. He offered to record the Ethiopian quintet and the rest is history.

    While the two individual Afro-Latin Soul albums have been available on various labels in various formats for years, this two-fer (also re-released separately) was painstakingly remastered from pristine vinyl sources obtained from collectors. They are easily the best-sounding sources of this music out there. These records stand as important foundational documents of Astatke’s Afro-Latin groove consciousness. The fusion is complete on the first tune here: “I Faram Gami I Faram” is an Ethiopian war chant; Astatke had the lyrics translated to Spanish and delivered it as cooking proto-salsa, complete with the field recorded sounds of elephants bleating, punchy, syncopated two-chord piano vamps, driving vibraphones, and hand percussion timed to handclaps pounding out as the chant begins. On “Shangu,” the rhythm is taken from an Ethiopian folk song, with Astatke’s vibes offering a deft, tonally rich extension atop comping piano, bass, timbales, and congas. “Almas,” with its sharp montunos and right-hand ostinatos, is a perfect portrait of Afro-Latin hard bop. Volume two contains a burning boogaloo in “The Panther,” whose dancefloor vamp, played in unison by piano and vibes, complements the rhythm section in full with the tune’s dancefloor grooves. “Soul Power” is pure African jazz with Rudy Houston’s trumpet duetting with the percussion section with only bass underscoring the beat. “Love Mood for Two” offers a lithe melody — that would not have been out of place on a Motown record — before the piano’s montuno shuffle intertwines with the rhythm section. “The Girl from Addis Ababa” is the first version of Astatke’s most famous tune. Its cooking percussion and punchy vibes harmonically accent the driving piano vamps; it has been sampled often.

    Astatke provides his own historical liner essay in the booklet, making this an authoritative repackaging of this material. This is essential for anyone interested in the early fusion of African and Latin popular music with the improvisational flare of American jazz.


older | 1 | .... | 1989 | 1990 | (Page 1991) | 1992 | 1993 | .... | 2475 | newer