![Alexskyspirit – Vosado (2018) [EP] FLAC](http://flac24.com/uploads/posts/2018-10/1538626892_alexskyspirit-vosado-2018-ep-flac.jpg "Alexskyspirit – Vosado (2018) [EP] FLAC")
Artist: Alexskyspirit | Album: Vosado | Released: 2018 | Genre: Techno
Artist: Alexskyspirit | Album: Vosado | Released: 2018 | Genre: Techno
Artist: Alexskyspirit | Album: Vosado | Released: 2018 | Genre: Techno
Alexskyspirit – Vosado (2018) [EP] FLAC
Artist: Alexskyspirit | Album: Vosado | Released: 2018 | Genre: Techno
↧
↧
Aday Hernandez and Lucas Monchi – H2L (2018) [EP] FLAC
![Aday Hernandez and Lucas Monchi – H2L (2018) [EP] FLAC](http://flac24.com/uploads/posts/2018-10/1538627100_aday-hernandez-and-lucas-monchi-h2l-2018-ep-flac.jpg "Aday Hernandez and Lucas Monchi – H2L (2018) [EP] FLAC")
Artist: Aday Hernandez and Lucas Monchi | Album: H2L | Released: 2018 | Genre: House
↧
Hinayana - Order Divine (2018)
???????????: Hinayana
??????: USA
??????: Order Divine
????: Melodic Death Metal | Doom Metal
????????: Independent Label
???: 2018
??????: FLAC (*image + .cue,log, covers)
??????: 263Mb
??????: Depositfiles | Turbobit (3% ?? ??????????????)
??????: USA
??????: Order Divine
????: Melodic Death Metal | Doom Metal
????????: Independent Label
???: 2018
??????: FLAC (*image + .cue,log, covers)
??????: 263Mb
??????: Depositfiles | Turbobit (3% ?? ??????????????)
↧
Alisha – Booty Call (2018) [EP] FLAC
![Alisha – Booty Call (2018) [EP] FLAC](http://flac24.com/uploads/posts/2018-10/1538627359_alisha-booty-call-2018-ep-flac.jpg "Alisha – Booty Call (2018) [EP] FLAC")
Artist: Alisha | Album: Booty Call | Released: 2018 | Genre: Pop
↧
Varo – Here Is the Calm, Here Is the Storm (2018) FLAC
Artist: Varo | Album: Here Is the Calm, Here Is the Storm | Released: 2018 | Genre: Pop
↧
↧
Marlango – Technicolor (2018) FLAC
Artist: Marlango | Album: Technicolor | Released: 2018 | Genre: Pop
↧
Cat Power – Wanderer [Deluxe Edition] (2018)
320 kbps | 103 MB | LINKS
Cat Power is back with her first new album in six years. It’s called Wanderer, and it’s out October 5 via Domino. The follow-up to Sun was produced by Chan Marshall herself and includes a song called “Woman” featuring Lana Del Rey. The album was recorded over the last few years. Marshall says: “The course my life has taken in this journey—going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. Folk singers, blues singers, and everything in between. They were all wanderers, and I am lucky to be among them.”
↧
Alfred Hause and His Tango Orchestra - Blue Tango (1969) [Vinyl]
![Alfred Hause and His Tango Orchestra - Blue Tango (1969) [Vinyl]](http://lossless-galaxy.ru/uploads/posts/2018-10/thumbs/1538635036_caver.jpg "Alfred Hause and His Tango Orchestra - Blue Tango (1969) [Vinyl]")
Artist: Alfred Hause and His Tango Orchestra
Title Of Album: Blue Tango
Year Of Release: 1969
Label (Catalog#): Tip [634.030]
Country: Germany
Genre: Tango, Easy Listening
Quality: FLAC (tracks)
Bitrate: Lossless [24bit-96kHz]
Time: 41:28
Full Size: 863 mb
Upload: Turbobit
Title Of Album: Blue Tango
Year Of Release: 1969
Label (Catalog#): Tip [634.030]
Country: Germany
Genre: Tango, Easy Listening
Quality: FLAC (tracks)
Bitrate: Lossless [24bit-96kHz]
Time: 41:28
Full Size: 863 mb
Upload: Turbobit
↧
Tokyo Police Club – TPC (2018)
160 kbps | 108 MB | LINKS
Tokyo Police Club are back and keeping it simple with their fifth studio album TPC through Dine Alone Records out on October 5th. They’ve captured the sound that saved them within the walls of a church and by the hands of producer Rob Schnapf. These are hymns for the young at heart.TPC has a fast tempo swagger, anxious but proud. This an album you can bounce to while you find your way through too many beers and one night stands. These fast times may be fleeting, but they’re worth it.
