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    Makiko%2BHirohashi%2B-%2BMusic%2BFor%2BI

    Makiko%2BHirohashi%2B-%2BMusic%2BFor%2BI

    Makiko%2BHirohashi%2B-%2BMusic%2BFor%2BI

    Makiko%2BHirohashi%2B-%2BMusic%2BFor%2BI

    Link download:4share.vn
    Bài được thực hiện bởi Hà Nguyễn, mọi chi tiết liên hệ qua email: hanguyen@hpmtech.vn

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    51jhZulpcWL._SS500.jpg320 kbps | 190 MB | LINKS

    Tracks:
    01. So You Want To Be A Rock & Roll Star (Live At The Wiltern/1985)
    02. Needles And Pins (Live At The The Forum/1981) [feat. Stevie Nicks]
    03. The Waiting (Live At The Wiltern/1985)
    04. Breakdown (Live At The Wiltern/1985)
    05. American Girl (Live At The Wiltern/1985)
    06. It Ain’t Nothin’ To Me (Live At The Wiltern/1985)
    07. Insider (Live At The Forum/1981) [feat. Stevie Nicks]
    08. Rockin’ Around (With You) (Live At The Irvine Meadows Amphitheater/1983)
    09. Refugee (Live At The Wiltern/1985)
    10. I Need To Know (Live At The Wiltern/1985)
    11. Southern Accents (Live At The Wiltern/1985)
    12. Rebels (Live At The Wiltern/1985)
    13. Don’t Bring Me Down (Live At The Paradise Theater/1978)
    14. You Got Lucky (Live At The Wiltern/1985)
    15. Shout (Live At The Richfield Coliseum/1983)
    16. The Stories We Could Tell (Live At The Hammersmith Odeon, London/1985)


