το FRED HERSCH TRIO ’97 στο Village Vanguard
Kick Axe - Rock The World (1985) [Vinyl Rip 24/96 + CD Reissue 2005]
???????????: Kick Axe
??????: Rock The World
????: Hard 'n' Heavy
??? ??????: 1985, 1895 / 2005
??????: FLAC (image+.cue, log, scans)
????????: Lossless
????? ????????? ??????: NM
??????: 1.16 Gb / 400 Mb
??: katfile/turbobit/gigapeta/uploadboy
Iggy Pop with David Bowie – Live at Mantra Studios Broadcast 1977 (2018)
320 kbps | 135 MB | LINKS
Tracks:
01. Raw Power
02. T.V. Eye
03. Dirt
04. Turn Blue
05. Funtime
06. Timme Danger
07. No Fun
08. Sister Midnight
09. I Need Somebody
10. Search and Destroy
11. I Wanna Be Your Dog
12. China Girl
13. Funtime
14. Sister Midnight
ΜΙΚΡΑ ΚΕΙΜΕΝΑ ΑΠΟ ΤΟ FACEBOOK 132
Πέθανε πριν τρεις μέρες ο τραγουδιστής, κιθαρίστας και βασικός συνθέτης των Ιταλών Banda Bassotti, Angelo Conti. Ήταν 62 ετών.
Εγώ δεν είμαι φαν του σινεμά του Τσιώλη από τα έιτις και μετά, και τις ταινίες του (έχω δει τις πιο πολλές) τις θεωρώ μέτριες. Καλών προθέσεων, αλλά μέτριες. Απεναντίας, θεωρώ εργάρες κάποια από τα φιλμ που έκανε για το Φίνο στις αρχές του ’70, παρά τις όποιες υπερβολές (οι οποίες για μένα δεν είναι ενοχλητικές – σινεμά βλέπουμε, όχι ντοκιμαντέρ). Το λέω, γιατί εσχάτως κουβεντιάζαμε μ’ ένα φίλο για την περίφημη σκηνή από το «Ορατότης Μηδέν» (του Φώσκολου), όταν ο Κούρκουλος καίει στο δρόμο τα υπάρχοντά του καθώς ακούγεται το «Βρέχει φωτιά στη στράτα μου». Ο φίλος υποστήριζε πως η σκηνή δεν έχει αληθοφάνεια, επειδή ο Κούρκουλος βάζει ένα δίσκο σε γραμμόφωνο (και ακούγεται το τραγούδι), ενώ ο ήχος του τραγουδιού τού Πλέσσα προέρχεται από tape! Αν είναι δυνατόν!
Φοβερή περσόνα, απίστευτη φάτσα-χτένισμα-ντύσιμο-κινήσεις, φωνή ανατριχιαστική (εμένα, στο ρεφρέν, αλήθεια τώρα, μου σηκώνεται η τρίχα) και φυσικά ένα μέγιστο τραγούδι – που το χορεύαμε κάποτε στις ντίσκο, δίχως να ξέρουμε ακριβώς το γιατί…
Jennifer Lopez - Discography (1999-2014)
Soreption - Monument Of The End (2018)
VA - Classic School of Rock [2CD] (2007)
Ella Mai - Ella Mai (2018)
Bokanté + Metropole Orkest – What Heat (2018)
When Bokanté released their debut album Strange Circles last year, it was unlike anything else. Conceptualized by Snarky Puppy founder Michael League, the project includes former Väsen drummer André Ferrari, Guadeloupian singer Malika Tirolien, Snarky Puppy percussionist Keita Ogawa, and a long list of other artists. The music that the group made on Strange Circles drew from different continents and genres to make a hard-edged kind of global rock. It was nothing less than groundbreaking in its creativity. Bokanté could have easily been a one-time project and Strange Circles a monolith, with a legacy crystallized. Instead, improbably enough, the group scaled up for sophomore album What Heat. Recorded in tandem with the Netherlands-based Metropole Orkest and its…
…conductor, Jules Buckley, the album shows Bokanté widen its already impressive scope. In many ways, What Heat builds on Strange Circles – in heart, in musicianship, in melody – but in even more, it diverges.
