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    9liohe.jpg320 kbps | 117 MB | LINKS

    On 12 July at the Oxegen Festival Amy Winehouse performed a well-received 50 minute set.


    01 – Addicted
    02 – Just Friends
    03 – Tears Dry On Their Own
    04 – Cupid
    05 – Back To Black
    06 – Wake Up Alone
    07 – Some Unholy War
    08 – Love Is A Losing Game
    09 – Hey Little Rich Girl
    10 – You’re Wondering Now
    11 – You Know I’m No Good
    12 – Rehab
    13 – Me And Mr Jones
    14 – Valerie

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    n3wvip.jpg320 kbps | 896 MB | LINKS

    Paul proudly announces the 11th and 12th classic works from his revered catalogue to be remastered, reissued and expanded across multi-format installments of his GRAMMY-winning Archive Collection, to be released December 7, 2018 via MPL/Capitol/UMe.

    First up is the four-disc (3CD, 1DVD) limited deluxe edition of Wild Life, the debut album from Wings, originally released December 1971. Written by Paul and Linda McCartney (with the exception of a cover of Mickey & Sylvia’s ‘Love Is Strange’), Wild Life is beloved by fans for its raw and direct vibe – having been recorded in just over a week with the majority of tracks laid down in a single take. Wild Life’s limited deluxe edition treatment features the full album remastered at Abbey Road plus 25 bonus audio tracks including rough mixes of the album, original single edits, B-sides, home recordings and other previously unreleased material across three CDs. The set’s DVD features rare footage of acoustic home videos, rehearsals and more. The Wild Life deluxe package includes a 128-page book written by David Fricke telling the story behind the album – including track-by-track information and new interviews with Paul and key album personnel, a 48-page scrapbook of tour diaries, lyrics and set lists, unpublished Polaroids, lyrics, notes and memorabilia from the MPL archives. Wild Life’s download redemption card will provide access to all audio in HD 24/96kHz unlimited high-resolution versions.

    Next up is a six-disc (3CD, 2DVD + Blu-ray) numbered limited deluxe edition of the second Wings album and first credited to Paul McCartney and Wings, Red Rose Speedway. Released in April 1973 and featuring the #1 single ‘My Love,’ Red Rose Speedway was the first Wings album to hit #1 on the U.S. chart. The Red Rose Speedway limited deluxe edition features three discs of audio including the original album remastered at Abbey Road, no less than 35 bonus audio tracks, including a reconstruction of the originally conceived double album version of Red Rose Speedway, singles, B-sides, alternate mixes and previously unreleased tracks. The 2DVD + Blu-ray portions of the deluxe are packed with rare and previously unseen footage, including the James Paul McCartney TV Special, interviews and music videos, as well as the never before seen film The Bruce McMouse Show – fully restored and remixed in stereo and 5.1 surround sound. The package includes a folio containing 14 replica hand-drawn original character sketches by Paul and facsimile dialogue sheets for the film, a 128-page book containing many previously unpublished images by Linda McCartney, expanded album and single artwork from the archives and story behind the album – including new interviews with Paul McCartney, and key album personnel – and track-by-track information, written by Amanda Petrusich, five replica handwritten lyric sheets and photo print, a 64-page ‘Wings In Morocco’ photo book, all housed in a numbered outer slipcase. The Red Rose Speedway download redemption card will provide access to all audio in HD 24/96kHz unlimited high-resolution versions.

    Finally, the 11-disc Paul McCartney and Wings 1971–73 numbered limited edition super deluxe compilation features not only the entire contents of the Wild Life 4-disc numbered limited deluxe edition and of the Red Rose Speedway 6-disc numbered limited deluxe edition – but also the exclusive live album, Wings Over Europe. This exclusive collection features 20 previously unreleased, newly mixed live tracks recorded over the course of 5 shows, an introduction featuring Paul recounting memories of the 1972 tour, a 96-page photo book including previously unreleased images by Linda McCartney and Captain Snap, a replica of the 1972 Wings Over Europe tour program, and access to downloadable 24/96kHz unlimited high-resolution audio versions.

