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Bargou 08 - Targ (2017) [Hi-Res]


Dirtmusic - Bu Bir Ruya (2018) [Hi-Res]

Saz'iso - At Least Wave Your Handkerchief at Me (2017) [Hi-Res]

Francesco Spagnolo - The Threads of Life (2018)

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Francesco Spagnolo - The Threads of Life (2018)


???????????: Francesco Spagnolo
??????: The Threads of Life
??? ???????: 2018
?????: New age, Instrumental

Random Access Memories

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RAM.jpg

This Wednesday, November 28, from 7-10 PM ET, Bodega Pop Live on WFMU's Give the Drummer Radio spins a six-set show focused on New Zealand punk, Thai oldies, Soviet space disco, Algerian 78s, Euro psych, and female hip hop pioneers

Bookmark the page and see you Wednesday night!

Tom Waits - Rain Dogs (1985)

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Tom Waits - Rain Dogs (1985)

???????????: Tom Waits
??????: United States
??????: Rain Dogs
????????! ? ??? ??? ???? ??? ????????? ???????? ??????.

????: Blues Rock
??? ??????: 1985
????????: (CD-Rip) Island (422-826 382-2)
??????: 691 kbps FLAC (image. cue. log. cd scans)
??????: 271.46 Mb
?????????????: Turbobit/Gigapeta

Mastermix Grandmaster - New Year Party (2018)

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Mastermix Grandmaster - New Year Party (2018)

Artist: Various Performers
Title: Mastermix Grandmaster - New Year Party
Label: Music Factory
Style: Glam Rock, Ska, 2 Tone, New Wave, Alternative, Sophisti-Pop, Disco, Europop
Release Date: 20-11-2018
Format: CDr, Megamix CD, Mixed
Quality: 320 Kbps/Joint Stereo/44100Hz
Codec: MP3
Tracks: 01 Track
Time: 01:16:16 Min
Size: 174 MB

Pretty Maids - Red, Hot and Heavy [Japanese Edition] (1984) [2018]

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Pretty Maids - Red, Hot and Heavy [Japanese Edition] (1984) [2018]

???????????: Pretty Maids
??????: Denmark
??????: Red, Hot and Heavy [Japanese Edition]
????: Melodic Heavy Metal | Hard Rock
????????: Sony Music Labels Inc., Japan [SICP-31222]
???: 1984 [2018]
??????: FLAC (*image + .cue,log, covers)
??????: 315Mb
??????: Turbobit | GigaPeta (3% ?? ??????????????)

Pretty Maids - Future World [Japanese Edition] (1987) [2018]

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Pretty Maids - Future World [Japanese Edition] (1987) [2018]

???????????: Pretty Maids
??????: Denmark
??????: Future World [Japanese Edition]
????: Melodic Heavy Metal | Hard Rock
????????: Sony Music Labels Inc., Japan [SICP-31223]
???: 1987 [2018]
??????: FLAC (*image + .cue,log, covers)
??????: 352Mb
??????: Turbobit | GigaPeta (3% ?? ??????????????)

Algaion - Collection (1995-2010) [3CD]

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Algaion - Collection (1995-2010) [3CD]

???????????: Algaion
??????: Collection: Oimai Algeiou, Vox Clamentis (EP), ΕΧΘΡΟΣ (Exthros)
????: Blackened Melodic Death / Thrash Metal
??? ??????: 1995, 1996, 2010
??????: FLAC (image+.cue, log, scans)
????????: Lossless
??????: 943 Mb
??: katfile/gigapeta/turbobit/depositfiles

CHICAGO ?Discography 1969-2014? (36 x CD ? Overseas Records Limited ? Issue 1985-2014)

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CHICAGO ?Discography 1969-2014? (36 x CD ? Overseas Records Limited ? Issue 1985-2014)

CHICAGO ?Discography 1969-2014? (36 x CD ? Overseas Records Limited ? Issue 1985-2014)

Performer: CHICAGO
Album / collection: ?Discography 1969-2014?
Series: Japan 1st and 2nd Press Series? ?
Label / country: ⒸⓅ 1969-2014 Overseas Records ⁄ Teichiku Records Co. Ltd.. Made in Japan.
Source: Rip by KoGGaN? scans by kolushew
Official DR value: 11?11?12/12/12?11?12?13?12?14?12?11/11?13?11?
?13?13?14?13?14?12?13?13?12?11?12?10?9?8?9?8?10?6?10?11?10
Catalog (Barcode): much
Genre / Style: Rock, Pop Rock, Jazz-Rock, Soft Rock
Year (info): 1969-2014 (36 × CD, Collection, Japan 1st and 2nd Press)
Format: WV (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 453
Total time: 31:51:30
Size RAR: ~ 12.20 Gb
Password / ?????? : 1965
Upload: TurboBit.net, GigaPeta.com
Recovery 3%