↧
↧
VA - Hitbox Best Of 2009 [2CD Set] (2009)
![VA - Hitbox Best Of 2009 [2CD Set] (2009)](http://lossless-galaxy.ru/uploads/posts/2018-10/thumbs/1538637311_caver.jpg "VA - Hitbox Best Of 2009 [2CD Set] (2009)")
Artist: Various Artists
Title Of Album: Hitbox Best Of 2009
Year Of Release: 2009
Label (Catalog#): Universal Music [5323895]
Genre: Pop, R&B, Synth-pop, Europop, Dance
Quality: FLAC (tracks)
Bitrate: Lossless
Time: 2:21:29
Full Size: 1.01 gb
Upload: Turbobit
Title Of Album: Hitbox Best Of 2009
Year Of Release: 2009
Label (Catalog#): Universal Music [5323895]
Genre: Pop, R&B, Synth-pop, Europop, Dance
Quality: FLAC (tracks)
Bitrate: Lossless
Time: 2:21:29
Full Size: 1.01 gb
Upload: Turbobit
↧
VA - Hitbox - 02 2009 (2009)
Artist: Various Artists
Title Of Album: Hitbox - 02 2009
Year Of Release: 2009
Label (Catalog#): Sony Music [88697537982]
Genre: Pop, R&B, Indie Dance, Euro House
Quality: FLAC (tracks)
Bitrate: Lossless
Time: 69:31
Full Size: 510 mb
Upload: Turbobit
Title Of Album: Hitbox - 02 2009
Year Of Release: 2009
Label (Catalog#): Sony Music [88697537982]
Genre: Pop, R&B, Indie Dance, Euro House
Quality: FLAC (tracks)
Bitrate: Lossless
Time: 69:31
Full Size: 510 mb
Upload: Turbobit
↧
Neil Young – Carnegie Hall (1970)
FLAC | 348 MB | LINKS
Recorded Live at Carnegie Hall, New York City, NY, USA – December 05, 1970.
Tracks:
01. Down By The River
02. Cinnamon Girl
03. I Am A Child
04. Expecting To Fly
05. The Loner
06. Wondering
07. Helpless
08. Southern Man
09. Nowadays Clancy Can’t Even Sing
10. On The Way Home
11. Tell Me Why
12. Only Love Can Break Your Heart
13. Old Man
14. After The Goldrush
15. Flying On The Ground Is Wrong
16. Don’t Let It Bring You Down
17. Cowgirl In The Sand
18. Birds
19. Bad Fog Of Loneliness
20. Ohio
21. See The Sky About To Rain
22. Sugar Mountain
↧
La Familia Valera Miranda - Cuba (2017)
Label: Ocora Radio France
Жанр: Latin Jazz, World
Год выпуска: 2017
Формат: FLAC (tracks)
Битрейт аудио: Lossless
Продолжительность: 1:01:19
Размер: 483 MB
↧
↧
Tommy Shaw - What If (1985)
???????????: Tommy Shaw (ex. Styx)
??????: What If
????: Melodic / Soft Rock / AOR
??? ??????: 1985
??????: APE (image+.cue, scans)
????????: Lossless
??????: 295 Mb
??: depositfiles/uploadboy/katfile/gigapeta
↧
Weak Aside - Forward Into Darkness (2018)
???????????: Weak Aside
??????: Germany
??????: Forward Into Darkness
????: Death Metal
????????: FDA Records [FDA133CD]
???: 2018
??????: FLAC (*image + .cue,log, covers)
??????: 331Mb
??????: Depositfiles | Turbobit (3% ?? ??????????????)
??????: Germany
??????: Forward Into Darkness
????: Death Metal
????????: FDA Records [FDA133CD]
???: 2018
??????: FLAC (*image + .cue,log, covers)
??????: 331Mb
??????: Depositfiles | Turbobit (3% ?? ??????????????)