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    Κοίταξα τι έχω γράψει για το πρώτο άλμπουμ των Θεσσαλονικέων Fog Ensemble (Αντώνης Καρακώστας κιθάρες, σύνθια, προγραμματισμός, Νικόλας Κονδύλης μπάσο, Γιώργος Νανόπουλος ντραμς), που είχε τυπωθεί για τις Melotron Recordings το 2015, καθώς άκουγα το δεύτερό τους Throbs, που τώρα κυκλοφορεί από την Inner Ear. Ξαφνιάστηκα… ας το πω έτσι. Αν έπαιρνα εκείνο το κείμενο, του 2015 (7 Μαΐου) και το μετέφερα αυτούσιο, εδώ, ως review για το νεότερο, θα ήμουν 90% μέσα… για να μην πω 100%. Καλό είναι αυτό; Μάλλον ναι. Δηλαδή ναι. Δηλαδή σίγουρα ναι. Και τούτο γιατί φανερώνει πως έχουμε να κάνουμε μ’ ένα συγκρότημα που γνωρίζει τι θέλει από το ξεκίνημα της διαδρομής του, που δεν αλλάζει στυλ σαν τα πουκάμισα, και που βαθαίνει στο ίδιο εκείνο αισθητικό πλαίσιο, για το οποίον ενδιαφέρθηκε εξ αρχής. Μεταφέρω ένα απόσπασμα από εκείνο το παλαιό γραπτό:
    «Οι Fog Ensembleπαίζουν… pop-rock, όπως θα το λέγαμε παλιά (με όρους early 70s ας πούμε), αλλά επειδή οι αναφορές του γκρουπ είναι nineties, βασικά, είναι σίγουρο πως θα προτιμηθούν οι πιο κοντινές περιγραφές, τύπου shoegaze ή και… post-postpunk ας πούμε (καθότι πόσο «μετά» θα έχει νόημα το… σκέτο “postpunk”;).(…) Το συγκρότημα έχει, όπως και να το κάνουμε, την άνεση της σύνθεσης. Από το πρώτο μέχρι το τελευταίο track υπάρχει συνοχή και μιαν ιδέα που κυλάει. Τίποτα δεν είναι αφημένο στην τύχη του και τίποτα δεν προεξέχει.(…) Εν τω μεταξύ και ωραίες μελωδίες διαθέτουν, και από αρμονικής πλευράς στέκουν (οι μελωδίες) «γεμίζοντας» το χώρο, και να πυκνώνουν-αραιώνουν τα tempi ξέρουν, και να διαχειρίζονται τα κομμάτια τους είναι ικανότατοι (με ρυθμικές αλλαγές, «κοψίματα» κ.λπ.), και στο να χαμηλώνουν τις εντάσεις (όπου πρέπει) τα καταφέρνουν εκμεταλλευόμενοι τον προγραμματισμό γενικώς, και στο να γεμίζουν τις ενοργανώσεις τους με κιθάρες, λούπες κ.λπ. είναι μανούλες, δίχως να χρησιμοποιούν προφανή πλήκτρα ή άλλα όργανα… Καταφέρνουν έτσι, οι Fog Ensemble, να είναι ταυτοχρόνως σύνθετοι και απλοί, διαθέτοντας κομμάτια μελετημένα και προσεγμένα, πράγμα που δείχνει πως μετράνε ως μουσικοί – κι αυτό είναι το γενικότερο κέρδος…».
    a%2Bjazz%2Bfog.jpg
    Και τα επτά κομμάτια που υπάρχουν στο “Throbs” είναι βασικά instrumentals – με μεγαλύτερο ατού τους τη… ροή. Δεν θα τα αποκαλούσα «σκοτεινά», ούτε «βιομηχανικά», αλλά… μιας κάποιας «αστικής» αντίληψης οπωσδήποτε ναι. Δεν πρόκειται για συνθέσεις που θα τις ακούσεις για να ηρεμήσεις και να χαλαρώσεις, αλλά ούτε και για να ξεδώσεις ή να χορέψεις. Έχουν ένα «βάρος» εντός τους, που δεν ξεπέφτει ποτέ στη «μαυρίλα», οριοθετώντας περισσότερο ένα χώρο ελεγχόμενης αισιοδοξίας. Έτσι τα αντιμετωπίζω ως αίσθημα, ψυχολογικά να πούμε, και δεν νομίζω να πέφτω έξω.
    Και για να επανέλθω στο θέμα της «ροής», που το θεωρώ ως το σημαντικότερο χαρακτηριστικό τού “Throbs”, ίσως να «παίζει» επ’ αυτού και κάποιου τύπου σενάριο. Μια ιστορία, ούτως ειπείν, που να γράφεται με ήχους, κρυμμένη όπως-όπως πίσω από τούτο το συναρπαστικό, κατά τόπους, soundtrack.
    Επαφή: www.inner-ear.gr

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    51nxCO0hPTL._SS500.jpgFLAC | 246 MB | LINKS

    Though it was released on a major label (Columbia’s Epic subsidiary) in the late ’60s, Leonda’s sole album, Woman in the Sun, is extremely rare, and little known even among fans of singer/songwriters of the era. Because Leonda is Native American, and sometimes uses prominent vibrato in her vocal phrasing, she might generate comparisons to the most well-known Native American singer/songwriter of that era, Buffy Sainte-Marie. Actually, however, she’s almost as similar to Annisette of Savage Rose or (more distantly) Melanie, or perhaps some of the gutsier woman singers from late-’60s West Coast rock bands. While Leonda has an appealing, somewhat raspy voice, her folk-bluesy material (with backup help from members of the Canadian rock band the Paupers) is less impressive. The songs are fairly meandering and not all that tuneful, if good-natured with a vaguely hippie uplifting vibe. Things are better when she moves away from a blues base to a folkier one, as she does with the orchestrated “When I Lived in My Grandmother’s House” and the acoustic “Zono My Bird.”


