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    z320 kbps | 473 MB | UL |

    CD 1
    1. Marv Johnson – Come To Me (2:20)
    2. Eddie Holland – Merry-Go-Round (2:16)
    3. Barrett Strong – Lets Rock (2:05)
    4. Chico Leverett – Solid Sender (2:32)
    5. The Swinging Tigers – Snake Walk[Part One] (2:29)
    6. Ron And Bill – It (2:43)
    7. The Satin Tones – Going To The Hop (2:11)
    8. Barrett Strong – Money-Thats What I Want (2:40)
    9. Nick And The Jaguars – Ich-L-Bon (2:28)
    10. The Miracles – Bad Girl (2:43)
    11. The Satintones – My Beloved (2:24)
    12. Eugene Remus – You Never Miss A Good Thing (3:13)
    13. The Miracles – Way Over There (2:59)
    14. Popcorn And The Mohawks – Custer`s Last Stand (3:59)
    15. Mable John – Who Would Love A Man Like That (2:45)
    16. Barrett Strong – Whirlwind (2:12)
    17. Mary Wells – Bye Bye Baby (2:54)
    18. Singin-Sammy-Ward – What Makes You Love Him? (2:35)
    19. The Miracles – Shop Around (3:04)
    20. Sammy Ward – Who`s The Fool (2:43)
    21. Herman Griffin – True Love (2:13)
    22. Sherri Taylor& Sammy Ward – Oh Lover (2:57)
    23. Henry Lumpkin – Ive Got A Notion (2:33)
    24. Jimmy Ruffin – Dont Feel Sorry For Me (2:24)
    25. Debbie Dean – Dont Let Him Shop Around (2:44)

    CD 2
    1. The Miracles – Aint It Baby (2:34)
    2. Barrett Strong – Money And Me (2:38)
    3. Little Iva And Her Band – When I Needed You (2:56)
    4. The Contours – Whole Lotta Women (2:50)
    5. The Supremes – I Want A Guy (3:06)
    6. The Gospel Stars – He Lifted Me (4:05)
    7. Mickey Woods – Poor Sam Jones (2:45)
    8. The Satintones – Tomorrow And Always (2:39)
    9. Gino Parks – Blibberin Blabberin Blues (2:28)
    10. The Satintones – Angel (2:35)
    11. Marvin Gaye – Let Your Conscience Be Your Guid (3:05)
    12. Mary Wells – I Dont Want To Take A Chance (2:49)
    13. Andre Williams – Rosa Lee[Stay Of The Bell] (2:28)
    14. Barrett Strong – Misery (2:29)
    15. The Miracles – Broken Hearted (2:58)
    16. Mable John – No Love (2:55)
    17. Gino Parks – Same Thing (2:23)
    18. The Satintones – I Know How It Feels (2:37)
    19. The Supremes – Buttered Popcorn (2:57)
    20. The Temptations – Oh Mother Of Mine (2:19)
    21. The Golden Harmoneers – I Am Bound (2:31)
    22. The Marvalettes – Please Mr Postman (2:31)
    23. The Contours – The Stretch (2:42)
    24. Debbie Dean – Itty Bitty Pity Love (2:48)
    25. The Equadors – Someone To Call My Own (2:05)

    CD 3
    1. Pete Hartfield – Love Me (2:35)
    2. The Miracles – Everybody`s Gotta Pay Some Dues (2:57)
    3. Joel Sebastian – Angel In Blue (2:54)
    4. Mary Wells – Strange Love (2:42)
    5. Freddie Gorman – The Day Will Come (2:23)
    6. Poopcorn And The Mohawks – Have I The Right (2:30)
    7. The Satintones – Zing Went The Strings (3:00)
    8. Eddie Holland – Jamie (2:24)
    9. Mable John – Actions Speak Louder Than Words (2:52)
    10. The Temptations – Check Yourself (2:44)
    11. Bob Kayli – Small Sad Sam (2:42)
    12. Don Mckenzie – Whose Heart[Are You Gonna Break Now] (2:25)
    13. Mickey Woods – Please Mr Kennedy (2:33)
    14. The Marvalettes – Hey Mr Postman (2:31)
    15. The Miracles – Whats So Good About Goodbye (2:22)
    16. The Twistin Kings – Congo[Part One] (2:14)
    17. The Supremes – Whos Lovin You (2:51)
    18. Marvin Gaye – Mr Sandman (2:34)
    19. The Miracles – The Feeling Is So Fine (2:44)
    20. Barrett Strong – Yes,No,Maybe So (2:19)
    21. Marvin Gaye – [I`m Afraid]The Masquerade Is Over (5:13)
    22. Richard Wylie And His Band – Money-Thats What I Want (2:25)
    23. Reverand Columbus Mann – They Shall Be Mine (2:19)
    24. The Valadiers – Greetings[This Is Uncle Sam] (2:47)
    25. The Twistin Kings – Xmas Twist (2:42)


