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  • 01/22/17--05:34: White Swan DVD 3
  • http://i90.fastpic.ru/big/2017/0122/5f/900ee5e81d0bce3c1a030a340d458d5f.jpg
    White Swan DVD 3
    English | Size: 2.45 GB
    Category: Music

    In this three disc set, the entire production process of making the music video White Swan is revealed. Winner of “Best Music Video” at hdfest, White Swan is a unique collaboration between students from the Gnomon School of Visual Effects and director Sil van der Woerd. This set breaks down step-by-step the process for integrating live action footage with complex digital sets to create an imaginative world inspired by the music of singer Lolly Jane Blue.Each disc explores a particular phase in the production’s pipeline from concept to final compositing. Sil begins with a discussion of early explorations and the pre-production process, and he’s followed by the students as they cover their particular responsibilities for the production. Sil and the students cover many technical subjects including motion tracking in Boujou, compositing, rotoscoping and keying in After Effects, previsualization, modeling in ZBrush, texturing in BodyPaint, digital sets, animation and effects in Maya.
    This set hopes to inspire and educate anyone who dreams of creating their own live-action production that incorporates dynamic visual effects.
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    Location: Aliyan, Banyuwangi Regency, East Java

    Sound: Janger

    For me, Banyuwangi has always been a land of surprises. In the days and weeks leading up to a trip to a new part of Indonesia, I always try to do my best to trawl the internet (no good libraries in Bandung unfortunately, so my sources are limited!) to try to find as much as I can about the music I’m likely to find in my new destination. Usually that’s enough. I can never be too certain with Banyuwangi, though. I thought I knew what I was in for when I exited the train station in 2014, the last stop on a line that runs along the length of Java’s massive stretch. That time, I was surprised by a performance of jaranan right at the station’s doorstep, a performance mixing trance dance and music informed by gandrung, a local Banyuwangi specialty. What a treat that was, to step out of the train station and immediately be surprised by an unexpected hybrid of theater, song, and dance.

    The surprises continued with my second trip to Banyuwangi this past fall. It was October 2016 and I was finally reaching Banyuwangi after driving more than 1,000 kilometers from Bandung on my trusty Suzuki Skywave scooter, stopping along the way to witness musical beauties like ebeg and rinding. My first moment was unexpected but unsurprising - a run-in with a kuntulan group on the road into town. While I was cruising through rice paddies around Rogojampi with the kuntulan gang, we encountered a village absolutely bursting with people. 

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    “What was going on back there?” I asked later on, munching on watermelon with the kuntulan guys. “Oh, there was kebo-keboan earlier today. Later tonight there will be janger.” Again, surprises! I’d never heard of either of these things. Kebo-keboan, it turns out, is an annual ritual where locals dress up like water buffalo (kebo) and splash about in mud, possessed by music and spirits. It sounded like a load of fun, but I’d just missed it. Janger, though, was also new - I knew that name from a great record, Djanger Bali, an Indonesian jazz record headed by American clarinetist Tony Scott. Wasn’t janger a kind of Balinese dance?

    Indeed, it is (thanks for the depth of information, Wikipedia!), but in Banyuwangi, janger means something else: theater. More specifically, it’s a kind of variety theater that mixes Balinese gamelan and dance forms like legong and barong with music and dance of the local Osing people, a sub-ethnic group of the Javanese people whose culture is full of Balinese influence. The theater form likely has roots in the early 20th century, when elements of the Balinese musical theater called Arja were mixed with stories of Damarwulan and Menakjinggo, legendary characters in the still-popular tales of royal intrigue of the Majapahit era (more than 500 years past!) Both characters have ties to the ancient Blambangan kingdom, famous for being the last Hindu kingdom of Java long after the rest of Java had been converted under the Islamic state of Mataram.

    It is partly these historical curiosities that make Banyuwangi such a special place even today. The Osing people native to the area consider themselves descendants of the now long-gone Blambangan kingdom, and despite their language being something of a dialect of Javanese, their culture, at least musically, has loads of Balinese elements syncretically mixed in. Janger is a beautiful example of this hybrid beast - the music is largely ripped whole cloth from Bali, played on instruments of the popular modern gamelan gong kebyar shipped across the strait from the Island of the Gods. At any moment, though, this gamelan may be mixed with Osing-style kuntulan frame drumming, or the group may cut out entirely to let the peculiar drone of the violin (biola) and the musical triangle (kluncing) take over as girls in hybrid Bali-Osing costumes strut their stuff on stage. 