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    Northern_Class_Cover_700_700.jpg320 kbps | 179 MB | LINKS

    Tracklist:
    01. Peggy Woods – Love Is Gonna Get You (Brass Version)
    02. Tamala Lewis – You Won’t Say Nothing
    03. Fidels – I Only Cry Once A Day Now
    04. Johnnie Taylor – Friday Night
    05. Betty Everett – I Got To Tell Somebody
    06. Magnificents – I Can Fly
    07. Hyperions – Why You Wanna Treat Me The Way You Do
    08. Difosco – Sunshine Love
    09. Little Nicky Soul – I Wanted To Tell You
    10. Daniel A Stone – Young Boy Blues
    11. Jock Mitchell With The Fabulous Agents – Nomad Woman
    12. Nooney Rickett – Sad Tomorrows
    13. Kittens – Wait A Minute (You’re Getting Careless With My Heart)
    14. Maxine Brown – One In A Million (Alt Take)
    15. Jackie Day – Naughty Boy
    16. Betty Turner & The Chevelles – The Winds Kept Laughing
    17. Vows – Lost In A City
    18. Unfortunate – Me (I Ain’t Got Nobody) – J.J. Barnes – Poor
    19. Andre Scott With Jessie, Otis & Shotgun – Cry In The Arms Of Another Love
    20. Detroit Emeralds – Long Live The King
    21. Jean Carter – Love Hangover
    22. O.C. Tolbert – (Marriage Is Only) A State Of Mind
    23. Lon-Genes – Dream Girl
    24. Carla Thomas – Little Boy


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    Tangerine - The Peeling Of Tangerine (1971)


    Artist : Tangerine
    Title Of Album: The Peeling Of Tangerine
    Year Of Release: 1971 (1999)
    Label (Catalog#): Gear Fab (GF-131)
    Country : USA
    Genre: heavy psychedelic rock
    Quality : FLAC (*image + .cue,log,scans)
    Bitrate: Lossless
    Time: 30:37
    Full Size: 166,0 MB


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  • 11/13/18--06:41: XT - Extended Empire (1995)
  • XT - Extended Empire (1995)


    Artist : XT
    Title Of Album: Extended Empire
    Year Of Release: 1995
    Label (Catalog#): VIVA Records (VIVAD 135)
    Country : Sweden
    Genre: hard rock, AOR
    Quality : FLAC (*image + .cue,log,scans)
    Bitrate: Lossless
    Time: 54:18
    Full Size: 393,0 MB


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  • 11/13/18--07:14: Empire - Empire (1994)
  • Empire - Empire (1994)


    Artist : Empire
    Title Of Album: Empire
    Year Of Release: 1994 (1995)
    Label (Catalog#): FEMS (APCY-8268)
    Country : Australia
    Genre: hard rock
    Quality : FLAC (*image + .cue,log,scans)
    Bitrate: Lossless
    Time: 52:00
    Full Size: 415,0 MB


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  • 11/13/18--07:14: Cry Wolf - Cry Wolf (1989)
  • Cry Wolf - Cry Wolf (1989)


    Artist : Cry Wolf
    Title Of Album: Cry Wolf
    Year Of Release: 1989
    Label (Catalog#): CBS / Sony Group Inc. (25-8P-5302)
    Country : USA
    Genre: hard rock
    Quality : FLAC (*image + .cue,log,scans)
    Bitrate: Lossless
    Time: 43:29
    Full Size: 342,0 MB


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    The Zombies - Odessey And Oracle (1968)


    Artist : The Zombies
    Title Of Album: Odessey And Oracle
    Year Of Release: 1968 (2004)
    Label (Catalog#): Imperial Records (TECI-21220)
    Country : UK
    Genre: psychedelic rock, r & b
    Quality : FLAC (*image + .cue,log,scans)
    Bitrate: Lossless
    Time: 73:30
    Full Size: 360,0 MB


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  • 11/13/18--07:34: Cafe Miami (2018)
  • Cafe Miami (2018)

    Artist: Various Performers
    Title: Cafe Miami
    Label: X5 Music Group
    Style: Funk, Soul, RnB, Swing, Rock, Latin, Pop, Gospel
    Release Date: 15-08-2018
    Format: CD, Compilation
    Quality: 320 Kbps/Joint Stereo/44100Hz
    Codec: MP3
    Tracks: 30 Tracks
    Time: 02:10:08 Min
    Size: 301 MB

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    VA - Ministry Of Sound: 80S Soul Jams [3CD] (2018)

