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    zz320 kbps | 104 MB | UL | OB | KF

    Tracklist:

    01. Goin’ Downtown – 04:33
    02. Forgotten Heroes – 03:59
    03. Cigarettes in the Morning Sun – 04:42
    04. To Break a Heart of Stone – 03:33
    05. Monterey – 05:11
    06. The Gone – 05:57
    07. Lil’bird – 04:35
    08. Sweet Madness – 04:49
    09. Fare Thee Wel – 03:43


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    Πριν λίγο καιρό έπεσε στα χέρια μου ένα πολύ ενδιαφέρον βιβλίο. Ο τίτλο του ήταν «Γράμματα σε Νέο Ηθοποιό» κι είχε κυκλοφορήσει από τις εκδόσεις Κούστας, το 1964. Κάπως παλιά δηλαδή, αλλά τούτο δεν έχει ουδεμία σημασία – πιστέψτε με.
    a%2BLIFO%2BH8opoioi%2B1.jpg
    Σ’ αυτό το βιβλίο οι επιμελητές Ν.Α. Μακρίδης και Ν.Θ. Οικονόμου απευθύνθηκαν σε έλληνες ηθοποιούς της εποχής ζητώντας τους να γράψουν, κατ’ αναλογίαν των «γραμμάτων σ’ ένα νέο ποιητή» του Ράινερ Μαρία Ρίλκε, ανάλογες «συμβουλές» προς νέους ηθοποιούς αυτή τη φορά.
    Τα γράμματα των ηθοποιών είχαν σταλεί στην εφημερίδα «Νίκη», όπου και δημοσιεύτηκαν για πρώτη φορά βρίσκοντας τεράστια ανταπόκριση (όπως πληροφορούμαστε από το ίδιο το βιβλίο).
    Το επόμενο στάδιο το μαντεύετε. Οι επιστολές συγκεντρώθηκαν από τα φύλλα των εφημερίδων δημιουργώντας τα «Γράμματα σε Νέο Ηθοποιό».
    Ο τόμος ανοίγει μ’ ένα χειρόγραφο του Αιμίλιου Βεάκη (είχε πεθάνει το 1951), που είχαν εξασφαλίσει οι επιμελητές από τον γιο τού μεγάλου ηθοποιού, τον Δημήτρη Βεάκη, για να ακολουθήσουν οι επιστολές προς την εφημερίδα από τους: Μήτσο Μυράτ, Κατερίνα, Πέλο Κατσέλη, Μαίρη Αρώνη, Χριστόφορο Νέζερ, Βάσω Μανωλίδου, Χρήστο Ευθυμίου, Ελένη Χαλκούτση, Βασίλη Ρώτα, Άγγελο Τερζάκη, Μελίνα Μερκούρη, Τζαβαλά Καρούσο, Μήτσο Λυγίζο, Διονύση Ρώμα, Μάνο Κατράκη, Βασίλη Μεσολογγίτη, Λίνο Καρζή, Ελένη Χατζηαργύρη, Μάριο Πλωρίτη, Κλέωνα Παράσχο, Σωκράτη Καραντινό, Έλλη Λαμπέτη, Θάνο Κωτσόπουλο, Δημήτρη Ψαθά, Πάνο Παπαδούκα, Λάμπρο Κωνσταντάρα, Βασίλη Διαμαντόπουλο, Μιχάλη Κακογιάννη, Λυκούργο Καλλέργη, Μιράντα Μυράτ, Έλσα Βεργή και Γιώργο Θεοδοσιάδη.
    Επιλέγω μερικά από τα πιο σύντομα γράμματα, που έχουν φυσικά διαχρονικό ενδιαφέρον, εκσυγχρονίζοντας κάπως την ορθογραφία…

    Η συνέχεια εδώ…

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    z320 kbps | 917 MB | UL |

    4-CD Super Deluxe Edition brings together the 2012 remastered version of the original album, plus the alternate 1974 mix of the album originally issued in quadraphonic but here folded down to standard 2.0 stereo. (This mix was released in its original surround on DVD by Sanctuary/UMC as part of the 2009 Deluxe Edition.) The remaining two discs each feature a concert from 1970 making its official CD debut. (None of the bonus outtakes and alternates from the recently-reissued Deluxe Edition of Paranoid are included here.)


