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BBC Radio - UK Top 40 Singles Chart 14 September (2018)

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BBC Radio - UK Top 40 Singles Chart 14 September (2018)

Artist: Various Performers
Title: UK Top 40 Singles Chart 14 September
Label: BBC Radio 1, The Official Charts
Style: Folk, Indie, Grime, Cloud Rap, Trap, Synthpop, Dancehall, Tropical, Reggaeton, Britpop
Release Date: 14-09-2018
Format: Top, Compilation
Quality: 320 Kbps/Joint Stereo/44100Hz
Codec: MP3
Tracks: 40 Tracks
Time: 02:21:28 Min
Size: 323 MB

Billboard Hot 100 Singles Chart 15 September (2018)

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Billboard Hot 100 Singles Chart 15 September (2018)

Artist: Various Performers
Title: Billboard Hot 100 Singles Chart 15 September
Label: Hollywood Reporter, Billboard Media Group
Style: Based Music, Trap, Afrobeat, Latin, Dancehall, Folk, Indie, Country, Alternative, Cloud Rap, Baroque Pop
Release Date: 15-09-2018
Format: CD, Top, Compilation
Quality: 320 Kbps/Joint Stereo/44100Hz
Codec: MP3
Tracks: 100 Tracks
Time: 05:59:43 Min
Size: 832 MB

Soft Cell – Keychains and Snowstorms – The Soft Cell Story (2018)

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51OnJxAAcGL._SS500.jpg320 kbps | 1,5 GB | LINKS

This comprehensive – 9CDs – box set tells the definitive story of one of electronic music’s most thrilling and pioneering acts, Marc Almond and Dave Ball, better known as Soft Cell. With over 50% previously unreleased material, over 130 tracks and 12 hours of music, ‘Keychains & Snowstorms’ is a genuine treasure trove of art-school experimentation, huge pop hits, ground-breaking club tracks and piercing introspection straight out of bedsit land. Each and every track from their main Phonogram era of 1980-1984 is represented on this collection.

Disc 1 features remastered versions of the band’s legendary early-’80s 12″ single A-sides, with ‘Numbers’ and ‘Soul Inside’ being very slightly edited in order to fit onto the disc, Disc 2 contains all the full-length B-sides, also remastered, and Disc 3 includes brand new versions and extended versions of key Soft Cell fan favourites. The extended versions feature only original parts from the multitrack masters, while the new versions have been created especially by Dave Ball, who has finally created the definitive mix of ‘Say Hello Wave Goodbye’ that he always imagined, as well as new takes on some of his favourite album tracks and B sides. These new versions are more than fit to take their place among the existing greats.

Disc 4 includes a mixture of unreleased and less widely available material, as well as demos from the 1980-1984 period, rare international radio-only edits, and the fabled unreleased 12” mix of ‘Forever The Same’, once mooted to be the third single release from ‘The Art Of Falling Apart’. Disc 5 is made up of music from Soft Cell’s earliest years, including one of the first recordings ever made by Dave Ball, plus tracks recorded at the band’s first ever gig in December 1979. This disc also includes a remastered version of the debut ‘Mutant Moments’ EP, plus one of Soft Cell’s earliest recordings, previously unreleased and not even available on any bootleg. As well as other early demos, this CD also documents Daniel Miller’s work with Soft Cell in 1980 and 1981.

Disc 6 features highlights from the BBC’s vaults, including previously unreleased audio of their Whistle Test appearance in 1982. Soft Cell’s first recordings since 1983 are also included, with an unreleased extended version of ‘Divided Soul,’ and the set is completed with Marc and Dave’s favourite tracks from 2002’s comeback album ‘Cruelty Without Beauty’.

Disc 7 features ‘Non-Stop Euphoric Dubbing’, a Dave Ball directed 12-suite continuous mix of Soft Cell classics which forms a moody counterpart to the pioneering dub album 1982’s ‘Non Stop Ecstatic Dancing’. This CD also includes a splatter of remixes, including the first ever remix by Erasure, who have remixed ‘Bedsitter’. In addition, The Grid’s 1991 remix of ‘Where The Heart Is’ has been reworked to replace Marc’s 1991 re-vocalled versions with his original takes.