    In the rest of Indonesia (and the world), Bali is seen through a kind of Orientalist lens as a land of mystic exoticism and mystery, a place of gods and monsters and strange hybrid religion. In Banyuwangi, though, Bali feels close enough to touch, and you can tell when watching the Balinese witch queen Rangda prance about to the sounds of gamelan Bali in Banyuwangi that the whole performance has a deeper significance than exotic wonder. The “Bali outside of Bali” is not as incongruous or exotic as it may first seem in this corner of Java - it’s actually right at home.

    Context:

    Searching for the janger performance in the dark of the Banyuwangi countryside, I felt like a pig smelling out truffles in the wilderness. I remembered the general area I had driven through earlier that day, but the roads had become a blur as the night wore on. The only solution was to pull my scooter over to the side of the narrow, pitch-black road, turn the engine off and listen. There it was, in the distance, the shimmering sound of beaten metal drifting across the fields. I pulled back onto the road and followed, ears into the wind. 

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    It was obvious when I had arrived - the narrow country road was suddenly flanked by food stalls on all sides, steamed corn and meatballs making it nearly impossible to pass. People were huddled in the hundreds by the side of a muddy field, a huge stage with a hand-painted fascade planted right in the muck. Having nobody to meet and no idea when the show would get going, I slid my way across the mud to the stage, where the beautiful instruments of the gong kebyar sat right in the mud, musicians arranged before them on plastic picnic chairs. Just as I was about to ask who was the boss around here, the band began to play -all I could do was stand and listen and try to not eat shit when sliding about from reyong to jublag. The band played on as I set up my recorder on a high tripod in a position I hoped was out of the way. All the while I could feel the gapes and catcalls of the villagers, “Hey, mister!”, the sheer confusion of seeing a bule pull up to their village alone made very clear, as if the blindingly bright theater lights were shined just on me. 

    The musicians eventually found me a plastic chair of my own, and as they played I sat and watched a remarkably psychedelic show unfold before my eyes, men in giant elaborate monster costumes parading about the stage as hypnotic lights flashed a new color every second and lasers zoomed across the backdrop. Here was folk theater in the 21st century - a quaint, hand-painted facade bathed in the latest in what seemed to be the stage light technology, giant speaker stacks blasting Balinese percussion into the night. 

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    At some point, I became a one man show of my own to the musicians I was trying to ingratiate myself with. They’d offer me a scalding hot coffee and I’d take a sip, cry in pain, then leave the glass to cool on the muddy ground only to kick it over a minute later; I’d stand up to check my recorder, only to slip in the mud and begin a slow motion backwards tumble, swinging my arms like a clown as I tried to regain my balance. In another moment, an old lady stole my seat, leaving me to sit in front of the jublag, a version of which I once played at UC Santa Cruz. It’s a bassier instrument in the ensemble, which means that relative to the hundred-notes-a-second shrederry of other instruments like the gangsa, it doesn’t require much dexterity - just a well-placed thwack with a soft mallet every few seconds. Cheered on by the ever-amused gamelan gang, I followed along with the jublag player to my right, earning thumbs-ups and laughs as I properly muted the notes at one minute, only to fall hilariously out of place the next. 

    Around one in the morning, I had to call it quits - I knew they’d play until the morning prayer an hour before sunrise. Driving back to my friends’ place in town, the whole experience felt like a dream. Do psychedelic, Balinese gamelan-filled variety shows really go on in the muddy rice paddies of East Java? Yes, it turns out, they do. I’ve got the pictures, recordings, and muddy shoes to prove it!