What Heat has an epic quality to it. Half of the tracks break the seven-minute mark; none fall below five. The Orkest’s sweeping accompaniments make every song a miniature suite with long, richly textured instrumental breaks. Hefty lyrical themes include the deadly travails of forced migration (“Bòd Lanmè Pa Lwen”), rights and equality for members of the African diaspora (“Réparasyons”) and women (“Fanm”), and even a possible future in which a leader simply called “Donny” is thrown out into the streets and the world works to repair the damage he has done (“Don’t Do It”). What Heat is an album that could just as easily be a masterpiece of socially relevant modern dance as a sophomore record.
There are fewer songs that truly stick to the mind here than on the group’s first record. Opening track and first single “All The Way Home” is the album’s chief earworm, a droning oud leading into Tirolien’s message of resistance (“You thought you could do as you liked / And force the people to comply / You thought they would do as you say / But too many resisted,” read the translated lyrics), sloping strings, and heavy percussion. The oud stands as an element to cling to throughout the song as the melody takes unexpected turns, eventually rising upward with the help of melancholy guitar twang and soaring violin. “Fanm” employs even more percussion for a more upbeat standout – this is a track with serious dance grooves.
Moving forward, the hallmark of What Heat is its symphonic quality and Bokanté’s ability to emote even through such instrumental structure as the Orkest’s. Certainly, there are times when the Orkest’s parts seem overwrought – “Don’t Do It” could easily have been played as a straight Bokanté track – but there are also times when the combination is sensational. Never is the meeting of music more sublime than on “Bòd Lanmè Pa Lwen”, a song poignant even before a textual reading. Shades of the Louisiana bayou color the guitars here, but low strings bring in the sense of dark waters necessary to add gravitas to the song’s urgent second half, where percussion, horns, strings, and voice hit at a running pace, often in unison. Ending track “La Maison En Feu”, a final scathing tribute to anonymous destructive leaders (“He’s the son of fear and terror / The three together cause nothing but pain / Without regret”) is another perfect mix, the Orkest embellishing and pleading without dominating the main group.
Bokanté and the Metropole Orkest are not groups that need each other for credibility. Both have established themselves well as out-of-the-box ensembles in markets that often reward homogeneity, Bokanté having done so with only one album to its name. On What Heat, though, Bokanté proves that not only does it know how to thrive as a unit, it knows how to collaborate with grace to make something more than the sum of its parts. What Heat may not have been what Bokanté’s enthralled audience expected, but, like Strange Circles, it shows a fondness for the novel and a willingness to always reach for something greater.
The Flower Kings - The Road Back Home (2007) (2CD)
??????: Sweden
??????: The Road Back Home
????: Progressive Rock
??? ??????: 2007
????????: (CD-Rip) Inside Out (IOMCD 276)
??????: 947+937 kbps FLAC (image. cue. log. Full scans)
??????: 1.09 Gb
?????????????: Turbobit/Gigapeta
Blo - Classics (Phases) 1972-1982 (2010)
Mago De Oz - 30 Anos 30 Canciones [2CD] (2018)
Pirati 1994 Lora Holliday (HD snimak)
SJAJNA GRUPA sastavljena od velikih muzičara Beograda, čak je prateći vokal Tanja Jovičević!
Muzika balansira izmedju dobrog roka, popa, soula pa čak i bluesa, sjajno
HD snimak znači sledeći proces: Snimanje preko dvd rekordera znači krajnji snimak sa sledećom dobrom iopakom rezolucijom od 48kHza kao i 32-bitni snimak! Dakle fajl treba da zadovolji one picajzle koje vole originalni snimak bez kompresije, pa ovo je prilika za njih!
P I R A T I
Pirati 1994 Lora Holliday (HD snimak)
SJAJNA GRUPA sastavljena od velikih muzičara Beograda, čak je prateći vokal Tanja Jovičević!
Muzika balansira izmedju dobrog roka, popa, soula pa čak i bluesa, sjajno
HD snimak znači sledeći proces: Snimanje preko dvd rekordera znači krajnji snimak sa sledećom dobrom iopakom rezolucijom od 48kHza kao i 32-bitni snimak! Dakle fajl treba da zadovolji one picajzle koje vole originalni snimak bez kompresije, pa ovo je prilika za njih!
