Artist: Myrza Maldonado | Album: Muy Mexicana | Released: 2018 | Genre: World, Pop
Artist: Myrza Maldonado | Album: Muy Mexicana | Released: 2018 | Genre: World, Pop
Artist: Myrza Maldonado | Album: Muy Mexicana | Released: 2018 | Genre: World, Pop
Myrza Maldonado - Muy Mexicana (2018) (24bit Hi-Res) FLAC
Artist: Myrza Maldonado | Album: Muy Mexicana | Released: 2018 | Genre: World, Pop
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John Trudell - AKA Grafitti Man (Remastered) (2017) (24bit Hi-Res) FLAC
Artist: John Trudell | Album: AKA Grafitti Man (Remastered) | Released: 2017 | Genre: Rock
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Roscoe & Etta – Roscoe & Etta (2018)
320 kbps | 86 MB | LINKS
With ornery tuning keys and rattling fret boards, Roscoe and Etta are a pair of aged arch top guitars possessing wills of their own. Maia Sharp and Anna Schulze are two singer-songwriter-producers who play these instruments and claim title to their names as Roscoe & Etta, on their eponymous debut.
Anna and Maia, who met in Los Angeles at the fabled Hotel Café, knew that they were on to something from their first songwriting session, but they had to keep writing to figure out what. Both artists maintain vibrant careers as artists and songwriters. Anna, originally from Minnesota, has released five well-regarded solo projects, placed songs in the Oscar-winning documentary Icarus and the MTV series Awkward, and been featured in the digital magazine This is Melo. She learned her studio craft under the auspices of producers Glen Ballard and Justin Meldal-Johnsen.
Maia Sharp, acknowledged as “a songwriter’s songwriter”(The Chicago Tribune) has writing credits for a roster of platinum artists that includes The Dixie Chicks, Bonnie Raitt, Cher, Lisa Loeb and Trisha Yearwood, and has produced projects with Edwin McCain and Art Garfunkel, with whom she collaborated as a featured artist. In addition, she tours extensively behind her seven solo releases, and performs on bills with artists like Bonnie Raitt, Patty Griffin and Keb Mo.
Exploring their songwriting chemistry, their disparate influences, and acknowledging their double-digit age difference: the concept of recording a full collection of songs as an artist duo dubbed Roscoe & Etta came into focus.
The harmonies of Roscoe & Etta pair Anna’s bright tonalities against Maia’s darker alto. “When both of us are singing, it feels like each voice is the melody,” says Anna. Adds Maia, “If you find the right person to sing with, you’re working half as hard and getting twice the power. It’s a resonance that lifts you both up.”
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VA - Time Of Rest Vol. 8 (2018)
Artist: Various Artists
Title Of Album: Time Of Rest Vol. 8
Year Of Release: 2018
Label (Catalog#): Chills Music [CM 028]
Genre: Downtempo, Deep House, Chillout
Quality: FLAC (tracks)
Bitrate: Lossless
Time: 52:23
Full Size: 356 mb
Upload: Turbobit
Title Of Album: Time Of Rest Vol. 8
Year Of Release: 2018
Label (Catalog#): Chills Music [CM 028]
Genre: Downtempo, Deep House, Chillout
Quality: FLAC (tracks)
Bitrate: Lossless
Time: 52:23
Full Size: 356 mb
Upload: Turbobit
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Elza Soares – Sambas E Mais Sambas (2018)
- Artist: Elza Soares
- Album: Sambas E Mais Sambas
- Genre: World Music
- Released: 2018
- Format: MP3 / FLAC
- Quality: 320Kbps / Lossless
- Size: 99 MB / 331 MB
Tracklist:
01 – Mas Que Nada
02 – Recado
03 – Da-Me Tuas Mãos
04 – Vejam Só
05 – Pressentimento
06 – Máscara Da Face
07 – Tributo A Martin Luther King
08 – Comunicação
09 – Maior E Deus
10 – Tributo A Dom Fuas
11 – Seu José
12 – Meu Consolo É Você
13 – Capoeira
14 – Mestre Sala
15 – Sei Lá Mangueira
16 – Folhas No Ar
01 – Mas Que Nada
02 – Recado
03 – Da-Me Tuas Mãos
04 – Vejam Só
05 – Pressentimento
06 – Máscara Da Face
07 – Tributo A Martin Luther King
08 – Comunicação
09 – Maior E Deus
10 – Tributo A Dom Fuas
11 – Seu José
12 – Meu Consolo É Você
13 – Capoeira
14 – Mestre Sala
15 – Sei Lá Mangueira
16 – Folhas No Ar
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Deadmau5 - Where's The Drop? (2018)
Artist: Deadmau5
Title Of Album: Where's The Drop?