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    Back.jpg

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    Re-Up

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    Ethiopiques 30Girma Bèyènè disappeared from the Addis Abeba music scene in 1981. Miraculously, he was invited by the exiled producer Amha Eshèté to tour the US with the Wallias Band and three singers (Mahmoud Ahmed, Gétatchèw Kassa and Wubishet Fisseha). Girma chose to never return back to the military-Stalianian paradise of Ethiopian dictator Menguistou. Another six musicians followed in his steps. The freshly exiled quickly realised that the Ethiopian community in the US was too small and restrained to offer them enough work to get by as full time musicians. What followed was a chaotic life full of odd jobs which increasingly left less and less time for music.
    Girma’s first return to his dear homeland happened on invitation from the 7th Ethiopian Music…

    155 MB  320 ** FLAC

    …Festival of Addis Abeba in May 2008, which was held around a tribute to Girma Bèyènè and some other exiled saxophone players from the 80s (Moges Habte, Tilaye Gèbrè, Tewodros Meteku).

    Following that invitation, Girma quietly settled back in Addis for good. It was a discrete affair, considering the huge reputation which he still held in Ethiopia, especially within circles of influential contemporary musicians. Also considering the impressive fan base he garnered with jazz and world music lovers from all around the globe through the publication of the Ethiopiques series, first in line being the members of the band Akalé Wubé.

    Those who have never seen Akalé Wubé play live have little idea of the groove we’re talking about. They’re not about showy musical feats, neither about posed stage antics. They are all about good old, pure grooves, sober and lyrical, the kind to move feet and lighten hearts. They are already three albums in, three records of pure creative devotion to the cause. None of the covers played are copy/pasted, and all their ethio-grooves are revisited with liberty and passion – the best way to pay tribute and give back life to a genre of music and to a musician which has been, for far too long, put aside and forgotten…until now.


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    An Anthology Of Mongolian Khöömii

    Жанр: World, Folk, Ethnic
    Формат: MP3 | Качество: 320 Kbps | Время звучания: 02:33:52

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    z320 kbps | 136 MB | UL | KF | TB | DF | OB

    PETER HENRY PHILLIPS
    Composer, Vocals, Back Vocals, Guitars, Keyboards,
    Synthesizer, Bass, Pedal Steel, String Arrangements.

    BEN BOUCHARD – Back Vocals
    JUSTIN ALLARD Drums and Percs
    BENJI VIGNEAULT – Drums
    MATHIEU DESY – Bass
    DANIEL BLEIKOLM – Keyboards, Synthesizer
    FRANCIS G.VEILLETTE – Pedal Steel
    ALEXIS AUBIN-MARCHAND – Drums, Percs, Drum Machine, Synthetizer, Sampling
    THOMAS B CHAMPAGNE – Bass, Guitars, Synthetizer, Sampling
    OLIVIER LANGEVIN – Guitars
    PIERRE-OLIVIER GAGNON – Bass
    CAMILLE PAQUETTE ROY – Cello
    SARAH MARTINEAU – Viola
    EDITH FITZGERALD – Violin
    SHONNA ANGERS – Violin


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    zz320 kbps | 196 MB | UL |

    Tracklist:

    1. Telephone Line (Snippet) (00:51)
    2. L’amour Est Un Oiseau Rebelle (00:55)
    3. School (03:02)
    4. Drain You (03:48)
    5. Breed (03:08)
    6. Sliver (02:12)
    7. In Bloom (04:23)
    8. Come As You Are (04:17)
    9. Love Buzz (03:41)
    10. Lithium (05:16)
    11. Polly (03:06)
    12. About A Girl (03:20)
    13. Smells Like Teen Spirit (04:49)
    14. On A Plain (03:42)
    15. Negative Creep (02:38)
    16. Been A Son (02:00)
    17. Blew (03:02)
    18. Heart Shaped Box (05:56)
    19. Scentless Apprentice (07:15)
    20. Sweet Emotion Jam (00:49)
    21. Dive (03:56)
    22. Lounge Act (02:39)
    23. Aneurysm (04:55)
    24. Territorial Pissings (03:19)


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    Joana Amendoeira Жанр : Fado Год выпуска диска : 1998-2016 Страна : September 30, 1982-, Santarém, Portugal Аудио кодек : MP3 Тип рипа : tracks Битрейт аудио : 192-320 kbps Продолжительность : 7:42:55 Albums: 01.

    Тема на форуме



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    Live From Darbar Festival 2006

    Release Date: May 8, 2007
    Label: Sense World Music

    The 2006 Darbar Festival was a tribute to the late Bhai Gurmit Singh Virdee, revered mentor of tabla drummers, three of whom performed extraordinary concerts in his memory.

