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Aymeric Blanc – Retour vers l’Eden (2016)

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Aymeric Blanc – Retour vers l'Eden (2016)
Retour vers l'Eden | 2016 | QUANTAUM
New Age | MP3 CBR 320 kbps | 00:45:59 | 106 MB

Tracklist:
01. Aymeric Blanc – Creation Originelle (3:22)
02. Aymeric Blanc – Enchantement (3:21)
03. Aymeric Blanc – Terre Des Ancetres (2:40)
04. Aymeric Blanc – Danse De La Vie (3:26)
05. Aymeric Blanc – Le Voyage De L'aigle (2:18)
06. Aymeric Blanc – Vague D'amour (2:52)
07. Aymeric Blanc – Reve Des Elementaux (4:13)
08. Aymeric Blanc – Om (5:02)
09. Aymeric Blanc – Agartha (4:36)
10. Aymeric Blanc – Temple De Cristal (8:31)
11. Aymeric Blanc – Melodie Des Anges (2:26)
12. Aymeric Blanc – Retour A La Source (3:13)
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Ancient Bullets – Ancient Bullets (2016)

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Ancient Bullets – Ancient Bullets (2016)
Ancient Bullets | 2016 | Ancient Bullets
Electronic, Ambient, Modern Classical, New Age | 320 Kbps | 47:37 min | 110 MB

Tracklist:
01. Closer to Home
02. The Very End of the Fall
03. Moving Towards the Goal
04. Moloko Plus
05. Exciting Star
06. Reflection and Disability
07. Ticking Clock
08. Rain Through the Sunshine
09. Journey to the Autumn
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Musica Cubana – Live in Tokyo (2007)

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Musica Cubana – Live in Tokyo (2007)
Video: NTSC, MPEG-2 at 6 000 kb/s, 720 x 480 at 29.970 fps | Audio: AC-3 2 channels at 192 kb/s, 48.0 kHz
Genre: Latin | Label: Icon EnT. | Copy: Untouched | Release Date: 4 Mar. 2007 | Runtime: 90 min. | 3,98GB (DVD5)

One of the best Timba-modern-Afro-Cuban music DVDs out there. The musician lineup includes All-Star members from some of Cuba's top groups, including Feliciano Arango on bass (fron NG La Banda), famed to be the "father of modern afro-cuban bass".Tracklist:
01. Intro [0:22]
02. Chan Chan [7:25]
03. Yo Vine Pa've [6:25]
04. Seis Semanas [8:29]
05. Cuandro You No Me Quieras [4:51]
06. La Luna [5:29]
07. Volveria a Renacer [2:52]
08. Digan Lo Que Digan [7:16]
09. Habana Cuba [4:26]
10. Pio Mentiroso [8:24]
11. Negrito Bailabdor [9:37]
12. Cubanas Por El Mondo [7:15]
13. Somos Cubanos [10:05]
14. Credits [1:28]
Extra:
– Chiki Chaka Music Video
Features:
– Interactive Menu
– Direct Scene Access

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Cuarteto Casals – Live in Barcelona – Franz Schubert: String Quartets # 1 (2016) [Blu-ray & DVD9]

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Cuarteto Casals – Live in Barcelona – Franz Schubert: String Quartets # 1 (2016)
Blu-ray: MPEG-4 AVC 21253 kbps, 1920*1080i, 25 fps, 16:9, High Profile 4.1
LPCM 5.1, 96 kHz, 13824 kbps, 24-bit / LPCM 2.0, 96 kHz, 4608 kbps, 24-bit
DVD9: MPEG 2, 720×576 (16:9), 25.000 fps | PCM 96.0 KHz, 2 ch, 4 608 Kbps
Classical | Neu Records | 01:13:37 | ~ 22.80 or 5.21 Gb