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    cover320 kbps | 160 MB | UL | OB | KF

    Tracklist:

    01. Danny Ray – Introduction Of The J.B.’s By Danny Ray
    02. The J.B.’s – Hot Pants Road
    03. The J.B.’s – From The Back Side
    04. The J.B.’s – Wine Spot
    05. Fred Wesley – Introduction Of James Brown By Fred Wesley
    06. James Brown – Never Can Say Goodbye
    07. The J.B.’s – Pass The Peas
    08. The J.B.’s – Honky Tonk
    09. James Brown – Introduction By James Brown
    10. The J.B.’s – Gimme Some More
    11. James Brown – There It Is
    12. Danny Ray – Introduction Of Lyn Collins By Danny Ray
    13. Lyn Collins – Do Your Thing
    14. Lyn Collins – Think (About It)
    15. Lyn Collins – I’ll Take You There
    16. Danny Ray – Introduction Of Bobby Byrd By Danny Ray
    17. Bobby Byrd – I Know You Got Soul
    18. Bobby Byrd – (If Loving You Is Wrong) I Don’t Want To Be Right
    19. Bobby Byrd – Keep On Doin’ What You’re Doin’


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    VA - Haute Musique Nova [10CD Box Set] (2013)

    Artist: Various Artists
    Title Of Album: Haute Musique Nova
    Year Of Release: 2013
    Label (Catalog#): Wagram Music [3284572]
    Genre: Electronic, Jazz, Indie, Rock, Funk/Soul, Blues, Pop, Folk
    Quality: FLAC (tracks +.cue,log,scans)
    Bitrate: Lossless
    Time: 7:54:29
    Full Size: 2.96 gb
    Upload: Turbobit / DepFile / HitFile

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    Kent Stanfield (aka Richie Kotzen) / Jesus In The Way (Single) Жанр : Country Boogie Год издания : 2010 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:05:39 Наличие сканов в содержимом раздачи : нет Треклист : 1.

    Тема на форуме



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    The Orchestra of Syrian Musicians / Africa Express Presents… The Orchestra of Syrian Musicians & Guests Жанр : Ethnic Страна исполнителя (группы) : Syria Год издания : 2016 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 01:21:29 Наличие сканов в содержимом раздачи : нет Треклист : 01.

    Тема на форуме



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    Stan Ridgway & Pietra Wexstun - Priestess Of The Promised Land (2016)

    Artist: Stan Ridgway & Pietra Wexstun
    Title Of Album: Priestess Of The Promised Land
    Year Of Release: 2016
    Label: Stan Ridgway
    Genre: Alternative, Folk Rock, Electronic, Singer/Songwriter
    Quality: FLAC (tracks)
    Bitrate: Lossless
    Time: 40:34
    Full Size: 261 mb
    Upload: Turbobit / DepFile / HitFile

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    Artist: Sylvia
    Title: It’s All in the Family
    Year Of Release: 2016
    Label: Sylvia Hutton
    Genre: Country, Folk, Singer/Songwriter
    Quality: mp3 320 kbps
    Total Time: 00:45:25
    Total Size: 104 mb


    Tracklist
    ———
    01. Every Time a Train Goes By
    02. Somebody’s Daughter
    03. Leave the Past in the Past
    04. A Right Turn
    05. All in the Family
    06. Grandpa Kirby Runnin’ the Hounds
    07. Immigrant Shoes
    08. Cumberland Rose
    09. Hope’s Too Hard
    10. I Didn’t Know What I Was Missing
    11. Here Lately
    12. Do Not Cry For Me
    Growing up in Kokomo, IN, Sylvia moved to Nashville around Christmas of 1975 with a definite game plan: get a job as a secretary, get to know influential people in town, and build a career as a recording artist. The plan worked. She picked up a job as the receptionist for Pi-Gem Music, headed by record producer Tom Collins. She started singing on demo sessions, and Collins helped her secure a recording contract with RCA. Since she’d never performed live before, Sylvia ended up learning to do concerts at the same time she was making hit records. With an engaging voice, a bubbly personality, and a beautiful appearance, Sylvia was practically a marketing dream, and Collins built her sound around catchy melodies and strong backbeats. Songs like "Drifter" (number one, 1981), "The Matador" (1981), "Nobody" (number one, 1982), and "Like Nothing Ever Happened" (1982) became big hits; "Nobody" even crossed over into the pop Top 40. The material was often lyrically shallow, however, and Sylvia grew increasingly frustrated. She left Collins and recorded a pair of albums with record producer Brent Maher. The second was never released. Sylvia, instead, was dropped by RCA in 1987. She used the opportunity for personal growth (she toured almost constantly during the height of her career and was emotionally drained) and to develop as a songwriter. In 1992, she re-emerged as a touring artist and pursued a recording deal with self-penned material that was inner-directed and uplifting.
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    The post Sylvia – It’s All in the Family (2016) appeared first on MusDL.