    The Paul McCartney Archive Collection debuted with the November 2, 2010 re-release of Paul McCartney and Wings’ 1973 milestone Band on the Run, which won the 2010 GRAMMY Award for Best Historical Album, while the Archive Collection’s Deluxe Edition Box Set of the 1976 classic Wings Over America took the 2013 GRAMMY for Best Boxed or Special Limited Edition Package. The most recent previous instalment was 2017’s reissue of Paul’s eighth studio album Flowers In The Dirt, which ROLLING STONE called, “spectacular… an extraordinary document,” and the OBSERVER hailed as, “perhaps the greatest record to emerge from the world of AOR in 1989… an absolute pleasure to rediscover today.”

    Every release in the on-going Paul McCartney Archive Collection is supervised by Paul himself, who oversees all aspects of each and every title from remastering to the curation of lost tracks, outtakes, artwork, photographs and video from his personal vaults, and much more. The result is one of the most ambitious and personal undertakings of its kind, one that encompasses more than 40 years of cherished, classic material from the most successful songwriter and recording artist in music history.



    Wild Life – Deluxe Edition CD Box Set

    CD1 – Remastered Album
    1. Mumbo (2018 Remaster)
    2. Bip Bop (2018 Remaster)
    3. Love Is Strange (2018 Remaster)
    4. Wild Life (2018 Remaster)
    5. Some People Never Know (2018 Remaster)
    6. I Am Your Singer (2018 Remaster)
    7. Bip Bop (Link) (2018 Remaster)
    8. Tomorrow (2018 Remaster)
    9. Dear Friend (2018 Remaster)
    10. Mumbo (Link) (2018 Remaster)

    CD2 – Rough Mixes
    1. Mumbo [Rough Mix]
    2. Bip Bop [Rough Mix]
    3. Love Is Strange (Version) [Rough Mix]
    4. Wild Life [Rough Mix]
    5. Some People Never Know [Rough Mix]
    6. I Am Your Singer [Rough Mix]
    7. Tomorrow [Rough Mix]
    8. Dear Friend [Rough Mix]

    CD3 – Bonus
    1. Good Rockin’ Tonight [Home Recording]
    2. Bip Bop [Home Recording]
    3. Hey Diddle [Home Recording]
    4. She Got It Good [Home Recording]
    5. I Am Your Singer [Home Recording]
    6. Outtake I
    7. Dear Friend [Home Recording I]
    8. Dear Friend [Home Recording II]
    9. Outtake II
    10. Indeed I Do
    11. When The Wind Is Blowing
    12. The Great Cock And Seagull Race [Rough Mix]
    13. Outtake III
    14. Give Ireland Back To The Irish
    15. Give Ireland Back To The Irish (Version)
    16. Love Is Strange [Single Edit]
    17. African Yeah Yeah

    Wings Over Europe

    CD 1
    1. Big Barn Bed [Live In Newcastle/1973]
    2. Eat At Home [Live At The Hague/1972]
    3. Smile Away [Live In Berlin/1972]
    4. Bip Bop (Link) [Live At The Hague/1972]
    5. Mumbo (Link) [Live In Antwerp/1972]
    6. Blue Moon Of Kentucky [Live At The Hague/1972]
    7. 1882 [Live In Berlin/1972]
    8. I Would Only Smile [Live In Antwerp/1972]
    9. Give Ireland Back To The Irish [Live In Groningen/1972]
    10. The Mess [Live In Berlin/1972]
    11. Best Friend [Live In Antwerp/1972]
    12. Soily [Live In Berlin/1972]
    13. I Am Your Singer [Live At The Hague/1972]
    14. Seaside Woman [Live In Groningen/1972]
    15. Wild Life [Live At The Hague/1972]
    16. My Love [Live At The Hague/1972]
    17. Mary Had A Little Lamb [Live At The Hague/1972]
    18. Maybe I’m Amazed [Live In Groningen/1972]
    19. Hi, Hi, Hi [Live At The Hague/1972]
    20. Long Tall Sally [Live In Groningen/1972]

    Red Rose Speedway – Deluxe Edition CD Box Set

    CD1 – Remastered Album
    1. Big Barn Bed (2018 Remaster)
    2. My Love (2018 Remaster)
    3. Get On The Right Thing (2018 Remaster)
    4. One More Kiss (2018 Remaster)
    5. Little Lamb Dragonfly (2018 Remaster)
    6. Single Pigeon (2018 Remaster)
    7. When The Night (2018 Remaster)
    8. Loup (1st Indian On The Moon) (2018 Remaster)
    9. Medley: (2018 Remaster)
    *(a) Hold Me Tight
    *(b) Lazy Dynamite
    *(c) Hands Of Love
    *(d) Power Cut

