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The Wilder Company – The Wilder Company (2016)

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zz320 kbps | 104 MB | UL | OB | KF

Tracklist:

01. Goin’ Downtown – 04:33
02. Forgotten Heroes – 03:59
03. Cigarettes in the Morning Sun – 04:42
04. To Break a Heart of Stone – 03:33
05. Monterey – 05:11
06. The Gone – 05:57
07. Lil’bird – 04:35
08. Sweet Madness – 04:49
09. Fare Thee Wel – 03:43


«ΙΕΡΑ ΤΕΡΑΤΑ» ΤΟΥ ΕΛΛΗΝΙΚΟΥ ΘΕΑΤΡΟΥ ΣΥΜΒΟΥΛΕΥΟΥΝ ΝΕΟΥΣ ΣΥΝΑΔΕΛΦΟΥΣ ΤΟΥΣ

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Πριν λίγο καιρό έπεσε στα χέρια μου ένα πολύ ενδιαφέρον βιβλίο. Ο τίτλο του ήταν «Γράμματα σε Νέο Ηθοποιό» κι είχε κυκλοφορήσει από τις εκδόσεις Κούστας, το 1964. Κάπως παλιά δηλαδή, αλλά τούτο δεν έχει ουδεμία σημασία – πιστέψτε με.
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Σ’ αυτό το βιβλίο οι επιμελητές Ν.Α. Μακρίδης και Ν.Θ. Οικονόμου απευθύνθηκαν σε έλληνες ηθοποιούς της εποχής ζητώντας τους να γράψουν, κατ’ αναλογίαν των «γραμμάτων σ’ ένα νέο ποιητή» του Ράινερ Μαρία Ρίλκε, ανάλογες «συμβουλές» προς νέους ηθοποιούς αυτή τη φορά.
Τα γράμματα των ηθοποιών είχαν σταλεί στην εφημερίδα «Νίκη», όπου και δημοσιεύτηκαν για πρώτη φορά βρίσκοντας τεράστια ανταπόκριση (όπως πληροφορούμαστε από το ίδιο το βιβλίο).
Το επόμενο στάδιο το μαντεύετε. Οι επιστολές συγκεντρώθηκαν από τα φύλλα των εφημερίδων δημιουργώντας τα «Γράμματα σε Νέο Ηθοποιό».
Ο τόμος ανοίγει μ’ ένα χειρόγραφο του Αιμίλιου Βεάκη (είχε πεθάνει το 1951), που είχαν εξασφαλίσει οι επιμελητές από τον γιο τού μεγάλου ηθοποιού, τον Δημήτρη Βεάκη, για να ακολουθήσουν οι επιστολές προς την εφημερίδα από τους: Μήτσο Μυράτ, Κατερίνα, Πέλο Κατσέλη, Μαίρη Αρώνη, Χριστόφορο Νέζερ, Βάσω Μανωλίδου, Χρήστο Ευθυμίου, Ελένη Χαλκούτση, Βασίλη Ρώτα, Άγγελο Τερζάκη, Μελίνα Μερκούρη, Τζαβαλά Καρούσο, Μήτσο Λυγίζο, Διονύση Ρώμα, Μάνο Κατράκη, Βασίλη Μεσολογγίτη, Λίνο Καρζή, Ελένη Χατζηαργύρη, Μάριο Πλωρίτη, Κλέωνα Παράσχο, Σωκράτη Καραντινό, Έλλη Λαμπέτη, Θάνο Κωτσόπουλο, Δημήτρη Ψαθά, Πάνο Παπαδούκα, Λάμπρο Κωνσταντάρα, Βασίλη Διαμαντόπουλο, Μιχάλη Κακογιάννη, Λυκούργο Καλλέργη, Μιράντα Μυράτ, Έλσα Βεργή και Γιώργο Θεοδοσιάδη.
Επιλέγω μερικά από τα πιο σύντομα γράμματα, που έχουν φυσικά διαχρονικό ενδιαφέρον, εκσυγχρονίζοντας κάπως την ορθογραφία…

Η συνέχεια εδώ…

Black Sabbath – Paranoid [Super Deluxe Edition] (2016)

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z320 kbps | 917 MB | UL |

4-CD Super Deluxe Edition brings together the 2012 remastered version of the original album, plus the alternate 1974 mix of the album originally issued in quadraphonic but here folded down to standard 2.0 stereo. (This mix was released in its original surround on DVD by Sanctuary/UMC as part of the 2009 Deluxe Edition.) The remaining two discs each feature a concert from 1970 making its official CD debut. (None of the bonus outtakes and alternates from the recently-reissued Deluxe Edition of Paranoid are included here.)

