Sierra Leone Music West African Gramophone Records Recorded in the 50’s and Early 60’s Zensor 1988

February 17, 2019, 1:20 am

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It is a collector from 1988, it contains a range of songs in
various styles and by various artists from Sierra Leone.
Some of the recordings sound very dusty but that’s just
the way they are. Track #9 concerns a church song, not
my cup of tea but I left it. After that it’s mainly field recor-
dings. I’ll be honest, for me it’s only about track one
to eight and fourteen..

Het is een verzamel album uit 1988, hij bevat een keur aan
nummers in verschillende stijlen en door verschillende artiesten
uit Sierra Leone. Sommige opnamen klinken stoffig maar dat is
helaas niet anders. Track #9 betreft een kerkliedje, niet aan mij
beteed maar vooruit dan maar. Daarna vinden we voornamelijk
‘field’ opnamen. Ik zeg het je eerlijk, voor mij gaat het slechts
om nummer één t/m acht en veertien..

tracks ;

01 – The Freetown Darkies – Jiving marie calypso
02 – Calender and his Maringar Band – Double decker buses
03 – Tejan-Sie & the Sierra Leone Police Dance Band – Welcome to the queen
04 – Ali Ganda Carnival Star Orchestra – Freedom, freedom sierra leone
05 – Frank Caulker and the Nugatone Band – Baby a tire with you
06 – Cherry and his Maringa Band – Sophaya my loving girl
07 – Freetown’s Leading Sextet – Stay carolina stay
08 – Famous Scrubbs and his Band – Mountain cut by havelock street
09 – Ebenezer Church Choir Freetown – Welcome happy morning
10 – Salia Koroma & his Accordion – Ganene bimbe
11 – Tity Kamara and her Bondo Drumma – Orbutie or geerana
12 – Kamara, Koleya and Chorus – Yengema
13 – Lokko Tribal Union – Ni ao goh yah
14 – Sokhona Kouyate and Guitar Accompaniment – Tara abdulai
15 – Hachimo Jalloh and his Guitar – Yaria
16 – Sankoh and his Kono Boys – Yaa tomboe
17 – James Fayia & Chorus – Epeya
18 – Jeli Bokary and his Wife – Niania

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The Gallery - Fateful Passion (1998)

February 17, 2019, 1:22 am

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???????????: The Gallery
??????: Germany
??????: Fateful Passion

????????! ? ??? ??? ???? ??? ????????? ???????? ??????.

????: Gothic Metal, Rock
??? ??????: 1998
????????: (CD-Rip) Hall Of Sermon (HOS 7052)
??????: 1013 kbps FLAC (image. cue. log. cd scans)
??????: 300.66 Mb
?????????????: Turbobit/Hitfile/Gigapeta

Nihiloxica / Biiri [2019]

February 17, 2019, 2:14 am

≫ Next: Ken Townshend - Innocence (2019)

≪ Previous: The Gallery - Fateful Passion (1998)

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[Label: Nyege Nyege Tapes | Cat#: NNT014]

1. Digga Dagga (6:13)
2. Baksimba (4:40)
3. Dubugwanjuba (4:06)
4. Ding Ding (4:18)

TB

Ken Townshend - Innocence (2019)

February 17, 2019, 2:15 am

≫ Next: Timber - Bring America Home (1971) (Remastered, 2009)

≪ Previous: Nihiloxica / Biiri [2019]

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???????????: Ken Townshend
??????: Innocence
??? ???????: 2019
?????: New age

Timber - Bring America Home (1971) (Remastered, 2009)

February 17, 2019, 2:53 am

≫ Next: ΔΕΣΠΩ ΒΑΡΟΥΔΑΚΗ σπιτικά γλυκά

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Artist: Timber
Title Of Album Bring America Home
Year Of Release:1971/2009
Label (Catalog#) : Wounded Bird [WOU 495]
Country: USA
Genre: Folk Rock, Country Rock, Bluesy, Funky
Quality: FLAC (image + cue,log)
Bitrate: Lossless
Total Time: 00:50:16
Total Size: 315mb(+3%)(covers)
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ΔΕΣΠΩ ΒΑΡΟΥΔΑΚΗ σπιτικά γλυκά