    CD2 – “Double Album”
    1. Night Out
    2. Get On The Right Thing
    3. Country Dreamer
    4. Big Barn Bed
    5. My Love
    6. Single Pigeon
    7. When The Night
    8. Seaside Woman
    9. I Lie Around
    10. The Mess [Live At The Hague]
    11. Best Friend [Live In Antwerp]
    12. Loup (1st Indian On The Moon)
    13. Medley:
    *(a) Hold Me Tight
    *(b) Lazy Dynamite
    *(c) Hands Of Love
    *(d) Power Cut
    14. Mama’s Little Girl
    15. I Would Only Smile
    16. One More Kiss
    17. Tragedy
    18. Little Lamb Dragonfly

    CD3 – Bonus Audio
    1. Mary Had A Little Lamb
    2. Little Woman Love
    3. Hi, Hi, Hi
    4. C Moon
    5. Live And Let Die
    6. Get On The Right Thing [Early Mix]
    7. Little Lamb Dragonfly [Early Mix]
    8. Little Woman Love [Early Mix]
    9. 1882 [Home Recording]
    10. Big Barn Bed [Rough Mix]
    11. The Mess
    12. Thank You Darling
    13. Mary Had A Little Lamb [Rough Mix]
    14. 1882 [Live in Berlin]
    15. 1882
    16. Jazz Street
    17. Live And Let Die [Group Only, Take 10]

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    R-4854566-1377561343-5560.jpeg1 Me Pudro Por Ti
    2 Vivo, Vivo
    3 Palo De Santo
    4 Vanidad Masculina
    5 Como La Mosca Y La Araña
    6 El Panadero
    7 Bancarrota
    8 Los Dioses No Están Contigo
    9 Arsénico Y Cloroformo
    10 Como Un Suspiro
    11 Big Bang


    Cuarto Lp de la banda de Zaragoza

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    81mGCbsVvlL._SL1200_.jpg320 kbps | 177 MB | LINKS

    Embracing the white college market like so many of his contemporaries Memphis Slim stepping into the international market and became a very famous ambassador for the blues around the world. This 25 track set is littered with hits and classic songs including “Messin’ Around”, “Frisco Bay”, “Blue And Lonesome”, “Help Me Some”, “Angel Child”, “Mother Earth” and “The Comeback”. Also featured here is “Nobody Loves Me” and although not a hit for Memphis, it went on to be recorded by Lowell Fulson and B.B. King as “Every Day I Have The Blues” eventually becoming a hit and a blues standard. This modest selection of titles from the vast recorded legacy of Memphis Slim presents a vivid picture of the career path he followed from the juke joints of the South to the sophisticated bars of Paris, France and is a must for blues fans.

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    41mXnN7vG4L._SS500.jpg320 kbps | 97 MB | LINKS

    How much of a connection should pop music have with everyday life? For Malcolm Middleton, music is the opposite of escapism. With so much modern music processed within an inch of its digital life, it is therefore wholly refreshing to find Middleton and his accomplices in the studio singing of day to day fallibilities.

    Bananas is the singer-songwriter’s most direct and confrontational record yet – but not in a musical sense. The music itself is a comforting and often uplifting presence, upward looking in its trajectory and beautifully shaded, subtleties revealing themselves through flowing piano or busy guitar. The musicians themselves, including King Creosote and Jenny Reeve on backing vocals, are on top form.

    Yet it is in the lyrical content where Middleton really hits home, looking in the mirror (so it would seem) to confront some demons with an unflinching gaze. He does this in such a way that a smile comes readily to the listener’s face; for Middleton’s wry observational powers are still at their height, delivered in his winsome Dumfries burr. “There’s nothing worse than a successful Scotsman, as he writes into his book,” he sings on Twilight Zone, a songs whose day to day mundanity is all the more touching for its airy musical setting. “Fuck off with your happiness,” he delivers with brio on Love Is A Momentary Lapse In Self-Loathing.

    Not for him the pretence that life is a breeze, needing no mental strength. Instead he presents us with an album of nine songs that dig in for genuine, hard-fought positivity. Laying his cards on the table with first song Gut Feeling, he tells of the “rows and rows of naysayers, marching with the vampires, a troupe of doubting Thomases in my mind”.