Year Of Release: 2018
Label: Mau5trap Recordings
Country: Canada
Genre: Modern Classical, Ambient
Quality: FLAC (tracks)
Bitrate: Lossless
Time: 67:32
Full Size: 339 mb
Upload: Turbobit
Title Of Album: Where's The Drop?
Year Of Release: 2018
Label: Mau5trap Recordings
Country: Canada
Genre: Modern Classical, Ambient
Quality: FLAC (tracks)
Bitrate: Lossless
Time: 67:32
Full Size: 339 mb
Upload: Turbobit
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Liane Foly - The man I love cd complementaire par Kiki
Après l'échec cuisant du 45t, il faut attendre 2 ans (1987) avant qu'elle ne signe chez Virgin.
1988 : 1er single "ça va , ça vient" suivi de l'album (10 titres sur le LP, 12 sur la K7 et le CD - Les 2 autres titres ayant été exploités sur le maxi 45T du 1er single).
Les 2 singles suivant seront des remixes... "Love me love moi", puis "Chéri" en 1989 pour clôturer l'album...
Le cd1 n'est pas inclus, il est disponible sur les plateformes a sousou ( le truc où le fichier ne t'appartient pas !) ou mieux ( pour la qualité du son parce que les rips a 102 db y'en a ras le bol !) en occase ( ou là le cd t'appartient ).
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Sean Oliver – Songs Left To Sing (2018)
320 kbps | 102 MB | LINKS
Sean Oliver – Vocals, acoustic guitar
Stephen K. Donnelly – Upright bass, electric & baritone guitar, mandolin, percussion, backing vox
Anastasios Basiliadis – Drums
Karolyne Lafortune – Fiddle, duet & backing vox
Jim McDowell – Keys
Stuart Rutherford – Pedal steel
Robert Alexander – Accordion
Evan Dalling – Trumpet
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Carly Simon – Carly Simon (1971,Remastered 2015)
FLAC | 789 MB | LINKS
“That’s the Way I’ve Always Heard It Should Be,” the leadoff track of Carly Simon’s first album and a Top Ten hit, in which the singer expresses reservations about getting married, benefited from a sense of role reversal — it’s such a guy sentiment, but sung by a woman in 1971, it came across as a feminist statement, consistent with the overall disillusionment so prevalent then. Nothing on the rest of the album was quite as pointed, though the other songs maintained the same ambivalence toward romance. The one other standout track, “Dan, My Fling,” in which the singer tries to rekindle a relationship with a man she has discarded, was, like the single, co-written by Jacob Brackman (in this case, with Fred Gardner, not Simon), suggesting that the real creative talent here was him and not her (especially since the writing credits also featured another four names). And since Simon, with her plaintive, proper, and relatively inexpressive voice, was such an unremarkable performer, her debut seemed less auspicious than the attention it attracted might have implied.
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Fun Club 2018 Vol. 2 (Warner Music France) (2018)
Artist: Various Performers
Title: Fun Club 2018 Vol. 2
Label: Warner Music France, Warner Music Group Company
Style: French Rap, Trap, Future Bass, Reggae Fusion, Afrobeat, Dancehall, Tropical, Indie Dance
Release Date: 20-09-2018
Format: CD, Compilation
Quality: 320 Kbps/Joint Stereo/44100Hz
Codec: MP3
Tracks: 60 Tracks
Time: 03:12:08 Min
Size: 441 MB
Title: Fun Club 2018 Vol. 2
Label: Warner Music France, Warner Music Group Company
Style: French Rap, Trap, Future Bass, Reggae Fusion, Afrobeat, Dancehall, Tropical, Indie Dance
Release Date: 20-09-2018
Format: CD, Compilation
Quality: 320 Kbps/Joint Stereo/44100Hz
Codec: MP3
Tracks: 60 Tracks
Time: 03:12:08 Min
Size: 441 MB
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VA - 7 Year Itch! History Of Hope Compilation (2014)
Artist: Various Artists
Title Of Album: 7 Year Itch! History Of Hope Compilation
Year Of Release: 2014