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    Elza SoaresThough Elza Soares‘ name may not be a familiar name to most Anglos, the singer — whose career spans 7 decades — is beloved in Brazil, particularly among women, the poor, minorities, and the LGBT community. Born in a favela, she was sold by her father at age 12 for marriage. She won a talent show at 15 and began singing in clubs, but was often forced from stages because of her skin color. At 21, she was already a mother of three, had lost a child, and became a widow. She became a musical star in the late 1950s, but in the ’60s she was the scourge of the press because of her relationship with a famous soccer player. The pair were exiled in 1966 by Brazil’s military junta. After her partner died and she lost a second child, she resurrected her career.
    Soares has carried a torch for samba, but she’s…

    101 MB  320 ** FLAC

    …also embraced jazz, rock, funk, and hip-hop. When award-winning producer Guilherme Kastrup (Badi Assad, Bruno Morais, Zeca Baleiro) approached her to record an album, he envisioned classic sambas with radical new arrangements. She wanted to cut an album about “sex and blackness.” After 38 previous albums, this set is her first of new original material. Kastrup enlisted players and songwriters from the samba sugo (“dirty samba”) scene, including members of Passo Torto, Bixia 70, Mena Mena, and her longtime collaborator Jose Miguel Wisnik. The Woman at the End of the World (A Mulher Do Fim Do Mundo) is a jarring, brash, soulful, deeply moving recording. Soares delivers unflinching, jagged 21st century samba songs that detail a Brazilian life not seen by tourists. Their themes are about slavery, survival against all odds, unquenchable desire, racism, violence against women, gay, and transgender people, prostitution, loss and loneliness, and rage. There is so much happening musically it is dizzying initially, almost impossible to contain. In “Pra Fuder,” electro-acoustic samba is framed by a clattering, bleating acid funk that recalls the Pop Group as it meets Fela’s charging multi-horn grooves and swagger. In Celso Sims’ “Benedita,” the composer duets with Soares. It’s a rhythm collision where samba, jazz, and the punky friction of Gang of Four rub against one another, break apart, and recombine. The multi-part narrative details drug addiction, persecution of transgender and poor people by the police and celebrates the holiness of the oppressed. In the title track, amid cellos and drums and electronics, she renders a sultry samba that reflects loss, change and endurance: “…I am/I go on/Singing/’Til the end…”

    Soares goes into her belly to deliver these lyrics (English translations are provided). She is passionate and commands the full measure of her grainy but disciplined contralto. The Woman at the End of the World is Soares’ howl of pain, witness, and resistance that refuses all apologies and compromises. It’s so nakedly emotional and powerful, it is ultimately an anthem. — AMG


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    Купалінка / Купалинка - Юбилейный концерт. 50 лет Страна : Республика Беларусь Жанр : Folk Продолжительность : 01:10:52 Год выпуска : 2016 Релиз: Описание : Праздничный концерт, посвященный 50-летию коллектива, который состоялся 16 декабря 2016 года в Большом зале Белорусского филармонии.

    Тема на форуме



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    z320 kbps | 122 MB | UL | OB | DF |

    “Wishbone” is the eagerly awaited 3rd studio recording of 2012 Blues Music Award Winner for Bassist of the Year, Biscuit Miller.The title track was inspired by Biscuit’s two grandsons Jordan and Josh who were excited about making a wish when they got their hands on the turkey wishbone during Thanksgiving dinner. Their excitement sparked an idea in Biscuit’s ever creative mind, and he literally began singing and writing the song on the spot! He then jammed with his grandsons in his music room after dinner. That special day with his family and the birth of a song were all the motivation Biscuit needed to get back into the studio to begin working on “Wishbone.”


