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Jake Shimabukuro - The Greatest Day (2018)

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Jake Shimabukuro - The Greatest Day (2018)
Artist: Jake Shimabukuro
Title Of Album: The Greatest Day
Release Date: 2018
Location: USA
Label: JS Records
Genre: Ukulele, Classic Guitar, Flamenco
Quality: FLAC (tracks+.cue)
Length: 01:26:06 min
Tracks: 17
Total Size: 495 MB (+5%)

Jake Shimabukuro is an American ukulele virtuoso and composer known for his fast and complex finger work. His music combines elements of jazz, blues, funk, rock, bluegrass, classical, folk, and flamenco. Shimabukuro has written numerous original compositions, including the entire soundtracks to two Japanese films, Hula Girls (2007) and the Japanese remake of Sideways (2009).

London Boys - Love 4 Unity (1993)

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London Boys - Love 4 Unity (1993)
Artist: London Boys
Title Of Album: Love 4 Unity
Release Date: 1994
Location: Germany
Label: EastWest (4509-92417-2)
Genre: EuroDisco, Synth-pop
Quality: FLAC (image+.cue+covers)
Length: 46:39 min
Tracks: 11
Total Size: 354 MB (+5%)

Love 4 Unity is the third studio album by the London Boys, a British dance pop duo. It was released in 1993. Both "Moonraker" and "Baby Come Back" were released as singles in Germany. Baby Come Back peaked at #27 in Austria. This was the last album from the duo, although Hallelujah Hits would be released under the name The New London Boys. The album was not successful and the two singles also failed to chart in Germany.

The Dark Tenor - Symphony Of Ghosts (Limited Edition) (2018)

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The Dark Tenor - Symphony Of Ghosts (Limited Edition) (2018)
Artist: The Dark Tenor
Title Of Album: Symphony Of Ghosts (Limited Edition)
Release Date: 2018
Location: Germany
Label: Polydor (06025 6764114)
Genre: Classical Crossover
Quality: FLAC (image+.cue+covers)
Length: 63:44 min
Tracks: 18
Total Size: 486 MB (+5%)

The Dark Tenor - Symphony Of Light (Second Edition) (2015)

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The Dark Tenor - Symphony Of Light (Second Edition) (2015)
Artist: The Dark Tenor
Title Of Album: Symphony Of Light (Second Edition)
Release Date: 2015 (2014)
Location: Germany
Label: Polydor (0028948239153)
Genre: Classical Crossover
Quality: FLAC (image+.cue+covers)
Length: 78:57 / 80:10 min
Tracks: 33 (2CD)
Total Size: 951 MB (+5%)

?????? & Chris Wonderful - ????????? (2017)

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?????? & Chris Wonderful - ????????? (2017)
???????????: ?????? & Chris Wonderful
??????: ?????????
??? ???????: 2017
??????: ??????
?????: ?????? ??????????? ????????????
????: Instrumental, Acoustic, New Age
??????: FLAC (image+.cue+covers)
????? ????.: 38:02 ???
?-?? ??????: 9
?????? ??????: 316 MB (+5%)

The New London Boys - Hallelujah Hits (1995)

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The New London Boys - Hallelujah Hits (1995)
Artist: The New London Boys
Title Of Album: Hallelujah Hits
Release Date: 1995
Location: Germany
Label: Polydor (527 825-2)
Genre: EuroDisco, Synth-pop
Quality: FLAC (image+.cue+covers)
Length: 41:50 min
Tracks: 10
Total Size: 344 MB (+5%)

Hallelujah Hits is the fourth and final album by the London Boys although it was titled to the New London Boys. It was released in 1995. The album consists of the traditional religious anthems in Eurodance arrangements. Both 'Gospel Train To London' and 'Kumbaya' were released as singles in Germany. 'Gospel Train To London' had a promotional video created for the single which would be the last video to feature the duo. Both members Edem Ephraim and Dennis Fuller died in a car crash in January 1996.

