320 kbps | 106 MB | UL |

Return to Ommadawn is an upcoming studio album by Mike Oldfield. It is his twenty-sixth studio album and is a sequel to his third album, Ommadawn (1975).

Disco Magic Opus 1 (2017)
2017 | 19Box Recordings | Nu Disco, House
320 Kbps | 01:04:38 | 148 Mb

Tracks List:
01. Hot Station – Onegai Zutto (All The More Guitar Mix) 04:18
02. DJ 19 – Let The Music 02:13
03. DJ Motive – Find A Way (AutoCharm Remix) 06:37
04. Hot Station – 2 The Rhythm (Original Education) 06:42
05. DJ 19 – Rainforest (Extended Club Mix) 06:10
06. Genuine Fakes – All Night (Long Mix) 06:11
07. Tony Kosa – Treble 06:21
08. Genuine Fakes – This Way Like I Like It (Extended Mix) 06:04
09. Hot Station – Lady (Hear Me Tonight) (Tamandua Twist Remix) 07:07
10. Pleasure Dome – DMMW (Allan Zax Remix) 06:14
11. Dennis "Shango Trex Llewellyn – Caribbean Queen (Topo Remix) 06:40
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Hang Playing Hedge Monkeys – Vesica Piscis (2008) (FLAC)
Released: 2008 | Track: 7 | Country: UK | FLAC | Time: 00:58:39 | Label: Not On Label | 3% Recovery Added | 261 MB
Genre: Pop, Easy Listening

Tracklist
1.North East South West
2.Ant Sandwich
3.Hang Chill
4.Sometime
5.This is Bindi
6.Come Inside
7.HangHang Duduk
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Holy Mother – Criminal Afterlife (1999) (FLAC)
Released: 1999 | Track: 12 | Country: US | FLAC | Time: 00:43:01 | Label: N/A | Artwork Included | 3% Recovery Added | 346 MB
Genre: Rock

Tracklist
01. The Rage
02. Criminal Afterlife
03. Holy Diver (Dio cover)
04. Cycle of the Sun
05. Call the Ghost
06. The Memory Dies
07. Armageddon, Part 1
08. Armageddon, Part 2
09. Turned in Your Gun
10. What If Tomorrow Never Comes
11. Lies…
12. Life in Stone
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Harrow – Call Of The Unborn (Japanese Edition) (1996) (FLAC)
Released: 1996 | Track: 13 | Country: Netherlands | FLAC | Time: 01:11:51 | Label: Soundholic Co. Ltd. – SHCD1-0010 | Artwork Included | 3% Recovery Added | 556 MB
Genre: Rock

Tracklist
01.Phantom Of Despise
02.Call Of The Unborn
03.Trains Of Death
04.The Guardian
05.Disgrace Of The Giant
06.Both Sides
07.The Claw Of Destiny
08.Demolition
09.Terminal Attack
10.Friends
11.Punishment Day
12.Road Racin'(Bonus track)
13.Back On My Feet (Bonus track)
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Haddaway – Life (Remix) (1993) (FLAC)
Released: 1993 | Track: 3 | Country: Trinidad | FLAC | Time: 00:17:04 | Label: Coconut – 74321 16729 2 | Artwork Included | 3% Recovery Added | 207 MB
Genre: Electronic, Euro House

Tracklist
1 Life (Mission Control Mix)
2 Life (Bass Bumpers Remix)
3 Life (Radio Edit)
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Giorgio Moroder – E=MC2 (2001) (FLAC)
Released: 2001 | Track: 8 | Country: Italy | FLAC | Time: 00:50:04 | Label: Repertoire Records – REP 4948 | Artwork Included | 3% Recovery Added | 438 MB
Genre: Electronic, Disco

Tracklist
01. Baby Blue
02. What A Night
03. If You Weren't Afraid
04. I Wanna Rock You
05. In My Wildest Dream
06. E=MC2
07. Love's In You, Love's In Me
08. Evolution
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Herba D'Hameli – Girafes A Sibèria (2011) (FLAC)
Released: 2011 | Track: 5 | Country: Spain | FLAC | Time: 00:49:46 | Label: Not On Label | 3% Recovery Added | 322 MB
Genre: Rock