    Often the struggle is inspirational. On Buzz Lightyear Helmet, it’s ok for him to say “everything is gonna be alright, but today I’m feeling shite”. This song is the album’s most ambitious, an eight-minute suite of distilled feelings and contrasting musical styles whose common denominator is its frank declarations. ‘We’re gonna have fun fun fun on the East Coast!’ he proclaims, and though it may be a dead pan delivery, he clearly means it.

    There is a stark underside though. “Ever so lost and lonely, give me some company,” he sings over an electronic beat on Man Up, Man Down. Then, on Salamander Gray, he closes the album with a deeply affecting song where the coda speaks repeatedly of the “pain in my heart”. The music, however, speaks of the strength within to ease it.

    Life is a struggle for many people, and Bananas – the title no doubt representing a perceived mental state rather than the fruit adorning its cover – addresses this head on. Loneliness is a problem for many in the face of the digital onslaught we face in modern life, but with Middleton he is there in the room, consoling the listener that he feels the same, but offering a positive approach.

    These elements combine to make Bananas the equal of his finest work to date, and it deserves a listen and an admiring glance from all for whom life can be a struggle. It may not break new ground in a musical sense, but this is pop music with the strongest possible connection to everyday life.

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    DISCO 80's ?Exclusive Vinyl Collection? (40 x LP ? Only Best Albums ? 1975-1993)

    DISCO 80's ?Exclusive Vinyl Collection? (40 x LP ? Only Best Albums ? 1975-1993)

    Performer: Various
    Album / collection: ?Disco 80's +?
    Series: Original Vinyl LP? ?
    Label / country: ⒸⓅ 1975-1993 Made in Europe, Japan, USA.
    Source: Rip by bazar, Dymokust and many others > Conversion 32/96kHz by KoGGaN?
    Official DR value: 15?13?13?12?13?13?12?12?12?12?13?12?14?13?14?12?13?13?13?13?14?
    Catalog (Barcode): much
    Genre / Style: Pop, Euro-pop, Funk / Soul, Synth-pop, Hi-NRG, Italo-Disco, Disco
    Year (info): 1975-1993 (40 × Original vinyl, Collection)
    Format: WV (image + .cue)
    Bitrate: 32bit/96kHz Stereo
    Covers: in archive
    Amount of tracks: 372
    Total time: 26:24:22
    Size RAR: ~ 48.71 Gb
    Password / ?????? : 1965
    Recovery 3%

    DISCO 80's ?Exclusive Vinyl Collection? (40 x LP ? Only Best Albums ? 1975-1993)

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    R-4854566-1377561343-5560.jpeg1 Me Pudro Por Ti
    2 Vivo, Vivo
    3 Palo De Santo
    4 Vanidad Masculina
    5 Como La Mosca Y La Araña
    6 El Panadero
    7 Bancarrota
    8 Los Dioses No Están Contigo
    9 Arsénico Y Cloroformo
    10 Como Un Suspiro
    11 Big Bang


    Cuarto Lp de la banda de Zaragoza

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    Link download:  -

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    The Tangent - The Music That Died Alone (2003)

    ???????????: The Tangent
    ??????: Multi-National
    ??????: The Music That Died Alone
    ????????! ? ??? ??? ???? ??? ????????? ???????? ??????.

    ????: Eclectic Prog
    ??? ??????: 2003
    ????????: (CD-Rip) Inside Out (IOMCD 136)
    ??????: 1018 kbps FLAC (image. cue. log. full scans)
    ??????: 387.68 Mb
    ?????????????: Turbobit/Gigapeta

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    The Savage Rose - Homeless (2018)

    ???????????: The Savage Rose
    ??????: Denmark
    ??????: Homeless
    ????: Psychedelic Rock | Blues Rock | Alternative Rock
    ????????: Target Records [TARGET1707CD]
    ???: 2018
    ??????: FLAC (*image + .cue,log, covers)
    ??????: 332Mb
    ??????: Turbobit | GigaPeta (3% ?? ??????????????)

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    Prickrott - Dust Of Obscure Devastation (2018)

    ???????????: Prickrott
    ??????: Netherlands
    ??????: Dust Of Obscure Devastation
    ????: Industrial Black Metal
    ????????: Narcoleptica Productions [NP-059-18]
    ???: 2018
    ??????: FLAC (*image + .cue,log, covers)
    ??????: 487Mb
    ??????: Turbobit | GigaPeta (3% ?? ??????????????)