Pepa Päivinen & Good Romans Felix Culpa

Dave Sewelson Music for a Free World


AMM An Unintended Legacy

Fantastic Negrito – Please Don’t Be Dead [Deluxe Edition] (2018)

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51GBAE93hlL._SS500.jpg320 kbps | 137 MB | LINKS

Tracklist:

1. Plastic Hamburgers 03:37
2. Bad Guy Necessity 03:58
3. A Letter to Fear 04:04
4. A Boy Named Andrew 04:22
5. Transgender Biscuits 03:02
6. The Suit That Won’t Come Off 04:00
7. A Cold November Street 03:51
8. The Duffler 03:39
9. Dark Windows 03:40
10. Never Give Up 01:06
11. Bullshit Anthem 03:15
12. Dark Windows (Acoustic) 03:34
13. Bad Guy Necessity (Acoustic) 03:57
14. A Cold November Street (Acoustic) 03:44
15. The Suit That Won’t Come Off (Acoustic) 03:59
16. The Duffler (Acoustic) 03:36

Nathan Bowles – Plainly Mistaken (2018)

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61J04olCFEL._SS500.jpg320 kbps | 104 MB | LINKS

On his playfully sub versive fourth solo album, Nathan Bowles (Steve Gunn, Pelt, Black Twig Pickers) extends his acclaimed banjo and percussion practice into the full-band realm for the first time, showcasing both delicate solo meditations and smoldering, swinging ensemble explorations featuring Casey Toll (Jake Xerxes Fussell, Mt. Moriah) on double bass and Rex McMurry (CAVE) on drums. As he considers the cycles of deceit and self-deception that shape both our personal and political lives, a mixed mood of melancholy and merriment permeates Bowles’s own compositions as well as the interpretive material, which draws from traditional Appalachian repertoires and the diverse songbooks of Julie Tippetts, Cousin Emmy, and Silver Apples. Plainly Mistaken, the playfully subversive fourth solo album by Durham, North Carolina multi-instrumentalist Nathan Bowles, begins with a lullaby written by a child for an adult. The seven year-old Jessica Constable composed Now If You Remember the titular lyric continues, precociously, ‘we were talking about God and you’ for English singer Julie Tippetts’s 1976 album Sunset Glow. Bowles’s ethereal rendering represents a rather radical departure from his previous recordings; his placidly plaintive singing has been stripped of its otherwise genial, ursine gruffness, and the brief song floats by on the sedative ebb tide of banjo and pianos both acoustic and electric. A mixed mood of melancholy and merriment permeates Bowles’s own compositions as well as the interpretive material. His rambunctious and exuberant version of Cousin Emmy and Her Kinfolk’s 1946 proto-bluegrass classic Ruby, the other vocal track here elided with In Kind I draws primarily from the 1968 version by Silver Apples instead of the canonical versions by the Osborne Brothers or Buck Owens, thereby embodying a tribute to a palimpsest of bluegrass-meets-avant-garde iterations that perfectly suits Nathan’s own practice. In its trio-fueled headlong canter, Ruby feels unhinged and manic, a sinister interrogative mantra that encapsulates the slippery cycle of deception and stuttering accusation that plagues our contemporary cultural moment.

Doyle Bramhall II – Shades (2018)

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s1nhbk.jpg320 kbps | 118 MB | LINKS

Shades, singer-songwriter and guitarist Doyle Bramhall II’s debut for the label. Shades is a spellbinding blend of grungy blues, raucous garage rock, transcendent psychedelia, and soothing, soul-stirring ballads that sees Bramhall reaching new heights as a multi-instrumentalist (he plays guitars, bass, drums and keyboards), producer and vocalist while responding to his heart’s most urgent commands as an arranger and lyricist. What is it about Doyle Bramhall II, and why does everybody want to work with him? Shades features a host of friends and luminaries who have all, in one way or another, played significant roles in Bramhall’s musical story: Eric Clapton, Norah Jones, the Tedeshi Trucks band, and Austin buds the Greyhounds. Since 2000, the uniquely gifted guitarist, singer, songwriter and producer has been practically joined to Eric Clapton’s hip as both an onstage and studio collaborator. Clapton makes a notable appearance on the album, providing blistering back-and-forth guitar work with Bramhall on the quaking R&B-tinged “Everything You Need”. Bramhall and pianist-singer Norah Jones have been making music together for years, and the two form a heavenly alliance on the elegant ballad “Searching for Love.” Shades concludes with a reverent reading of Bob Dylan’s classic “Going, Going, Gone,” a gem from the singer’s 1974 album, Planet Waves. Bramhall had recently performed the song with the Tedeschi Trucks Band at a Gregg Allman tribute concert last year, and he felt that a reunion with the group would make a powerful coda on his record.