↧
ΒΑΣΙΛΗΣ ΝΤΑΛΛΑΣ πέντε κουβέντες του αείμνηστου μπασίστα των Μπουρμπουλιών, από το 1971, στον Τάσο Φαληρέα
Πριν λίγες μέρες (22/9) στα σχόλια μιας ανάρτησης για τον Πάνο Σαββόπουλο κάποιος αναγνώστης… παρεξηγήθηκε, επειδή ο Π.Σ. έμοιαζε να έκανε αρνητική κριτική στο «Περιβόλι του Τρελλού», του συνεπώνυμού του Διονύση. Απάντησα: «Η συνέντευξη δόθηκε το 1970, όχι σήμερα, όταν το “Ντιρλαντά” ακουγόταν σε όλη την Ελλάδα (και σε όλη την Ευρώπη), από ένα σχήμα… κακοχωνεμένου ροκ (υπό τον Γιώργο Κοντογιώργο)». Πριν κάτι ώρες ένας άλλος αναγνώστης σχολίασε στην ίδιαν ανάρτηση… «ε οχι και κακοχωνεμενου», για να απαντήσω εγώ… «το έχουν πει κι άλλοι (αρμοδιότεροι εμού) πριν από ’μένα – ανέμενε...». Τι ακριβώς αξίζει να αναμένει ο αναγνώστης και όλοι όσοι μας διαβάζουν;
![a602_20181004_0001.jpg]()
Όταν για πρώτη φορά είδα τον Βασίλη το 1966 ήταν με κοντά μαλλιά, τώρα όλα είναι διαφορετικά. Τα μαλλιά του είναι μακριά – όμως, περίεργο, η σκέψη του είναι καθαρή, παρ’ όλα τα μαλλιά του και το στυλ των ρούχων σαν μουσικός συνεχώς προοδεύει, τα ενδιαφέροντά του ευρύνονται, οι γνώμες του γίνονται περιληπτικές και μεστές ουσίας, το μυαλό του φωτίζει η ανάγκη μιας πολιτιστικής και σύγχρονα μουσικολογικής εξέλιξης.
Αναδημοσιεύω, λοιπόν, μια συνέντευξη του αείμνηστου μπασίστα Βασίλη Ντάλλα, που δόθηκε στον Τάσο Φαληρέα (μάλλον) και που δημοσιεύτηκε στο περιοδικό Κούρος, στο δεύτερο τεύχος του, τον Μάη του 1971. Είναι σύντομη, αλλά έχει ενδιαφέρον. Ξεκινάει ο Φαληρέας…
Ξεκινώντας με τον Σαββόπουλο περίμενες η μουσική σου έκφραση να έπαιρνε τις τωρινές της διαστάσεις και την σημερινή της απήχηση;
Το ’νοιωθα κάπου από την αρχή.
Πώς έτσι;
Τον ήξερα από το «Φορτηγό», που τότε δεν καταλάβαινα και πολύ τι έλεγε, αλλά ψυλλιαζόμουνα ότι κάτι πολύ δυνατό υπήρχε εκεί. Ύστερα ο Διονύσης ερχόταν από έξω (σ.σ. αναφέρεται στο διάστημα πριν τον «Περιβόλι…», όταν ο Σαββόπουλος βρισκόταν σε Παρίσι, Μιλάνο…) και όσο να ’ναι είχε τις πληροφορίες του για τα μουσικά κόλπα από πρώτο χέρι.
Πίστευες στον Σαββόπουλο, παρόλο που ο Σαββόπουλος έπαιζε τότε (σ.σ. την εποχή του «Φορτηγού») άλλη μουσική;
Σιγά-σιγά διαπίστωσα ότι είχε την δυνατότητα και την έμπνευση να οργανώσει πρώτος αυτός τον Ελληνικό Ροκ Ήχο.
Εσύ τι μουσική άκουγες τότε;
Hendrix, Cream, Who, Rolling Stones, κυρίωςStones.
Τότε μαζύ στου Λεωνίδα (σ.σ. κλαμπ στην Πλάκα)…
Ναι, το ’66 που έπαιζα μ’ ένα πρωτόπειρο τότε συγκρότημα, τους X-Ray Pictures, που τώρα διαλύθηκαν. Τότε γούσταρα και τους M.G.C. για τον ξερό τους ήχο και το τολμηρό τους ρεπερτόριο, μ’ άρεσε πολύ ο Πουλικάκος. Ήξερα και τους Loubogg, που τους λένε τώρα Πελόμα Μποκιού, και μ’ άρεσε πολύ ο Δαπέρης (σ.σ. κιθαρίστας των Loubogg και αργότερα των Πελόμα Μποκιού).