CHICAGO ?Discography 1969-2014? (36 x CD ? Overseas Records Limited ? Issue 1985-2014)

Building Instrument Mangelen Min

Pulverize The Sound Sequel

397 Música sin usura 25-11-2018_____ aquí te encuentro

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El maestro. Recorremos la geografía y sus músicas. Para más detalles: https://slumdar2.wordpress.com/ TIME AND TRACK LIST 01.-00:01:17 paul simon - love 02.-00:06:55 paul simon - rené and georgette magritte with their dog after the war 03.-00:11:33 rachel grimes - mossgrove 04.-00:17:19 alexander wren - strangers again (peptalk sessions) 05.-00:21:16 felice lazae - callin me 06.-00:26:11 carl weingarten - ditaloo 07.-00:30:42 carl weingarten - kites & waves 08.-00:37:53 taj mahal - catfish blues 09.-00:44:29 gina sicilia - they never pay me gina sicilia 10.-00:49:20 chango farias gomez - la oncena 11.-00:53:23 lito vitale - ese amigo del alma 12.-00:58:33 lito vitale - la telesita 13.-01:01:44 lito vitale - nostalgias santiaguen?as 14.-01:06:41 loreena mckennitt - lost souls 15.-01:11:40 loreena mckennitt - sun, moon and stars 16.-01:17:11 kovacs - cheap smell live roodshow late night 17.-01:21:14 vrelo - rjabinuska 18.-01:26:21 paul simon - the teacher .. ::

VA – A Life in Yes: The Chris Squire Tribute (2018)

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61buWVetJLL._SS500.jpg320 kbps | 177 MB | LINKS

Tracks:

1. Jon Davison & Patrick Moraz – On the Silent Wings of Freedom
2. Steve Hogarth & Larry Fast – Hold out Your Hand
3. Annie Haslam – Onward
4. David Sancious & Steve Stevens – South Side of the Sky
5. Sonja Kristina – The Fish
6. Steve Porcaro & Steve Hackett – The More We Live – Let Go
7. Jon Davison & Tony Kaye – Parallels]
8. Nikki Squire & Dweezil Zappa – Owner of a Lonely Heart
9. Todd Rundgren, John Wesley & Tony Kaye – Roundabout
10. Candice Night & Brian Auger – Don’t Kill the Whale
11. The Prog Collective – The Technical Divide (Bonus)
12. Chris Squire – Comfortably Numb (Bonus)


Bob Daisley & Friends – Moore Blues For Gary (2018)

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61fEDi6dX4L._SS500.jpg320 kbps | 144 MB | LINKS

Tracklist:
1. That’s Why I Play The Blues (4:04)
2. The Blues Just Got Sadder (Feat. Joe Lynn Turner & Steve Lukather) (3:36)
3. Empty Rooms (Feat. Neil Carter) (6:10)
4. Still Got The Blues (Feat. Danny Bowes, John Sykes & Don Airey) (6:23)
5. Texas Strut (Feat. Brush Shiels) (3:55)
6. Nothing’s The Same (Feat. Glenn Hughes) (4:24)
7. The Loner (Feat. Doug Aldrich, Eric Singer & Don Airey) (6:44)
8. Torn Inside (Feat. Stan Webb & Darrin Mooney) (5:22)
9. Don’t Believe A Word (Feat. Damon Johnson) (4:34)
10. Story Of The Blues (5:46)
11. This One’s For You (Feat. Gus Moore & Jack Moore) (3:10)
12. Power Of The Blues (Feat. Joe Lynn Turner, Jeff Watson & Darrin Mooney) (2:46)
13. Parisienne Walkways (Feat. Steve Morse & Ricky Warwick) (4:36)

Hydro Music – Self Titled Industrie Africaine du Disque PF 77008

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hydro-music-front

I tell you straight away, it has some background noise so if you’re
allergic to it, better leave this one alone. For everybody else, the
music is very nice. Just imagine you’re listening to it by the fire side.
This one is for you Nick, and thanks for the other one. This is an album
I can’t seem to find anything about, not googlable so to speak. It is
worth at least a couple of spins to my opinion though, listen..

Ik zeg het maar meteen, deze plaat kraakt wel een beetje dus als je
daar allergisch voor bent zou ik hem niet downloaden. Voor iedereen
die daar niet mee zit, de muziek is erg aangenaam. Doe gewoon net of
je er naar luistert bij de open haard. Deze is voor jou Nick en bedankt
nog voor die andere. Over deze elpee kan ik online niets vinden, hij is
zogezegd niet googlebaar. Ik denk dat hij het beluisteren waard is..

tracks ;

01 – Merci Betty
02 – Fely meme
03 – Confession
04 – Mobali abimaka pamba té

downloadbutton

Transmaniacon, Lydia Lunch, Maya Berlin – The Strange World of Suzie Pellet (2018)

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417XNAZI3sL._SS500.jpg320 kbps | 110 MB | LINKS

