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    Deaf School - English Boys/Working Girls (Series: British Rock Masterpiece) (1978/2006) FLAC (image + .cue)
    Artist: Deaf School | Album: English Boys/Working Girls | Released: 1978 | Genre: Rock, New Wave, Art Rock | Country: UK | Duration: 00:51:19

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    Fire - The Magic Shoemaker (Series: British Rock Masterpiece) (1970/2005) APE (image + .cue)
    Artist: Fire | Album: The Magic Shoemaker (Japanese Remaster) | Released: 1970 | Genre: Art Rock, Soul, Psychedelic, Rock | Country: UK | Duration: 00:45:32

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    Katherine Jenkins – This Is Christmas (2012) FLAC (tracks + .cue)
    Artist: Katherine Jenkins | Album: This Is Christmas | Label: Warner Bros. Records, Warner Music Entertainment | Catalog #: 5053105509225, 5053105509225 | Released: 2012 | Genre: Classical, World, Country | Country: UK | Duration: 00:50:20

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    Isaac Hayes - Out of the Ghetto - The Polydor years (2000) FLAC (image + .cue)
    Artist: Isaac Hayes | Album: Out of the Ghetto - The Polydor years | Released: 2000 | Genre: Soul, Funk, RnB | Country: UK | Duration: 01:10:51

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    z320 kbps | 125 MB | UL | OB | TB | DF

    Tracklist:

    01. On the Run
    02. Kill You, Kill Me
    03. Old Joe
    04. I Need It Bad
    05. Invisible
    06. Gallows Pole
    07. Running Blind
    08. Nobody’s Watching
    09. Trouble
    10. Running Blind (Spitters & Sprong Remix) [feat. Gavrilovski]


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    zx320 kbps | 102 MB | UL |

    Tracklist:

    1. Boom Chicka Boom
    2. Arrevederchi Baby
    3. I Know
    4. Last Time for a First Date
    5. I Want You to Want Me
    6. It’s a Date
    7. When Did I Get Old
    8. What You Want Is What You Need
    9. The Great Indoors (2016 Version)
    10. Brand New Wings (2016 Version)


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    Mastermix Deleted Classics Vol 26 Christmas New Year (2016)

    Artist: Mastermix
    Title: Deleted Classics Vol 26 Christmas New Year
    Label: Music Factory
    Style: Big Band, Holidays, Free Funk, Swing, Novelty, Synthpop, Crossover Jazz
    Release Date: 01-12-2016
    Format: CD, Compilation, Partially Mixed
    Quality: 320 Kbps/Joint Stereo/44100Hz
    Tracks: 10 Tracks
    Size: 179 Mb / 01:17:54 Min