February 17, 2019, 2:57 am

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Προπέρσινο είναι το άλμπουμ «Σπιτικά Γλυκά» [Εκδόσεις Μελάνι, 2017] της τραγουδοποιού Δέσπως Βαρουδάκη, αλλά επειδή έφθασε τώρα στα χέρια μας θα πούμε (τώρα) μερικά λόγια.

Η Βαρουδάκη γράφει μουσικές, στίχους και τραγουδά τις συνθέσεις της (με λίγες εξωτερικές φωνητικές βοήθειες), ενώ ενορχηστρώνει κιόλας είτε μαζί με τους μουσικούς της (που είναι κάμποσοι) είτε μόνη της. Συγκεντρώνοντας πάνω της, δηλαδή, όλα τα βασικά στοιχεία της πραγμάτωσης ενός άλμπουμ (το συγκεκριμένο είναι, μάλλον, το πρώτο προσωπικό της), δείχνει μια σιγουριά και μιαν αυτοπεποίθηση, που, κανονικά, θα πρέπει να εκτιμηθεί.

Ψάχνοντας λίγο στο δίκτυο σε σχέση με την τραγουδοποιό (γιατί την αγνοούσα) διαπίστωσα πως τα «σπιτικά γλυκά» της, τα παρουσίαζε σε διάφορες μουσικές σκηνές τουλάχιστον από το 2009 – πράγμα που σημαίνει πως το 2017, όταν κυκλοφόρησε το CD, το υλικό ήταν κατά κάποιον τρόπο μια «τελειωμένη υπόθεση» (βασικά για την ίδια την Βαρουδάκη – όχι για εμάς). Αυτό, προσωπικώς, με βάζει σε κάποιες σκέψεις, αλλά δεν θα ήθελα τώρα, εδώ, να τις αναπτύξω. Περισσότερο μ’ ενδιαφέρει να πω μερικά λόγια για τα τραγούδια που ακούω, ανεξαρτήτως αν αυτά γράφτηκαν πριν από δέκα ή από πέντε χρόνια.

Από πλευράς συνθέσεων, λοιπόν, αρκετά τραγούδια κρίνονται ως ενδιαφέροντα – κυρίως, όταν η κλασική κιθάρα παίρνει «πάνω της» μεγαλύτερο ή μεγάλο τέλος πάντων μέρος των ενορχηστρώσεων. Η ωραιότερη, δε, μελωδία του άλμπουμ θεωρώ πως είναι η «Και μετά;», που βρίσκεται ακριβώς στη μέση του CD (το έκτο από τα δώδεκα συνολικώς κομμάτια).

Οι ενορχηστρώσεις, τώρα, που έχουν προκριθεί, ώστε να ντύσουν τις συνθέσεις της Βαρουδάκη, είναι κατ’ αρχάς… παιγνιώδεις, ενώ δανείζονται στοιχεία από την jazz, το ελαφρό τραγούδι (γενικώς τις ελαφρές μουσικές), το soft rock, ενώ ανιχνεύονται και «δωματίου» ηχοχρώματα. Μία αναφορά της Βαρουδάκη θα πρέπει να είναι η Λένα Πλάτωνος (σε συνδυασμό με Σαβίνα Γιαννάτου ίσως), όχι εκείνη των ηλεκτρονικών άλμπουμ, αλλά των πιο έντεχνων.

Στιχουργικά, τώρα, διακρίνεται μια ποιητικότητα στα λόγια, αλλά και η προσπάθεια να θιγούν κάπως πιο σοβαρά ζητήματα μ’ έναν, όμως, απλό τρόπο. Γενικώς, πάντως, δεν θα έλεγα πως βρίσκω ιδιαιτέρως ενδιαφέροντα το λόγο – ίσως επειδή διατηρεί κάποια παιγνιώδη χαρακτηριστικά, που είναι όχι και τόσο καλώς στοιχειοθετημένα.

