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FLAC | 245 MB | LINKS
Tracklist:
01. Can I Change My Mind? [06:49]
02. Running Out [03:19]
03. Further On Up The Road [03:40]
04. I Used To Have A Woman [07:24]
05. Sweet Home Chicago [03:08]
06. The Messiah Will Come Again [07:25]
07. Whole Lotta Shakin’ Goin’ On [03:37]
08. Sweet Dreams [04:03]
Itiberê Zwarg is an award-winning Brazilian bassist and the longest-serving member of Hermeto Pascoal’s ground-breaking ensemble ‘O Grupo’. Since their first meeting in 1977, the two have been closely collaborating to create a unique musical language: a genre-defying polyharmonic, polyrhythmic music, now widely studied by musicians and musicologists alike, known as ‘Universal Music’.
Back in 1999, Itiberê led a workshop at Villa Lobos School of Music, with twenty-nine of Rio de Janeiro’s most exceptionally talented young musicians. Employing the principles of Universal Music alongside his long-held belief in the powers of listening and intuition, over the course of many months, with regular intensive 7 hour…
…rehearsal sessions, Itiberê composed and arranged in real time, transcribing the improvisations of the prodigious orchestra while allowing the players freedom to experiment. The result was Pedra do Espia, an Amazonian orchestral masterpiece which is as difficult to categorise as it is fun to listen to.
Named after the beachside viewing point which translates as ‘Spy’s Rock’, where Itiberê would sit as a child, daydreaming and gazing out over the Brazilian coast, the record harnesses the pure creativity of youth and nature, creating a magical sense of innocence amongst the striking compositions and astonishing musicianship.
On the original liner notes from the 2001 CD release, Itiberê guarantees the record to be “surprising in its uniqueness, it’s harmonic richness, it’s exuberant melodies and rhythmic variations like nothing heard before.”
Ajurina Zwarg (Drums, Percussion, Harmonica) | Aline Goncalves (Flute, Piccolo, Bass Flute, Clarinet, Recorder) | Ana Leticia (Cymbals, Pandeiro, Triangle, Vibraphone, Xilophone, Agogo, Surdo) | Bernardo Ramos (Electric Guitar) | Bruno Aguilar (Electric Bass) | Cristiano Nascimento (Viola Caipira, Classical Guitar, Mandolin) | Georgia Camara (Drums, Percussion) | Glaucia Aguiar (Classical Guitar) | Isadora Scheer (Violin) | Itiberê Zwarg (Electric and Acoustic Bass, Cymbals, Melodica, Keyboard, Agogo, Cavaquinho, voice) | Joana de Castro (Clarinet, Bass Clarinet) | João Bittencourt (Piano, Keyboard, Fender Rhodes, Melodica) | Leticia Malvares (Flute) | Luanda Bem (Clarinet) | Luciano Camara (Acoustic & Electric Guitar) | Mayo Pamplona (Acoustic & Electric Double Bass) | Maria Carolina (Flute) | Maria Clara (Cello) | Mariana Bernardes (Voice, Cavaquinho, Zabumba) | Miguel Martins (Guitar, Mandolin, Cavaquinho) | Mingo Leahy (Drums, Percussion) | Pedro Albuquerque (Acoustic Bass) | Pedro Araujo (Cello) | Pedro Christiano (Electric Bass) | Pedro Paulo Junior (Trumpet, Flugelhorn, Mellophone) | Renata Neves (Violin) | Roberto Rutigliano (Drums, Agogo, Block, Triangle) | Sidney Herszage (Tenor & Soprano Saxophone, Flute) | Tomaz Lemos (Electric Guitar) | Vitor Goncalves (Piano, Sax, Melodica) | Vitor Medeiros (Saxophone)
FLAC | 3,2 GB | LINKS
UK 14 CD set containing the landmark solo recordings of Robert Wyatt, one of the most distinguished, visionary, influential and singular catalogues in contemporary music. The box contains all nine of Robert’s studio albums ( 1974’s Rock Bottom, 1975’s Ruth Is Stranger Than Richard, 1982’s Nothing Can Stop Us, 1985’s Old Rottenhat, 1991’s Dondestan Revisited, 1997’s Shleep, 2003’s Cuckooland, 2005’s Robert Wyatt & Friends, Theatre Royal Drury Lane 8th September 1974 and 2007’s Comicopera ] plus the five disc EPs’ set. Wyatt began his career in Soft Machine but his solo releases are the kinds of albums legends are made of. Domino.
320 kbps | 155 MB | LINKS
Coldplay’s breakneck work ethic has given fans a side benefit of stockpiling a vast arsenal of singles and rarities. B-side “Rainy Day” emphasizes their dedication to precision and big sounds, whereas their contribution to Angelina Jolie’s film Unbroken (“Miracles”) is the stuff of persistence and grace. Their legendary live shows feature dizzying sing-alongs and unforgettable refrains, as on “Fix You (Live).”