Recently found in Universal Music’s vaults, Disc 8 contains live recordings made by Flood of the US dates from 1983 where the band previewed songs from the then-upcoming ‘This Last Night In Sodom’ album. Originally slated for a live album release the tapes have been painstakingly mixed and mastered and capture Soft Cell at their live zenith. This show was recorded at The Palace in Los Angeles. The ninth and last audio Disc 9 features the final section of the Los Angeles show, plus other live highlights, including tracks from Soft Cell’s farewell shows at Hammersmith Palais in January 1984. Remaining selections come from the band’s reunion tour dates in 2002-3, where producer Ingo Vauk recorded the whole UK tour.

Rolling Stones – The Black Box (1994)

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33lce4h.jpgFLAC | 1,4 GB | LINKS

CD 1 (70:10)
The first CD of the set takes a look at the early years of the band with a retrospective of alternate
takes and unreleased titles in excellent sound quality.
HEART OF STONE 2:49
The released version of the song in mono.
NOT FADE AWAY 1:49
An alternate take with a different harp track.
AND MR. SPECTOR AND MR. PITNEY CAME TOO 3:18
More or less the instrumental version of Andrews Blues. A.k.a. 1964 Blues Jam on some releases.
ANDREW’S BLUES 3:04
Vocal by…….Gene Pitney. He says thank you at 2:01 when Jagger mentions his name during his vocal piece of the song.
Supposedly, rare acetates of this song were made for members of the band with “Between The Buttons” like cartoons on
the labels drawn by Charlie Watts!
DON’T LIE TO ME 2:05
The early 1964 studio (“Metamorphosis”) version of the Chuck Berry song. Also covered live by the band on the BBC
in 1964, and Ft. Worth, TX 6/24/72.
HI HEELED SNEAKERS 2:59
The following five tracks (excluding Look What You’ve Done) originally surfaced on the early seventies release
“Bright Lights Big City” (RS 541) on Trade Mark of Quality. There is an interesting story of how this first recording
of rare acetates was made in the book “Bootleg: The Secret History Of The Other Recording Industry”,
a.k.a “The Great White Wonders” in the UK by Clinton Heylin on page 87.
These songs were recorded at Chess Studios, Chicago, June, 1964.
STEWED AND KEEFED 4:12
This is the same “cleaned-up” (no acetate pops) version that first appeared on “Mad Shadows” on Scorpio (SC-91022)
and “Bright Lights Big City” Anniversary Edition (TSP-CD-BLBC).
LOOK WHAT YOU’VE DONE 2:20
Jagger introduces the title of the song, but other than that it’s similar to the released album take.
A Muddy Waters song, recorded 6/64 at Chicago Chess Studios.
TELL ME BABY, HOW MANY MORE TIMES 1:57
A “Big” Bill Broonzy number.
DOWN IN THE BOTTOM 2:43
Exhumed for the 1995 European Tour. Written By Willie Dixon and also performed by early Stones inspiration
Howlin’ Wolf.
WE’RE WASTING TIME 2:53
From the non-US versions of “Metamorphosis” with a slightly longer intro and outro. This and the following four tracks
were cut with a studio session band and/or the Oldham Orchestra. Recording session date: July-Sept., 1964.
Sort of a country feel to this, which didn’t surface on record until High and Dry on “Aftermath” in 1966.
HEAR IT 2:53
An instrumental track with Keith possibly on acoustic guitar and an Oldham orchestrated back-up arrangement.
Recording date: July-Sept., 1964.
SLEEPY CITY 3:05
A Jagger vocal demo from “Metamorphosis”. Recording date: July-Sept., 1964.
TRY A LITTLE HARDER 2:27
Another “Metamorphosis” track with count in. Recording date: Jul-Sep.,1964.
SOMETHINGS JUST STICK IN YOUR MIND 2:31
Again from non-US versions of “Metamorphosis”. A vocal demo recorded with session musicians.
AS TIME GOES BY 2:15
Alternate vocal/electric guitar take of As Tears Go By in best quality sound.
BLUE TURNS TO GREY 2:41
An Oldham orchestrated horn induced alternate that would have fit the standard set by the other early tracks found on
“Metamorphosis”, but not part of that compilation. Recording date: Nov., 1963.
SATISFACTION 3:44
An instrumental version of the song that has been in circulation for some time, but this is the best quality.
LOOKING TIRED 2:15
Another of the original “Bright Lights Big City” tracks this time the recording source is
RCA Studios, LA, Sept., 1965. The guitar riff is lifted from Robert Johnson’s 32-20 Blues, which he lifted from a piano
blues by Delta Bluesman Skip James called 20-20 Blues! The earliest Johnson influenced Stones song I have come across.
PAINT IT BLACK 2:22
An instrumental version of the song that has been in circulation for some time, but this is the best quality.
Recorded in March, 1966.
LADY JANE 3:10
The vocal is way in the back on this, but audible.
GET YOURSELF TOGETHER 3:10
The vocal version of this title in best quality. Out of place for a 1966 track. It might have worked on
“Between The Buttons”.
HAVE YOU SEEN YOUR MOTHER BABY STANDING IN THE SHADOWS #1 2:31
Only the backing vocals are present.
HAVE YOU SEEN YOUR MOTHER BABY STANDING IN THE SHADOWS #2 2:32
An alternate take.
LET’S SPEND THE NIGHT TOGETHER 3:56
Noticeable “wow” on the tape source in a couple of places. Only the backing vocals are present.
Recorded in January, 1967.