Φωνητικά, δε, έχω μάλλον τις πιο πολλές ενστάσεις. Η Βαρουδάκη με ξενίζει ως φωνή. Αν και όχι πάντα – όχι σε όλα τα τραγούδια. Υπάρχουν κομμάτια θέλω να πω (τα περισσότερα), στα οποία το τραγούδισμά της ακούγεται στ’ αυτιά μου κάπως οutή εν τοιαύτη περιπτώσει μη-επαρκές (και σε σχέση με το ηχόχρωμα της φωνής, τη σταθερότητά της, τον τρόπο που αποδίδονται, τραγουδιστά, οι περιγραφόμενες καταστάσεις).

Ενδιαφέρουσα περίπτωση, γενικώς, αλλά με ζητήματα, που θα πρέπει σε κάποιαν επόμενη δουλειά να προσεχθούν περισσότερο.
Επαφή: https://www.facebook.com/profile.php?id=100008140201804

VA – Africa Airways Five: Brace Brace Boogie 1976-1982 (2019)

February 17, 2019, 3:00 am

≫ Next: David Bowie – David Bowie (1967/2019)

≪ Previous: ΔΕΣΠΩ ΒΑΡΟΥΔΑΚΗ σπιτικά γλυκά

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Fifth release in Africa Seven’s premiere compilation series, Africa Airways features boogie tracks from the likes of The Black Bells Group, Dikalo and Mekongo President representing Cameroon, Nigeria, Ghana, and more. The 10-track compilation follows Africa Airways Four: Disco Funk Touchdown 1976-1983.
“We up the boogie time groove with The Black Bells Group (the first band of lead singer Sidney ‘Patrick Duteil’ who went on to become the godfather of French hip-hop and a well know TV presenter. Here the groove is swinging… the perfect opener. Next up is German-based Cameroonian musician and cousin of Manu Dibango, Charly Kingson with this bass-synth boogie stomper. Big brass and jazzy trumpets add layers of sparkle too.

95 MB  320 ** FLAC

Next its time for some highlife inspired boogie from Ghanian Gyedu Blay Amboley. Highlife fused with reggae, disco, boogie and jazz just as the lyrics say.

Next we pair up with Africa Seven friend Eko once more under his Dikalo guise. The Cameroonian master musician is on fine form with his heavy brass and deep percussion with a driving afro boogie groove. To round off Side A its off to Cameroon again to groove with Jean ‘Mekongo President’. Think Bernard ‘Chic’ Edwards on the bass with some African style and you can see it’s the bottom end groove and afrobeat drums that power this gem along.

We open the second side slowly and purposefully with the highly sought after ‘French Girl’ from Fotso. Drippy bass synth grooves and a wondrous percussion and drum shuffle pair with piano riffs to make this a unique sounding track. Our friend Tala AM is next with the foot-stomping ‘Sugar Lump’. JK Mandengue is next with most definitely the catchiest chorus you will hear today. Nigerian Jide Obe gets synth and clavinet rich with his doe to sensible dating advice ‘Too Young’. We close off the album with a track from label good friend Jo Bisso under his Mulamba guise.”

David Bowie – David Bowie (1967/2019)

February 17, 2019, 3:51 am

≫ Next: The Smokin’ Joe Kubek Band – Steppin’ Out Texas Style (1991/2019)