Label (Catalog#): Hope Recordings [HOPECD057]
Genre: Breakbeat, Progressive House/Trance, Breaks
Quality: FLAC (tracks)
Bitrate: Lossless
Time: 2:38:53
Full Size: 1.08 gb
Upload: Turbobit
Title Of Album: 7 Year Itch! History Of Hope Compilation
Year Of Release: 2014
Label (Catalog#): Hope Recordings [HOPECD057]
Genre: Breakbeat, Progressive House/Trance, Breaks
Quality: FLAC (tracks)
Bitrate: Lossless
Time: 2:38:53
Full Size: 1.08 gb
Upload: Turbobit
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The Real... Cuba (The Ultimate Collection) (2017)
Label: Sony Music / Legacy
Жанр: Afro-Cuban, Cubano, Mambo, Salsa
Год выпуска: 2017
Формат: FLAC (tracks)
Битрейт аудио: Lossless
Продолжительность: 3:15:35
Размер: 1.11 GB
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VA - Disco Not Disco: Post Punk, Electro & Leftfield Disco Classics 1974-1986 (2008)
Artist: Various Artists
Title Of Album: Disco Not Disco: Post Punk, Electro & Leftfield Disco Classics 1974-1986
Year Of Release: 2008
Label (Catalog#): Strut Records [STRUT032CD]
Genre: Leftfield, Disco, New Wave, Electro, Post Punk
Quality: FLAC (tracks,cue,log,scans)
Bitrate: Lossless
Time: 1:14:49
Full Size: 618 mb
Upload: Turbobit
Title Of Album: Disco Not Disco: Post Punk, Electro & Leftfield Disco Classics 1974-1986
Year Of Release: 2008
Label (Catalog#): Strut Records [STRUT032CD]
Genre: Leftfield, Disco, New Wave, Electro, Post Punk
Quality: FLAC (tracks,cue,log,scans)
Bitrate: Lossless
Time: 1:14:49
Full Size: 618 mb
Upload: Turbobit
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NICOLAS MASSON / COLIN VALLON / PATRICE MORET / LIONEL FRIEDLI: ECM-ταξιδευτές
Είναι ένα «κεφάλαιο», μικρό ακόμη αλλά υπαρκτό, ο ελβετός πνευστός (τενόρο, σοπράνο, κλαρινέτο) Nicolas Masson για την ECM. Το λέμε έχοντας κατά νου τα δύο άλμπουμ του με το συγκρότημα Third Reel από το 2013 και 2015 – εκεί όπου ο Masson, σε σχήμα τρίο με τον κιθαρίστα Roberto Pianca και τον ντράμερ Emanuele Maniscalco, ανέπτυξε τους δικούς του αισθητικούς προβληματισμούς, κινούμενος πάντα εντός του πλαισίου τής σύγχρονης jazz. Αυτούς τους προβληματισμούς επεκτείνει και στο παρόν “Travelers” [ECM/ AN Music, 2018] ο Masson, άλμπουμ στο οποίο συνεργάζεται με τους Colin Vallonπιάνο, Patrice Moret κοντραμπάσο και Lionel Friedli ντραμς (ένα κουαρτέτο, να το πούμε κι αυτό, καθ’ ολοκληρίαν ελβετικό).
![ajazz%2Bmasson.jpg]()
Το βασικό χαρακτηριστικό των συνθέσεων του Masson –ό,τι ακούγεται στο “Travelers” είναι δικό του– είναι η μελωδικότητα. Ο Ελβετός έχει φλέβα οπωσδήποτε, παρασύροντας προς αυτή την κατεύθυνση και τα υπόλοιπα μέλη του γκρουπ, ακόμη και το ρυθμικό τμήμα θα έλεγα (και όχι μόνο τον πιανίστα), χτίζοντας σιγά-σιγά έναν «κόσμο» ήπιων τόνων, στον οποίον η «ομορφιά» έχει πρωτεύοντα ρόλο. Πάντα; Σχεδόν πάντα, καθώς μέσα σ’ αυτό το πολύ «προσεκτικό» περιβάλλον ο Masson, από καιρού εις καιρόν, αλλάζει τροπάρι, ρίχνοντας σφήνες αυτοσχεδιαστικές, που πάνε τα κομμάτια του (προσωρινά έστω) κάπου αλλού. Να, όπως συμβαίνει στο “The deep” για παράδειγμα, που δομείται πάνω στις φαντασίες του ντράμερ Friedli ή στο “Wood” με το minimal piano-playing του Vallon.
Πολλά ανεπαίσθητα πράγματα συμβαίνουν στο “Travelers”, που για να τα ανακαλύψεις και να τα παρακολουθήσεις, επειδή είναι καθοριστικά για την εξέλιξή του, θα πρέπει να τεντώσεις και την προσοχή και το αυτί σου. Κάτι, τέλος πάντων, όχι πρωτόγνωρο για άλμπουμ της ECM.
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Grave Digger - The Living Dead (2018)
???????????: Grave Digger
??????: Germany
??????: The Living Dead
????: Heavy Metal | Power Metal | Speed Metal
????????: Napalm Records GmbH. [NPR 804 DP]
???: 2018
??????: FLAC (*image + .cue,log, covers)
??????: 378Mb
??????: Depositfiles | Turbobit (3% ?? ??????????????)