CD 2 (73:51)
The following eight songs through My Obsession are instrumentals in excellent quality that first surfaced on a
CD titled “Karaoke” (VTCD YD 033) on the same label, and also included lyric sheets written in English and Japanese.
These are interesting tracks despite being instrumentals, because there is a great deal of production to be heard on
these Pop efforts by a Rock ‘n Roll band.
GET YOURSELF TOGETHER 3:38
This song a.k.a. Can’t Believe and I Can See It. Vocal version on CD-1.
LET’S SPEND THE NIGHT TOGETHER 3:49
Instrumental version.
ALL SOLD OUT 2:48
Instrumental version. Keith’s put a couple of pick slides on this that I hadn’t noticed before.
YESTERDAY’S PAPERS 3:10
Instrumental version.
RUBY TUESDAY 3:27
Instrumental with count in.
COMPLICATED 3:25
Instrumental version.
PLEASE GO HOME 3:20
Instrumental version.
MY OBSESSION 4:08
Instrumental version.
COSMIC CHRISTMAS 0:33
There is also a rare unauthorized 7″ of this song on green vinyl that has stereo/mono versions of just this track.
Play it backwards and see what happens!
FAMILY 3:48
A droll song from ” Metamorphosis”.
DOWNTOWN LUCY 3:38
This is an alternate version without the annoying skip that has shown up on a number of recordings.
HAMBURGER TO GO 3:25
Best quality version with just a single subdued “pop” at 2:30. Also mistakenly referred to as “Stuck Out All Alone”,
and labeled as “Give Me a Hamburger” on the original vinyl release titled “Trident Mixes” on
K&S records (MCG/KS-072-A/B/C/D). The actual title of this song first surfaced in “The First Twenty Years”, 1981 by
David Dalton on page 190 (sessionography by Tom Beach & James Karnback). Recorded at Olympic studios, Spring, 1968.
A Beggars Banquet session.
I’M A COUNTRY BOY 4:30
Another of the original “Trident Mixes” instrumental tracks. Recorded at Elektra, Hollywood, Nov.-Dec., 1971,
during the mixing and dubbing of the “Exile” sessions.
MEMO FROM TURNER #1 2:49
Sounds like session man Jimmy Page is putting the violin bow to the Paisley Tele? “Metamorphosis” version of the song.
MEMO FROM TURNER #2 3:59
A great “intermediate” version. Somewhere between the “Metamorphosis” version, and the Ry Cooder “Performance”
movie take. This is probably the Olympic, 1968 take. A groove track!
SISTER MORPHINE 5:26
Album version taken from an acetate mix down. Some surface noise.
STILL A FOOL 9:59
Mistakenly referred to as Two Trains on many occasions. This is the studio version of the Muddy Waters classic.
Distorted vocal maybe through a harp mic. Check out the Muddy Waters original on the MCA/Chess release
“The Best Of Muddy Waters”, order no. CHD-31268. Two of the songs are recorded from vinyl, but these tracks represent
the early roots of The Rolling Stones. Played live for the first time on the ’95 European Tour.
YOU GOT THE SILVER 2:50
The Jagger vocal version for the 176th time.First surfaced on the “Accidents Will Happen” 2LP in the early `80’s.
HIGHWAY CHILD 5:03
A.k.a. The Vulture. Recorded at Keith’s house at Redlands, July, 1968. A jam with Keith experimenting with
chord changes. At one point it starts sounding like the old .38 Special song Hold On Loosely! Best sounding version.