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FLAC | 207 MB | LINKS

David Bowie’s first ever LP the 1967 set that introduced the world to the likes of “Rubber Band” and “There Is a Happy Land” is an intriguing collection, as much in its own right as for the light it sheds on Bowie’s future career. Nobody hearing “She’s Got Medals,” for instance, can fail to marvel at the sheer prescience displayed by a song about gender-bending. Even within Bowie’s subsequent world of alligators, starmen, and astronettes, however, there are no parallels for the likes of “Please Mr. Gravedigger,” with its storm-swept lament for a murdered little girl, or “Uncle Arthur,” the archetypal mommy’s boy, whose one stab at snapping the apron strings shatters when he realizes his new love cannot cook. There’s also a frightening glimpse into future Bowie universes, served up by “We Are Hungry Men,” a tale of a world in which food is so scarce that the people have resorted to cannibalism. Not all of the songs are such sharp observations of human frailties and failings, while the distinctly family-entertainment style arrangements make it clear that, whatever audience Bowie was aiming for, rock fans were not included among them. But songs like “Love You Till Tuesday” and “Maid of Bond Street” have a catchy irresistibility to them all the same, and though this material has been repackaged with such mind-numbing frequency as to seem all but irrelevant today, David Bowie still remains a remarkable piece of work. And it sounds less like anything else he’s ever done than any subsequent record in his catalog.

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The Smokin’ Joe Kubek Band – Steppin’ Out Texas Style (1991/2019)

February 17, 2019, 3:51 am

≫ Next: VA - Objectif 2019 (2019)

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320 kbps | 102 MB | LINKS

Smokin’ Joe Kubek’s debut album is a delight. Kubek leads his band through a set of smoking hot Texas and Memphis blues, delivered with passion they can play this music with precision, but they choose to be looser and more fun than most traditionalists. Kubek’s a skillful guitarist and B’Nois King, his vocalist and rhythm guitarist, can play nearly as well and their duels are the high watermark of an already wonderful album.

VA - Objectif 2019 (2019)

February 17, 2019, 4:02 am

≫ Next: VA - Objectif 2019 (2019)

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Artist: Various Artists Title Of Album: Objectif 2019 Year Of Release: 2019 Label (Catalog#): Les Inrockuptibles [CD LI 297] Country: International Genre: Chanson, Indie Pop/Rock, Indie Folk Quality: FLAC (*tracks,cue,log) Bitrate: Lossless Time: 1:13:58 Full Size: 409 mb

VA - Objectif 2019 (2019)

February 17, 2019, 4:23 am

≫ Next: The Baronics - Get Bach!(1996)

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Artist: Various Artists
Title Of Album: Objectif 2019
Year Of Release: 2019
Label (Catalog#): Les Inrockuptibles [CD LI 297]
Genre: Chanson, Indie Pop/Rock, Indie Folk
Quality: FLAC (tracks,cue,log)
Bitrate: Lossless
Time: 1:13:58
Full Size: 409 mb
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The Baronics - Get Bach!(1996)

February 17, 2019, 4:23 am

≫ Next: Gary Wright And Wonderwheel – Ring Of Changes (Remastered & Expanded Edition) (1972/2016)

≪ Previous: VA - Objectif 2019 (2019)

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???????????:
??????:
??????: Canada
????: Classical,Surf, Instrumental
???: 1996
??????: FLAC(tracks)
??????: 226Mb
?????????????:Uploaded.net, Turbobit

Gary Wright And Wonderwheel – Ring Of Changes (Remastered & Expanded Edition) (1972/2016)

February 17, 2019, 4:52 am

≫ Next: Children Of Bodom - Hatebreeder (1999)