P I R A T I
In Flames - Lunar Strain + Subterranean (1995)
??????: Sweden
??????: Lunar Strain + Subterranean
????: Melodic Death Metal
??? ??????: 1995
????????: (CD-Rip) Toy's Factory (TFCK-88737)
??????: 955 kbps FLAC (image. cue. log. cd scans)
??????: 444.52 Mb
?????????????: Turbobit/Gigapeta
Phi - Cycles (2018)
Alexander Spence – AndOarAgain (2018)
320 kbps | 355 MB | LINKS
AndOarAgain provides unparalleled access to what David Fricke calls “the most harrowing and compelling artifacts of rock & roll’s most euphoric era” across three dozen unheard tracks! In addition to the quintessential original album, AndOarAgain features nearly two hours of unheard music on the way to Oar–along with roads not taken–that both clarifies and muddies the enigma of how psychedelic legend Alexander “Skip” Spence determined the final state of his iconic masterpiece. The time: December, 1968. The setting: the Columbia Recording Studios at 504 16th Avenue South in Nashville, Tennessee. Alexander Spence – a singer, songwriter, and guitarist commonly known as Skip, recently relieved of his duties in the San Francisco rock band Moby Grape after a descent into excessive hallucinatory-drug use and a psychotic episode with a fire axe – is recording Oar, his first album as a Columbia solo artist. It will also be his last. Made in six days spread over two weeks, then released six months later on May 19th, 1969, Oar will be Spence’s only complete expression of his experimental verve and musical facility, under his real name and creative control, before he recedes into rapidly deepening, ultimately conquering darkness. A half-century after its brisk, strange birth, Oar remains an apparent chaos of eccentric composition and overwhelming melancholy, wreathed in country-blues shadows and the smokey blur of Spence’s wounded-baritone singing.
AndOarAgain, a 3-CD set including the seminal original album, the 1999 bonus cuts, and nearly two hours of unheard Oar; all packaged in a hardbound book-style jacket with rare photos and extensive notes from David Fricke!
Disc 1:
1.Little Hands
2. Cripple Creek
3. Diana
4. Margaret – Tiger Rug
5. Weighted Down (The Prison Song)
6. War In Peace
7. Broken Heart
8. All Come To Meet Her
9. Books Of Moses
10.Dixie Peach Promenade (Yin For Yang)
11.Lawrence Of Euphoria
12.Grey/Afro
13.This Time He Has Come
14.It’s The Best Thing For You
15.Keep Everything Under Your Hat
16. Furry Heroine (Halo Of Gold)
17.Givin’ Up Things
18.If I’m Good
19.You Know
20.Doodle
21.Fountain
22.I Think You And I
Disc 2:
1.Little Hands (Take 2)
2.Cripple Creek (Basic)
3.Diana (Take 3)
4.Furry Heroine (Halo Of Gold) (Alternate)
5.My Friend
6.War In Peace (Alternate)
7.Broken Heart (Voc & Acoustic)
8.All Come To Meet Her Now (Alternate 1)
9.I Want A Rock & Roll Band
10.Dixie Peach Promenade (Yin For Yang) (Alternate)
11.Lawrence Of Euphoria (Alternate)
12.Mary Jane/Steamboat
13.I Got A Lot To Say (Version 1)
14.Diana (Alternate 1)
15.War In Peace (Instrumental)
16.Diana (Alternate 2)
Disc 3:
1.Little Hands (Vocal Overdub)
2.Diana (Version 2)
3.Weighted Down (The Prison Song) (Rehearsal)
4.The Shape You’re In
5.I Want A Rock & Roll Band (Instrumental)
6.It’s A Hard Life (Version 1)
7.I Got Something For You
8.Diana (12 String Version)
9.I Got A Lot To Say (Version 2)
10.It Ain’t Nice (Version 1)
11.She Don’t Care
12.All Come To Meet Her (Alternate 2)
13.It Ain’t Nice (Version 2)
14.It’s A Hard Life (Version 2)
15.All Come To Meet Her (Rehearsal)
16.Diana (Overdub)
17.War In Peace (Take 2)
18.Broken Heart (Extended Master)
19.19War In Peace (Guitar Overdub)
20.Diana (Basics)
Jasmine Guffond Degradation Loops
Jasmine Guffond
Degradation Loops
(Karlrecords, 2018)
more details