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    THE PROPER ORNAMENTS
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    FOXHOLE - 2017



    Λονδρεζικο συγκροτημα που παιζει μελωδικη,
    χαλαρη, κιθαριστικη psych pop και δεν κρυβει 
    την αγαπη του για τους Beatles, Beach Boys, 
    Pink Floyd, και Velvet Underground.
    Η ποπ του '60 ζει και βασιλευει.




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    Avec le soleil de sa bouche pas pire popAvec Le Soleil Sortant De Sa Bouche
    Pas pire pop, I Love You So Much
    (Constellation, 2017)
    more details


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    http://s2.1pic.org/files/2017/01/23/4d8cfa94581422bcb3be.jpg
    Pigs Pigs Pigs Pigs Pigs Pigs Pigs – Feed The Rats (2017)
    Feed The Rats | 2017 | Rocket Recordings
    Psychedelic Rock, Noise Rock, Krautrock | 320 kbps | FLAC (tracks) | 00:36:43 | 105 mb | 259 mb

    Tracklist:
    01. Pretty Little Distance (03:11)
    02. Okay (03:36)
    03. Hey Rachel (03:00)
    04. Patchwork Love (03:40)
    05. Curtains Close (03:05)
    06. No Way Out (03:17)
    07. Soap (03:42)
    08. Austen (03:00)
    09. Until I Return (03:33)
    10. The Coast Is Where Home Is (03:16)
    11. Still Remembering (03:16)
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    Slovak State Philharmonic Orchestra, Robert Stankovsky, Barry Wordsworth, Zdenek Kosler and Libor Pesek – Slavonic Festival (2017)
    Slavonic Festival | 2017 | SMOOTH CLASSICAL
    Classical | mp3 320 kbps | 01:10:04 | 160 mb

    Tracklist:
    01. Rusalka, Op. 114, B. 203, Act II: Polonaise – Slovak State Philharmonic Orchestra & Robert Stankovsky
    02. Prodana nevesta, JB 1:100 (The Bartered Bride): I. Overture-II. Polka-III. Furiant-IV. Dance of the Comedians – Slovak Philharmonic Orchestra & Barry Wordsworth
    03. Scherzo capriccioso, Op. 66, B. 131 – Slovak Philharmonic Orchestra & Zdenek Kosler
    04. Moravian dances, JW VI/7: I. Kozich-II. Kalamajka-III. Trojky IV. Silnice-V. Rozek – Slovak Philharmonic Orchestra & Libor Pesek
    05. Slavonic Rhapsodies, Op. 45, B. 86: Slavonic Rhapsody No. 2 – Slovak Philharmonic Orchestra & Zdenek Kosler
    06. Ma vlast, JB 1:112: Vltava (Moldau) – Slovak Philharmonic Orchestra & Barry Wordsworth
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    Roger Street Friedman – Shoot the Moon (2017)
    Shoot the Moon | 2017 | The Playroom Records
    Folk Blues, Folk Rock, Americana | MP3 320 kbps | 00:55:06 | 126 mb

    Tracklist:
    01. Puffs of Smoke 04:22
    02. Everyday 04:00
    03. No Safe Place 05:02
    04. Hideaway 04:05
    05. Tidal Wave 03:51
    06. Tomorrow 03:04
    07. Pour Me Another 05:10
    08. Where Are You Tonight 04:14
    09. Paradise 03:41
    10. Shoot the Moon 05:05
    11. Love of a Mother 04:42
    12. Nothin's Worth Nothin' 05:02
    13. Wonder (For Jonathan) 02:48
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    Rundfunk-Sinfonieorchester Saarbrcken – Michael Gielen Edition, Vol. 4 (1968-2014) (2017)
    Michael Gielen Edition, Vol. 4 (1968-2014) | 2017 | SWR Classic
    Classical, Orchestral | mp3 320 kbps / flac lossless | 11:08:33 | 1.4 / 2.8 gb