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FLAC | 370 MB | LINKS

Most closely associated with his atmospheric 1976 smash “Dream Weaver,” singer Gary Wright was born April 26, 1943 in Creskill, NJ; a former child actor who appeared on Broadway in a production of Fanny, he fronted a number of local rock bands during his high school years before turning his attention to psychology, completing his studies in Berlin at Frei University. In 1967, Wright’s band, the New York Times, opened for Traffic, bringing him to the attention of Island Records honcho Chris Blackwell, who in turn introduced the singer to the members of the band Art; relocating to London, Wright joined the band, soon renamed Spooky Tooth and later emerging among the UK’s premier hard rock outfits. When Spooky Tooth temporarily disbanded in 1970, Wright jumped ship to form Wonderwheel, concurrently playing keyboards on George Harrison’s All Things Must Pass; the two eventually became close friends and collaborators, together taking a trip to India which inspired the mystical themes of Wright’s subsequent solo efforts. He returned to Spooky Tooth in 1973, but when the band again dissolved the following year he returned to his solo career, scoring his greatest success with 1975’s The Dream Weaver; both the title track and “Love Is Alive” reached number two on the Billboard pop charts, and the album — one of the first created solely via synthesizer technology — achieved platinum status. Follow-ups including Light of Smiles, 1977’s Touch and Gone, and 1979’s Headin’ Home failed to repeat The Dream Weaver’s success, however, and in 1981 Wright notched his final chart hit with “Really Wanna Know You,” from The Right Place. From there he composed a series of film scores, including 1985’s Fire and Ice, which topped the German charts; Wright’s first solo album in seven years, Who Am I, featured contributions from Indian classical greats Lakshmi Shankar and L. Subramanium. In 1991, he remade “Dream Weaver” for the soundtrack of the hit film comedy Wayne’s World, and in 1995 issued his first world music effort, First Signs of Life. Human Love followed five years later. ~ Jason Ankeny

Gary Wright – Vocals, Keyboard, Guitar
Mick Jones – Lead, Acoustic Guitars, Vocals
Tom Duffey – Bass, Vocals
Bryson Graham – Drums
With
George Harrison – Slide Guitar

Tracklist:

1. Lovetaker – 4:34
2. Wild Bird – 3:43
3. Something For Us All – 4:10
4. Set On You – 3:59
5. Ring Of Changes – 3:53
6. Goodbye Sunday – 4:35
7. For A Woman – 5:03
8. Workin’ On A River – 3:58
9. Creation – 5:19

Bonus Tracks:
10.I Know (Gary Wright) – 2:57
11.What Can We Do (Mick Jones, Gary Wright) – 5:09
12.Somebody (Gary Wright) – 2:50

Children Of Bodom - Hatebreeder (1999)

February 17, 2019, 4:54 am

≫ Next: VA - Chamber Music (1907). 1-36. [2CD Set] (2008)

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???????????: Children Of Bodom
??????: Finland
??????: Hatebreeder

????????! ? ??? ??? ???? ??? ????????? ???????? ??????.

????: Melodic Death Metal
??? ??????: 1999
????????: (CD-Rip) Nuclear Blast (NB 387-2)
??????: 1075 kbps FLAC (image.cue. log. CD scans)
??????: 298.66 Mb
?????????????: Turbobit/Hitfile/Gigapeta

VA - Chamber Music (1907). 1-36. [2CD Set] (2008)

February 17, 2019, 5:23 am

≫ Next: Dead & Company – American Airlines Center, Dallas, TX 12/1/17 (2019)

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Artist: Various Artists
Title Of Album: Chamber Music (1907). 1-36.
Year Of Release: 2008
Label (Catalog#): Fire Records [SPFIRECD110CD1]
Genre: Folk Rock, Indie Folk, Lo-Fi, Shoegaze
Quality: FLAC (tracks,cue,log)
Bitrate: Lossless
Time: 1:41:37
Full Size: 541 mb
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Dead & Company – American Airlines Center, Dallas, TX 12/1/17 (2019)