Schubert's 'Death and the Maiden' Quartet is now available on Blu-Ray, DVD and HD video to . The concert includes the early quartets in D Major D74 and B-flat Major D68 as well as the monumental 'Death and the Maiden' D810, and it's the first release of the Cuarteto Casals' five disc set of live performances of the complete quartets of Franz Schubert…Tracklist:
STRING QUARTET N. 7, IN D MAJOR, D 94
1. ALLEGRO 06:51
2. ANDANTE CON MOTO 03:23
3. MENUETTO 02:36
4. PRESTO 03:25
STRING QUARTET N. 5, IN B-FLAT MAJOR, D 68
5. ALLEGRO MAESTOSO 06:52
6. ALLEGRO 07:18
STRING QUARTET N. 14, IN D MINOR, D 810
"DEATH AND THE MAIDEN"
7. ALLEGRO 12:12
8. ANDANTE CON MOTO 14:23
9. SCHERZO 04:14
10. PRESTO 11:12
Vera Martínez Mehner – Violin.
Abel Tomàs – Violin.
Jonathan Brown – Viola.
Arnau Tomàs – Cello.

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Paco de Lucia – En Vivo Conciertos Espana 2010 (2011) {2CD with DVD5 PAL – Universal Music Spain}

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Paco de Lucia – En Vivo Conciertos Espana 2010 (2011) {2CD with DVD5 PAL – Universal Music Spain}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 544 Mb | MP3 320 -> 213 Mb
DVD5 -> 1.10 Gb | All Regions | PAL 16:9 | LinearPCM, 2 ch | ~ 21 min | ISO Image
Full Artwork 600 dpi (jpg) -> 179 Mb | 5% repair rar
© 2011 Universal Music Spain | 0602527908038
Flamenco / International / Western European Traditions / World Music / Guitar

En Vivo Conciertos España is the first release of new material in seven years, and first live album in 18, by the flamenco guitar god par excellence. While de Lucía's output has slowed down considerably in the past two decades, the same cannot be said of his prodigious dexterity, in light of this two-CD set culled from his 2010 Spanish tour. De Lucía performs extended variations of eight of his compositions (almost every track surpasses the ten-minute mark) together with his new band of guitarist Antonio Sánchez, bassist Alain Pérez, singers David de Jacoba and Duquende, harmonica player Antonio Serrano, and dancer Farru, all eminently up to de Lucía's notoriously high standards. A DVD with the "making-of" documentary La Inmortalidad del Concierto completes the release.

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Apocryphos – Stone Speak (2016)

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Apocryphos – Stone Speak (2016)
Stone Speak | 2016 | Cryo Chamber
Electronic, Ambient | 320 Kbps | 48:25 min | 112 MB

Tracklist:
1. Tenebrous
2. Consanguineous Spirit
3. Unmarked and Overgrown
4. Simulacrum of Stone
5. Sepulcher
6. Clandestine
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Amy Lynne Johnson – Piano Poetry, Vol. 2 (2016)

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Amy Lynne Johnson – Piano Poetry, Vol. 2 (2016)
Piano Poetry, Vol. 2 | 2016 | Amy Lynne Johnson
New Age, Piano | FLAC (tracks) | 29:55 min | 124 MB

Tracklist:
01. Sunset Shimmer
02. Memory Lane
03. Baby's Bliss
04. Falling in Love
05. Good News (Christmas Morning)
06. Friends by Fireside
07. When My Heart Opened (Having Thought It Never Would)
08. Carolina Wren in Falling Snow
09. All Is Well
10. Sunrise on Silver Lake
11. Love's Daydream
12. Music for the Moon and Stars
13. Thank You Notes
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Anousheh & Tom – Silence (Secrets of Persian Ney) (2016)

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Anousheh & Tom – Silence (Secrets of Persian Ney) (2016)
Silence (Secrets of Persian Ney) | 2016 | Il Canto del Mondo
New Age | 320 / FLAC (tracks) | 74:36 min | 172 / 363 MB

Tracklist:
1. Anousheh & Tom – Secret One (19:57)
2. Anousheh & Tom – Secret Two (12:31)
3. Anousheh & Tom – Secret Three (22:48)
4. Anousheh & Tom – Secret Four (19:20)
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Burnt Palms – Back On My Wall (2016)

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Burnt Palms – Back On My Wall (2016)
Back On My Wall | 2016 | We Were Never Being Boring
Garage Rock, Indie Rock, Punk, Surf Rock, Lo-Fi | FLAC (tracks) | 25:59 min | 181 MB