CD 3 (67:01)
SYMPATHY FOR THE DEVIL 5:57
Compressed sound with “who..who’s” way down in the mix. There are also a
few bars edited from Keith’s solo. Recorded at Olympic studios in June, 1968.
COUNTRY HONK 3:04
Missing the fiddle track and the familiar car horn. A transitional song that reveals the influences of the time.
Gram Parson’s turning Keith on to the soul of country music, and open tunings that were prevalent in the
Country (Delta) Blues. Even the Rock version of the song reflects the impact of working with Ry Cooder during the
“Let It Bleed” sessions, and Keith’s enduring preference for Open G tuning that followed. His earlier efforts with
open tunings were in open D & E on songs such as Child Of The Moon, Street Fighting Man (studio), and Prodigal Son.
GIMME SHELTER 4:22
A different mix and vocal. Lot’s of bass in the opening bars of the song. Minus the Merry Clayton vocal.
Recorded at Olympic Studios in May-June, 1969.
LOVIN’ CUP 6:31
This could be the pre-Hyde Park studio version of the song. First surfaced on “Time Trip 1969-1973 Vol. 1″
on Scorpio. Possibly from a May-June session at Olympic in 1969.
JIVING SISTER FANNY 3:14
Muffled sound with a different vocal take. Taylor burns it up.
HONKY TONK WOMAN 3:06
A studio version of the song containing the Paris verse that was only heard on early 70’s live versions of the song.
Also missing horn arrangements. Recorded at Olympic Studios in May-June, 1969.
ALL DOWN THE LINE (acoustic) 4:22
One of the great examples of how the band can evolve songs. Slow acoustic guitar version. First surfaced in the late
70’s, but this has excellent clarity and corrected speed. Recorded at Elektra studios in LA, Oct., 1969.
ALL DOWN THE LINE (electric) 3:47
This is not the 7” single version of the song that usually shows-up on these recordings.
Different mix, and harp solo at 3:05. An Olympic Oct.-Nov., 1970 recording.
I DON’T KNOW THE REASON WHY 5:57
Not hard to guess why this hasn’t been released. A shorter version of the song.
I’M GOING DOWN 3:04
Last of the “Metamorphosis” songs. It’s the familiar guitar restart album version. Hard to say whether this is a
production error or a retake by Keith.
YOU GOTTA MOVE 2:35
An alternate take of the Mississippi Fred McDowell classic. There is a lot of vocal reverb at the beginning, and the
slide guitar goes into a “wah” effect at the end. A Muscle Shoals, Dec., 1969 recording. Part of the work at this
studio is documented in the “Gimme Shelter” movie. Fred’s original version of “You Got To Move” is found on
“Fred McDowell Vol. 2″ on Arhoolie Records. Order no. F 1027.
BROWN SUGAR #1 3:43
The earliest known version. Some of the fundamental tracks are inherited by later takes. Muscle Shoals, Dec., 1969.
BROWN SUGAR #2 4:29
Starts-stops-restarts-stops-restarts. Sloppy production by the manufacturer of atake that is very similar
to the album.
BITCH 2:24
This is the album version of the song that starts off with some subtle cymbal tapping just before the start,
and completely wipes out at 2:18 when the tape fouls-up.
GOOD TIME WOMAN 3:19
The well known first version of Tumbling Dice. An Olympic, Oct., 1970 recording.
SWAY 3:33
The 7” single version. A different mix and take.
SCHOOLBOY BLUES 3:30
The infamous let’s make the last song we owe Decca a real good one! Recorded at Olympic in May, 1970.
The origins and inspiration are explained by Marshall Chess in the opening 10 minutes of the movie with the same title.
Interestingly, the song was rehearsed at the Woodstock rehearsals in preparation of the 1978 US Tour.
Was Jagger reminded of this song by a copy of an unauthorized recording purchased while in New York? He commented on
unauthorized recordings at some length in an interview from the early 70’s.
Found on the LP “Highway Bound” on Tofu records. There’s something on this box set for everyone.
First ever releases of some songs and best quality version of the older ones. Jagger isn’t too keen on the concept of
retrospective box sets these days, so this is probably as good as it gets. Chris M.