Tracklist
01. Miradors (de no veure res) (14:39)
02. Avui Pollastre (7:41)
03. Oficis per una Llebre (13:14)
04. Girasol (2:06)
05. Matastruc (gurafes a Siberia) (12:07)
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Deep House Nation Vol.4 (2017)
2017 | Erijo | Deep House
320 Kbps | 02:12:12 | 315 Mb

Tracks List:
01. D-Wax – Without You 07:44
02. Stylin feat. Jenna Summer – Sing It Back (No Hopes Remix) 06:15
03. Emre Isiyel – Dance the Bass 07:08
04. Leao – Dfloor (6:20)
05. Eriq Johnson – Maybe 05:33
06. JCL – FRKTNAW 05:12
07. YilQbert feat. Bea C. – Freedom 08:24
08. Free Bubble – Our Way (Indie Dance Remix) 05:04
09. Steve Norton – Devotion 04:13
10. Modeplex – Meltdown 06:22
11. Elis M. Feeling – Digital Boy 08:30
12. Ben Johnsen – Der Steglitz (Angelo Diaz Jr. Remix) 06:58
13. 18 East – Transit (Radio Edit) 03:19
14. Antonio Casertano – Freestyle 05:56
15. Glass Coffee – We Built It (Then We Break It Down) 07:37
16. Dani Zavera – Trippin 06:58
17. Miguel BS – Came Gout 07:17
18. 14BIS – Feel Again (Radio Edit) 03:23
19. NTGN – Stardust Limbo (Species K Remix) 08:12
20. Maqman feat. Aaron Washington – I Can't Take It (DeejayKul Meets Soultechnic Vocal Mix) 07:47
21. Gabe D – Some Kind of Way (Radio Edit) 03:59
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Black Anvil – As Was (2017) MP3
Mp3 CBR 320 kbps | Black / Thrash Metal | 00:50:55 | 1CD | 118 Mb

Tracklist:
01. On Forgotten Ways
02. May Her Wrath Be Just
03. As Was
04. Nothing
05. As an Elder Learned Anew
06. Two Keys: Here's the Lock
07. The Way of All Flesh
08. Ultra
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Any concert MC knows that a good way to kill time between artists is to take an audience census: “Who here is visiting from out of town?”

That unscientific polling indicated that a lot of expats returned to Barbados in late November for the celebration of the country’s 50th anniversary of independence. At the three concerts I attended, visitors either rivaled or outnumbered locals. One thing both residents and returning expats had in common was a disregard for the TV public service announcements claiming it was prohibited to reproduce the Barbados flag on articles of clothing.

The many events over Independence Week celebrated Barbados’ musical legacy, with everything from the traditional tuk band to gospel to the newest bashment soca on offer. But I was especially interested in hearing spouge, the reggae-calypso-funk hybrid which took the island by storm in the ’70s before mysteriously fading away, and which is rarely performed live.

The first spouge event was a concert at the National Stadium in Bridgetown headlined by Wendy Alleyne, the undisputed spouge queen. With her band the Dynamics, she cut a long string of records in the 1970s that became pan-Caribbean hits thanks to distribution from Barbados-based WIRL, the West Indian Record Label. While other spouge artists frequently covered American hits, Alleyne often recorded originals penned by her bandmate Michael Grosvenor and master Bajan songwriter Sach Moore.

After the demise of spouge Alleyne became a staple on the cruise ship circuit. Now Chicago-based, her Barbados appearances are infrequent and highly anticipated events, and this one drew several thousand patrons to the National Stadium. Since structural problems have rendered the actual stadium seats unsafe, folding chairs were placed on the stadium ground in front of the stage.

The first half of the show was what Bajans call a “back in time” revue, with a mix of veteran and younger artists doing short segments backed by a spectacular 15-piece house band led by keyboardist Lowery Leon. Master percussionist Wayne “Poonka” Willock, who appears in our Afropop Worldwide episode discussing tuk band music, played the signature spouge cowbell and added some extra flavors with his timbales.

Among the vintage artist highlights was another spouge-era female star, Carolyn Leacock, singing her classic “Hello There Baby,” a stirring version of Jimmy Cliff’s “Many Rivers to Cross,” and Richard Stoute’s hit take on the soul song “Any Day Now.” Desmond “Fowl” Weekes of the Draytons Two did their iconic “Drink Milk.” (Sadly the duo has not performed together in several years and Weekes and his longtime partner Lew “Zorro” Drayton appeared at separate events during Independence Week.)