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    Black 'N Blue - Without Love (1985) [Vinyl Rip 24/192]

    ???????????: Black 'N Blue
    ??????: Without Love
    ????: Hard Rock
    ??? ??????: 1985
    ??????: FLAC (image+.cue, scans)
    ????????: Lossless
    ????? ????????? ??????: EX
    ??????: 1.56 Gb
    ??: katfile/turbobit/gigapeta

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    71PyFvkWaRL._SL1200_.jpg320 kbps | 135 MB | LINKS

    Karp is best known recently for his work on the Blind Pig label with Canadian guitarist, Juno Award winner and partner Sue Foley. Raised in south Alabama and New Jersey, his stylings embrace swamp, country and R&B in addition to the blues. Primarily a slide guitarist who’s influenced by Freddy King and Elmore James, he’d released the albums Roadshow and The Turning Point previously as a vehicle for his songs rather than stardom. But his work with Foley has reached the top of blues charts around the world.

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    R-12399023-1534492631-6576.jpeg.jpg320 kbps | 88 MB | LINKS | INFO

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    Tammy Wynette - Next to You (1989)

    Artist: Tammy Wynette
    Title Of Album: Next to You
    Year Of Release: 1989
    Label (Catalog#): Epic/CBS Records [EPC 465028 2]
    Country: United States
    Genre: Country, Singer/Songwriter
    Quality: FLAC (tracks,cue,log,scans)
    Bitrate: Lossless
    Time: 31:49
    Full Size: 206 mb
    Upload: Turbobit