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    Γαλλικό labelμε στόχευση στον απαιτητικό δημιουργικό αυτοσχεδιασμό, το Be Coq εισάγεται στην Ελλάδα από την Recordisc. Τρεις πιοκαινούριες κυκλοφορίες του (LP, 45άρι και CD), τώρα, εδώ...
    ajazz%2Byesdeer.jpg
    YES DEER: Get your Glitter Jacket [Be Coq, Gaffer Records, Insula Music, 2015]
    Σκληροπυρηνικό σχήμα του λεγόμενου «δημιουργικού αυτοσχεδιασμού», οι YesDeer έχουν σχετικά καινούριο άλμπουμ-LP (αφού κυκλοφόρησε το 2015) στη γαλλική Be Coq(σε συνεργασία και με κάποιες ακόμη ετικέτες).
    Τρίο είναι οι Yes Deer, τρίο σκανδιναβικό, καθώς αποτελούνται εκ των SigneDahlgreen τενόρο σαξόφωνο, Anders Vestergaard ντραμς και Karl Bjoråκιθάρες και... εντελώς εκρηκτική και βεβαίως εικονοκλαστική η μουσική που μας προτείνουν. Είναι ν’ απορείς; Ίσως. Αν σκεφτείς πως πρόκειται για ένα σχήμα νέων ανθρώπων, που μπαίνει σ’ ένα χώρο «δύσκολο». Σ’ ένα χώρο, εννοούμε, που δεν υπήρξε ποτέ δημοφιλής, ακόμη και στη μεγάλη εποχή τού euro-improv, στα seventies, και που, παρ’ όλα αυτά, εξακολουθεί να τροφοδοτεί τους fans με αγέρωχα άλμπουμ.
    Τέσσερα κομμάτια είναι καταγραμμένα στη μια πλευρά και άλλα τρία στην άλλη – αν και κάτι τέτοιο δεν σημαίνει και πολλά. Η μπάντα παίζει κάπως… αέναα, με… μέση, χωρίς αρχή και τέλος, κρατώντας θα έλεγα ίσες αποστάσεις από τις μεγάλες στιγμές της FMP στα μέσα του ’70, συμπληρώνοντας με hints από Guru Guru (περιόδου“UFO”). Ωραίος συνδυασμός, δελέω
    ajazz%2Bmendoza.jpg
    AVA MENDOZA, MAXIME PETIT, WILL GUTHRIE: S/T [Be Coq, Ranch, 2016]
    Ελεύθερο τρίο, όχι όμως τόσο όσο οι Yes Deer, που αυτοσχεδιάζει επίσης με την κιθάρα μπροστά – αλλά όχι χωρίς αρχή και τέλος, καθώς εδώ υπάρχει μια Fripp-οειδής βάση. Ποιοι αποτελούν το σχήμα; Η κιθαρίστρια Ava Mendoza, ο μπασίστας Maxime Petit και ο ντράμερ Will Guthrie. Απ’ αυτούς τους μουσικούς, απ’ όσο το ’ψαξα, η Mendoza έχει μια κάποια παρουσία στη σκηνή, αλλά εκείνος που διαθέτει το πιο βαρύ βιογραφικό είναι σίγουρα ο Αυστραλός Guthrie, καθώς η παρουσία του καταγράφεται σε τουλάχιστον 21 κυκλοφορίες (πηγή: discogs).
    Το τρίο παίζει μεν πανικόβλητο (ξεκινάμε από την πρώτη πλευρά του single με τα δύο tracks), διαθέτει… συνειρμικό ηχητικό οπλοστάσιο, όμως η γενική εικόνα δεν είναι εσωστρεφής και «δύσκολη». Η πρώτη πλευρά ακούγεται «μια χαρά», θέλω να πω, χωρίς ιδιαίτερες ακρότητες, αφού ακόμη και κάτι υποτυπώδεις μελωδίες σκαρώνονται στο πι και φι, πριν διαλυθούν, βεβαίως, την ακριβώς επόμενη στιγμή. Το rhythm sectionείναι σε φάση, ενώ και η κιθαρίστρια έχει και προσωπικό ήχο και τα χώνει αγρίως.
    Και τα δύο επόμενα κομμάτια (στη δεύτερη πλέον πλευρά) χοντρικά κινούνται στο αυτό ύφος τού improv/jazz-rock. Θα έλεγα, μάλιστα, πως ακούγονται κάπως πιο δυναμικά, καθώς εμφανίζουν ψιλο-αναπτυγμένη riff-ολογία, ροκάροντας ακόμη πιο πολύ.
    Καλοί.
    ajazz%2BFAT.jpg
    F.A.T.: Animal [Be Coq, 2016]
    Πολύ ιδιαίτερη περίπτωση ροκάδικου και τζαζωτού improv γκρουπ, που, χωρίς πολλά λόγια, μπορώ να πω πως δημιουργεί μιαν «έκπληξη». Δεν γνωρίζω τίποτα για τους F.A.T. πέραν εκείνων που αναγράφονται στο οπισθόφυλλο του “Animal”. Ήτοι… πως είναι τρεις (Paul Ménard κιθάρες, ThomasCoquelet μπάσο, Pierre Pasquis ντραμς) και πως αυτό το μίνι-άλμπουμ τους, που διαρκεί λίγο πάνω από 20 λεπτά, είναι ηχογραφημένο τον Φλεβάρη του 2015, στο Lockgroove studio, κάπου στη Γαλλία.
    Η μπάντα παίζει εξαιρετικά και με έμπνευση, έχοντας επιρροές από πολλούς και διαφορετικούς χώρους. Βασικά συνδυάζει το avant-rock του παρελθόντος, με τον αυτοσχεδιασμό και το αυθόρμητο, δημιουργώντας άλλοτε δυναμικές και άλλοτε περισσότερο space καταστάσεις [στο “Espoir monopoly(Part 2)” κυρίως, που κλείνει το άλμπουμ, μ’ έναν έξοχο τρόπο].
    Αυτά τα συγκροτήματα τα παραδέχομαι. Κινούνται έξω από τα βασικά κυρίαρχα ρεύματα (γιατί, πια, αυτά είναι πολλά, δεν είναι ένα), αποφασίζουν να παίξουν «δύσκολες» μουσικές, αλλά, ταυτοχρόνως, έχουν και το ταλέντο να προτείνουν αληθινά ενδιαφέροντα κομμάτια, δίχως να χάνουν το μέτρο.