The night wasn’t all oldies. The versatile Ian “iWeb” Webster sang his Cropover tribute to Bajan artists, songwriters and producers, “Big Up,” which includes shout-outs to many of the artists featured in our program, with “the biggest big-up to Ri Ri.” Aziza, who recently became the first female Bajan artist to win the Cropover Calypso Monarch contest, delivered the patriotic “One People One Nation,” whose earnestness may surprise those who associate calypso with humor or sharp political commentary.

After an intermission it was star time with Alleyne performing a lengthy set of her hits like “Stand By Love,” “He’s So Fine,” and “Can’t Control My Emotions.” All those years on cruise ships have only improved Alleyne’s phrasing and given her voice an added depth. It’s not hard to find easy listening in the Caribbean and Alleyne’s set included Melissa Manchester’s “Midnight Blue” (a huge record for Alleyne) and Berlin’s “Take My Breath Away” from the “Top Gun” soundtrack. Aziza was brought back to the stage for the soca/calypso of “All I Want Is Music.” After the show, audience members flooded the backstage area to take photos with Alleyne. She last performed in Brooklyn in 2010, so it was welcome news to hear from Alleyne’s promoter Andre Craig that efforts are being made to bring her show back to the U.S.

Saturday brought more oldies thanks to the only Independence Week event that put spouge front and center. The Barbados Spectacular featuring the Legends of Spouge was organized by Mary Yearwood, a Barbados native who now resides in New Jersey and publishes the Bajan Diaspora Online magazine. Despite a lack of sponsors and media interest and the logistical challenges faced by all first-time promoters Yearwood persevered and drew 300 patrons to the historic Drill Hall, a venue that was the home of many dances during spouge’s heyday.

Roger Gibbs of the Sandpebbles, whose reunion is featured in our episode, opened the night with a well-received solo acoustic set. These days he plays and teaches calypso in Toronto with a focus on reviving the Barbadian folk songs of the 18th century which tell the stories of the slave trade, sugar plantations and rebellions.

Incredibly a number of the artists who delivered fine sets at the Spouge Spectacular were not on any other Independence Week programs despite having massive hits to their credit. They included soul balladeer Aubrey Mann, Shirley Stewart, the Escorts lead singer who in the 1980’s sent back from New York “Walk Away From Love,” the ultimate Bajan slow dance. (An extensive profile I did on Shirley three years ago can be found here.) Still one of the most soulful Bajan singers, Lew “Zorro” Drayton of the Draytons Two actually reached back to his pre-spouge outfit the Staccatoes for “Whiter Shade of Pale” before responding to the crowd demands for “Drink Milk.” Lew “Jiggs” Kirton, who was signed to a major label decades before Rihanna, did some smooth soul numbers.

For the second night in a row Richard Stoute gave a polished performance with a totally different set. This time he sang his ballad “Goodbye My Bajan Girl” and his scorching spouge cover of “Vehicle.”

Like many of its Caribbean neighbors, Barbados has long been a surprisingly strong market for classic country and western music. Spouge artists occasionally drew on country material, which was displayed by Tony Grazette’s take on “Oh Lonesome Me,” a Don Gibson number popularized by Johnny Cash, and Smokey Burke’s performance of “Bye Bye Love,” which he originally cut with his early ’70s band, the Organisation. After the spouge era Grazette became an important calypsonian called the Poser. Burke, who is featured in our program, moved to Canada and joined the Drifters before returning to Barbados where he remains a key player in the music industry who still comes up with calypso and soca numbers every Cropover.

The night ended, fittingly, with an all-star tribute to the man who created spouge, Jackie Opel. Yearwood reports that the event was filmed and will be available on DVD in the future.

Sunday saw one of the many events originally slated to take place outdoors  had to be moved indoor due to the massive amount of rain that flooded the island during Independence Week. The Naniki Barbados Music Festival, an annual January event that mixes jazz, reggae, soul and Bajan sounds, held a one-off event that paired the long-running Troubadours International band with several top names in calypso and soca.

