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    Apollonia 6 - Apollonia 6 (1984) [Japanese Reissue 1990]

    Artist: Apollonia 6
    Title Of Album: Apollonia 6
    Year Of Release: 1984/1990
    Label (Catalog#): Warner Bros. [WPCP-3701]
    Country: United States
    Genre: Funk, Disco, Soul, R&B, Synth-pop
    Quality: FLAC (tracks,cue,log,scans)
    Bitrate: Lossless
    Time: 34:26
    Full Size: 215 mb
    Upload: Turbobit

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    1231ati.jpg320 kbps | 5,2 GB | LINKS

    1995 Nobody Loves Me!
    1995-04-17 Moe’s Cafe, Seattle, USA
    1995-05-10 Den Gra Hal, Copenhagen, Denmark
    1995-05-25 Empress Ballroom, Blackpool, UK
    1997-11-08 Le Transbordeur, Lyon, France
    1997-11-09 Festival du Devenir, St. Quentin, France
    1997-12-18 Hollywood Palladium, LA, USA
    1998 Desolation Row
    1998 Elysium
    1998 Roskilde and Quart Festival
    1998-03-26 Bronco Bowl, Dallas, USA
    1998-04-01 The Warfield, San Francisco, USA
    1998-06-26 Glastonbury Festival, UK
    1998-08-09 No Festival Sudoeste, Lisbon, Portugal
    1998-08-15 La Route Du Rock Festival, St. Malo, France
    1998-08-30 Lowlands Festival, Biddinghuizen, Holland
    2007-12-08 ATP Festival, Minehead, UK
    2008-03-26 Coliseu do Porto, Porto, Portugal
    2008-04-02 Tonhalle, Munchen, Germany
    2008-04-06 Palladium, Cologne, Germany
    2008-04-10 Hammersmith Apollo, London, UK
    2008-04-26 Coachella Festival, Indio, CA, USA
    2008-05-03 Concert Prive, Studio 104, La Plaine Saint Denis, France
    2011-07-19 Festival de Nimes, Nimes, France
    2011-10-01 ATP Festival, NY, USA
    2011-10-12 The Aragon Ballroom, Chicago, USA
    2011-10-21 Berkeley, SF, USA
    2011-11-13 Harvest Festival, Sydney, Australia
    2012-06-25 Theatre Antique de Vienne, Vienne, France
    2013-06-22 Southside Festival, Neuhausen, Germany

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    Tramp - Put A Record On (1974)

    Artist : Tramp
    Title Of Album: Put A Record On
    Year Of Release: 1974 (2007)
    Label (Catalog#): Air Mail Recordings (AIRAC-1352)
    Country : UK
    Genre: blues, blues rock
    Quality : FLAC (*image + .cue,log,scans)
    Bitrate: Lossless
    Time: 66:43
    Full Size: 424,0 MB

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    Blue Feather - Shadows Of The Night (1985) [Reissue 2017]

    Artist: Blue Feather
    Title Of Album: Shadows Of The Night
    Year Of Release: 1985/2017
    Label: CNR Music
    Country: Netherlands
    Genre: Soul, Funk, Disco, Boogie, Pop
    Quality: FLAC (tracks)
    Bitrate: Lossless
    Time: 39:59
    Full Size: 254 mb
    Upload: Turbobit

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  • 12/03/18--07:25: Tramp - Tramp (1969)
  • Tramp - Tramp (1969)

    Artist : Tramp
    Title Of Album: Tramp
    Year Of Release: 1969 (2007)
    Label (Catalog#): Air Mail Recordings (AIRAC-1340)
    Country : UK
    Genre: blues, blues rock
    Quality : FLAC (*image + .cue,log,scans)
    Bitrate: Lossless
    Time: 66:43
    Full Size: 391,0 MB

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    Eric Carmen - Tonight You're Mine (1980)