VA – Get Down With James Brown: Live at the Apollo IV (2016)

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cover320 kbps | 160 MB | UL | OB | KF

Tracklist:

01. Danny Ray – Introduction Of The J.B.’s By Danny Ray
02. The J.B.’s – Hot Pants Road
03. The J.B.’s – From The Back Side
04. The J.B.’s – Wine Spot
05. Fred Wesley – Introduction Of James Brown By Fred Wesley
06. James Brown – Never Can Say Goodbye
07. The J.B.’s – Pass The Peas
08. The J.B.’s – Honky Tonk
09. James Brown – Introduction By James Brown
10. The J.B.’s – Gimme Some More
11. James Brown – There It Is
12. Danny Ray – Introduction Of Lyn Collins By Danny Ray
13. Lyn Collins – Do Your Thing
14. Lyn Collins – Think (About It)
15. Lyn Collins – I’ll Take You There
16. Danny Ray – Introduction Of Bobby Byrd By Danny Ray
17. Bobby Byrd – I Know You Got Soul
18. Bobby Byrd – (If Loving You Is Wrong) I Don’t Want To Be Right
19. Bobby Byrd – Keep On Doin’ What You’re Doin’

VA - Haute Musique Nova [10CD Box Set] (2013)

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VA - Haute Musique Nova [10CD Box Set] (2013)

Artist: Various Artists
Title Of Album: Haute Musique Nova
Year Of Release: 2013
Label (Catalog#): Wagram Music [3284572]
Genre: Electronic, Jazz, Indie, Rock, Funk/Soul, Blues, Pop, Folk
Quality: FLAC (tracks +.cue,log,scans)
Bitrate: Lossless
Time: 7:54:29
Full Size: 2.96 gb
Upload: Turbobit / DepFile / HitFile

(Country Boogie) Kent Stanfield (aka Richie Kotzen) - Jesus In The Way (Single) - 2010, MP3, 320 kbps

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Kent Stanfield (aka Richie Kotzen) / Jesus In The Way (Single) Жанр : Country Boogie Год издания : 2010 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:05:39 Наличие сканов в содержимом раздачи : нет Треклист : 1.

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(Ethnic) The Orchestra of Syrian Musicians - Africa Express Presents… The Orchestra of Syrian Musicians & Guests - 2016, MP3, 320 kbps

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The Orchestra of Syrian Musicians / Africa Express Presents… The Orchestra of Syrian Musicians & Guests Жанр : Ethnic Страна исполнителя (группы) : Syria Год издания : 2016 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 01:21:29 Наличие сканов в содержимом раздачи : нет Треклист : 01.

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Stan Ridgway & Pietra Wexstun - Priestess Of The Promised Land (2016)

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Stan Ridgway & Pietra Wexstun - Priestess Of The Promised Land (2016)

Artist: Stan Ridgway & Pietra Wexstun
Title Of Album: Priestess Of The Promised Land
Year Of Release: 2016
Label: Stan Ridgway
Genre: Alternative, Folk Rock, Electronic, Singer/Songwriter
Quality: FLAC (tracks)
Bitrate: Lossless
Time: 40:34
Full Size: 261 mb
Upload: Turbobit / DepFile / HitFile

Sylvia – It’s All in the Family (2016)

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Artist: Sylvia
Title: It’s All in the Family
Year Of Release: 2016
Label: Sylvia Hutton
Genre: Country, Folk, Singer/Songwriter
Quality: mp3 320 kbps
Total Time: 00:45:25
Total Size: 104 mb


Tracklist
———
01. Every Time a Train Goes By
02. Somebody’s Daughter
03. Leave the Past in the Past
04. A Right Turn
05. All in the Family
06. Grandpa Kirby Runnin’ the Hounds
07. Immigrant Shoes
08. Cumberland Rose
09. Hope’s Too Hard
10. I Didn’t Know What I Was Missing
11. Here Lately
12. Do Not Cry For Me
Growing up in Kokomo, IN, Sylvia moved to Nashville around Christmas of 1975 with a definite game plan: get a job as a secretary, get to know influential people in town, and build a career as a recording artist. The plan worked. She picked up a job as the receptionist for Pi-Gem Music, headed by record producer Tom Collins. She started singing on demo sessions, and Collins helped her secure a recording contract with RCA. Since she’d never performed live before, Sylvia ended up learning to do concerts at the same time she was making hit records. With an engaging voice, a bubbly personality, and a beautiful appearance, Sylvia was practically a marketing dream, and Collins built her sound around catchy melodies and strong backbeats. Songs like "Drifter" (number one, 1981), "The Matador" (1981), "Nobody" (number one, 1982), and "Like Nothing Ever Happened" (1982) became big hits; "Nobody" even crossed over into the pop Top 40. The material was often lyrically shallow, however, and Sylvia grew increasingly frustrated. She left Collins and recorded a pair of albums with record producer Brent Maher. The second was never released. Sylvia, instead, was dropped by RCA in 1987. She used the opportunity for personal growth (she toured almost constantly during the height of her career and was emotionally drained) and to develop as a songwriter. In 1992, she re-emerged as a touring artist and pursued a recording deal with self-penned material that was inner-directed and uplifting.
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The post Sylvia – It’s All in the Family (2016) appeared first on MusDL.