Tracklist:
01. Never Met You
02. Fold
03. Nothing to Me
04. Over
05. Last Time
06. Fine
07. 31
08. Come Back
09. Forget
10. Be Mine
11. No Goodbye
12. You
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Argh (Glenn Main) – Night In the City (2014)

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Argh (Glenn Main) – Night In the City (2014)
Night In the City | 2014 | AD Music
Electronic, Synthpop | 320 Kbps | 38:37 min | 101 MB

Tracklist:
1. We Ride
2. Without Me
3. Point Of No Return
4. Absence
5. In Love
6. Dont Think Of Her
7. Night In The City
8. Cheating Bird
9. Higher Love
10. Heavens Seas
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Aeoliah – Healing Medicine Buddha Mantra (2015)

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Aeoliah – Healing Medicine Buddha Mantra (2015)
Healing Medicine Buddha Mantra | 2015 | Aeoliah / Music for Healthy Living
New Age | FLAC | 31:10 min | 138 MB

Tracklist:
1. Healing Medicine Buddha Mantra (31:10)
Here is some information on this Tibetan Healing Medicine Buddha Mantra:
Tayata Om Bekandze Bekandze Maha Bekandze Radza Samudgate Soha:
This sacred Tibetan healing mantra is created to eliminate not only pain of diseases but also help to covercome the major inner maladies of attachment, hatred, jealousy, desire, fear, greed, & ignorance.
Bekandze means eliminating pain, maha bekandze means great eliminating of pain. One explanation of the meaning of the first bekandze is that it refers to eliminating the pain of true suffering, not just of disease but of all problems. It eliminates the pain of death and rebirth that are caused by karma and disturbing thoughts. The first bekandze eliminates all the problems of body and mind, including old age and sickness.
The second bekandze eliminates all the true cause of suffering, which is not external but within the mind. This refers to karma and disturbing thoughts. It is the inner cause that enables external factors such as food and exposure to sunlight to become conditions for disease.
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Tamikrest - Chatma (2013)

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Tamikrest - Chatma (2013)

Artist: Tamikrest
Title: Chatma
Year Of Release: 2013
Label: Glitterbeat Records
Genre: World, Ethnic
Quality: MP3/320 kbps
Total Time: 41:49
Total Size: 102 mb

Alban Endlos – Goldene Welt (2016)

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Alban Endlos – Goldene Welt (2016)
Goldene Welt | 2016 | heiter bis wolkig
Electronic | MP3 CBR 320 kbps | 01:13:19 | 168 MB

Tracklist:
01. Alban Endlos – The End Ist Das Los Is Not The End (5:40)
02. Alban Endlos – Umda (3:54)
03. Alban Endlos – Emotion Blur [Explicit] (5:25)
04. Alban Endlos – Goldene Welt (6:36)
05. Alban Endlos – Neuland (4:57)
06. Alban Endlos – Dubtrap [Explicit] (6:13)
07. Alban Endlos – 1998 (5:14)
08. Alban Endlos – Either Way [Explicit] (6:53)
09. Alban Endlos – Apparent Move (6:35)
10. Alban Endlos – Either Way [Explicit] (Powel Remix) (6:08)
11. Alban Endlos – Apparent Move (Dolph Remix) (8:02)
12. Alban Endlos – Goldene Welt (Akustikhaack Remix) (7:43)
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Justin Peter Kinkel-Schuster – Constant Stranger (2016)

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z320 kbps | 102 MB | UL | OB | KF

For those not in the know, Justin is the lead voice and 1/3 of HearYa favorite, Water Liars. With Water Liars, their tunes tend to vacillate between quiet moments and crashing sound all the while showcasing life’s difficulties. On his solo debut, Justin dials back the sound for in giving you something that feels like a confessional.

Kinkel-Schuster has never been shy of his admiration for the late Jason Molina. And that shines through as this has the feeling of some of Molina’s more mellow work. Painting Houses is a gorgeous melancholy track that examines the struggles of everyday. The finish beginning at 2:40 ooozes Molina greatness and don’t throw those words around easily.