Disappointingly, all the solo stars performed to prerecorded tracks, even though an expert band like the Troubadours could have easily backed them. Despite the canned music, calypso giants Gabby and Grynner both performed energetic versions of their biggest tunes, with Gabby noting that his ’80s calypso “Jack,” a lyrical attack on a lawyer who wanted to privatize part of Barbados’ beach for tourist use, was still timely as the country debates the developments being built by foreign-owned hoteliers. Biggie Irie, a reggae singer turned international soca star whose voice matches his size, gave a strong performance although it was hard to adjust to seeing him with tracks after catching his show in New York with the Technic Band a few weeks earlier at the Full Circle Independence Dance promoted by Brooklyn DJ Double R.

The youngest artist on the bill, soca’s Marvay, drew a big response with his recent hits like 2016’s “Know the Face” which made him the reigning People’s Monarch at the 2016 Cropover.

The Troubadours’ long history can be traced back to its formation in 1963. Then known as Syd Jones and the Troubadours, the group backed Jackie Opel on his first spouge recordings. In the ’70s the band made a number of memorable albums for the WIRL label and toured around Europe, North America and the Caribbean. Here’s their brassy take on the Bert Kaempfert/Pete Fountain “Talk” along with some photos of the group in its ’70s heyday.  An audio-visual history of the band is here.

By the late ’80s Syd’s brother and original drummer Ken Jones had revived the band and he still leads it to this day. For Independence Week they were reunited with ’70s vocalist Winston “Go Floock” Richards, who had also been at the Barbados Spectacular spouge revue the night before as well as current singers Adrian Clarke and Michael Thompson who kept the dance floor full. Their set reminded me a lot of another Caribbean musical institution, Byron Lee and the Dragonaires, with their well-rounded mix of current soca hits, reggae throwbacks, Beres Hammond favorites, and of course some spouge.

While I didn’t have any shows scheduled for Monday, tuk band drummer Cavil Best had planned to come by for an interview. At the last minute he asked me to instead meet him at the Courtyard Marriott. I’m glad he did, because it turned out he and fellow tuk band drummer Anthony “Bongo” Elson were part of Relatives, an occasional series that mixes music, art and wine hosted by Berklee-trained jazz saxophonist Mylon Clarke and singer Keisha Christian. You can hear a taste of jazz-tuk in the episode.

Later that night I saw the rehearsals for Barbados Is Music, the soca reunion of Square One, Krosfyah and Coalishun. Unfortunately I couldn’t make the actual show as rain forced its postponement until after I left, but by all accounts it was a success, with each band putting on a highly theatrical production as seen by this clip of Krosfyah’s set.

Other shows that took place after my departure included a triple bill of the Troubadours, Sandpebbles and Blue Rhythm Combo, as well as the 50th Anniversary MegaConcert where everyone from Rihanna, to gospel queen Sister Marshall, to Merrymen lead singer Emile Straker, to bashment soca monarch Stiffy, paid tribute to their homeland. A good compilation of highlights from the hours-long night is here.

Feature photo by 246 Entertainment. Pictured: Wendy Alleyne with Aziza.

Élage Diouf. All photos via Afrojam’s Facebook

Things got funky Uptown Saturday night, as Afrojam, an up-and-coming booking company in New York, presented a solid lineup of musicians from Africa and the African diaspora.

It seems like every big music event pulls in a constellation of thematically, but not officially, related satellites—and this year’s globalFEST was no exception. On the eve of the world music showcase, Afrojam put on a showcase of its own at Mist in Harlem.

Admiral T (second from left), Vincent (second from right)

I talked to Vincent Nwachukwu, Afrojam’s cofounder. He explained how he isn’t even really sure what Afrojam is just yet—so far they book shows and events in New York and are looking to expand internationally, while also promoting foreign artists to the American markets. “A lot of these musicians tour in Europe, or in Africa, or in the Caribbean, but we want to help them break into the U.S. market,” he said. As such, the artists were less established than the ones you might see at globalFEST, but the concert was much more intimate too.

After a weather delay, Élage Diouf and a duo of French Canadians kicked things off. Though originally from Senegal, Diouf has been living in Montreal, and undeterred by the snow blustering outside, they were more than ready to kick things off. It’s rare and usually a treat to see a percussionist also take on band-leading responsibilities, and Diouf drummed and sang capably. The ensemble did a version of the American classic “Man of Constant Sorrow” that was likely without precedent, before ending with a heartfelt ballad for Nelson Mandela.