February 17, 2019, 5:54 am

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320 kbps | 406 MB | LINKS

For such a large and populous state, Texas was never one of the more frequent destinations on the Grateful Dead’s tour itinerary. The band only played 28 shows there during its 30 years of touring, with most of those appearances happening in the 1970s and none later than 1988. To compound the deprivation, as of 2017 various bands featuring Dead alumni had only made it to the state a handful of times in the ensuing two-plus decades. So, it’s not surprising that the roar you hear from the crowd as Dead & Company hits the stage for its Texas debut is as unrestrained and loud as it is. It’s the sound of Lone Star Dead Heads who have been waiting for something for a very long time. And the music that follows that rapturous reception is the sound of patience and anticipation richly rewarded. After setting the table with such popular items from the Dead songbook book as “Shakedown Street” and “Brown-Eyed Women,” the band pays homage to their host city with “Deep Elem Blues,” a song dating back to the 1930s about a neighborhood that looms large in the history of Dallas’ African American community, with Bob Weir, John Mayer and Oteil Burbridge taking turns on lead vocal. A couple of songs later there’s a nod to another part of Texas with Marty Robbins’ classic cowboy ballad “El Paso,” followed by a run of Grateful Dead originals to close out the first set: the sweet Garcia-Hunter tune “They Love Each Other,” with spirited ensemble playing appended to the coda, and then a funky mashup of “The Music Never Stopped” and “Easy Answers.” The second set is a feast of Dead favorites, starting with a “Here Comes Sunshine” that opens up to some high-energy jamming, and segues beautifully into “Scarlet Begonias” and “Fire On The Mountain,” which in turn seamlessly morphs into a hard-swinging “Eyes Of The World” that features spectacular guitar and keyboard trade-offs by John Mayer and Jeff Chimenti. Ethereal Drums and Space sequences carry us gently into the Beatles’ “Dear Prudence” then Garcia and Hunter’s “The Wheel” (with a reggae-flavored tag) and, to close the set, a wild “Casey Jones.” In an appropriate return to the Old West, the band encores with Bob Dylan’s gunfighter’s lament, “Knockin’ On Heaven’s Door.”

Frank Foster - Manhattan Fever (1969) (Reissue, 2007)

February 17, 2019, 6:23 am

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Artist: Frank Foster
Title Of Album Manhattan Fever
Year Of Release:1969/2007
Label (Catalog#) : Blue Note [0946 3 85191 2 6]
Country: USA
Genre: Jazz / Hard Bop, Soul Jazz
Quality: FLAC (tracks + cue,log)
Bitrate: Lossless
Total Time: 01:15:44
Total Size: 488mb(+3%)(covers)
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VA - Oorgasm Volume 1-20 (1997-2004)

February 17, 2019, 6:53 am

≫ Next: West, Bruce & Laing - Whatever Turns You On (1973) (Remastered, 2008)

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Artist: Various Artists
Title Of Album: Oorgasm Volume 1-20
Year Of Release: 1997-2004
Label: Emag!c Entertainment
Genre: Rock, Alternative, Indie, Pop-Rock, Soul, Synth-Pop, Electronic
Quality: FLAC (tracks +.cue,log,scans)
Bitrate: Lossless
Time: 20:30:05
Full Size: 8.03 gb
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West, Bruce & Laing - Whatever Turns You On (1973) (Remastered, 2008)

February 17, 2019, 7:22 am

≫ Next: Laing, Hunter, Ronson & Pappalardi - The Secret Sessions (1978) (2011)

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Artist: West, Bruce & Laing
Title Of Album Whatever Turns You On
Year Of Release:1973/2008
Label (Catalog#) : Esoteric [ECLEC 2075]
Country: UK
Genre: Hard Rock, Blues Rock
Quality: FLAC (image + cue,log)
Bitrate: Lossless
Total Time: 00:35:17
Total Size: 231mb(+3%)(covers)
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Laing, Hunter, Ronson & Pappalardi - The Secret Sessions (1978) (2011)

February 17, 2019, 8:51 am

≫ Next: Rotengeist - Start to Exterminate (2014)

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Artist: Laing, Hunter, Ronson & Pappalardi
Title Of Album: The Secret Sessions
Year Of Release:1978/2011
Label (Catalog#) :Floating World [FLOATM6120]
Country: International
Genre: Hard Rock, Classic Rock, Blues Rock
Quality: FLAC (tracks+cue,log)
Bitrate: Lossless
Time: 00:38:24
Full Size: 255mb(+5%)(cover)
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Featuring: Leslie West, Todd Rundgren, Eric Clapton, Dickey Betts