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    Artist: T Sisters
    Title: T Sisters
    Year Of Release: 2016
    Label: Three-headed Sounds
    Genre: Contemporary Folk, Singer/Songwriter, Country, Americana
    Quality: mp3 320 kbps
    Total Time: 00:38:12
    Total Size: 101 mb


    Tracklist
    ———
    01. Come Back Down
    02. Shadoop
    03. Fight Song
    04. Sticks and Stones
    05. So It Goes
    06. The Road
    07. Make It Rain
    08. Thief
    09. Sonnet #4
    10. I Have a Hammer
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    The post T Sisters – T Sisters (2016) appeared first on MusDL.


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    VA - Nova - Danse 1930 | 2020 [10CD Box Set] (2014)

    Artist: Various Artists
    Title Of Album: Nova - Danse 1930 | 2020
    Year Of Release: 2014
    Label (Catalog#): Nova Records/Wagram Music [3318482]
    Genre: Jazz, Funk/Soul, Pop, Folk, Rock, Reggae, Blues, Electronic
    Quality: FLAC (tracks +.cue,log)
    Bitrate: Lossless
    Time: 9:49:31
    Full Size: 3.75 gb
    Upload: Turbobit / DepFile / HitFile

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    z320 kbps | 148 MB | UL | KF | OB

    Tracklist:

    01. This House Is Not For Sale (6:36)
    02. Living With The Ghost (5:05)
    03. Knockout (3:39)
    04. Labor Of Love (5:51)
    05. Born Again Tomorrow (4:08)
    06. Roller Coaster (3:44)
    07. New Year’s Day (4:32)
    08. The Devil’s In The Temple (3:23)
    09. Scars On This Guitar (5:32)
    10. God Bless This Mess (3:19)
    11. Reunion (4:15)
    12. Real Love (4:43)
    13. All Hail The King (6:09)
    14. We Don’t Run (4:02)
    15. Come On Up To Our House (5:38)


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    Artist: Terri Hendrix
    Title: The Slaughterhouse Sessions: Project 5.2
    Year Of Release: 2016
    Label: Self Released
    Genre: Acoustic Blues, Blues Folk
    Quality: FLAC
    MP3
    Total Time: 36:56
    Total Size: 257 MB
    /102 MB


    Tracklist:
    1. The News (3:04)
    2. Bury The Devil (3:55)
    3. Trouble’s On Your Mind (2:51)
    4. Ain’t It A Shame (3:53)
    5. I Will Arise (3:49)
    6. One Of These Mornings (2:32)
    7. Crocodile Man (2:57)
    8. Call You To The Carpet (3:48)
    9. The Lowdown (3:22)
    10. Double Shift Tuesday (2:43)
    11. Sun Of The Soul (3:57)