Tracks:
1 Charlie Brown
2 Rainy Day
3 Til Kingdom Come
4 Lovers In Japan – Reign Of Love
5 Crests Of Waves
6 Up&Up
7 Fix You (Live)
8 Homecoming (feat. Chris Martin)
9 Amsterdam
10 Christmas Lights
11 Miracles
12 Moses (Live In Sydney)
13 Cemeteries Of London
14 Green Eyes
15 Brothers And Sisters
FLAC | 745 MB | LINKS
These legendary tracks were the demos recorded for the Priest Driven Ambulance album, with the classic band line-up featuring Jonathan Donahue from Mercury Rev on guitar. Originally recorded by Donahue & remastered by Dave Fridmann & the Flaming Lips, they give a great insight into the creative process of the band. This is the first time The Mushroom Tapes will have been available as a stand-alone release & first ever time these tracks have been available on vinyl. Strictly limited to 4000 units worldwide.
This is a Black Friday 2018 item. It will be available to purchase in-store only starting Friday, November 23rd at 11AM. Remaining stock will be available to purchase online from this page at 10am, Sunday, November 25th.
Aniceto Molina is hier vandaag met een bijzondere gaste. Het
betreft de vrouw met de onverwoestbare stem, Lucy Gonzalez
oftewel Lucy ‘La Tabaquera’. We hebben het al eerder over haar
gehad. Ze is hier op meerdere platen terug te vinden, met Combo
los Galleros, met Antolin y su Combo Orense en met Lucho Campillo
onder andere. Ik heb er als bonus tracks de songs bijgevoegd met Antolin
waaraan ze de naam ‘La Tabaquera’ heeft over gehouden.. genieten..
Aniceto Molina is here today with a very special guest. It concerns the
woman with indestructible voice, Lucy Gonzalez or Lucy ‘La Tabaquera’.
We spoke about her on earlier occasions. You can find her on records
with Combo Los Galleros, with Antolin y su Combo Orense and with Lucho
Campillo among others. As bonus tracks I have added the songs with Antolin
which gave her the name ‘La Tabaquera’.. enjoy listening..
tracks ;
01 – El toro bulero
02 – No se
03 – Myriam ynes
04 – Luz marina
05 – Sincelejana
06 – Fiesta en mi tierra
07 – Ay, ay, ay
08 – Maria e’ la cruz
09 – Patricia cotes
10 – Tengo un dolor
11 – Mi costa alegre
12 – Te vivo rogando
bonus tracks ;
13 – La Tabaquera (with Antolin)
14 – Tu tabaco (with Antolin)
320 kbps | 188 MB | LINKS
Songs For Judy is the debut release on Shakey Pictures Records, Young’s own imprint distributed by Reprise Records. Songs For Judy is thoroughly engaging collection of live acoustic performances culled from Neil’s November 1976 solo tour and features twenty-two songs recorded at various cities along the tour. This song cycle of live recordings is particularly powerful and unique. Young had spent much of the year traveling around the world on tour with Crazy Horse. When touring on his own, he recharged and focused on songs that would not surface in recorded form for several years. Of the albums many treasures, “No One Seems To Know” would not see the light of day until now and it remains unreleased in any other iteration.
The raw versions of the tracks found on Songs For Judy reflect an artist completely unvarnished and unafraid to allow the songs to breath and to find their own shape when performed in a solo setting. Songs written in that era would come into focus and then seemingly disappear only to re-enter Young’s orbit somewhere down the road. “White Line” and “Give Me Strength” are such examples of finding the light in 1990 and 2017 respectively. It’s also fascinating to hear Young revisit early gems such as Springfield’s “Mr. Soul” (’67), “Here We Are In The Years” (’68), and “The Losing End” (’69) from some of his earliest solo recordings which remain as timeless as ever.
320 kbps | 92 MB | LINKS
In his new memoir Let’s Go (So We Can Get Back), Jeff Tweedy describes the songs on his first proper solo album of original material as “some of the most direct, personal and autobiographical that I’ve ever written.” That’s quite a statement from a guy who has spent the past 25 or so years working out his innermost feelings through music. Still, the 11 tunes on WARM do feel less oblique than much of Tweedy’s work, the bulk of which has come fronting Wilco.
If he’s more direct, he’s also less outwardly demonstrative. The jagged edges and scalding musical eruptions of Tweedy’s younger selves have boiled down into something quieter and more insular. His instinct for melody has grown more nuanced, with parts that seep in slowly rather than popping in your face like a string of firecrackers. It changes the impact of his words: dark sentiments lurk within a lot of Wilco songs, but you often have to go looking for them through diversionary layers of sound. Tweedy’s latter-day material exerts a different kind of pull, drawing listeners in close for the confidences he offers in a murmur unobstructed by the musical arrangements.