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    «Οι Lost Bodies είναι το δημιούργημα δύο φίλων από την Αθήνα, του Θάνου και του Αντώνη. Ξεκίνησαν με τον αυτοσχεδιασμό το 1985 και το 1988 κυκλοφόρησαν τις δύο πρώτες τους κασέτες με underground art-punk μουσική. Οι L.B. έχουν πια 33 χρόνια συνεχούς παρουσίας στην μουσική σκηνή της Αθήνας και έχουν κυκλοφορήσει έντεκα CD, τρία άλμπουμ βινυλίου και δύο κασέτες.(…)».
    Αυτά μεταξύ άλλων διαβάζουμε, ως εισαγωγή, στο μέσα μέρος του gatefold cover, του πιο πρόσφατου άλμπουμ (2LP) των Lost Bodies, που έχει τίτλο “Specific Ocean” και που κυκλοφορεί τώρα από την Underflow Records(500 αριθμημένα αντίτυπα). Τι περιλαμβάνει η συγκεκριμένη έκδοση; Μας το λέει ο ίδιος ο Θάνος Κόης:
    «Οι μουσικές που παρουσιάζονται σ’ αυτό το δίσκο είναι μια συλλογή από έργα που έχουν φτιαχτεί για το θέατρο, τον χορό και τον κινηματογράφο. Μια εντελώς διαφορετική προσέγγιση της μουσικής των Lost Bodies, με έμπνευση τις ίδιες τις παραστάσεις.(…)».
    Πιο συγκεκριμένα στο “Specific Ocean” ακούγονται μουσικές που έγραψε το αθηναϊκό σχήμα για εννέα θεατρικά έργα, μία οπτικοακουστική performance, ένα χοροθέαμα και μία κινηματογραφική ταινία. Ας τα δούμε λίγο πιο αναλυτικά.
    Τα κομμάτια A1, A2 προέρχονται από το θεατρικό Λευτεριά στη Μήδεια του Χάρη Μπόσινα, σε σκηνοθεσία Κώστα Φιλίππογλου (Θέατρο Όλβιο, 2013). Ορχηστρικά θέματα, που δεν θυμίζουν σε τίποτα τους Lost Bodies του πολύ παρελθόντος. Είναι οι ανάγκες της δουλειάς τέτοιες, ώστε να απαιτείται κάτι περισσότερο σαφές και συγκεκριμένο. Αν το desert rock είναι το «καλημέρα», μια πιο… τριπχοπάδικη εκδοχή του είναι η συνέχεια.
    Τα Α3-Α5 προέρχονται από τον Φιλοκτήτη του Σοφοκλή, σε σκηνοθεσία Κώστα Φιλίππογλου (Φεστιβάλ Αθηνών, 2014). Και αυτά τα θέματα είναι ορχηστρικά και κάπως… υποχθόνια. Να τα πεις «περιβαλλοντικά» (ambient) είναι μια εύκολη, αν και όχι χωρίς νόημα λύση. Βασικά τα πλήκτρα παίζουν πολύ μεγάλο ρόλο στη συνολική διαμόρφωση, που θα μπορούσε να ήταν και cinematic (είτε ως βασικοί φορείς της μελωδίας είτε ως «γεμίσματα»).
    Στα Α6, Α7 (Side A), Β1, Β2 (Side B), που αφορούν στην οπτικοακουστική performance Το Βαπόρι σε ποίηση Μίλτου Σαχτούρη (Φεστιβάλ Φιλίππων, 2012), υπάρχει φωνή – και τούτο είναι μια διαφορά. Ακούμε την Όλια Λαζαρίδου στην αρχή (με συνοδεία πιάνου-πλήκτρων) και εν συνεχεία (και) τον Θάνο, στο πιο υποβλητικό κομμάτι της Side A, «Το αεροπλάνο». Δεν ξέρω αν το έχω ξαναγράψει… ίσως… Έχω τη γνώμη πως ο Κόης είναι φοβερός απαγγελτής. Αυτή η ξερή, αλλά καθαρή φωνή του είναι άλλο πράγμα. Σου τρυπάει κατ’ ευθείαν το μυαλό. Μπορώ να τον ακούω, συνέχεια, να διαβάζει ή να απαγγέλλει. Και ευτυχώς σ’ αυτό το score το κάνει και στο B1 («Ο Μότσαρτ»), ένα εξαιρετικό track σύγχρονου ηλεκτρονικού rock / fusion, στην παράδοση των Toshinori Kondo & IMA, όπως και στο Β2 («Πορτοκαλιά»). Πολλά πλήκτρα κι εδώ (και ξανά η Λαζαρίδου).
    Στα Β3-Β6, από τον Προμηθέα Δεσμώτη του Αισχύλου, σε σκηνοθεσία Κώστα Φιλίππογλου (Φεστιβάλ Αθηνών, 2015), οι Lost Bodies ετοιμάζουν μιαν επένδυση, που αρμόζει στο θέμα (και στην περίπτωση). Τώρα, το τι ανακαλώ εγώ, ακούγοντας τη μουσική του Προμηθέα, μπορεί να μην έχει ευρύτερη σημασία, αλλά το γεγονός πως θυμήθηκα την «Κάθοδο των Εννέα» του Μιχάλη Χριστοδουλίδη (ένα από τα ελληνικά… soundtracks των soundtracks) λέει πολλά (για μένα).
    Το “SPACE”, τελευταίο κομμάτι της δεύτερης πλευράς, προέρχεται από το φερώνυμο έργο της ολλανδής χορογράφου Maggie Boogaart, που παρουσιάστηκε από την ομάδα Eliot Smith Company(2016). Αφαιρετικό, minimalκαι βασικά πιανιστικό, το κομμάτι αυτό, έχει επιλεγεί για να κλείσει τον πρώτο δίσκο (και δεν είναι, ίσως, εντελώς τυχαίο).