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    Σε παραγωγή του Στυλιανού Τζιρίτα [A Man out of a Man Ltd, 2016] και με τελικό mastering από τον Δημήτρη Παπαδάτο δεκατρείς έλληνες συνθέτες προτείνουν ισάριθμα ηλεκτρονικά tracks, τα οποία, όπως διαβάζουμε στον τίτλο, συνδέονται με την επιστημονική φαντασία. Τώρα και να μη συνδέονταν μικρό το κακό – καθότι εδώ έχουμε μουσική, καλή μουσική, που στέκει το ίδιο καλά και έξω από το οποιοδήποτε concept.
    Η κασέτα ανοίγει με το “Flesh and wire” του Αντώνη Λιβιεράτου, το οποίο θα τολμούσα να το χαρακτηρίσω progressive electronic– καθώς το αυτί μου πιάνει μέχρι και κάτι από μέλοτρον. Ο Λιβιεράτος δημιουργεί ποικίλα επίπεδα, πίσω βαθειά και υποδόρια, μπροστά πιο φωτεινά και μελωδικά, καθώς διάφορα αναλογικά «γεμίσματα», κρουστά και κιθάρες (έτσι ακούγονται δεν παίρνω όρκο για τις πηγές τους) προσθέτουν σε αφηγήσεις. Δυνατή αρχή.
    Το “Proxima Centauri”του Bellorophone είναι πειραματικό κομμάτι, που λουπάρει ασυστόλως. Στη βάση του, γιατί και εδώ, σ’ ένα πιο μπροστά επίπεδο, διάφοροι ήχοι που συμβάλλουν δημιουργούν οπωσδήποτε ένα κλίμα (ναι, κάπως πιο βιομηχανικό).
    Στην ίδια χοντρικά λογική και με εκμετάλλευση μιας κάποιας παρήχησης των βόμβων, το «Άφιξη στην αποικία 73ΜΧ» του Yiannis Karr επιχειρεί να προσομοιώσει στο φανταστικό πεντάγραμμο την άφιξη ενός διαστημοπλοίου π.χ. σ’ έναν εξώκοσμο πλανήτη. Από την εποχή του “Zeit” των Tangerine Dreamέχουμε το soundtrack, αλλά ακόμη τίποτα…
    Στο “Frequence Deu(x-s)” ο Δημήτρης Καμαρωτός επιχειρεί να καινοτομήσει, ας το πούμε έτσι, δημιουργώντας πνευστούς ήχους, συνδυάζοντας improv-jazz με ηλεκτρονικά. Το κομμάτι έχει μια ροή, η οποία στη διαδρομή διακόπτεται και από κάποιες παρεμβάσεις θερεμίνης (αληθινής ή όχι μικρή σημασία έχει), που πέφτουν πάνω σ’ ένα ηλεκτροστατικό τελάρο. Στο τέλος μια κοσμική «βροχή» θα σκεπάσει τα πάντα. Ή σχεδόν τα πάντα…
    Προτελευταίο κομμάτι της πλευράς το μελαγχολικό “Emotional destiny” του ION. Εδώ το ηλεκτρονικό feeling αφορά στο electro, στο eighties electro αν θέλετε, που δεν είναι κατ’ ανάγκην εικονοκλαστικό, με παράλληλη συνεισφορά από πρωτοποριακά και ποπ στοιχεία. Ο IONείναι «μανούλα» σε κάτι τέτοια, και το κομμάτι εκπέμπει αισθητές δέσμες φωτός, σ’ ένα κατά το μάλλον ή ήττον σκοτεινό περιβάλλον.
    Στο “ISM(The incredible shrinking man)” ο Spyros VJ γίνεται ακόμη πιο ποπίστας, καθώς το δικό του electro είναι ακόμη πιο χειροπιαστό, με τις φωνές που παρεμβάλλονται ανάμεσα να σπάνε τη γενικότερη μηχανιστική μοναξιά.
    ajazz%2Btziritas.jpg
    Η δεύτερη πλευρά ανοίγει με το“He was an enigma to earthmen and star beings alike” του Αχιλλέα Χαρμπίλα. Υποβλητικό οπωσδήποτε track με πολλαπλά επίπεδα ήχων και με μιαν αίσθηση “contact” (επαφής εννοώ).
    Στο “Carl Opland, Miles Sagan” οι Hydra προτείνουν ένα περιβάλλον, στο οποίο συγκλίνουν στοιχεία αβαντγκάρντιας και cosmic sounds, με πολλά στοιχεία επανάληψης.
    Ο/οι Right Knider με το “In the silent rooms” παίζουν κάπως με το trip-hop (κάπως λέω). Το κομμάτι τους είναι καλό, παρά το γεγονός πως δεν διαθέτει κάποιο space βάρος/βάθος.
    Πολύ διαφορετικούς ακούω τους Joalz στο “Jelo (live)” σε σχέσεις με άλλες παλαιότερες ηχογραφήσεις του. Εδώ έχουμε electro/rock υποβολής με ωραία στρώματα keyboards, σ’ ένα κομμάτι που αρχίζει και τελειώνει στο πι και φι.
    Πάνω σε μιαν up-tempo επινοημένη bassline οι Sone Urbiaαπλώνουν διάφορους «παράξενους» ήχους (και φωνές), δίνοντας στο “Aether” μια ταξιδευτική αίσθηση.
    Απεναντίας το “Antitransparency” των Big Fat Lips είναι περισσότερο «κομμένο και ραμμένο», με τα breaks από πλήκτρα και κιθάρες (τα πάντα μπορεί να προέρχονται από πλήκτρα – δεν παίρνει όρκο, κανείς, σ’ αυτά τα θέματα) να παρέχουν κι άλλα credits στη γενικότερη ποπ φόρμα.
    Η κασέτα θα κλείσει με τον πιο απρόσμενο τρόπο. Μ’ ένα τραγούδι για ένα… φανταστικό πάρτυ. Το “(theme from) space sheriff Gavan[remix]” είναι πολύ καλό dance/italo, αλλά δεν κολλάει με τίποτα με τα υπόλοιπα κομμάτια (είτε της side A, είτε της Side B).
    Γενικά θα έλεγα πως η κασέτα είναι αξιόλογη, με τα πιο ενδιαφέροντα tracks να εντοπίζονται στην πρώτη πλευρά.