    Artist : Eric Carmen
    Title Of Album: Tonight You're Mine
    Year Of Release: 1980 (1997)
    Label (Catalog#): BMG Japan Inc. (BVCM-7322)
    Country : USA
    Genre: pop rock
    Quality : FLAC (*image + .cue,log,scans)
    Bitrate: Lossless
    Time: 33:49
    Full Size: 309,0 MB

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  • 12/03/18--07:25: True Myth - True Myth (1979)
  • True Myth - True Myth (1979)

    Artist : True Myth
    Title Of Album: True Myth
    Year Of Release: 1979 (2010)
    Label (Catalog#): Belle Antique (BELLE 101734)
    Country : Canada
    Genre: progressive rock
    Quality : FLAC (*tracks + .cue,log,scans)
    Bitrate: Lossless
    Time: 34:56
    Full Size: 229,0 MB

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    ELP - Live At The Isle Of Wight Festival 1970 (1997)

    Artist : ELP
    Title Of Album: Live At The Isle Of Wight Festival 1970
    Year Of Release: 1997
    Label (Catalog#): Victor (VICP-60443)
    Country : UK
    Genre: progressive rock, art rock
    Quality : FLAC (*image + .cue,log,scans)
    Bitrate: Lossless
    Time: 68:23
    Full Size: 432,0 MB

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  • 12/03/18--09:40: Drone Trio Lantskap Logic
  • Drone Trio
    Lantskap Logic
    (Clean Feed, 2018)
    more details

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    Echo-Chamber-album-cover-2-e153866457490320 kbps | 102 MB | LINKS

    I don’t know about Dalibor Pavicic and Chris Eckman, the main authors of the songs from the new album of the band named The Strange, but those verses from the song “Fast Train To Nowhere” accurately describe how I feel here in Croatia; on “the edge of nowhere” where a train for the better future, the one we waiting for from the time we were born, will never arrive. It’s hard to endure such a condition, but it might be that only from a mood like that the great work like “Echo Chamber” could be born.
    “Echo Chamber” is a successor of the first album by The Strange, “Nights of Forgotten Films” (2004), basically made by The Bambi Molesters as a Croatian surf-rock band and Chris Eckman, once the main force behind The Walkabouts. For those who don’t know, The Bambi Molesters with albums such as “Sonic Bullets – 13 From The Hop” (2001) widely broadened the boundaries of surf-rock; becoming one of the best instrumental rock bands recognized by connoisseurs around the world. It was a match made in heaven. In Zagreb, Croatia where The Bambi Molesters worked and in Ljubljana, Slovenia where Chris Eckman moved from Seattle, WA.
    That was a coincidence, but on the other side, what brought them together to made the album such as “Nights Of Forgotten Films” was an instrumental imagination of The Bambi Molesters and a beauty of Eckman’s poetry and voice. Even then was clear that The Strange is much more than just a sum of one surf-rock band and one gothic-Americana poet. It was, if you ask me as guy who knows Eckman and The Bambi Molesters for more than a 25 years, the best album Eckman sang on since “New West Motel” (1993) by The Walkabouts and the verification for The Bambi Molesters that they could be a great band, not only in surf-rock as a purely instrumental music. Also, “Nights Of Forgotten Films” was much more than a surf-rock album with added Eckman’s voice and lyrics. Rather than that, it was beautiful piece of Americana that could be compared with the key works of Calexico and Lambchop, as well as the ones by The Walkabouts, and a great album with a touch of psychedelic rock similar to the one of Dream Syndicate, noir feeling and gothic-rock akin to some works of Nick Cave and the influences of the bands such as The Cramps and The Gun Club.
    In the co-production of Phil Brown – well known by his work on some recordings of Led Zeppelin, Roxy Music, Traffic, Bob Marley and many others – “Nights Of Forgotten Films” sounded as an album we even could not imagine that could come from Zagreb, Croatia and Ljubljana, Slovenia. I mean, music down here usually is something completely different and much, much worse than the music of The Strange.
    Now, long fourteen years later, a second album “Echo Chamber”, with Phil Brown at the mixing console again, finally arrived. It is broadening and deepening the music of The Strange, conceived in the birth of The Bambi Molesters in the ruined industrial town of Sisak from the verge of Croatia and the existence of The Walkabouts in Seattle, U.S.A. as the epicentre of grunge-rock that Eckman actually didn’t have connecting points with, except the releasing records on Sub Pop. The chance that people from such distant cities and different musical backgrounds – even if they share similar taste in music – would be brought together in one band was around zero. But, the language of music is universal one, so The Strange happened after Peter Buck (R.E.M.) and Scott McCaughey (Minus 5, Young Fresh Fellows) played on “Sonic Bullets – 13 From The Hip” (2001) by The Bambi Molesters who acted as a support band on the concert of R.E.M. in Koper, Slovenia at the end of the 90’s.
    The only song with lyrics and voice on that album is “Ice And Pinewood Trees”, sang by Chris Eckman and that was the starting point for what would become The Strange. A really strange story about The Strange, if I may notice, but luckily it was not only a dream of one drunken rock critic; at the time an A&R guy responsible for The Bambi Molesters and now asked to write these lines. Anyway, “Echo Chamber” is even more diverse and deeper than “Nights Of Forgotten Films”. For example, a song “Killing Time” sounds like a lost country-soul from the late 60’s, “Dime A Dozen” like a funk-rock from the early 70’s and “Broken Down Blues” like a blues in the style of the final songs by Leonard Cohen, while some songs are again comparable with works of Calexico and Lambchop. It’s up to you to decide who is better, The Strange or…
    Also, beautiful twang guitars, elegant horn section, tasty keyboards and delighted strings are suggesting that “Echo Chamber” could be today’s echo of the yesterday’s baroque-pop legends such as Lee Hazlewood, Scott Walker, Van Dyke Parks and Burt Bacharach, while Chris Eckman stood close to a procédé of Nick Cave. But, the most important thing is that “Echo Chamber” of The Strange, despite all odds, is a wonderful album recorded by souls, first lost and then found in the universe of music. It would be such a loss for all of us if those souls didn’t met.