These songs are also empathetic in a way that hasn’t always been true of Tweedy’s music. “Don’t Forget” sounds like a loving reminder to his sons, with genial life advice (“don’t forget to brush your teeth”) and an allusion to the grief they shared when Tweedy’s father died a few years ago. On “Having Been Is No Way to Be,” Tweedy is dismissive of the cliché that his music was better before he went to rehab, and that regardless, he’s fulfilling a promise to his loved ones by staying alive (and, presumably, sober). Opener “Bombs Above” is more enigmatic, with references to complicity in conflict and the nature of suffering, but he sings about faith of a sort on “Let’s Go Rain,” which includes a playful reference to occasional collaborator Scott McCaughey, the big-hearted frontman of the Minus 5.
The title of WARM also describes the music. The songs are mostly subdued and unfussy, built around acoustic guitar and fleshed out with bursts of dual-guitar harmony on “Some Birds,” languid slide fills on the slow and moody “How Hard It Is for a Desert to Die,” and eddies of sound—chirping synthesizers, maybe, or guitar noise?—that swirl and recede on “From Far Away.” A couple of tunes here stray from the air of muted introspection: “Let’s Go Rain” is a loose, rootsy tune that pairs countrified electric guitar licks with Tweedy’s most effusive vocal performance on the album, and “I Know What It’s Like” tumbles along on burbling guitars and a strong, steady beat.
Is the exchange of restless turmoil for quietly focused introspection a worthwhile trade? Depends. For Wilco fans who never really got over the big hooks and sonic clamor of Summerteeth, probably not. For listeners who have taken pleasure in Tweedy’s continuing evolution, WARM is akin to a gift. “For a while now, the primary way I’ve kept my songwriting feeling honest to me is to imagine I’m singing only to myself, pretending no one else is listening,” he writes in Let’s Go (So We Can Get Back). It feels like a privilege to hear Tweedy’s songs when he lets them out into the world.
320 kbps | 327 MB | LINKS
Sex, Dope and Cheap Thrills takes listeners into the sessions of Big Brother and The Holding Company’s landmark second album Cheap Thrills – the album that introduced the world to the raw power of vocalist Janis Joplin. This 2CD set features 30 alternate takes (25 of which are previously unreleased) of unforgettable songs from Cheap Thrills, including “Piece Of My Heart,” “Summertime,” “Ball and Chain” and “Catch Me Daddy.” Liner notes by Big Brother drummer Dave Getz and Jefferson Airplane vocalist Grace Slick set the scene as one of the decade’s most powerful rock and roll singers put forth a document that would inspire generations to come.
DISC 1
1 Combination of The Two (Take 3) (Take 3) 05:33
2 I Need a Man to Love (Take 4) (Take 4) 08:05
3 Summertime (Take 2) (Take 2) 04:10
4 Piece of My Heart (Take 6) (Take 6) 04:55
5 Harry (Take 10) (Take 10) 01:12
6 Turtle Blues (Take 4) (Take 4) 04:47
7 Oh, Sweet Mary 04:23
8 Ball and Chain (Live at Winterland Ballroom, San Francisco, CA – April 12, 1968) (Live at Winterland Ballroom, San Francisco, CA – April 12, 1968) 07:28
9 Roadblock 05:43
10 Catch Me Daddy (Take 1) (Take 1) 05:34
11 It’s a Deal (Take 1) (Take 1) 02:42
12 Easy Once You Know How (Take 1) (Take 1) 04:35
13 How Many Times Blues Jam 05:26
14 Farewell Song (Take 7) (Take 7) 05:02
DISC 2
1 Flower In the Sun (Take 3) (Take 3) 03:14
2 Oh Sweet Mary 06:55
3 Summertime (Take 1) (Take 1) 03:14
4 Piece of My Heart (Take 4) (Take 4) 04:07
5 Catch Me Daddy (Take 9) (Take 9) 03:15
6 Catch Me Daddy (Take 10) (Take 10) 04:22
7 I Need a Man to Love (Take 3) (Take 3) 07:08
8 Harry (Take 9) (Take 9) 01:11
9 Farewell Song (Take 4) (Take 4) 04:27
10 Misery’n (Takes 2 & 3) (Takes 2 & 3) 03:57
11 Misery’n (Take 4) (Take 4) 04:58
12 Magic of Love (Take 1) (Take 1) 03:19
13 Turtle Blues (Take 9) (Take 9) 03:59
14 Turtle Blues (last verse Takes 1 – 3) (last verse Takes 1 – 3) 04:35
15 Piece of My Heart (Take 3) (Take 3) 04:32
16 Farewell Song (Take 5) (Take 5) 05:12