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    The Lumineers - Cleopatra [Hi-Res Deluxe Edition] (2016)

    Artist: The Lumineers
    Title Of Album: Cleopatra
    Year Of Release: 2016
    Labe: Dualtone Music
    Country: United States
    Genre: Indie Folk, Folk Rock, Americana
    Quality: FLAC (tracks)
    Bitrate: Lossless [96kHz/24bit]
    Time: 42:10
    Full Size: 910 mb
    Upload: Turbobit / DepFile / HitFile

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    ?format=1000w

    Location: Genteng, Banyuwangi Regency, East Java

    Sound: Kuntulan (also called kundaran)

    I’ve driven all around Java for the past year searching out the fascinating permutations of frame drum music found on the island, from terbang gebes in West Java to Banyumas-style slawatan, but nothing could prepare me for the flashy, modern sounds of Banyuwangi-style kuntulan. The people in this far eastern corner of Java are called the Osing, a fascinating and distinct culture with a rich history (descendants of princes, some say!) and a music culture unlike anything else on the island (you may remember the angklung paglak, kenthulitan, and jaranan/gandrung.) 

    Kuntulan has its roots in hadrah, a very Middle Eastern-flavored form of rebana-accompanied Islamic devotional music found throughout Java. While hadrah is a bit flavorless and essentially sounds the same no matter where its played, kuntulan has been richly imbued with the Osing spirit so unique to Banyuwangi. The terbang are still at the heart of the music: the bejangled drums (called genjring elsewhere in Java) play interlocking patterns which can be slapped out at dizzying speeds. Unlike the rather uniform rebana patterns of hadrah, the terbang riffs are remarkably varied and dynamic, with the speedy, tonal sound of the buffalo skin drums echoing the frenetic Bali-esque rhythms found in local gamelan. These days, though, the terbang are just the core of the ever-growing tentacled monster that is the modern kuntulan group. Also onboard now are bass drums (pantus) that seem to have been grabbed from a school marching band, kenong (two small gongs placed on the ground and played at a breakneck speed), and even the musical triangle (kluncing) so popular in Banyuwangi. These last two, especially the surprisingly virtuosic triangle, are likely borrowed from the gandrung dance music found throughout the area. 

    ?format=1000w

    Also of note is the inclusion of an electric keyboard, usually called orgen in Indonesia. In my cynical, romantic view of Indonesian music making, the orgen is often the shmaltzy death rattle of subtlety and taste. Pop music (and traditional-pop hybrids) all around the archipelago is marred not by the instrument itself but by the god-awful rhythmic pre-sets, stilted patterns that make almost all music made with a synth sound like that fifty year old Smooth Organ Waltzes vinyl you found at the local thrift store. In Banyuwangi, though, keyboardists bravely leave the pre-sets behind and forge ahead with only raw, monophonic melodies played with one hand and pumped through distorted klaxon-esque loudspeakers. 

    The keyboard melodies and optional vocals follow the drums through a varied world of songs far from the Arabic-aspiring hadrah. Songs from the gandrung reportoire mingle with pop daerah (local pop), almost all featuring the diatonized but very Osing take on the slendro scale. Despite its religious roots and context, modern kuntulan seems to find no issue with blending the sacred with the profane, prayers mingling with dangdut.

    ?format=1000w

    The fleshed-out ensembles and varied reportoire are possibly a result of kuntulan’s place in the tradition of arak-arakan, wherein groups cruise through local neighborhoods in a truckbed, a travelling show aimed at gathering donations from passersby for local mosques or orphanages. Unlike more ritual-based musics in Indonesia, kuntulan music in this context is designed to be crowd-pleasing, with catchy keyboard lines and familiar melodies seducing rupiahs from folks as the band drives through. Formal kuntulan competitions also give motivation to groups to come up with new arrangements and of course to shred as much as possible.