    Tracklist:
    CD1
    01. A Midsummer Night's Dream Overture, Op. 21, MWV P3 – Rundfunk-Sinfonieorchester Saarbrucken
    02. The Bartered Bride, JB 1:100: Prodana nevesta (The Bartered Bride): Overture – Rundfunk-Sinfonieorchester Saarbrucken
    03. 2 Episoden aus Lenaus Faust, S110/R427: No. 2. Der Tanz in der Dorfschenke (Erster Mephisto Walzer) – SWR Sinfonieorchester Baden-Baden und Freiburg
    04. Lohengrin, Act I: Prelude – SWR Sinfonieorchester Baden-Baden und Freiburg
    05. Lohengrin, Act III: Prelude – SWR Sinfonieorchester Baden-Baden und Freiburg
    06. Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg), Act I: Prelude – SWR Sinfonieorchester Baden-Baden und Freiburg
    07. Le carnaval romain (Roman Carnaval), Op. 9 – SWR Sinfonieorchester Baden-Baden und Freiburg
    08. Der Freischutz, J. 277: Overture – SWR Sinfonieorchester Baden-Baden und Freiburg
    09. Kaiser-Walzer (Emperor Waltz), Op. 437 – SWR Sinfonieorchester Baden-Baden und Freiburg
    CD2
    01. Szenen aus Goethes Faust, WoO 3: Ouverture – Radio-Sinfonieorchester Stuttgart des SWR
    02. Szenen aus Goethes Faust, WoO 3, Pt. 1: Part I: I. Szene im Garten (Faust, Gretchen, Mephistopheles, Marthe) – Gunter Reich
    03. Szenen aus Goethes Faust, WoO 3, Pt. 1: Part I: II. Gretchen vor dem Bild der Mater Dolorosa (Gretchen) – Judith Beckmann
    04. Szenen aus Goethes Faust, WoO 3, Pt. 1: Part I: III. Szene im Dom (Boser Geist, Gretchen, Choir) – Robert Holl
    05. Szenen aus Goethes Faust, WoO 3, Pt. 2: Part II: IV. Sonnenaufgang (Ariel, Faust, Choir) – Anthony Rolfe-Johnson
    06. Szenen aus Goethes Faust, WoO 3, Pt. 2: Part II: V. Mitternacht (Mangel, Schuld, Sorge, Not, Faust) – Brigitte Messthaler
    07. Szenen aus Goethes Faust, WoO 3, Pt. 2: Part II: VI. Fausts Tod (Mephistopheles, Lemuren, Faust, Choir) – Robert Holl
    08. Szenen aus Goethes Faust, WoO 3, Pt. 3 "Fausts Verklarung": Part III: VII. Fausts Verklarung: Waldung, sie schwankt heran (Choir) – NDR Chor
    09. Szenen aus Goethes Faust, WoO 3, Pt. 3 "Fausts Verklarung": Part III: VII. Fausts Verklarung: Ewiger Wonnebrand (Pater Ecstaticus) – Anthony Rolfe-Johnson
    10. Szenen aus Goethes Faust, WoO 3, Pt. 3 "Fausts Verklarung": Part III: VII. Fausts Verklarung: Wie Felsenabgrund mir zu Fuen (Pater Profundus, Pater Seraphicus, Selige Knaben) – Helmut Berger-Tuna
    CD3
    01. Szenen aus Goethes Faust, WoO 3, Pt. 3 "Fausts Verklarung": Part III: VII. Fausts Verklarung: Gerettet ist das edle Glied (Engel, Selige Knaben, Choir) – Barbara Miller
    02. Szenen aus Goethes Faust, WoO 3, Pt. 3 "Fausts Verklarung": Part III: VII. Fausts Verklarung: Hier ist die Aussicht frei (Doctor Marianus) – Tadao Yoshie
    03. Szenen aus Goethes Faust, WoO 3, Pt. 3 "Fausts Verklarung": Part III. VII. Fausts Verklarung: Dir, der Unberuhrbaren (Doctor Marianus, Choir, Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca, Una – Tadao Yoshie
    04. Szenen Aus Goethes Faust, Woo 3, Pt. 3 "Fausts Verklarung": Part III: VII. Fausts Verklarung: Alles Vergangliche Ist Nur Ein Gleichnis (Chorus Mysticus, Ssatb) – Judith Beckmann
    05. Manfred, Op. 115: Overture – SWR Sinfonieorchester Baden-Baden und Freiburg
    06. Die Braut von Messina (The Bride of Messina), Op. 100 – SWR Sinfonieorchester Baden-Baden und Freiburg