    Artist: Various Artists
    Title Of Album: Ministry Of Sound: 80S Soul Jams
    Year Of Release: 2018
    Label (Catalog#): Ministry Of Sound [MOSANZ005]
    Genre: Funk, Disco, Soul, R&B, Synth-pop
    Quality: FLAC (tracks,cue,log,scans)
    Bitrate: Lossless
    Time: 4:01:50
    Full Size: 1.68 gb
    Upload: Turbobit

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    Kambrium - Dawn Of The Five Suns (2018)

    ???????????: Kambrium
    ??????: Germany
    ??????: Dawn Of The Five Suns
    ????: Symphonic Power Metal | Epic Death Metal
    ????????: NoiseArt Records [NARCD073DP]
    ???: 2018
    ??????: FLAC (*image + .cue,log, covers)
    ??????: 514Mb
    ??????: Turbobit | GigaPeta (3% ?? ??????????????)

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    51E7yjauXPL._SS500.jpg320 kbps | 83 MB | LINKS

    A widely respected tunesmith and maverick recording artist, Chris Gantry was the sort of outlaw presence in 1960s Nashville who later became associated with his better-known peers like Kris Kristofferson, Merle Haggard, and Johnny Cash. A native of New York, Gantry was already an industry veteran by the time he reached Music City at the age of 21, having scored a short-lived recording deal with a friend in his early teens. Once in Nashville, he cut his teeth at bars like Skull’s Rainbow Room, a Printers Alley burlesque where he met other up-and-comers like Kristofferson and Shel Silverstein.


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    ell_cvr_featv2.jpg24bit-96kHz FLAC | 4,5 GB | LINKS

    Electric Ladyland Deluxe Edition includes the previously unreleased live album Jimi Hendrix Experience: Live At the Hollywood Bowl 9/14/68, part of Experience Hendrix’s official ‘bootleg’ series. This live album documents their triumphant Los Angeles concert held a few weeks before Electric Ladyland was released. The recently discovered two-track soundboard recording captures the energy that had the audience in such a frenzy that many concert goers jumped into the reflecting pool that separated the bandstand from the seats. Live At the Hollywood Bowl 9/14/68 includes selections from all three Experience albums, as well as a cover of Cream’s smash hit “Sunshine of Your Love.” The accompanying book is filled with unpublished photos that follow the band at the Bowl, from afternoon rehearsal, to backstage to the performance itself.

    At Last… The Beginning: The Making of Electric Ladyland documents the creation of the legendary double album. Some of Jimi’s closest associates are seen on screen discussing their first-hand recollections of Hendrix and the project including JHE bassist Noel Redding, drummer Mitch Mitchell, manager Chas Chandler; Buddy Miles, Jack Casady, Steve Winwood, Dave Mason and others who participated in the Electric Ladyland sessions. One of the highlights of the program includes demonstrations by Eddie Kramer, who discusses the techniques Hendrix, Mitchell and Redding employed in recording the album, playing some of the original multitrack tapes to illustrate the process. At Last… The Beginning: The Making of Electric Ladyland is the definitive telling of the story.

    The accompanying 48-page full-color book contains essays by music critic David Fricke and producer John McDermott. It is filled with detailed recording information and unpublished photos, including many taken by Eddie Kramer during the recording of the album. Fans get a rare look at Hendrix’s handwritten lyrics and instructions to his label Warner Bros. for the album, drawn from his personal notebook, as well as original Warner Bros. internal memos and alternate artwork for the album.


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    İstikrarlı Hayal Hakikattir“Consistent fantasy is reality/There is death and this is a dream/Let my woes pour into yours/Hey shake it, life is rock ‘n’ roll.” So purrs the Turkish singer Gaye Su Akyol on the title track of her latest album, her voice honeyed and weary. Nurturing rock ‘n’ roll fantasies in her home country is a fraught proposition; the Eurasian nation dominates headlines more for its geopolitical standing and dismal human-rights record than its rock output, which makes Su Akyol’s music feel all the more vital. Over the past four years, she has positioned herself as one of the scene’s luminaries, alongside acts like Ayyuka and Büyük Ev Ablukada. Her visually arresting presence elicits comparison to Björk, and her approach lies in melding her home’s musical heritage to a wide array of rock stylings.