    Maybe its the fairly fresh sound, maybe its the shredding. Whatever it is, I’m happy to say that unlike other drum-based arts in Java, kuntulan is in no danger of extinction. Kuntulan groups are almost always made up of young men (women never play, although they can sing), with kids learning with their seniors at the local mosque or sanggar. Its a decent example for communities with struggling musical traditions: if you want your tradition to flourish, don’t be too strict about the tools or the reportoire. A keyboard may even help things - just leave the stilted pre-sets out of it.

    Context:

    Banyuwangi seems to be a lucky place for me. Upon my arrival to the area for the first time in 2014, I was greeted at the train station by a jaranan group with tranced out kids rolling about as trains passed. Just what I wanted! This time around, things worked out even better. 

    Its 2016, and I’m headed to Banyuwangi once again. It’s the last leg of my epic Java journey, a 1000 km + drive from Bandung to Bali with stops all along the way. I’ve been dreaming of Banyuwangi all the while, wondering to myself how I’ll find a kuntulan group. I guess I’ll have to hunt out down and commission a performance. It’ll be worth it!

    ?format=1000w

    Just as I drove into the Banyuwangi area (past the curiously named village of Glenmore), a pick-up truck pulled right in front of me on the road: the truck’s bed was bursting with musicians, drums, and gongs shredding their way down the street as the truck crept along. I laughed out loud at the serendipity of it all and quickly resolved that I’d have to find a way to record these guys.

    It was a rainy day, and just as I was thinking of how to get these guys to stop, the rain did it for me: a torrential downpour forced us all to pull over and seek cover. As one of the guys frantically pulled a big blue tarp over everything, I stood watching the rain with the band and tried to convey the serendipity of our meeting to the bemused band: You guys are playing kuntulan! I’m here looking for kuntulan! Can I follow your or something??

    Go for it, the guys said - you can join whenever the rain stops. So we sat on some stranger’s porch while a few guys practiced their terbang parts accompanied by kendang, a few kretek cigarettes burning on the leather straps of the barrel drum as the tight patterns of the terbang rung out clearly, freed from the exciting but muddy clatter of the full ensemble. The musicianship was rock solid, with rhythms passed from drum to drum with impossible ease. This was going to be good.

    The question then became: how to record a band on the move? I would put my recorder in the bed with the musicians, but there was literally not an inch of space left in the truck. What I came up with instead was not quite as consistent in terms of sound but it made for quite an image: as the band got on their way and began their slow parade through the nearby villages, I tailgated them on my motorbike, keeping a slow, consistent speed on the throttle with one hand while holding my Sony PCM-M10 in front of the bike with the other. 

    ?format=1000w

    I followed the band for more than an hour as they played through the crowd-pleasers in medley form, with particularly popular ones being repeated again and again. Eventually the circuit ended at their home mosque, where the band jumped down and beat out one more song for the home crowd. Then we all went to a nearby home to feast on catfish and watermelon, where the group’s leader explained that they were raising money for orphans as part of an annual ritual in connection with the beginning of Suro, a holy month of the Javanese and Islamic calendar. As the sun was about to set, I set off to Banyuwangi city with a dozen handshakes and a smile on a face, knowing that this was only the beginning of yet another awesome journey through the sunrise of Java.

     


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    zzx320 kbps | 110 MB | UL |

    Paul Oscher’s work with Muddy Waters Blues Band influenced a generation of harp players, from J. Geil’s Magic Dick to Eric Clapton’s Jerry Portnoy. Bur Paul’s mastery of blues is not limited to the harp. This unique recordings highlights Paul on harp, guitar, piano and accordion, and pairs him with two of his favorite musicians: Muddy Waters alumni Pinetop Perkins and Willie ‘Big Eyes’ Smith. It is the unadulterated real folk and blues.


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    cover320 kbps | 103 MB | UL | OB | TB | DF

    Tracklist:
    01. Parties
    02. Don’t Waste a Sip
    03. Leave Now
    04. Most Valuable Partier
    05. Day We Meet Again
    06. The Weekend
    07. Feeling That We Need
    08. Round and Round
    09. Hangover
    10. Pillow Princess
    11. Shots
    12. Live It Up
    13. Gangsters Paradise
    14. After Party

    • If you buy a premium account, you can support our site, you can do parallel dow


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  • 01/02/17--06:36: Asha - Thunderheart (2016)
  • Asha - Thunderheart (2016) Исполнитель: Asha
    Альбом: Thunderheart
    Дата выхода: 2016
    Страна: UK
    Категория(и): New Age  Instrumental  Other Electronic  World
    Дата выхода: 2016
    Продолжительность: 01:13:33
    Формат: MP3, 320 kbps