CD 4 [bonus] (63:16)
picCONFESSIN’ THE BLUES 2:46
I’VE BEEN LOVING YOU TOO LONG (TO STOP NOW) 2:52
POISON IVY 2:32
FORTUNE TELLER 2:16
TIME IS ON MY SIDE 2:53
CON LE MIE LACRIME 2:44
DA DOO RON RON 2:22
WE LOVE YOU 3:03
DANDELION 2:00
19TH NERVOUS BREAKDOWN 3:54
YESTERDAYS PAPERS #1 2:06
GIMME SHELTER #2 4:20
SISTER MORPHINE #1 5:35
BROWN SUGAR 3:49
WILD HORSES 5:44
SISTER MORPHINE 5:30
8:51

Celine Dion - Encore Un Soir (2016) FLAC (tracks)

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Celine Dion - Encore Un Soir (2016) FLAC (tracks)
Artist: Celine Dion | Album: Encore Un Soir | Released: 2016 | Label: Sony Music | Genre: Pop | Country: Canada | Duration: 00:56:51

Hot Party Back2Skool (2018)

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Hot Party Back2Skool (2018)

Artist: Various Performers
Title: Hot Party Back2Skool
Label: Universal Music Italia, Universal Strategic
Style: Reggae Fusion, Tropical, Electropop, Latin, Indie, Nu Disco, Dancehall
Release Date: 17-09-2018
Format: CD, Compilation
Quality: 320 Kbps/Joint Stereo/44100Hz
Codec: MP3
Tracks: 22 Tracks
Time: 01:14:41 Min
Size: 172 MB

Harold Lopez-Nussa - Un Dia Cualquiera (2018)

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Harold Lopez-Nussa - Un Dia Cualquiera (2018)
Label: Mack Avenue Records
Жанр: Latin Jazz 
Год выпуска: 2018
Формат: FLAC (tracks)
Битрейт аудио: Lossless
Продолжительность: 47:24
Размер: 297 MB 

Harold Lopez-Nussa - Un Dia Cualquiera (2018)

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Harold Lopez-Nussa - Un Dia Cualquiera (2018)
Label: Mack Avenue Records
Жанр: Latin Jazz 
Год выпуска: 2018
Формат: FLAC (tracks)
Битрейт аудио: Lossless
Продолжительность: 47:24
Размер: 297 MB 

Adam Taylor - I Think Were Alone Now (Original Motion Picture Soundtrack) (2018) (24bit Hi-Res) FLAC

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Adam Taylor - I Think Were Alone Now (Original Motion Picture Soundtrack) (2018) (24bit Hi-Res) FLAC
Artist: Adam Taylor | Album: I Think Were Alone Now (Original Motion Picture Soundtrack) | Released: 2018 | Genre: Score, Soundtrack