    Aleksandar Dragaš

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    2l9my2x.jpgFLAC | 1,4 GB | LINKS

    2018 marks the 30th Anniversary of the release of Almost Acoustic, the out of print 1988 live classic from The Jerry Garcia Acoustic Band. In honor of this milestone Almost Acoustic will receive a special limited-edition reissue for Record Store Day 2018 on November 23rd.

    Recorded in 1987 at The Wiltern Theatre in Los Angeles and the Warfield Theatre in San Francisco, Almost Acoustic features Garcia (guitar & vocals) performing with some of his closest pre-Dead friends and collaborators from the early 1960’s – Sandy Rothman (mandolin, dobro & vocals) and David Nelson (guitar & vocals). Joining in were Kenny Kosek (fiddle) and long-time Jerry Garcia Band alums John Kahn (upright bass) and David Kemper (snare drum). Songs include influential folk traditionals, such as “Swing Low, Sweet Chariot”, “Blue Yodel #9” and “Diamond Joe”. The album also highlights songs that were consistently woven in and out of Garcia’s career as both a solo artist and with the Grateful Dead, including “Deep Elem Blues”, “Oh, The Wind And Rain” and the Garcia/Hunter classic, “Ripple”.


    1 Swing Low, Sweet Chariot
    2 Deep Elem Blues
    3 Blue Yodel #9
    4 Spike Driver Blues
    5 I’ve Been All Around This World
    6 I’m Here To Get My Baby Out Of Jail
    7 I`m Troubled
    8 Oh, The Wind And Rain
    9 The Girl At The Crossroads Bar
    10 Oh, Babe, It Ain’t No Lie
    11 Casey Jones
    12 Diamond Joe
    13 Gone Home
    14 Ripple

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    rip by Boris1

    Ace Frehley - Spaceman (2018)