‘The Strange World of Suzie Pellet’ is a hard rocking concept album featuring a dark, unsettling and mysterious tale of future street dweller Suzie Pellet. A feisty survivor in a ruined world, Suzie is the brainchild of Ian Miller, fantasy/horror artist and novelist. His surreal. nightmarish creations have graced book covers, graphic novels and films, and have given form to the works of HP Lovecraft, Tolkien and many more. Now, one of his own dark gothic characters comes to life. Not unlike Michael Moorcock guiding Hawkwind or Sandy Pearlman, The Blue Oyster Cult, or even a cranked up Moody Blues or Who, Transmaniacon bring Miller’s vision to sonic life, aided and abetted by the outstanding vocal deliveries of punk poetess and avant rocker Lydia Lunch (a hind-sighted Suzie) and Maya Berlin (a future ‘present-day’ Suzie). Sci-fi and space rock has always been present in Transmaniacon, a previous incarnation was XM3a who released the first New Heavy Sounds single, ‘Bad Robot Man’, an epic 9 min acid rock riff-fest. This was followed up (as Transmaniacon) by ‘The Darkening Plain’ their first concept piece containing the 25 min classic ‘Quintessence of Dust’ – bleak, dense, forboding, and heavy. – a sort of Killing Joke/Hawkwind/Pentagram hybrid which featured the first collaboration with Lydia Lunch. But with ‘Suzie Pellet’ Transmaniacon becomes more a musical collective. The core of the band remains, hard and heavy riffing guitars, overdriven Hammond Organ (and this time synth) but with the addition of Tom (Uncle Acid/Limb) Mowforth on drums they are a groovier, more athletic 70’s rock beast. The twin heavyweights of Blue Oyster Cult and Mountain loom large, but this time with the added groove of an an organ-driven Black Mountain. Suzie Pellet is Transmaniacon’s first true collaboration with Ian Miller. Miller resurrected his post apocalyptic tale of street survivor Suzie Pellet in a rotten and derelict London-esque urban-scape called Duht. Transmaniacon have taken and expanded Miller’s vision into a story in which Pellet herself, describes the dark, underworld, its characters and situations, friends and foes, all in grisly-spoken and sung diary-like, excerpts. Lydia Lunch was an obvious choice for the mature Pellet. A survivor of numerous underground scenes herself from punk and no-wave through noise, avant-rock and, appropriately enough here, spoken word. In 1975 Patti Smith perhaps could have been a young Susie Pellet, in 93 Polly Harvey, but now the role falls to Maya Berlin. With her band, Cold in Berlin delivering equal parts Punk, Doom and Goth over their three highly acclaimed albums (including ‘The Comfort of Loss and Dust on Candlelight Records), she was perfect. And Suzie gives her the opportunity to expand her vocal (and theatrical) talents in Grace Slick or Julie Driscoll or even Chelsea Wolfe directions. Step into the nightmare world of Suzie Pellet.

Stephen Kellogg – Objects in the Mirror (2018)

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61VHjWm1NHL._SS500.jpg320 kbps | 109 MB | LINKS

Singer-songwriter Stephen Kellogg will release a new album, Objects In The Mirror. Kellogg recorded the album in a week’s time in Nashville alongside fellow songwriter and musician Will Hoge, who served as producer. As Kellogg explains, the album is inspired by “American life in 2018.”

Kellogg and his band recorded the song during a thunderstorm, with the power flickering mid-session. Unsure of whether they were still recording, the band kept playing, and that take ended up making the album, a coincidence that mirrors the song’s message of continuing to move forward in the face of difficult odds.

Amira Medunjanin & TrondheimSolistene – Ascending (2018)

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4gkhad.jpg320 kbps | 129 MB | LINKS

For the past fifteen years, since the release of debut album “Rosa”, Amira Medunjanin recorded five studio albums and performed hundreds of concerts on four continents, which made her music popular around the world. As an internationally recognised artist in World Music, renowned for her incredibly unique vocal ability and divine beauty in expressing songs of her ancestors, Amira, as finest representative of Sevdah genre, is now opening a new chapter in her music career. Solely for the purpose of this jubilee, Amira announces retrospective album “Ascending”, which will be available as of Friday, October 5th 2018 on Town Hill Colony.

Inspired by Sevdah, Amira’s music takes some new direction while staying true to her own soulful style. “Ascending” is a retrospective studio album, which showcases traditional music in a slightly different music environment combined with a classical setting of musicians. “Just like fifteen years ago, I still find important that our traditional music should reach, as many people as possible, so they are able to feel and understand what a beautiful soul we have” noted Amira “and all this time I have been intensively sharing my life with music and I felt the need to record an album which is in fact some kind of recap of my previous work. The usual thing is to publish compilation of already recorded songs that were interesting to listeners. But you know that neither I follow any trends, nor I obey the way the music industry works. With this album I am turning the new page in my life in music and hopefully I will endure until my 30th anniversary”.

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