#AfroJam Music #Harlem #amc2017

A photo posted by minuty (@minuty) on Jan 7, 2017 at 6:52pm PST

Next up was Admiral T from the French Caribbean island Guadeloupe. The audience at Mist was pretty well settled into their chairs, but the good Admiral wouldn’t take no for an answer when he demanded we get up to dance, at one point even physically pulling people to their feet. And perhaps to give the crowd inspiration—or maybe to show them up—Admiral T brought out a pair of his own dancers.

While the dancing was spot on, Admiral T’s voice is a pretty amazing instrument to behold. He’s a rather slight man but the sound coming from him was both nimble and huge. He slid seamlessly between French, Creole and English, just as his music hovered between Guadaloupean gwo ka, hip-hop, and the modern zouk-pan-Caribbean beats heard in the Antilles today.

Naomi Wachira

From Admiral T’s booming bass and dancing duo, the evening pivoted to Naomi Wachira, armed with only her acoustic guitar. Even after a long trip—she and her daughter had come from their home in Seattle, a continent away, only to be waylaid en route to New York in Syracuse, arriving just in time to play. But even without a warm-up, Wachira mesmerized the crowd. Her lithe voice skipped atop the upbeats from her guitar. Although from Kenya originally, someone in the crowd offered a fitting comparison from closer to home. “Naomi Hill!” someone called out, evoking the patron saint of acoustic r&b, Lauryn Hill. It wasn’t the only feedback Wachira got either. After the song “I’m Alive,” which ends in tricky vocal acrobatics, someone in the crowd exclaimed “that’s Santeria!”

From the Democratic Republic of Congo, Nkumu Katalay and the Life Long Project Band finished up the night. As the first song was just starting, Katalay realized his guitar wasn’t working, and decided then and there that it didn’t need to work. The set didn’t seem to suffer for it, with two keyboards, a drum kit, auxiliary percussion, and a dance corps filling the stage visually and the room sonically. They played an updated Congolese rumba funk—“rumba with my funk,” the bandleader reiterated, pointing to his heart, “my funk.”

Playing in New York is hard; booking in New York is hard. Every concert here is in competition with a world of other options. But, last Saturday, as they’ve been doing for years now, Afrojam continued to make a case for itself as a reason to come out.

Herman van Veen – Hin Und Wieder (2014) (FLAC)
Released: 2014 | Track: 12 | Country: Netherlands | FLAC | Time: 00:41:22 | Label: Boutique | Artwork Included | 3% Recovery Added | 214 MB
Genre: Pop, Folk, World, Country

Tracklist
1. Keiner hat gesagt
2. Esel
3. Anders anders
4. Anne
5. Ja, aber was
6. Auch wir, kleine Titanen
7. Liebste
8. Rosa
9. Liedchen
10. Hier ist es gewesen
11. Ich hab' ein zärtliches Gefühl
12. Wenn ich an mein Land denke
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Wind In The Field (Downtempo Series) Vol.005 (2017)
2017 | PH Music Chillout | Chillout, Downtempo, Lounge
320 Kbps | 01:48:51 | 252 Mb

Tracks List:
01. Valefim Planet – Mainsail (original mix) 04:20
02. Oleg Blaze – I Want Your Love (original mix) 05:41
03. Phillipo Blake – Take Me Away (feat Nika Lenina – Hardmaniac remix) 04:54
04. Jean Luvia – Sunlight (original mix) 05:16
05. Sergio Gray – Fragrant Touches (original mix) 06:06
06. Unghost – Fair (original mix) 04:15
07. Vlad-Reh – Volna (original mix) 03:06
08. EvGEN Fm – Propoved Umu (original mix) 04:02
09. Synthager – Apotheosis Of Time (original mix) 07:28
10. Sergey Sirotin & Golden Light Orchestra – Spellbound (Dariel Kanuba remix) 05:05
11. Yevgeniy Khon – Alone 2 Hope (original mix) 04:48
12. Flaer Smin – Summer Depression (original mix) 03:26
13. Akira – The Power Of The Universe (original mix) 17:55
14. DJ – Skywalker (original mix) 06:00
15. Arctica – Sunrise In Paradise (original mix) 03:26
16. Valefim Planet – What You Need (original mix) 06:10
17. Dopemine – Snowflake (original mix) 04:55
18. Groofeo – In Your Hands (feat Natalya Trenikhina – original mix) 04:05
19. ReptileS – Normalement (original mix) 02:33
20. EvGEN Fm – Blagost (original mix) 05:12
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Gamma Ray – Sigh No More (2 CD) (2015) (FLAC)
Released: 2015 | Track: 24 | Country: US | FLAC | Time: 02:07:56 | Label: Ear Music – 0210620EMU | Artwork Included | 3% Recovery Added | 0.99 GB
Genre: Rock