Τι λες για το «Περιβόλι του Τρελλού»;
Θα μπορούσε να ήταν πολύ καλύτερο. Το υλικό του Σαββόπουλου ήταν φανταστικό, αλλά οι εκτελεστές μάλλον δεν έχουν ιδέα από ροκ και ούτε θέλουν να καταλάβουν. Όσο για τους ηχολήπτες – ωραία πλάκα. (σ.σ. Ο Ντάλλας αναφέρεται, μάλλον, στους sessionμουσικούς που διάλεξε ο Γιώργος Κοντογιώργος για να συμμετάσχουν στην ηχογράφηση και που έπαιζαν βιολί, πνευστά κ.λπ. και όχι στο ροκ γκρουπ, που έπαιζε τότε με τον Σαββόπουλο και που το αποτελούσαν οι Ανδρούτσος, Τασούλης, Τσιλογιάννης και ο εαυτός του).
Πώς θα μπορούσες να χαρακτηρίσεις τον «Μπάλλο»;
Θα σου απαντήσω μπερδεμένα. Ροκ γνήσιο, καθαρό, από τα βαλκανικά βουνά, παρ’ όλο που μοιάζει λίγο και με Ουγγαρία και με Ten Wheel Drive.
Και από μπασίστες;
Σταθερά ο Jack Bruce, ακόμη και στους Lifetime (σ.σ. του Tony Williams) και αυτός των Jefferson Airplane(σ.σ. ο Jack Cassady).
Και μια «χοντρή» ερώτησις. Γιατί αφήνεις τα μαλλιά σου μακρυά;
Και μια «χοντρή» απάντησις. Για να ρωτάς.
«Το Περιβόλι του Τρελλού» μπορεί να είναι ο δεύτερος δίσκος του Διονύση Σαββόπουλου, μπορεί να έχει όλα αυτά τα ιστορικά τραγούδια που έχει, αλλά για την υπόθεση του ελληνικού ροκ (αλλά και γενικότερα, κατ’ εμέ) έρχεται πίσω από τον «Μπάλλο» και από το «Βρώμικο Ψωμί». Αυτή είναι η αλήθεια. Μιαν αλήθεια που την είχε εντοπίσει (και) ο Βασίλης Ντάλλας από ’κείνα τα χρόνια.
↧
Chicago: 1970 Chicago II - 5-Disc Box Set Rhino Records 2018
Chicago: 1970 Chicago II
5-Disc Box Set Rhino Records 2018
5-Disc Box Set Rhino Records 2018
Performer:
Chicago
Box Set / Albums:
1970 Chicago II
(2CD + 2LP + DVD Box Set Rhino Records 2018)
Info:
Rhino Records / Warner Music
CD / DVD / LP / Collector's Edition
Steven Wilson Remix
Catalog Box: 603497858187
Catalog Discs: 08122-7941499 / 603497858163 ? 603497858170
Made in EU
Dynamic Range: 11 / 9
Genre / Style: Rock / Jazz-Rock / Classic Rock
Released Year: 1970/2018
Format:
CD: FLAC / Level 6 (img + *cue / *cue with ISRC + EAC log, AccurateRip)
DVD: DVD Decrypter (ISO + *mds + log) ? DVD Audio Extractor FLAC Stereo (5.1 Surround) 24/48 (img + *cue)
Covers: format PNG 300dpi, full scans
Upload: GigaPeta / TurboBit
(5% recovery)
Chicago
Box Set / Albums:
1970 Chicago II
(2CD + 2LP + DVD Box Set Rhino Records 2018)
Info:
Rhino Records / Warner Music
CD / DVD / LP / Collector's Edition
Steven Wilson Remix
Catalog Box: 603497858187
Catalog Discs: 08122-7941499 / 603497858163 ? 603497858170
Made in EU
Dynamic Range: 11 / 9
Genre / Style: Rock / Jazz-Rock / Classic Rock
Released Year: 1970/2018
Format:
CD: FLAC / Level 6 (img + *cue / *cue with ISRC + EAC log, AccurateRip)
DVD: DVD Decrypter (ISO + *mds + log) ? DVD Audio Extractor FLAC Stereo (5.1 Surround) 24/48 (img + *cue)
Covers: format PNG 300dpi, full scans
Upload: GigaPeta / TurboBit
(5% recovery)
↧
↧
Phosphorescent – C’est La Vie (2018)
320 kbps | 105 MB | LINKS
Phosphorescent returns with his seventh studio LP, C’est La Vie. Recorded in Nashville at Matthew Houck’s own Spirit Sounds Studio, C’est La Vie reveals a crystallization of what made Muchacho such a breakout – a little sweetness and a little menace, sometimes boot-stomping and sometimes meditative. A lot of life was lived between these records: Houck became a father (twice), built his studio, escaped New York. And C’est La Vie does have a hefty, career-spanning feel. But there’s a newfound wisdom, too, a deeper well for all that livin’. The magic of Matthew Houck’s music has always been the way he weaves shimmering, almost golden-sounding threads through elemental, salt-of-the-earth sounds. It’s not experimental, exactly, but it’s singular and it’s definitely not traditional. That knack, the through-line across the Phosphorescent catalogue, is front and centre here.