    112 MB  320 ** FLAC

    Her third album in five years, İstikrarlı Hayal Hakikattir crackles with a live energy that stems from the 18 months of touring following its predecessor, 2016’s Hologram Ĭmparatorluğu. Producing the album with longtime guitarist Ali Güçlü Şimşek, Su Akyol is in firm command of her powers, adding a few more electronic textures to push to new heights. The opening title track begins with the kind of vintage squelching electronics that led Andy Votel, the Gaslamp Killer and, most famously, J Dilla to plunder similarly sumptuous Turkish grooves. It then bursts into a percussion-heavy stomp full of synth blats and heavily phased guitar that serve as opulent backdrop for the singer. Her voice is a mesmerizing thing, deep and plummy enough to shake trees and stir hearts.

    Earmarks of Su Akyol’s previous albums remain present. There are folk instruments like the oud, bağlama, and cümbüş that situate acoustic songs like “Bağrımızda Taş” and “Boşluk Ve Sonsuzluk” in Turkey’s past. Şimşek’s whizz-bang Dick Dale shredding on rollicking numbers like “Laziko” beams in like surf music from a distant star. Against the synth bass on the slinky “Bir Yaralı Kuştum,” his double-time picking and wah pedal work deepen the song’s pliant groove. But then there’s the flare of flamenco that gives a dramatic kick to “Şahmeran.”

    Even when the album slows things down to a crawl, Su Akyol and band cast a spell. A syrupy and dubbed-out drum machine kick on the brooding and sluggish “Gölgenle Bir Başıma” gives it all the dread of a Massive Attack production. The song (which translates as “All Alone With Your Shadow”) paints a portrait of drought, heartbreak, and grief in poetic lyrics poetic that elude facile understanding.

    Su Akyol’s previous album translated as “Hologram Empire,” and İstikrarlı Hayal Hakikattir offers another such surreal edict: “Consistent Fantasy Is Reality.” Working in a country where the oppression of free expression is standard operating procedure, Su Akyol’s music seems like a post-1984 coping mechanism, where only in fantasy can freedom be truly felt. Or, as her artist statement puts it: “We need to create a counter reality in order to challenge organized evil and the horrible reality it creates, and the strongest option here is ‘consistent dreaming.’” The album deploys cagey metaphors to mask greater critiques, but a powerful line from “Halimiz İtten Beter” shifts from the language of hope and dreams and instead gives voice to those too-real moments of desolation: “I gave up on existence and held on to absence.” — Pitchfork


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    VA - Disco Giants 13 [2CD] (2017)

    Artist: Various Artists
    Title Of Album: Disco Giants 13
    Year Of Release: 2017
    Label (Catalog#): PTG Records [PTG34229]
    Genre: Funk, Soul, Disco, Boogie
    Quality: FLAC (tracks,cue,log)
    Bitrate: Lossless
    Time: 2:05:03
    Full Size: 888 mb
    Upload: Turbobit

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    Meliah Rage - Dead To The World (2011) [2018]

    ???????????: Meliah Rage
    ??????: USA
    ??????: Dead To The World
    ????: Power Metal | Thrash Metal
    ????????: Metal On Metal Records [MOMR18076]
    ???: 2011 [2018]
    ??????: FLAC (*image + .cue,log, covers)
    ??????: 430Mb
    ??????: Turbobit | GigaPeta (3% ?? ??????????????)

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    VA - Masterpiece: Ultimate Disco Funk Collection Vol. 24 (2018)

    Artist: Various Artists
    Title Of Album: Masterpiece: Ultimate Disco Funk Collection Vol. 24
    Year Of Release: 2018
    Label (Catalog#): PTG [PTG 34233]
    Genre: Funk, Soul, Disco, Boogie
    Quality: FLAC (tracks,cue,log)
    Bitrate: Lossless
    Time: 62:12
    Full Size: 440 mb
    Upload: Turbobit

older | 1 | .... | 2307 | 2308 | (Page 2309) | 2310 | 2311 | .... | 2385 | newer