Tracklist
CD 1
1. Changes
2. Rich & Famous
3. As Time Goes By
4. (We Won't) Stop the War
5. Father and Son
6. One with the World
7. Start Running
8. Countdown
9. Dream Healer
10. The Spirit
11. Sail On (Live)
12. Changes (Live)
CD 2
1. One with the World (Live at Wacken 2011)
2. Dream Healer (Live in Montreal 2006)
3. Changes (Blast from the Past version)
4. Rich and Famous (Blast from the Past version)
5. One with the World (Blast from the Past version)
6. Dream Healer (Blast from the Past version)
7. Heroes (Preproduction)
8. Dream Healer (Preproduction)
9. As Times Goes By (Preproduction)
10. (We Won't) Stop the War (Preproduction)
11. Dream Healer (Demo)
12. Rich and Famous (Demo)
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Heath Brothers – Endurance (2009) (FLAC)
Released: 2009 | Track: 9 | Country: US | FLAC | Time: 00:52:45 | Label: Jazz Legacy Productions | Artwork Included | 3% Recovery Added | 359 MB
Genre: Jazz

Tracklist
01. Changes
02. Wall to Wall
03. You or Me
04. Ballad from Leadership Suite
05. Dusk in the City
06. Two Tees
07. Autumn In New York
08. From a Lonely Bass
09. The Rio Dawn
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Black Anvil – As Was (2017) FLAC
Flac (tracks) | Black / Thrash Metal | 00:50:55 | 1CD | 363 Mb

Tracklist:
01. On Forgotten Ways
02. May Her Wrath Be Just
03. As Was
04. Nothing
05. As an Elder Learned Anew
06. Two Keys: Here's the Lock
07. The Way of All Flesh
08. Ultra
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Geoff Mann, The Bond – Peace Offering (1996) (FLAC)
Released: 1996 | Track: 13 | Country: UK | FLAC | Time: 01:13:59 | Label: Cyclops – CYCL 042 | Artwork Included | 3% Recovery Added | 455 MB
Genre: Rock

Tracklist
01. Gateway into Heaven (5:12)
02. Sob Stories (4:46)
03. High Ground (5:32)
04. Seriously Siblings (7:41)
05. Don't You Wait (4:51)
06. Stranded (3:34)
07. Looking for Love (5:27)
08. Table Talk (7:12)
09. Too Modern (5:37)
10. Hits Love (4:35)
11. After the Storm (5:49)
12. Certainly (5:42)
13. Willy Welsh (8:00)
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Bing & Ruth – No Home of the Mind (2017)
Mp3 VBR V0 | Ambient / Electronic | 00:59:21 | 1CD | 121 Mb

Tracklist:
01. Starwood Choker
02. As Much As Possible
03. Scrapes
04. Chronchos
05. The How Of It Sped
06. Is Drop
07. Form Takes
08. To All It
09. Flat Line/Peak Color
10. What Ash It Flow Up
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Galaxy Hunter – Quantum Of Galaxy (2012) (FLAC)
Released: 2012 | Track: 14 | Country: Poland | FLAC | Time: 00:54:24 | Label: XDVISIONS – XDV0003 | Artwork Included | 3% Recovery Added | 440 MB
Genre: Electronic, Pop

Tracklist
01 Intro
02 20th Century
03 Traveller
04 Extraterrestrial
05 Kandahar
06 Skyhawk Raid
07 Synthetique Dreams
08 Living A Fantasy
09 Voyager Of Eons
10 La Marea
11 Lady Love
12 Outro
13 Sunset Blvd.
14 L.A.P.D.
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