Marion & Sobo Band - Esprit Manouche (2018)

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Marion & Sobo Band - Esprit Manouche (2018)

Группа Marion & Sobo Band - это: Марион Ленфант-Преус - вокал, Александр Собочинский ('Собо') - гитара, Йонас Фогельсанг - гитара, Стефан Рей - контрабас, Стефан Бергер - контрабас, Франк Бремпель - скрипка.
"Esprit Manouche" - дебютный полноформатный альбом молодой и задорной группы из Бонна.
Пластинка издана на немецком лейбле Acoustic Music Records.
Дата релиза двадцать восьмое сентября.

2RIKA - Metanoia. Part 1 (2012)

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2RIKA - Metanoia. Part 1 (2012)
??????????: 2RIKA (????? г??)
??????: Metanoia. Part 1
г? ???????: 2012
?????: ??????
?????: Lavina Music (LM CD 608)
????: Alternative Rock, Pop-Rock
??????: FLAC (image+.cue+covers)
??? ????.: 40:54 ??
?-?? ?????: 11
????? ??????: 284 MB (+5%)

Metanoia. Part 1 (??????????????) ? ?'???? ???????? ?????? ??????????? ????? ????? г??, ???? ?????? 12 ?????? 2012 ???? ?? ????? Lavina Music. ?? ?????? ?????????? ? ??????? ???? ????? ????????. ?????? ?? ?????? ??? (? ???? ??????? ?? ??) ? ????????? ????? ?'??????? ????????????? ???? ?? ?????? ?Hello my friend?, ????? ????? ???? ??????????? ?? ????????? ????. ????? ???? ?????? ?? ??????.

Dhafer Youssef – Sounds Of Mirrors (2018)

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41a%2B0Ks7yJL._SS500.jpg320 kbps | 152 MB | LINKS

Tracklist:

1. Humankind 07:17
2. Dance Layan Dance 04:36
3. Al Wadood 07:00
4. Ruby Like Wine (To Sheikh Muhammed Omran) 06:02
5. Journey In Bergama 05:03
6. Like Dust I May Rise (To Shiraz) 04:58
7. Nasikabhushani (To Zakir) 03:19
8. Shaanti ‘Atihi Devo Bhava’ Suite 04:19
9. Chakkaradaar ‘Atihi Devo Bhava’ Suite 05:38
10. Satya ‘Satyagraha’ Suite 04:54
11. Satyagraha ‘Satyagraha’ Suite 06:42
12. Good Morning Mumbai (To Zakir) 06:27


Reverend Peyton’s Big Damn Band – Poor Until Payday (2018)

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51viFtoMOGL._SS500.jpg320 kbps | 77 MB | LINKS

One of the hardest working groups on the scene is The Reverend Peyton’s Big Damn Band. They play as many as 300 shows per year, and are touted as the biggest little band in the country. Country blues that is. On October 5th, their legion of fans will once again get their fix when Poor Until Payday hits the shelves.

Poor Until Payday is the group’s second offering on their own Family Owned Records label through Thirty Tigers. The 3-piece group made up of The Rev, his wife Washboard Breezy, and drummer Max Senteney are as much ZZ Top as they are Bukka White. Writing original songs in the country blues style of White, Charley Patton, and Mississippi John Hurt, they crank a single 1949 Supro amp as far as it will go, and perform them in their particular incendiary style.

The album kicks off with “You Can’t Steal My Shine.” Taking us straight to church with finger-picking slide guitar over a foot-stomping Gospel beat, this opener grabbed our attention from the outset. The lyrics give courage to those put out by the world climate of the day. No matter what happens, can’t nobody steal your shine. Something to remember for sure.