    Τα τρία πρώτα tracks της Side Cαφορούν στη θεατρική παράσταση Τα Φώτα στο Βάθος (από διηγήματα της Πέλας Σουλτάτου), σε σκηνοθεσία Esther Andre Gonzalez (Από Μηχανής Θέατρο, 2014) και δείχνουν (και αυτά) το πόσο έχουν εξελιχθεί, μέσα στα χρόνια, οι Lost Bodies σαν συνθέτες. Θα τα χαρακτήριζα δε «καταπληκτικά» αυτά τα tracks, καθώς διαθέτουν πλείστες όσες κινηματογραφικές αρετές, οι οποίες αναδεικνύονται –κάτι που θα πρέπει να το τονίσουμε για όλα τα tracks– από την άψογη ηχογράφηση, παραγωγή και κοπή (των βινυλίων). Εντυπωσιακά και κάπως «εσωτερικά» ή θρηνώδη (κυρίως τα δύο πρώτα) με εμπνευσμένη χρήση πνευστών κ.λπ., τα «Έρωτας στο διαδίκτυο», «Κόκκινο τριαντάφυλλο» και «Πλαστική σακούλα» ανήκουν όχι μόνο στις κορυφαίες στιγμές τού “Specific Ocean”, αλλά συνολικώς των Lost Bodies.
    Τα C4-C6 είναι τα μόνα κινηματογραφικά tracksτου 2LP και αφορούν στην ταινία Κορίτσια της Θάλασσας(2016) του Σήφη Μάινα. Με βάση τα λόγια του σκηνοθέτη (από το «Τα Κορίτσια της Θάλασσας είναι δώδεκα λεπτά κατά τα οποία, ευελπιστώ, ο θεατής να μεταφερθεί σε έναν άλλον κόσμο, πολύ, πολύ μακριά από αυτόν που θα αντικρύσει μόλις βγει έξω, δομημένο όμως με τα ίδια συστατικά στοιχεία. Είναι, τυπικά, μια ταινία τρόμου, αλλά έχει στοιχεία κωμωδίας. Είναι μία ονειρική ταινία, οπτική, χωρίς διάλογο». Το μεσαίο θέμα, o «Έρως», είναι κάπως πιο μεγάλο σε διάρκεια (3:35) και εντόνως μελοδραματικό (και εντυπωσιακό), ενώ τα άλλα δύο κινούνται κοντά στο ενάμισι λεπτό, όντας και εντελώς διαφορετικά ως ακούσμα (το ένα πιο rock abstract και το άλλο πιο rock-electro).
    Η τρίτη πλευρά θα ολοκληρωθεί με την «Περισυλλογή», από την Τίρζα του Άρνον Γκρούνμπεργκ, σε σκηνοθεσία Κώστα Φιλίππογλου (Θέατρο Ιλίσια, 2013). Διαρκεί κοντά στα πέντε λεπτά και σαν θέμα διαθέτει μιαν αφηγηματικότητα, που τονίζεται τόσο από τα πλήκτρα, όσο και από το έγχορδο (κοντραμπάσο με δοξάρι).
    Στην τελευταία πλευρά κυριαρχούν τα θεατρικά – και είναι τέσσερα.
    Τα D1, D2 έχουν να κάνουν με τον Γλάρο του Τσέχωφ, σε σκηνοθεσία Κώστα Φιλίππογλου (Θέατρο Θησείον, 2014). Και εδώ πλήκτρα (πιάνο κ.λπ.), κοντραμπάσο με δοξάρι και ελαφροί θόρυβοι (στο background). Λιτό και κάπως βαρύ το άκουσμα (θα ταιριάζει, προφανώς, με το κλίμα της παράστασης).
    Το D3 προέρχεται από το Μαύρο χιόνι – το ημερολόγιο ενός μακαρίτη του Μιχαήλ Μπουλγκάκωφ (σκ. Κώστα Φιλίππογλου), που ανέβηκε στο Θέατρο Πόρτα, το 2016. Πρόκειται για ένα ακόμη electronic-rock track, σε μέσο τέμπο αναπτυγμένο και με σαφή μελωδία, που ηχεί, και αυτό, με εντυπωσιακό τρόπο.
    Όπως το ίδιο θα ισχυριζόμουν και για το επόμενο track (D4) από το έργο Χάρτινα Λουλούδια του Egon Wolff (σκ. Κώστας Φιλίππογλου), από το Θέατρο Ιλίσια (2012), το οποίο διαθέτει (και) εξαιρετική έγχορδη ενοργάνωση (που κάνει την «επανάληψη» να ακούγεται σαν… θείο δώρο). Το D5, από το ίδιο έργο, τιτλοφορείται “Suicide” και είναι για σόλο-πιάνο.
    Το άλμπουμ θα ολοκληρωθεί με το «Τσιγάρο» από το θεατρικό R.I.P. Romeos Ioulietta Panta, σε κείμενο του Δημήτρη Κουρούμπαλη (BIOS και Θέατρο Νέου Κόσμου, 2014). Πρόκειται για ένα ακόμη εντυπωσιακό rock track, ανακατεμένο με διάφορα «έντεχνα» στοιχεία, που δείχνει, και τούτο, το πόσο μακριά βρίσκονται πια οι Lost Bodies σαν δημιουργοί – αδύνατο να το φανταστούν όσοι έχουν μείνει στις πιο παλαιές δουλειές τους.
    Χωρίς πολλή σκέψη… ένα από τα κορυφαία ελληνικά άλμπουμ της χρονιάς που φεύγει.

