320 kbps | 91 MB | LINKS
Tracks:
01. You’re Bad for Me
02. Let Me Just Be With You
03. The Waltz of Love
04. Plumstones
05. Strangers in Their Own Land
06. Dangerous
07. The Gypsy Boy
08. The Strombolites
09. A Matter of Time
10. The One to Blame
11. The Answer
12. A Cat Named Ruby Tuesday
O.K. Fred was a huge hit, written by John Holt in 1972, Errol
Dunkley scored with it again in 1979. On Celluloïd, this is the
original Channel One release. We used to play it a whole lot
back in the days. It still stands strong today, listen..
P.S. I have added John Holt’s original as a bonus.
We hebben hem heel wat gedraaid in de jaren tachtig, O.K. Fred
was een gigantische hit. Origineel van John Holt uit 1972, Errol
Dunkley scoorde er nog eens mee in 1979. Op Celluloïd is dit
de oorspronkelijke Channel One uitgave, luister..
P.S. Ik heb John Holt’s origineel als bonus bijgevoegd.
tracks ;
01 – O.K. fred
02 – True to your man
03 – Show off
04 – Repatriation
05 – A love like mine
06 – Rush me no badness
07 – Come natural
08 – Nobody else
09 – Jah guiding star
Bonustrack ;
10 – John Holt – O.K. Fred
320 kbps | 91 MB | LINKS
Tim Carter is a banjo/mandolin/harmonica playing singer/songwriter/guitarist who performs around the world. In addition to the Carter Brothers Band and his own Tim Carter Band, he has been touring and recording with Hayseed Dixie since 2016. Tim, a native North Carolinian, has the rich musical heritage of the Carter Family running deep in his veins. His banjo style, described as “Rain running through the trees,” is progressive, but with traditional roots.
Tim was in the Carter Brothers Band with his brother, Danny Carter, for the past 30 years. The band release several records. The latest, “The Road to Roosky,” on Compass Records, gained a lot of attention. Tim and Danny created their own brand of groovingappalacianfolkrockfunkedupbluegrassgypsybluesmusic, playing world wide with much success. Tim continues that style of playing, true blues roots music—occasionally playing bluegrass to show that he is from North Carolina—but the blues is the basis of what he does.
FLAC | 1,4 GB | LINKS
The debut album from Rod Stewart was released in the U.S. in November 1969 and peaked at #139 on the US Billboard 200 album chart. Stewart is assisted by members of Faces, Keith Emerson, Micky Waller of the Jeff Beck Group and Martin Pugh and Martin Quittenton from Steamhammer.
With his distinctive raspy singing voice, Stewart came to prominence in the late 1960s and early 1970s with The Jeff Beck Group and then with Faces. He maintained a solo career alongside a group career, releasing his debut solo album An Old Raincoat Won’t Ever Let You Down in 1969. His early albums were a fusion of rock, folk music, soul music and R&B.
Tracks:
01. Street Fighting Man (5:08)
02. Man Of Constant Sorrow (2:33)
03. Blind Prayer (4:41)
04. Handbags & Gladrags (4:27)
05. An Old Raincoat Won’t Ever Let You Down (3:07)
06. I Wouldn’t Ever Change A Thing (4:48)
07. Cindy’s Lament (4:30)
08. Dirty Old Town (3:43)
FLAC | 1,9 GB | LINKS
Although Chelsea Girl (1967) was the first long-player from the German-born Christa Päffgen, it was not her debut solo effort. Prior to becoming involved with the Velvet Underground and while under the direction of Andrew Loog Oldham, Nico issued an obscure 7″ on the mod pop Immediate label. The song selection on that 1965 single — which featured a cover of Gordon Lightfoot’s “I’m Not Sayin'” and an Oldham co-composition with Jimmy Page called “Last Mile” — foreshadowed the eclectic nature of this LP. Although the dissolution between the vocalist and core instrumental quartet was not without its share of acrimony, the non-percussive contingent of the Velvet Underground is heavily featured on Chelsea Girl: along with then-unknown singer/songwriter Jackson Browne (guitar) — the vocalist’s concurrent love interest — there is Lou Reed (guitar), Sterling Morrison (guitar/bass), and John Cale (piano/bass/viola), who contrast what they had been doing with the larger combo. These sides are decidedly “unplugged,” providing a folky and Baroque setting for Nico’s dark and brooding vocal inflections. There is an introspective foresight in Browne’s “Fairest of the Seasons,” “These Days,” and “Somewhere There’s a Feather.” The minimalist string section features a quaint, yet effective arrangement giving the material a distinctly European feel. These orchestrated folk leanings are similar to the sound emanating from other burgeoning groups such as the Incredible String Band, Pentangle, and the Fairport Convention spin-off Fotheringay.The same can be said of her almost unrecognizable reworking of Bob Dylan’s “I’ll Keep It With Mine.” The noir black-widow charm ultimately saves the performance, as does Cale’s remarkable classical intonations. With Reed’s “Wrap Your Troubles in Dreams” — a track which actually predates the Velvet Underground — there is a sense of history that Nico brings to her interpretation, as if the melody were, in fact, a traditional German folk tune. There is a palpable distinction between those lighter cuts and the menacing Velvet Underground-conceived material. At the center of the project are the extended “It Was a Pleasure Then” and the stunning semi-autobiographical Reed/Morrison title track. The juxtaposition of such honest and at times harrowing imagery to Nico’s inherently bleak delivery is nothing short of an inspired artistic statement which has since long outlasted its initial socially relevant context — similar to the more modern contributions of Laurie Anderson, Ann Magnuson, and Patti Smith. An unqualified masterpiece.
![Sunburst - Ave Africa: The Complete Recordings 1973-1976 [2CD Set] (2016)](http://lossless-galaxy.ru/uploads/posts/2018-08/thumbs/1533116231_front.jpg "Sunburst - Ave Africa: The Complete Recordings 1973-1976 [2CD Set] (2016)")