Kinkel-Schuster’s vocals continue to shine. It is nice to see in a slight different fabric on his solo album. Headed South and Milky South are among his best work. The songs just seem to dig up some hurt.

Barbara Lynn Doran – Reveal (2016)

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zz320 kbps | 102 MB | UL | OB | KF | TB | RG

Reveal presents a tight set of rock tinged country songs that’s sure to appeal to listeners who value honesty and self-awareness over glossy, cookie-cutter sentiments.


(Chanson, modern) [CD] Mohammed Abdel Wahab (Mohamed Abdelwahab) - Integrale - Vol. III - 1928 - 1990, FLAC (tracks+.cue), lossless

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Mohammed Abdel Wahab (Mohamed Abdelwahab) / Intégrale - Vol. III - 1928 Жанр : Chanson, modern Носитель : CD Страна-производитель диска (релиза) : France Год издания : 1990 Издатель (лейбл) : Les Artistes Arabes Associés Номер по каталогу : AAA 014 Страна исполнителя (группы) : Egypt Аудиокодек : FLAC (*.

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Mitch Ryder & The Detroit Wheels – Live In Ann Arbor (2016)

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z320 kbps | 211 MB | UL |OB | KF

Tracklist:
1. CC Ryder (Live) (5:04)
2. Gimmie Shelter (Live) (6:51)
3. Jenny Takes A Ride (Live) (6:10)
4. Devil With The Blue Dress – Good Golly Miss Molly (Live) (5:34)
5. Not Fade Away (Live) (5:50)
6. Rock And Roll (Live) (3:33)
7. Sock It To Me Baby (Live) (2:32)
8. Where Is The Next One Coming From (Live) (3:52)
9. War (Live) (6:31)
10. Freezing In Hell (Live) (5:50)
11. Heart Of Stone (Live) (3:33)
12. Little Latin Lupe Lu – Ain’t Nobody White (Live) (5:24)
13. B.I.G.T.I.M.E. (Live) (3:48)
14. Liberty (Live) (6:27)
15. When You Were Mine (Live) (4:29)
16. Tough Kid (Live) (6:31)
17. It Ain’t Easy (Live) (3:48)
18. Bow Wow Wow (Live) (4:07)

Warren Haynes – Tales Of Ordinary Madness (1993)

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Warren Haynes – Tales Of Ordinary Madness (1993)
Tales Of Ordinary Madness | 1993 | Megaforce Worldwide
Blues Rock | APE (image, .cue, log) | 66:11 | 439 Mb (covers)

Tracklist:
01. Fire In The Kitchen
02. Kiss Tomorrow Good-Bye
03. Movers And Shakers
04. I'll Be The One
05. Blue Radio
06. Invisible
07. Sister Justice
08. Angel City
09. Tattoos and Cigarettes
10. Power And The Glory
11. Broken Promised Land
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Charlie Byrd Trio – Live in New Orleans (2001)

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Charlie Byrd Trio – Live in New Orleans (2001)
Video: NTSC, MPEG-2 at 7 013 kb/s, 720 x 480 at 29.970 fps | Audio: AC-3 6ch. at 448 kb/s, AC-3 2ch. at 224 kb/s
Genre: Jazz | Label: IImage Entertainment | Copy: Untouched | Release Date: 25 Sep. 2001 | Runtime: 56 min. | 3,07GB (DVD5)