↧
Echo & The Bunnymen – The Stars, The Oceans & the Moon (2018)
320 kbps | 145 MB | LINKS
Bunnymen Classics Transformed & New Songs With Strings & Things Attached ‘I’m not doing this for anyone else. I’m doing it as it’s important to me to make the songs better. I have to do it.’ Ian McCulloch This new studio album will see The Bunnymen, still lead by the indominable Ian McCulloch and Will Sergeant, revisit some of their greatest songs to rearrange and transform them with co producer Andy Wright…and strings and things. Expect a couple of brand new tracks to accompany the classics. Echo & the Bunnymen’s dark, swirling fusion of post-punk and The Doors/The Velvets-inspired pop psychedelia has brought the group twenty top 20 hits and nine top 20 albums in the UK so far in their 40 year career. The band have come a long way from the group’s infamous first concert as a three-piece with a drum machine in 1979 at the legendary Erics club in Liverpool, The Bunnymen still perform sell-out concerts across the world today. Their seminal albums ‘Crocodiles’, ‘Heaven Up Here’, ‘Porcupine’ and ‘Ocean Rain’ have been a major influence for acts such as Coldplay, The Killers and The Flaming Lips whilst later albums ‘Evergreen’ and ‘What Are You Going To Do With Your Life?’ and ‘Siberia & Meteorites’ demonstrate what an amazing body of work the band have. The Bunnymen are still revered by those in the best of popular culture. In the past year alone, the highly acclaimed and culturally phenomenal Netflix series ‘Stranger Things’ has used the song ‘Nocturnal Me’ whilst the equally comparable ’13 Reasons Why’ has used ‘The Killing Moon’, a song also used on another Netflix show, ‘Dead of Summer’.
↧
Gregory Alan Isakov – Evening Machines (2018)
320 kbps | 104 MB | LINKS
Every one of Gregory Alan Isakov’s albums has started with a guitar. Well, strictly speaking, there’s a bit — like two seconds worth — of percussion that begins his 2013 release The Weatherman; and, I guess his 2016 release With the Colorado Symphony technically has a brief moment of orchestral swell before his guitar breaks in. But for all intents and purposes Isakov starts his works with his primary instrument — his 1967 Gibson J-50.
So, the fact that his latest release Evening Machines begins with a Rhoades keyboard is a startling contrast to what has come to be expected from the Boulder-based songwriter.
But the musician-farmer Isakov is used to flowing with the change of seasons. “I switch gears a lot,” he said. “I wake up really early in the growing season, and then in the winters, I’m up all night. I’m constantly moving back and forth.”
On his farm, Isakov has a studio where he likes to leave all of the gear turned on, so that if inspiration strikes, he doesn’t need to take the time to boot up. “A lot of the music that was written for this record happened at a really difficult time of my life. When I finished a six-month stretch in Europe I had a lot of time to be alone, and feel things that maybe I hadn’t in a long time, being on the road and with the lifestyle of touring. I experienced this new sensation of anxiety — this level of physical anxiety that I’ve been investigating ever since.” To cope, he turned to writing songs — “some of which were ways for me to ground myself during that time where it was really bad,” he explained. “Sometimes I couldn’t sleep, so I’d walk into the studio and work really hard into the night. A lot of times I would find myself in the light of all these VU meters and the tape machine glow, so that’s where the title came from. I recorded mostly at night, when I wasn’t working in the gardens. It doesn’t matter if it’s summer or winter, morning or afternoon, this music always feels like evening to me.”
Isakov sketched out 35 to 40 songs himself during marathon studio sessions that could stretch up to 14 hours for many months. He recorded all the instruments and slowly intertwined the band: Steve Varney, Jeb Bows, John Paul Grigsby, Philip Parker, and Max Barcelow. A bevy of other contributors — including his brother Ilan Isakov, and his long-time musical friend Jamie Mefford, who, according to the credits contributed “god noises” on this album — supplied additional sonic flourishes as well.
Like many of the songwriting legends that he holds dear, Isakov’s lyrics are vivid and deliberate. “Chemicals,” observes, “You saw her bathing in the creek/Now you’re jealous of the water.” “Did I hear something break?/Was that your heart or my heart?” he asks on “Caves,” while “San Luis” repeats, “I’m a ghost of you, you’re a ghost of me.”
↧