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    z320 kbps | 109 MB | UL | OB | DF | TB

    Tracklist:
    01 James Cotton – Blow Wind Blow (3:47)
    02 Joe Carter – Stormy Monday (5:57)
    03 Big Bill Broonzy – It’s A Low Down Dirty Shame (2:54)
    04 Billy Boy Arnold – Back Door Friend (3:40)
    05 Big Walter ‘Shakey’ Horton – That Ain’t It (3:29)
    06 Robert Lockwood Jr. – Take A Little Walk With Me (3:26)
    07 Memphis Slim – El Capitan (2:54)
    08 Sammy Price – How Long Blues (3:48)
    09 Albert King – Born Under A Bad Sign (5:26)
    10 Fenton Robinson – Somebody Loan Me A Dime (3:46)
    11 Mississippi Fred McDowell – I Asked For Whiskey, She Brought Me Gasoline (2:55)
    12 Lightnin’ Hopkins – One Eyed Woman (5:19)


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  • 01/17/17--13:27: Rico Man From Wareika
  • manfromwareikaRico
    Man From Wareika
    (Island, 1977)
    more details
    (thanx to SiguRos82)


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    black merlin - hipnotik tradisi (island of the gods, 2016)Black Merlin
    Hipnotik Tradisi
    (Island Of The Gods, 2016)
    more details


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  • 01/17/17--14:26: Tiger Trio Unleashed
  • UnleashedTiger Trio
    Unleashed
    (RogueArt, 2016)
    more details


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    z320 kbps | 111 MB | UL |

    Carlos del Junco is a Cuban-Canadian harmonica musician.He specializes in playing the ten hole diatonic harmonica. He was taught to play chromatically by using an “overblow” technique taught to him by Howard Levy, a jazz virtuoso. In 1993, he won two gold medals at the Hohner World Harmonica Championship held in Trossingen, Germany. He was judged world’s best in both the diatonic blues category and the diatonic jazz category.