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    70s Soul - Beyond The Hits (2017)

    Artist: Various Performers
    Title: 70s Soul - Beyond The Hits
    Label: Warner Music Group - X5 Music Group
    Style: Funk, R&B, Smooth Soul, AM Pop, Northern Soul, Go-Go
    Release Date: 01-01-2017
    Format: CD, Compilation,
    Quality: 320 Kbps/Joint Stereo/44100Hz
    Tracks: 20 Tracks
    Size: 201 Mb / 01:27:22 Min

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  • 01/02/17--07:17: 70s R&B (2017)
  • 70s R&B (2017)

    Artist: Various Performers
    Title: 70s R&B
    Label: Warner Music Group - X5 Music Group
    Style: Soul-Blues, Smooth jazz, Singer, Songwriter, Blue-Eyed Soul
    Release Date: 01-01-2017
    Format: CD, Compilation
    Quality: 320 Kbps/Joint Stereo/44100Hz
    Tracks: 25 Tracks
    Size: 254 Mb / 01:50:23 Min


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  • 01/02/17--07:36: Peter Moon – Cane Fire
  • Cane Fire

    Release Date: May 13, 2002
    Label: Panini Records
    Artist: Peter Moon


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    Helen Sjoholm (Sjöholm) ‎- Visor (2002/2009 RE)


    Добро пожаловать в волшебные леса Швеции, куда поведет вас Хелен Сьёхольм. Обладательница глубокого сопрано, строящая свой репертуар в границах от фолка до классики, Хелен поразила местную аудиторию своим дебютным альбомом.
    Далее были записи с Гётеборгским Симфоническим Оркестром, а затем многолетнее сотрудничество с Оркестром Бенни Андерссона (того самого, главного мюзикмейкера всемирно известной АББА).

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    [Image: image.jpg]

    José Manuel Soto – Alcázar de Sevilla. 30º Aniversario (2016) | Mp3

    1. Sueño Con Sevilla
    2. Te Llevo Dentro de Mí
    3. Echándote de Menos
    4. La Soledad
    5. Tú Serás Mi Amanecer
    6. El Viento de la Tarde
    7. Esperanza
    8. Mi Dolor y Mi Consuelo
    9. Aquellas Pequeñas Cosas
    10. The Long And Windind Road
    11. Para Olvidar un Amor
    12. Volver a Verte
    13. Todo Se Olvida

    Flamenco
    mp3 320 Kbps / 126 MB

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    [Image: Bob_Marley_And_The_Wailers_One_Love_The_Very_Bes.jpg]

    Bob Marley & The Wailers - One love, the best of Bob Marley & The Wailers (2001) | Mp3

    Reggae | Mp3 320 Kbps | 197 Mb

    01. Stir it up
    02. Get up, stand up
    03. I shot the sheriff
    04. Lively   up yourself
    05. No woman no cry (Live)
    06. Roots, rock, reggae
    07. Exodus
    08. Jamming
    09. Waiting in vain
    10. Three little birds
    11. Turn your lights down low
    12. One love/ people get ready
    13. It this love
    14. Sun is shing
    15. So much trouble in the world
    16- Could you be loved
    17. Redemption son (Band version)
    18. Buffalo soldier
    19. Iron Lion Zion
    20. I know a place (Single remix)

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    http://i86.fastpic.ru/big/2017/0102/1a/13ffb00b97f40298595f813e07ea5d1a.jpg
    Machinae Supremacy – Into The Night World (2016) FLAC
    Into The Night World | 2016 | Hubnester Records
    Rock / Sid Metal | FLAC (tracks) | 39:54 min | 290 MB

    Tracklist:
    01. My Dragons Will Decimate (03:47)
    02. Into The Night World (03:21)
    03. Twe27ySeven (04:16)
    04. Remember Me (05:40)
    05. Space Boat (03:32)
    06. Stars Had To Die So That You Could Live (03:33)
    07. Beast Engine (04:50)
    08. Dream Sequence (03:26)
    09. Sid Metal Legacy (02:38)
    10. The Last March Of The Undead (04:48)
    Download link:
    Rapidgator.net:

    Links are Interchangeable – Single Extraction – Premium is support resumable

    The post Machinae Supremacy – Into The Night World (2016) FLAC appeared first on MusDL.


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