Above the Snow Line - The End Is... Soon Enough III (2018) (24bit Hi-Res) FLAC

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Above the Snow Line - The End Is... Soon Enough III (2018) (24bit Hi-Res) FLAC
Artist: Above the Snow Line | Album: The End Is... Soon Enough III | Released: 2018 | Genre: Rock

Marta Brankovich - Black Swan of Piano (2018) (24bit Hi-Res) FLAC

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Marta Brankovich - Black Swan of Piano (2018) (24bit Hi-Res) FLAC
Artist: Marta Brankovich | Album: Black Swan of Piano | Released: 2018 | Genre: Classical

Bacao Rhythm and Steel Band - The Serpents Mouth (2018) (24bit Hi-Res) FLAC

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Bacao Rhythm and Steel Band - The Serpents Mouth (2018) (24bit Hi-Res) FLAC
Artist: Bacao Rhythm and Steel Band | Album: The Serpents Mouth | Released: 2018 | Genre: Soul, RnB

Nick Mulvey - Live From BBC Radio 1 (2018) (24bit Hi-Res) FLAC

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Nick Mulvey - Live From BBC Radio 1 (2018) (24bit Hi-Res) FLAC
Artist: Nick Mulvey | Album: Live From BBC Radio 1 | Released: 2018 | Genre: Pop, Alternative

Jeri-Mae G. Astolfi - Journeys (2018) (24bit Hi-Res) FLAC

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Jeri-Mae G. Astolfi - Journeys (2018) (24bit Hi-Res) FLAC
Artist: Jeri-Mae G. Astolfi | Album: Journeys | Released: 2018 | Genre: Classical

Sara Hahn - I Close My Eyes in Order to See (2018) (24bit Hi-Res) FLAC

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Sara Hahn - I Close My Eyes in Order to See (2018) (24bit Hi-Res) FLAC
Artist: Sara Hahn | Album: I Close My Eyes in Order to See | Released: 2018 | Genre: Classical

Arnau Griso - Revolucion Bananera (2018) (24bit Hi-Res) FLAC

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Arnau Griso - Revolucion Bananera (2018) (24bit Hi-Res) FLAC
Artist: Arnau Griso | Album: Revolucion Bananera | Released: 2018 | Genre: Pop

SWR Vokalensemble Stuttgart - France (2018) (24bit Hi-Res) FLAC

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SWR Vokalensemble Stuttgart - France (2018) (24bit Hi-Res) FLAC
Artist: SWR Vokalensemble Stuttgart | Album: France | Released: 2018 | Genre: Classical

Vestard Shimkus - Chopin: 4 Ballades, 3 Nocturnes Op. 9 and Scherzo No. 2, Op. 31 (2018) (24bit Hi-Res) FLAC

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Vestard Shimkus - Chopin: 4 Ballades, 3 Nocturnes Op. 9 and Scherzo No. 2, Op. 31 (2018) (24bit Hi-Res) FLAC
Artist: Vestard Shimkus | Album: Chopin: 4 Ballades, 3 Nocturnes Op. 9 and Scherzo No. 2, Op. 31 | Released: 2018 | Genre: Classical

Wiener Sangerknaben - Strauss For Ever (2018) (24bit Hi-Res) FLAC

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Wiener Sangerknaben - Strauss For Ever (2018) (24bit Hi-Res) FLAC
Artist: Wiener Sangerknaben | Album: Strauss For Ever | Released: 2018 | Genre: Classical

Chor des Bayerischen Rundfunks - Gounod: Le Tribut de Zamora (2018) (24bit Hi-Res) FLAC

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Chor des Bayerischen Rundfunks - Gounod: Le Tribut de Zamora (2018) (24bit Hi-Res) FLAC
Artist: Chor des Bayerischen Rundfunks | Album: Gounod: Le Tribut de Zamora | Released: 2018 | Genre: Classical
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