Tasteful, low-key, and ingratiatingly melodic, Charlie Byrd had two notable accomplishments to his credit applying acoustic classical guitar techniques to jazz and popular music and helping to introduce Brazilian music to mass North American audiences.Born into a musical family, Byrd experienced his first brush with greatness while a teenager in France during World War II, playing with his idol Django Reinhardt. After some postwar gigs with Sol Yaged, Joe Marsala and Freddie Slack, Byrd temporarily abandoned jazz to study classical guitar with Sophocles Papas in 1950 and Andrés Segovia in 1954. However he re-emerged later in the decade gigging around the Washington D.C. area in jazz settings, often splitting his sets into distinct jazz and classical segments. He started recording for Savoy as a leader in 1957, and also recorded with the Woody Herman Band in 1958-59. A tour of South America under the aegis of the U.S. State Department in 1961, proved to be a revelation, for it was in Brazil that Byrd discovered the emerging bossa nova movement. Once back in D.C., he played some bossa nova tapes to Stan Getz, who then convinced Verve's Creed Taylor to record an album of Brazilian music with himself and Byrd. That album, Jazz Samba, became a pop hit in 1962 on the strength of the single "Desafinado" and launched the bossa nova wave in North America. Thanks to the bossa nova, several albums for Riverside followed, including the defining Bossa Nova Pelos Passaros, and he was able to land a major contract with Columbia, though the records from that association often consisted of watered-down easy listening pop. In 1973, he formed the group Great Guitars with Herb Ellis and Barney Kessel and also that year, wrote an instruction manual for the guitar that has become widely used. From 1974 onward, Byrd recorded for the Concord Jazz label in a variety of settings, including sessions with Laurindo Almeida and Bud Shank. He died December 2, 1999 after a long bout with cancer.
Artits:
– Charlie Byrd: Guitar
– Joe Byrd: Bass
– Chuck Redd: Drums
Tracklist:
01. Introduction;Shiny Stockings [4:16]
02. Jive At Five [6:19]
03. Jitterbug Waltz [5:56]
04. Wave [5:24]
05. Orpheus Samba [5:25]
06. Satin Doll [3:56]
07. One Morning In May [5:04]
08. Corcovado [5:48]
09. Someone To Watch Over Me [4:31]
10. How Long Has This Been Going On [3:06]
11. Blue Monk [4:57]
12. End Credits [:51]
Features:
– Interactive Menu
– Direct Scene Access

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Field Report: Visa For Music in Rabat, Morocco

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Report from the Visa For Music expo held in Rabat, Morocco, by Bastiaan Springer, a producer for Radio 5 (Netherlands), and a world music journalist since 1984.

For more than 20 years now WOMEX has been the biggest international networking platform for the world music industry. This huge event with over 2,400 delegates is far from ideal if you prefer a more intimate and laid-back atmosphere. In recent years, new local music markets have been organized in response to the hustle and bustle of WOMEX, such as the Atlantic Music Expo in Cape Verde, IOMMA (Indian Ocean Music Market) in Réunion and Visa For Music, the first world music market in Morocco oriented towards Africa and the Middle East. This year’s third edition, held from Nov. 16-18 in the Moroccan capital, Rabat, further consolidated Visa For Music as an important world music salon with a lot of musical surprises.

Although Rabat has more than 1.6 million inhabitants, the city offers a relaxed Mediterranean vibe. One can walk down the boulevards lined with palms and colonial architecture; look for bargains at the lively medina; wander through the picturesque kasbah; or enjoy beach life with magnificent ocean views. So it’s the ideal city for world music professionals looking for new inspiration.

Visa For Music’s founder is Brahim El Mazned, an energetic man with a vision, who for over a decade has been the artistic director of the Timitar Festival of World Music in Agadir, Morocco, dedicated mainly to the Amazigh (Berber) culture. A few years ago he took the initiative for Visa for Music.

El Mazned explains, “We want to create a professional music market in the region because there is a lot of talent in Morocco, the rest of Africa and the Middle East. Recently we met with several other similar events organizations in the world, and we were almost the only ones representing Africa. We need professional platforms and fairs here in Africa to promote all this talent without needing to go through Europe or the United States.” He continues: “Most of the artists who played here in 2014 and 2015 have been successful in getting dates at very prestigious festivals around the world, in Europe, the U.S., Canada and also in the Middle East.”

Daytime at Visa for Music was restricted to professionals in the world music field, including festival directors, programmers and members of the media, who were engaged in conferences, network meetings at the music market and speed dates. The evening program with some 50 showcases in Théatre National Mohammed V, Club Renaissance and Cinéma Renaissance was open to the public and attracted many young residents from Rabat.