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    Sarathy Korwar…Recorded live in early 2018, My East Is Your West is a follow-up to drummer and percussionist Sarathy Korwar‘s acclaimed Day to Day (2016). Both albums are simultaneously part of the Indo-jazz continuum and of the broader cultural reset which has been revitalising London’s jazz scene since 2015, and which is still gathering momentum.
    When it comes to rhythmic intensity, the UPAJ Collective, the band Korwar leads on My East Is Your West, is in the same league as label stablemate Binker and Moses, the ferocious semi-free group featuring saxophonist Binker Golding and drummer Moses Boyd, whose Dem Ones (2015), Journey to the Mountain of Forever (2017) and Alive in the East? (2018), all on Gearbox, are key manifestos of the new London scene.

    259 MB  320 ** FLAC

    In terms of transcultural scope, however, the music on My East Is Your West has more in common with that of London astral-jazz / world-jazz collective Emanative, whose Earth (Jazzman, 2018) is a veritable Silk Road collection of styles and influences in which Indo-jazz is writ large. UPAJ and Emanative are both made up of musicians of South Asian and European heritage and there are several connections between the line-ups. Drummer Nick Woodmansey, leader of Emanative, mixed Day To Day and has mixed and co-produced Korwar’s next studio album, due out in spring 2019; Korwar is a member of Emanative; so too is UPAJ’s baritone saxophonist and flautist, Tamar Osborn (who completes an impressive hat-trick by being a mainstay of Dele Sosimi ‘s Afrobeat Orchestra, one of the top three Afrobeat bands in the world).

    Compositions by Amancio D’Silva, John McLaughlin, Pharoah Sanders, Alice Coltrane and Don Cherry are included on My East Is Your West along with others by Ravi Shankar, Joe Henderson and Abdullah Ibrahim. But these are are no mere revivalist trips down memory lane. The pace and surging crescendos of the performance of Sanders and Leon Thomas’ “The Creator Has A Master Plan,” for instance, together radically transform the composers’ original recording. Coltrane’s “Journey In Satchidananda,” Henderson’s “Earth” and D’Silva’s “A Street In Bombay” also get a reboot. The body slams the album delivers give astral jazz an exhilarating twist.

    UPAJ is a collaborative line-up in which the ensemble is the focus of attention most of the time. But individual musicians also turn in memorable solos. Among those that stick in the mind long after the disc has stopped playing are keyboardist Al Macsween’s spin on Abdullah Ibrahim’s “Hajj,” which recalls McCoy Tyner’s rocket-fuelled essays with John Coltrane; sitarist Jasdeep Singh Degun’s high-voltage take on “Satchidananda;” alto saxophonist Jesse Bannister’s call and response with Degun on Ravi Shankar’s “Mishrank;” and Tamar Osborn’s gritty bottom-end baritone saxophone on Don Cherry’s “Utopia And Visions.” Korwar and fellow percussionist B C Manjunath mostly kind of “never solo and always solo,” as Joe Zawinul said of all the members of early Weather Report.

    My East Is Your West was recorded at one of the crucibles of the new London scene, Hackney’s Church of Sound. Audio quality is superb, as we are growing to expect from Gearbox’s location recordings—Binker and Moses’ Alive In The East? was recorded, stunningly, at another scene hotspot, Total Refreshment Centre (closed by Hackney Council in summer 2018 following licensing-law infractions but hopefully reopening).

    An access-all-areas, 360°, deep strata, Good Housekeeping Seal of Approval blinder.

    Personnel: Sarathy Korwar: tabla, drum kit; Domenico Angarano: double bass, electric bass; Aravindhan Baheerathan: bansuri; Giuliano Modarelli: acoustic guitar; Al MacSween: keys: Tamar Osborn: baritone sax, flute; Jasdeep Singh Degun: sitar; John Ball: santoor, tabla; Jesse Bannister: alto sax; Aditya Prakash: vocals; B C Manjunath: mridangam, kanjira.

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    VA - Mei '68 Revolution [4CD] (2018)

    Artist: Various Artists
    Title Of Album: Mei '68 Revolution
    Year Of Release: 2018
    Label (Catalog#): Universal Music [538.224-4]
    Genre: Rock, Pop, Beat, Classic Rock
    Quality: FLAC (tracks,cue,log)
    Bitrate: Lossless
    Time: 4:17:08
    Full Size: 1.54 gb
    Upload: Turbobit

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    51a5kTzoiqL._SS500.jpg320 kbps | 278 MB | LINKS | INFO

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    rrg.jpgMKV AVC, 471 Kbps | 659 MB | LINKS | INFO

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