    In the full 20 years now that she’s been making records, Terri Hendrix has never once had to worry about running any song or idea she’s had past a marketing committee or label suit. Nor, for that matter, has she ever been especially beholden to the factions of her fanbase that would rather hear her stick to her sunny, non-confrontational side than go messing around with songs stepping too close to political or hot-button social topics for conservative comfort. Now, fans, peers, and industry know-it-alls can all debate the question of whether Hendrix’s independence has been more help or hindrance to her career, but either way it’s always been a given that when this Texan fancies, chances will for damn sure be taken.
    The proof is right there in the title alone of her latest release, which happens to be her second full-length album of new material in the last nine months. Had Hendrix released the album on any label other than her own Wilory Records, she might have still gotten away with naming it The Slaughterhouse Sessions, but surely someone on the accountability chain with a pinch more caution or sense would have at least tried to talk her out of it. Never mind the explanation about Hendrix and producer Lloyd Maines having started the record at a New Mexico guest lodging converted out of a former slaughterhouse; the bottom line is, it’s a gruesome album title better fit for a black metal band – not a folky hippie-chick who collects little kids’ signatures on her mandolins and who named her last record Love You Strong. What in the hell was she thinking?
    The answer to that question can be found straight away in the songs. What Hendrix was thinking, it turns out, was an awful lot about bad news – the kind shouted ad nauseam across all manner of media from TV to Facebook, often to the point of deafening civil discourse even amongst friends and family. She was thinking, too, about mortality, and hate, and fear, and all manner of other troubles – some perhaps of her own design – and “reachin’ for the future through the wheel in a cage” while asking, “how’d you end up here?” Thinking the kinds of thoughts that can definitely seed the blues – but also stir a body, mind, and soul to rise up off the killing floor and shout, “Enough.” Or, as Hendrix puts it straight-up in her Hafiz-quoting rap/rant “Bury the Devil,” “Gonna dig a hole, put the devil in it.”
    The Slaughterhouse Sessions is part of what Hendrix calls her “Project 5,” a still-in-progress suite of four new albums and a book that she had originally intended to release all in 2016 but which she has now earmarked for completion next spring. All of the components are said to be thematically linked, and like its immediate predecessor, Love You Strong, Slaughterhouse does touch more than once on the topics of faith and resilience. But where Love You Strong seemed to focus more on the idea of weathering the storm, Slaughterhouse is all about not just standing firm, but pushing back. It’s fitting then, that it’s far and away the most musically and lyrically assertive album Hendrix has ever made, with a full seven of its 11 tracks registering as up-tempo foot-stompers ranging in mood from restless and feisty to downright fearsome. And true to her promise at the start of Project 5 that the second album would lean toward harp-infused acoustic blues, Hendrix’s snarly, Sonny Terry-inspired harmonica playing is as dominant in the arrangements as Maines’ arsenal of all things stringed. Two tracks in particular showcase that harp front and center: Elder Roma Wilson’s “Ain’t It a Shame,” which has been a staple of Hendrix’s live sets for half a decade now, and “One of These Mornings” (by J.C. Burris, nephew of Sonny Terry), on which Hendrix’s harmonica, voice, and stomping foot are the only instruments in the mix at all.
    There are three more covers on the album, including a pair of straight-up gospel hymnals, the public domain “I Will Arise” and A.P. Carter’s “Sun of the Soul.” But it’s the relentlessly grooving “Crocodile Man,” penned by the late contemporary folk artist Dave Carter, that really demands attention. A first-person narrative about a fictional slippery con man with a, shall we say, “winning temperament,” it’s chased quite aptly by Hendrix’s own “Call You to the Carpet,” her most fierce and determined show of fangs this side of 2002’s “I Found the Lions”: “Flames are gonna lick you, smoke is gonna choke you / When they ask about you, gonna say you fried,” she sings with steely, matter-of-fact conviction, “. I’ll hang you upside down till the truth rolls out your eyes.”
    Mind, not every song here packs quite that kind of heat or surprise. Although both “Double Shift Tuesday” (co-written with Slaid Cleaves) and the “The Lowdown” fit the record thematically, they lighten the weight of their worries with a not-unwelcome, playful bounce (via the former’s gypsy lope and the latter’s bucket-drum funk) that wouldn’t have been too out of place on Hendrix’s 1998 sophomore record, Wilory Farm, or its 2000 follow-up, Places in Between. But the best track of all on Slaughterhouse is the one that opens the record and which really could have only opened this record: “The News.” Delivering the most arresting vocal of her career – hushed, breathy, and beautiful – over a spare arrangement of acoustic guitar with accents of shimmering electric, Hendrix drags her troubles out into the light to tell ’em what for: “I still find gold in the sun, truth be told I’m the lucky one . So take your news, take your bad news away.” That ain’t “Zip-a-Dee-Doo-Dah,” either; it’s just how this defiant Texas independent sings the blues: her way. – RICHARD SKANSE

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    The post Terri Hendrix – The Slaughterhouse Sessions: Project 5.2 (2016) appeared first on MusDL.


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    cover320 kbps | 105 MB | UL |

    Nothin’ Fancy formed as a bluegrass band in 1994 to compete in a bluegrass competition. Since then, they have grown in popularity, released 11 full length albums, and continue to perform at festivals across the United States and in international engagements. Their audiences have gathered at notable venues such as the Ryman Auditorium in Nashville, TN; the Lincoln Center in New York City; and the Birchmere in Alexandria, VA. They have been seen at Dollywood, and are a regular fixture at Silver Dollar City in Branson, MO where promoter/coordinator D.A. Callaway described Nothin’ Fancy as “the act that America needs to see.” They have successfully hosted their own Nothin’ Fancy Bluegrass Festival every year since 2001 in Buena Vista, VA on the fourth weekend of September. The festival has become a notable event for the Shenandoah Valley bluegrass scene and attracts acclaimed bluegrass bands and bluegrass music lovers from many corners of the U.S., Canada, and even overseas. The band is known for their smooth vocal blends, stirring performances, irrepressible humor, and for traveling the highways in their beloved bright yellow tour bus.