“Dirty Swerve,” brings a bit of funk to the mix. Breezy catches some of the spotlight on this one, both contributing to the writing, and showcasing her primo vocals on a modern day call-and-response ditty.

The good Reverend keeps it classic in the recording process as well. On Poor Until Payday he Plays his beloved custom-made National steel resonator, a 1949 Harmony Archtop, a 1954 Supro Dual Tone and a 1955 Kay Speed Demon through a 1949 Supro amp. Wanting to restore the warmth that is mostly eliminated by modern-day compression the band played in a room together with minimal micing, with the main effect being tape saturation.

How would he know about such things? How could he not? Peyton has been playing the country blues of his heroes since the age of 12, and has toured with the likes of David “Honeyboy” Edwards, T-Model Ford, and Robert Belfour. If that ain’t a pedigree, we don’t know what is. With Breezy on the washboard, and Max playing everything from traditional drums to suitcases and maple syrup buckets, the Big Damn Band lives up to its name and keeps the tradition of country blues alive, while performing it with their electric style.

“Poor Until Payday,” is as much an anthem to the common man as “One Piece at a Time,” “Chain Gang,” or “Take This Job and Shove It.” When that check comes in, Peyton plans to treat his wife as well as she deserves. She sticks right by his side during the lean times too after all.

Things get to rockin’ on “So Good,” and drop into front porch acoustic with “Church Clothes.” On the latter, Rev. Peyton absolutely shines with just vocals and his resonator guitar. The man can play, quite literally, anything with strings, but is at his absolute finest when finger-picking and working that slide. With all the imitators out there, the closest you’ll ever get to Robert Johnson is when Peyton gets in this mode. No amp, single microphone, and making it sound like there’s at least two guitars being played.

Speaking of Johnson, what country blues album would be complete without a song about ‘Ol Scratch? Peyton obliges on “Me and the Devil,” and then takes us on a trip to the Big Easy with the Second Line sound of “Frenchmen Street.”

“I Suffer I Get Tougher,” is another song about perseverance and hope. As the Reverend himself says it’s about, “being your authentic self despite everything lined against you, a light at the end of the tunnel.”

The closer is one of our favorites. “It Is Or It Ain’t,” is the type of upbeat, slap-your-mama song that Big Damn Band fans throng to see at live shows. Our personal favorite on this album though is “Get the Family Together.” Played at near supersonic speed, the song reminds us not to wait for a funeral to get the family together.

You see it’s all about family. Whether they be your significant other, distant cousins or band-mates, family is the reason that most of us have what we do. The Reverend Peyton’s Big Damn Band brings that attitude in both their live shows and albums. Poor Until Payday is no exception.

For both the current fans, and those who will be, get yourself a copy of Poor Until Payday. After all, there’s always room for more kinfolk.

Dhafer Youssef – Sounds Of Mirrors (2018)

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41a%2B0Ks7yJL._SS500.jpg320 kbps | 152 MB | LINKS

Tracklist:

1. Humankind 07:17
2. Dance Layan Dance 04:36
3. Al Wadood 07:00
4. Ruby Like Wine (To Sheikh Muhammed Omran) 06:02
5. Journey In Bergama 05:03
6. Like Dust I May Rise (To Shiraz) 04:58
7. Nasikabhushani (To Zakir) 03:19
8. Shaanti ‘Atihi Devo Bhava’ Suite 04:19
9. Chakkaradaar ‘Atihi Devo Bhava’ Suite 05:38
10. Satya ‘Satyagraha’ Suite 04:54
11. Satyagraha ‘Satyagraha’ Suite 06:42
12. Good Morning Mumbai (To Zakir) 06:27

Doug Collins and the Receptionists – Good Sad News (2018)

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v6nsw0.jpg320 kbps | 73 MB | LINKS

Newest release from “one of the most brilliant songwriters to emerge from the Twin Cities in nearly two decades” – southernminn.com

Emma Ahlberg-Ek - Hillevi (2018)

Yale Strom's Broken Consort - Shimmering Lights (2018)

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