T Sisters – T Sisters (2016)

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Artist: T Sisters
Title: T Sisters
Year Of Release: 2016
Label: Three-headed Sounds
Genre: Contemporary Folk, Singer/Songwriter, Country, Americana
Quality: mp3 320 kbps
Total Time: 00:38:12
Total Size: 101 mb


Tracklist
———
01. Come Back Down
02. Shadoop
03. Fight Song
04. Sticks and Stones
05. So It Goes
06. The Road
07. Make It Rain
08. Thief
09. Sonnet #4
10. I Have a Hammer
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The post T Sisters – T Sisters (2016) appeared first on MusDL.

VA - Nova - Danse 1930 | 2020 [10CD Box Set] (2014)

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VA - Nova - Danse 1930 | 2020 [10CD Box Set] (2014)

Artist: Various Artists
Title Of Album: Nova - Danse 1930 | 2020
Year Of Release: 2014
Label (Catalog#): Nova Records/Wagram Music [3318482]
Genre: Jazz, Funk/Soul, Pop, Folk, Rock, Reggae, Blues, Electronic
Quality: FLAC (tracks +.cue,log)
Bitrate: Lossless
Time: 9:49:31
Full Size: 3.75 gb
Upload: Turbobit / DepFile / HitFile

Bon Jovi – This House Is Not For Sale (Live From The London Palladium) (2016)

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z320 kbps | 148 MB | UL | KF | OB

Tracklist:

01. This House Is Not For Sale (6:36)
02. Living With The Ghost (5:05)
03. Knockout (3:39)
04. Labor Of Love (5:51)
05. Born Again Tomorrow (4:08)
06. Roller Coaster (3:44)
07. New Year’s Day (4:32)
08. The Devil’s In The Temple (3:23)
09. Scars On This Guitar (5:32)
10. God Bless This Mess (3:19)
11. Reunion (4:15)
12. Real Love (4:43)
13. All Hail The King (6:09)
14. We Don’t Run (4:02)
15. Come On Up To Our House (5:38)

Terri Hendrix – The Slaughterhouse Sessions: Project 5.2 (2016)

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Artist: Terri Hendrix
Title: The Slaughterhouse Sessions: Project 5.2
Year Of Release: 2016
Label: Self Released
Genre: Acoustic Blues, Blues Folk
Quality: FLAC
MP3
Total Time: 36:56
Total Size: 257 MB
/102 MB


Tracklist:
1. The News (3:04)
2. Bury The Devil (3:55)
3. Trouble’s On Your Mind (2:51)
4. Ain’t It A Shame (3:53)
5. I Will Arise (3:49)
6. One Of These Mornings (2:32)
7. Crocodile Man (2:57)
8. Call You To The Carpet (3:48)
9. The Lowdown (3:22)
10. Double Shift Tuesday (2:43)
11. Sun Of The Soul (3:57)