    Performer: Ace Frehley
    Album: Spaceman
    Label: eOne
    Catalog #: EOM-CD-8773
    Style: Hard Rock
    Year: 2018
    Format: Flac (*image + .cue,log,scans)
    Bitrate: lossless
    Covers: in archive
    Amount of tracks: 9
    Size RAR: ~ 339 MB
    Upload: cloud.mail
    Recovery: 3%
    Password: sim-sim

    Ace Frehley ???????? ? ??????? ????????? ???????? ????? ??????. ?????? ?????? ??????? Spaceman ?????????? ??? ????? ? ???????, ????? ?? ???? ???????, ? ???? ??? ????? ? ??? ??? ??????. ????? ?? ?? ?????? ????, ? Ace Frehley ????????????? Gene Simmons. ?????? ?? ? ????????? ???????? ???????. Spaceman ???????????? ?????? ???????????? ?????????? ? ???? ????? ?? Eddie Money ??? I Wanna Go Back. ??? ?????? ???????????? ????? ??????? - 1. Rockin' With the Boys, ???????? ?????-??????, ????????????? ????? ????????? ?? ???? ?????? Ace Frehley ? KISS ? 70-?, ? 2. Bronx Boy - ????? ?????????????????? ?????.

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    Chrome Division - One Last Ride (2018)

    ???????????: Chrome Division
    ??????: Norway
    ??????: One Last Ride
    ????: Heavy Metal | Hard Rock
    ????????: Nuclear Blast GmbH. [NB 4582-2]
    ???: 2018
    ??????: FLAC (*tracks + .cue,log, covers)
    ??????: 342Mb
    ??????: Turbobit | GigaPeta (3% ?? ??????????????)

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    The Whispers - More Of The Night (1990)

    Artist: The Whispers
    Title Of Album: More Of The Night
    Year Of Release: 1990
    Label (Catalog#): Capitol Records [CDP 7 92957 2]
    Country: United States
    Genre: Soul, R&B, Pop
    Quality: FLAC (tracks,cue,log,scans)
    Bitrate: Lossless
    Time: 1:11:57
    Full Size: 495 mb
    Upload: Turbobit

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    Ingrid Laubrock | Tom Rainey
    (Relative Pitch Records, 2018)
    more details

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    Grant Green - Standards (1980) [Reissue 1998]

    Artist: Grant Green
    Title Of Album: Standards
    Year Of Release: 1980/1998
    Label (Catalog#): Blue Note [821 2842]
    Country: United States
    Genre: Jazz-Funk, Soul-Jazz, Post Bop, Guitar Jazz
    Quality: FLAC (tracks,cue,log,scans)
    Bitrate: Lossless
    Time: 57:16
    Full Size: 348 mb
    Upload: Turbobit

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  • 12/03/18--11:41: Antonio Raia Asylum
  • Antonio Raia
    (Clean Feed, 2018)
    more details

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    R-12840483-1542982883-8745.jpeg.jpgFLAC | 1,4 GB | LINKS

    Slip Stitch and Pass is Phish’s second official live album, originally released October 28, 1997. The nine tracks were recorded live March 1, 1997 at the Markthalle Hamburg in Hamburg, Germany. Renowned designer Storn Thorgerson designed the album cover. This Record Store Day Black Friday release is coming on double two-color splatter vinyl.


    A1 Cities 5:19
    A2 Wolfman’s Brother 13:50
    B1 Jesus Just Left Chicago 12:58
    B2 Weigh 5:29
    C1 Mike’s Song 13:52
    C2 Lawn Boy 2:56
    C3 Weekapaug Groove 8:20
    D1 Hello My Baby 1:19
    D2 Taste 8:45

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    Otis Redding - The King of Soul [4CD Box Set] (2014)

    Artist: Otis Redding
    Title Of Album: The King of Soul
    Year Of Release: 2014
    Label (Catalog#): Atlantic [8122796068]
    Country: United States
    Genre: Soul, Funk, Pop, Rhythm & Blues
    Quality: FLAC (tracks,cue,log,scans)
    Bitrate: Lossless
    Time: 4:36:57
    Full Size: 1.43 gb
    Upload: Turbobit

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