    Mr. Bowskill, a multi-talented, young man hailing from Bailieboro, has been entertaining crowds with his incredibly advanced bluesy guitar riffs since he was 11 years old. His first CD, ‘Old Soul’, in 2003, reflected his youthful talent and strong, rich vocals. His second CD, ‘Soap Bars and Dog Ears’, was nominated for a Juno when he was 13, making him the youngest individual to be nominated for the award. Mr. Bowskill has toured Canada and Europe for years. He had the opportunity to play with two premier guitar players, Jeff Beck and Joe Bonamassa, in Germany, billed as the Three Js. He has opened for Dr. John, Buddy Guy, and Wishbone Ash. Currently, he is based in Port Hope and performs regularly with his band, The Jimmy Bowskill Band.

    Nominated for Maple Leaf Blues Awards 2016 Acoustic Act of The Year and Harmonica Player of The Year. A dose of roots, country and pop infused blues from two masters of their craft.


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    [Label: Original Cultures | Cat#: OCLP001]

    1. Essaouira Ganga Intro (1:02)
    2. I Got The Blues (6:00)
    3. Money Beat (feat. SwamiMillion) (5:57)
    4. Aisha (feat. Maalem Soudani) (8:55)
    5. No History (feat. SwamiMillion) (4:28)
    6. Youmala (3:29)
    7. Reflections On An African Piano (8:06)
    8. Road To Essaouira (3:10)
    9. Laafou (8:36)

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    Alfredo RodriguezAlfredo Rodriguez left Cuba for the United States seven years ago. The classically-trained pianist and composer has been mentored and produced by music legend Quincy Jones.
    Leaving Cuba opened up the world to Rodriguez, and globalism is most of what you hear on his new album, Tocororo. There’s flamenco and tango and Bach; there’s also an international cast of musicians, most enchantingly the Indian singer Ganavya, who soars over Rodriguez’s piano trio on the title track.
    What distinguishes Rodriguez’s globalism is his ability to both compose and perform into a kind of ecstasy. Like most Cuban musicians, he can handle polyrhythms, and he uses them like a kaleidoscope, combining and shifting meters to bring new reflections and moods to his music.

    111 MB  320 ** FLAC

    When Rodriguez does look back to Cuba on this album, it’s with songs that are not so familiar abroad. The 1990s hit “Sabanas Blancas” is a love song to Havana and the emblematic white sheets that hang on its balconies. In Rodriguez’s inventive arrangement, his thumping piano groove repeats under the duo Ibeyi’s Afro-Cuban vocals.

    The music develops parallel to the song’s lyrics, gaining force and dimension verse by verse. Rodriguez isn’t nostalgically dreaming about home here; he wants to create a musical ritual powerful enough to conjure Havana right there in the recording studio.

    Tocororo is equal parts sophistication and sincerity. It’s the sound of a prodigiously talented Cuban embracing the wider world of music. Best of all, the album resonates with the possibility of all the other new music we’ll discover as Cuba itself opens up to the world.


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    Chris Thompson - Backtrack 1980-1994 (1999) FLAC (image + .cue)
    Artist: Chris Thompson | Album: Backtrack 1980 - 1994 | Released: 1999 | Label: Voiceprint | Catalog # VP443CD | Genre: Pop Rock, Classic Rock | Country: UK | Duration: 01:14:11

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    Army Of Lovers - Les Greatest Hits (1995) FLAC (tracks + .cue)
    Artist: Army Of Lovers | Album: Les Greatest Hits | Label: Stockholm Records | Catalog: 529 135-2 | Country: Sweden | Released: 1995 | Genre: House, Disco | Duration: 01:06:57

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    Civil War - The Last Full Measure (2016) FLAC (image + .cue)
    Artist: Civil War | Album: The Last Full Measure | Released: 2016 | Label: Napalm Records | Catalog # NPR 689 DP | Genre: Heavy Metal, Power Metal | Country: Sweden | Duration: 00:57:08

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    Clean Bandit - New Eyes (2014) FLAC (tracks + .cue)
    Artist: Clean Bandit | Album: New Eyes | Label: Atlantic | Catalog #: 825646321285 | Released: 2014 | Genre: Electronic, UK Garage, House | Country: Europe | Duration: 00:50:34

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    Bài được thực hiện bởi Hà Nguyễn, mọi chi tiết liên hệ qua email: it.hanguyen@gmail.com

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    Bài được thực hiện bởi Hà Nguyễn, mọi chi tiết liên hệ qua email: it.hanguyen@gmail.com

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    Bài được thực hiện bởi Hà Nguyễn, mọi chi tiết liên hệ qua email: it.hanguyen@gmail.com

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