In the full 20 years now that she’s been making records, Terri Hendrix has never once had to worry about running any song or idea she’s had past a marketing committee or label suit. Nor, for that matter, has she ever been especially beholden to the factions of her fanbase that would rather hear her stick to her sunny, non-confrontational side than go messing around with songs stepping too close to political or hot-button social topics for conservative comfort. Now, fans, peers, and industry know-it-alls can all debate the question of whether Hendrix’s independence has been more help or hindrance to her career, but either way it’s always been a given that when this Texan fancies, chances will for damn sure be taken.
The proof is right there in the title alone of her latest release, which happens to be her second full-length album of new material in the last nine months. Had Hendrix released the album on any label other than her own Wilory Records, she might have still gotten away with naming it The Slaughterhouse Sessions, but surely someone on the accountability chain with a pinch more caution or sense would have at least tried to talk her out of it. Never mind the explanation about Hendrix and producer Lloyd Maines having started the record at a New Mexico guest lodging converted out of a former slaughterhouse; the bottom line is, it’s a gruesome album title better fit for a black metal band – not a folky hippie-chick who collects little kids’ signatures on her mandolins and who named her last record Love You Strong. What in the hell was she thinking?
The answer to that question can be found straight away in the songs. What Hendrix was thinking, it turns out, was an awful lot about bad news – the kind shouted ad nauseam across all manner of media from TV to Facebook, often to the point of deafening civil discourse even amongst friends and family. She was thinking, too, about mortality, and hate, and fear, and all manner of other troubles – some perhaps of her own design – and “reachin’ for the future through the wheel in a cage” while asking, “how’d you end up here?” Thinking the kinds of thoughts that can definitely seed the blues – but also stir a body, mind, and soul to rise up off the killing floor and shout, “Enough.” Or, as Hendrix puts it straight-up in her Hafiz-quoting rap/rant “Bury the Devil,” “Gonna dig a hole, put the devil in it.”
The Slaughterhouse Sessions is part of what Hendrix calls her “Project 5,” a still-in-progress suite of four new albums and a book that she had originally intended to release all in 2016 but which she has now earmarked for completion next spring. All of the components are said to be thematically linked, and like its immediate predecessor, Love You Strong, Slaughterhouse does touch more than once on the topics of faith and resilience. But where Love You Strong seemed to focus more on the idea of weathering the storm, Slaughterhouse is all about not just standing firm, but pushing back. It’s fitting then, that it’s far and away the most musically and lyrically assertive album Hendrix has ever made, with a full seven of its 11 tracks registering as up-tempo foot-stompers ranging in mood from restless and feisty to downright fearsome. And true to her promise at the start of Project 5 that the second album would lean toward harp-infused acoustic blues, Hendrix’s snarly, Sonny Terry-inspired harmonica playing is as dominant in the arrangements as Maines’ arsenal of all things stringed. Two tracks in particular showcase that harp front and center: Elder Roma Wilson’s “Ain’t It a Shame,” which has been a staple of Hendrix’s live sets for half a decade now, and “One of These Mornings” (by J.C. Burris, nephew of Sonny Terry), on which Hendrix’s harmonica, voice, and stomping foot are the only instruments in the mix at all.
There are three more covers on the album, including a pair of straight-up gospel hymnals, the public domain “I Will Arise” and A.P. Carter’s “Sun of the Soul.” But it’s the relentlessly grooving “Crocodile Man,” penned by the late contemporary folk artist Dave Carter, that really demands attention. A first-person narrative about a fictional slippery con man with a, shall we say, “winning temperament,” it’s chased quite aptly by Hendrix’s own “Call You to the Carpet,” her most fierce and determined show of fangs this side of 2002’s “I Found the Lions”: “Flames are gonna lick you, smoke is gonna choke you / When they ask about you, gonna say you fried,” she sings with steely, matter-of-fact conviction, “. I’ll hang you upside down till the truth rolls out your eyes.”
Mind, not every song here packs quite that kind of heat or surprise. Although both “Double Shift Tuesday” (co-written with Slaid Cleaves) and the “The Lowdown” fit the record thematically, they lighten the weight of their worries with a not-unwelcome, playful bounce (via the former’s gypsy lope and the latter’s bucket-drum funk) that wouldn’t have been too out of place on Hendrix’s 1998 sophomore record, Wilory Farm, or its 2000 follow-up, Places in Between. But the best track of all on Slaughterhouse is the one that opens the record and which really could have only opened this record: “The News.” Delivering the most arresting vocal of her career – hushed, breathy, and beautiful – over a spare arrangement of acoustic guitar with accents of shimmering electric, Hendrix drags her troubles out into the light to tell ’em what for: “I still find gold in the sun, truth be told I’m the lucky one . So take your news, take your bad news away.” That ain’t “Zip-a-Dee-Doo-Dah,” either; it’s just how this defiant Texas independent sings the blues: her way. – RICHARD SKANSE

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The post Terri Hendrix – The Slaughterhouse Sessions: Project 5.2 (2016) appeared first on MusDL.

Nothin’ Fancy – Where I Came From (2016)

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cover320 kbps | 105 MB | UL |

Nothin’ Fancy formed as a bluegrass band in 1994 to compete in a bluegrass competition. Since then, they have grown in popularity, released 11 full length albums, and continue to perform at festivals across the United States and in international engagements. Their audiences have gathered at notable venues such as the Ryman Auditorium in Nashville, TN; the Lincoln Center in New York City; and the Birchmere in Alexandria, VA. They have been seen at Dollywood, and are a regular fixture at Silver Dollar City in Branson, MO where promoter/coordinator D.A. Callaway described Nothin’ Fancy as “the act that America needs to see.” They have successfully hosted their own Nothin’ Fancy Bluegrass Festival every year since 2001 in Buena Vista, VA on the fourth weekend of September. The festival has become a notable event for the Shenandoah Valley bluegrass scene and attracts acclaimed bluegrass bands and bluegrass music lovers from many corners of the U.S., Canada, and even overseas. The band is known for their smooth vocal blends, stirring performances, irrepressible humor, and for traveling the highways in their beloved bright yellow tour bus.