??????: Germany
??????: The Living Dead
????: Heavy Metal | Power Metal | Speed Metal
????????: Napalm Records GmbH. [NPR 804 DP]
???: 2018
??????: FLAC (*image + .cue,log, covers)
??????: 378Mb
??????: Depositfiles | Turbobit (3% ?? ??????????????)
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Acoustic Mood Orchestra - Interlude (2002)
Artist: Acoustic Mood Orchestra
Title Of Album: Interlude
Year Of Release: 2002
Label (Catalog#): JJ Music [JJ00102xrcd]
Genre: Audiophile Vocal, Jazz, Folk, Ballad
Quality: WAV (image+.cue,log)
Bitrate: Lossless
Time: 54:13
Full Size: 563 mb
Upload: Turbobit
Title Of Album: Interlude
Year Of Release: 2002
Label (Catalog#): JJ Music [JJ00102xrcd]
Genre: Audiophile Vocal, Jazz, Folk, Ballad
Quality: WAV (image+.cue,log)
Bitrate: Lossless
Time: 54:13
Full Size: 563 mb
Upload: Turbobit
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Amanda Somerville's Trillium - Tectonic [Japanese Edition] (2018)
![Amanda Somerville's Trillium - Tectonic [Japanese Edition] (2018)](http://lossless-galaxy.ru/uploads/posts/2018-09/thumbs/1537440184_00.jpg "Amanda Somerville's Trillium - Tectonic [Japanese Edition] (2018)")
???????????: Amanda Somerville's Trillium
??????: Netherlands
??????: Tectonic [Japanese Edition]
????: Melodic Power Metal | Symphonic Metal
????????: King Record Co. [KICP 1917]
???: 2018
??????: FLAC (*image + .cue,log, covers)
??????: 409Mb
??????: Depositfiles | Turbobit (3% ?? ??????????????)
??????: Netherlands
??????: Tectonic [Japanese Edition]
????: Melodic Power Metal | Symphonic Metal
????????: King Record Co. [KICP 1917]
???: 2018
??????: FLAC (*image + .cue,log, covers)
??????: 409Mb
??????: Depositfiles | Turbobit (3% ?? ??????????????)
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Alfa Eridano Akhernar - The Magnificent Rebirth of a Mighty Old Empire (2004)
???????????: Alfa Eridano Akhernar
??????: The Magnificent Rebirth of a Mighty Old Empire
??? ??????: 2004
????: Death / Black Metal
??????: Mexico (Xalapa, Veracruz)
????????: Lossless: FLAC (track's) cue+covers+log
??????: 307.19 Mb
?????? ??: Turbobit | Hitfile | Rapidgator
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Dream Child - Until Death Do We Meet Again [Japanese Edition] (2018)
![Dream Child - Until Death Do We Meet Again [Japanese Edition] (2018)](http://lossless-galaxy.ru/uploads/posts/2018-09/thumbs/1537441718_00.jpg "Dream Child - Until Death Do We Meet Again [Japanese Edition] (2018)")
???????????: Dream Child
??????: International
??????: Until Death Do We Meet Again [Japanese Edition]
????: Heavy Metal | Hard Rock
????????: King Record Co. [KICP 1940]
???: 2018
??????: FLAC (*image + .cue,log, covers)
??????: 609Mb
??????: Depositfiles | Turbobit (3% ?? ??????????????)
??????: International
??????: Until Death Do We Meet Again [Japanese Edition]
????: Heavy Metal | Hard Rock
????????: King Record Co. [KICP 1940]
???: 2018
??????: FLAC (*image + .cue,log, covers)
??????: 609Mb
??????: Depositfiles | Turbobit (3% ?? ??????????????)
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Suede – The Blue Hour (2018)
320 kbps | 117 MB | LINKS
New album from the veteran British indie outfit. After the critical and commercial success of the Top 10 album – Night Thoughts (2016), Suede release their stunning album The Blue Hour. The Blue Hour is the final part of the triptych of albums recorded by the band since they reformed and released 2013’s Bloodsports. Produced and mixed by Alan Moulder at Assault & Battery Studios, the album sees Suede continue to explore new ground sonically. It features a choir and spoken word, as well as string arrangements from Craig Armstrong and the band’s own Neil Codling. The Blue Hour was produced by Alan Moulder and Suede; it shares the same line-up as 1996’s Coming Up – vocals by Brett Anderson, guitars by Richard Oakes, bass by Mat Osman, drums by Simon Gilbert, synthesizers and piano by Neil Codling.
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More Pages to Explore .....