One of West Africa’s best singers, Guinea’s Sekouba “Bambino” Diabaté [photo above, by Clara Salina], was invited for the opening night in the Théatre National Mohammed V. He was born into a musical family and descends from a long line of griots. In 1979, at the age of 19, Bambino became lead singer for the state-sponsored Orchestre Bembeya Jazz National. He stayed with the group until 1990, when he left to pursue a solo career, becoming a huge star among West Africans both at home and in Europe. In 1996 Diabaté provided vocals for tracks on Africando’s Gumbo Salsa and in 1998 he also sang on Africando’s fourth album. Now in his early 50s, Bambino gave an impressive performance with his powerful vocals still sounding as youthful as ever.

Photo Reportage Visa for Music 2016

Karyna Gomes. Photo: Clara Salina

Another great artist on opening night was rising star Karyna Gomes, a talented vocalist and percussionist from Guinea Bissau. From 2007 until 2013, she sang in Super Mama Djombo, the band that became a symbol of Guinea-Bissauan identity after independence. Her first CD, Mindjer (Woman), was released in October 2014 and ever since she has been playing all over the world. “For me the most important rhythm is the rhythm of the tina, a kind of calabash in the water, which I infuse with soul, r&b, jazz, African rhythms and Cuban music. As my mother is Cape Verdean I also feel some influences from Cape Verde” she explains. Gomes gave a strong Latin and Cape Verdean-infused show, accompanied by a small group including the talented trumpet player Jéssica Pina. Karyna Gomes is currently working on her second album.

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Sahad and Nataal Patchwork. Photo: Khalil Hassani

One of the musical discoveries was Sahad and the Nataal Patchwork, a young band from Dakar, Senegal. Sahad means harvest in the Serer language but it’s also the first name of the lead singer, Sahad Sarr. This dynamic band blends many styles: Senegalese mbalax, Malian desert blues, Afrobeat, Cuban music, rock and jazz. Sahad Sarr’s meandering voice is backed by six tight musicians including two excellent horn players. Echoes of a young Baaba Maal and Cheikh Lô could be heard in their dynamic show as well as vibes of Fela Kuti. The audience in the packed Café Renaissance went crazy for this energetic music.

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Vox Sambou. Photo: Tbeur Amine

The showcase of the Montreal-based MC Vox Sambou, a key figure of the rap kreyòl movement, was both explosive and entertaining. This sharp-witted lyricist and charismatic showman presented a vibrant hip-hop fusion, mixing up his Haitian roots with reggae, Afrobeat, Latin music, and danceable jazz. Vox Sambou’s boundless energy on stage with his six-piece band easily won over the crowd, making him one of the highlights of Visa For Music.

Revealing the hidden gems of Africa and the Middle East, Visa For Music attracted a lot of bands and artists almost unknown in Europe and the United States, such as Groupe Doueh from the Western Sahara who played together with the French punkers Cheveu. The result was an amazing mix of desert blues, punk rock and electro.

47SOUL is an electro-Arabic dabke band from Amman, Jordan. These musical exponents of the Palestinian diaspora have rapidly amassed fans in the Arab world and Europe by blasting the electricfied dabke sound through underground music scenes. On top of the traditional Arabic beats, 47SOUL hypes it up with analog synthesizers, hypnotic guitar lines, and stunning verses from the singers. Their lyrics, mixing Arabic and English, call for celebration and freedom in the struggle for equality. The show ended in a nonstop dance and trance party.

Photo Reportage Visa for Music 2016

Inna Modja

Earplugs were a must for the show put on by the new queen of African pop, Inna Modja from Mali. Her mix of traditional Malian music, hip-hop and soul was immersed in extremely loud computer beats. To be honest, the volume was really over the top. Still this utterly charming diva succeeded in transforming the stately Théatre National Mohammed V into one huge dance floor.

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Labess

The closing act of Visa For Music was Labess, a Canada-based band formed around singer Nedjim Bouizzoul. Their catchy mix of rumba Catalana, chaabi, rai and flamenco, and the message of living together despite our differing backgrounds, caused deafening cheers and wild dance steps among the mostly young Moroccan audience.

There is so much new talent and musical energy in Africa and the Middle East nowadays, there is growing need for such music salons as Visa For Music. Compared to the first two editions, this year’s was better organized, despite the erratic starting times for the showcases. With its animated Mediterranean atmosphere, Visa For Music has proven itself as a lively new world music fair that can become increasingly important in the coming years.

 

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