Their two-decade career has earned them a dedicated fan base, six Society for the Preservation of Bluegrass Music in America (SPBGMA) Entertainers of the Year awards, honorary Mountaineer status by order of former WV Governor Joe Manchin III, and certificates of appreciation from several VA towns, and even had the Buena Vista mayor declare it as “Nothin’ Fancy Day” at one of their festivals. On April 10, 2015, the all-male music fraternity Phi Mu Alpha Sinfonia inducted four members of Nothin’ Fancy into honorary brotherhood through the chapter at James Madison University (the fifth, Chris Sexton, joined Phi Mu Alpha in 1995 at Shenandoah University’s chapter). Most recently, Nothin’ Fancy revealed that on October 10, 2015, the band will be inducted into the Virginia Country Music Hall of Fame, an honor given once a year to Virginia’s most notable country and bluegrass musician.

Stan Ridgway & Pietra Wexstun Priestess Of The Promised Land

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frontStan Ridgway & Pietra Wexstun
Priestess Of The Promised Land
(Stan Ridgway bandcamp, 2016)
more details


Abby Lappen – Double Mentions (2016)

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Artist: Abby Lappen
Title: Double Mentions
Year Of Release: 2016
Label: Self Released
Genre: Folk, Folk Blues, Folk Jazz
Quality: FLAC
MP3
Total Time: 43:20
Total Size: 252 MB
101 MB


Tracklist:
1. How Can You Mend A Broken Heart (3:07)
2. Turning The Page (3:47)
3. Please Don’t Let Me Be Misunderstood (3:10)
4. Once I Was (3:46)
5. This Song (2:54)
6. Two Brothers (3:32)
7. Why Can’t We Live Together (3:45)
8. Sweet Surrender (3:31)
9. It’s The Frame (3:42)
10. Texas Waltz (4:40)
11. Thirsty Boots (3:31)
12. Willow (3:49)

Abby Lappen is a singer/songwriter who lives in New York State’s Hudson Valley. She displays her passion for live musical performance with a collection of original songs and meaningful covers in a cross genre mix, from haunting folk and satirical blues to jazzy ballads and syncopated melodies. Abby is an accomplished artist whose unique voice and "crisp guitar" mesmerize audiences with warmth and agility.

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The Family Crest – Beneath the Brine (2013)

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Artist: The Family Crest
Title: Beneath the Brine
Year Of Release: 2013
Label: Tender Loving Empire
Genre: Orchestral, Soul, Folk, Indie
Quality: MP3/320 kbps
Total Time: 53:25
Total Size: 123 mb


Tracklist:
01 Beneath The Brine
02 The World
03 Love Don’t Go
04 William’s Dirge
05 Howl
06 The Water’s Fine
07 I Am the Winter
08 She Knows My Name
09 As We Move Forward
10 When The Lights Go Out
11 There’s a Thunder
12 Make Me a Boat
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The post The Family Crest – Beneath the Brine (2013) appeared first on MusDL.

(Country/Bluegrass) Nothin' Fancy - Where I Came From - 2016, MP3, 320 kbps

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Nothin' Fancy • Where I Came From Жанр : Country/Bluegrass Страна : USA (Lexington, VA) Год издания : 2016 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:43:51 Наличие сканов в содержимом раздачи : нет 01.

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Inkary - Sacred Hill (2002)

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Performer: Inkary Album: Sacred Hill Label: Pedro Jara. Made in UK. Catalog #: PJCD3R Style: Ethnic Year: 2002 Format: FLAC (image + .cue) Bitrate: lossless Covers: full (600 DPI) Amount of tracks: 11 Size ZIP: ~ 344 mb Upload: nitroflare.com Password: without a password

Dan Bern – Adderal Holiday (2016)

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cover320 kbps | 78 MB | UL |

Dan Bern: Vocals, Guitars, Harmonica, Piano
Jordan Katz: Electric Banjo
Jonathan Flaugher: Bass
Adam Busch: Drums
Tripp Beam: Drums
Neil Rosengarden: Trumpet, Guitars, Percussion, Organ, Vocals
Paul Zollo: Guitar, Vocals

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