    Their two-decade career has earned them a dedicated fan base, six Society for the Preservation of Bluegrass Music in America (SPBGMA) Entertainers of the Year awards, honorary Mountaineer status by order of former WV Governor Joe Manchin III, and certificates of appreciation from several VA towns, and even had the Buena Vista mayor declare it as “Nothin’ Fancy Day” at one of their festivals. On April 10, 2015, the all-male music fraternity Phi Mu Alpha Sinfonia inducted four members of Nothin’ Fancy into honorary brotherhood through the chapter at James Madison University (the fifth, Chris Sexton, joined Phi Mu Alpha in 1995 at Shenandoah University’s chapter). Most recently, Nothin’ Fancy revealed that on October 10, 2015, the band will be inducted into the Virginia Country Music Hall of Fame, an honor given once a year to Virginia’s most notable country and bluegrass musician.


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    frontStan Ridgway & Pietra Wexstun
    Priestess Of The Promised Land
    (Stan Ridgway bandcamp, 2016)
    more details


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    Artist: Abby Lappen
    Title: Double Mentions
    Year Of Release: 2016
    Label: Self Released
    Genre: Folk, Folk Blues, Folk Jazz
    Quality: FLAC
    MP3
    Total Time: 43:20
    Total Size: 252 MB
    101 MB


    Tracklist:
    1. How Can You Mend A Broken Heart (3:07)
    2. Turning The Page (3:47)
    3. Please Don’t Let Me Be Misunderstood (3:10)
    4. Once I Was (3:46)
    5. This Song (2:54)
    6. Two Brothers (3:32)
    7. Why Can’t We Live Together (3:45)
    8. Sweet Surrender (3:31)
    9. It’s The Frame (3:42)
    10. Texas Waltz (4:40)
    11. Thirsty Boots (3:31)
    12. Willow (3:49)

    Abby Lappen is a singer/songwriter who lives in New York State’s Hudson Valley. She displays her passion for live musical performance with a collection of original songs and meaningful covers in a cross genre mix, from haunting folk and satirical blues to jazzy ballads and syncopated melodies. Abby is an accomplished artist whose unique voice and "crisp guitar" mesmerize audiences with warmth and agility.

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    The post Abby Lappen – Double Mentions (2016) appeared first on MusDL.


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    Artist: The Family Crest
    Title: Beneath the Brine
    Year Of Release: 2013
    Label: Tender Loving Empire
    Genre: Orchestral, Soul, Folk, Indie
    Quality: MP3/320 kbps
    Total Time: 53:25
    Total Size: 123 mb


    Tracklist:
    01 Beneath The Brine
    02 The World
    03 Love Don’t Go
    04 William’s Dirge
    05 Howl
    06 The Water’s Fine
    07 I Am the Winter
    08 She Knows My Name
    09 As We Move Forward
    10 When The Lights Go Out
    11 There’s a Thunder
    12 Make Me a Boat
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    The post The Family Crest – Beneath the Brine (2013) appeared first on MusDL.


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    Nothin' Fancy • Where I Came From Жанр : Country/Bluegrass Страна : USA (Lexington, VA) Год издания : 2016 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:43:51 Наличие сканов в содержимом раздачи : нет 01.

    Тема на форуме



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  • 12/15/16--08:18: Inkary - Sacred Hill (2002)
  • Performer: Inkary Album: Sacred Hill Label: Pedro Jara. Made in UK. Catalog #: PJCD3R Style: Ethnic Year: 2002 Format: FLAC (image + .cue) Bitrate: lossless Covers: full (600 DPI) Amount of tracks: 11 Size ZIP: ~ 344 mb Upload: nitroflare.com Password: without a password

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    cover320 kbps | 78 MB | UL |

    Dan Bern: Vocals, Guitars, Harmonica, Piano
    Jordan Katz: Electric Banjo
    Jonathan Flaugher: Bass
    Adam Busch: Drums
    Tripp Beam: Drums
    Neil Rosengarden: Trumpet, Guitars, Percussion, Organ, Vocals
    Paul Zollo: Guitar, Vocals


older | 1 | .... | 256 | 257 | (Page 258) | 259 | 260 | .... | 2475 | newer