    07. Symphony No. 1 in B-Flat Major, Op. 38 "Spring" (Ed. G. Mahler): I. Andante un poco maestoso – Allegro molto vivace – SWR Sinfonieorchester Baden-Baden und Freiburg
    08. Symphony No. 1 in B-Flat Major, Op. 38 "Spring" (Ed. G. Mahler): II. Larghetto – SWR Sinfonieorchester Baden-Baden und Freiburg
    09. Symphony No. 1 in B-Flat Major, Op. 38 "Spring" (Ed. G. Mahler): III. Scherzo: Molto vivace – SWR Sinfonieorchester Baden-Baden und Freiburg
    10. Symphony No. 1 in B-Flat Major, Op. 38 "Spring" (Ed. G. Mahler): IV. Allegro animato e grazioso – SWR Sinfonieorchester Baden-Baden und Freiburg
    CD4
    01. Piano Concerto No. 2 in E-Flat Major, Op. 32, J. 155: I. Allegro maestoso – Ludwig Hoffmann
    02. Piano Concerto No. 2 in E-Flat Major, Op. 32, J. 155: II. Adagio – Ludwig Hoffmann
    03. Piano Concerto No. 2 in E-Flat Major, Op. 32, J. 155: III. Rondo: Presto – Ludwig Hoffmann
    04. Symphonie fantastique, Op. 14, H. 48: I. Reveries: Largo – Passions: Allegro agitato e appassionato assai – SWR Sinfonieorchester Baden-Baden und Freiburg
    05. Symphonie fantastique, Op. 14, H. 48: II. Un Bal (Valse): Allegro non troppo – SWR Sinfonieorchester Baden-Baden und Freiburg
    06. Symphonie fantastique, Op. 14, H. 48: III. Scene aux Champs: Adagio – SWR Sinfonieorchester Baden-Baden und Freiburg
    07. Symphonie fantastique, Op. 14, H. 48: IV. Marche au Supplice: Allegretto non troppo – SWR Sinfonieorchester Baden-Baden und Freiburg
    08. Symphonie fantastique, Op. 14, H. 48: V. Songe d'une Nuit du Sabbat: Larghetto – Allegro – SWR Sinfonieorchester Baden-Baden und Freiburg
    CD5
    01. Violin Concerto in A Minor, Op. 53, B. 108: I. Allegro ma non troppo – Josef Suk
    02. Violin Concerto in A Minor, Op. 53, B. 108: II. Adagio ma non troppo – Josef Suk
    03. Violin Concerto in A Minor, Op. 53, B. 108: III. Finale: Allegro giocoso, ma non troppo – Josef Suk
    04. Symphony No. 7 in D Minor, Op. 70, B. 141: I. Allegro maestoso – SWR Sinfonieorchester Baden-Baden und Freiburg
    05. Symphony No. 7 in D Minor, Op. 70, B. 141: II. Poco adagio – SWR Sinfonieorchester Baden-Baden und Freiburg
    06. Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo: Vivace – Poco meno mosso – SWR Sinfonieorchester Baden-Baden und Freiburg
    07. Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale: Allegro – SWR Sinfonieorchester Baden-Baden und Freiburg
    CD6
    01. Cello Concerto in B Minor, Op. 104, B. 191: I. Allegro – Heinrich Schiff
    02. Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo – Heinrich Schiff
    03. Cello Concerto in B Minor, Op. 104, B. 191: III. Finale: Allegro moderato – Heinrich Schiff
    04. Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathetique": I. Adagio – Allegro non troppo – SWR Sinfonieorchester Baden-Baden und Freiburg
    05. Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathetique": II. Allegro con gracia – SWR Sinfonieorchester Baden-Baden und Freiburg
    06. Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathetique": III. Allegro molto vivace – SWR Sinfonieorchester Baden-Baden und Freiburg
    07. Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathetique": IV. Finale: Adagio lamentoso – SWR Sinfonieorchester Baden-Baden und Freiburg
    CD7
    01. Symphony No. 4 in F Minor, Op. 36, TH 27: I. Andante sostenuto – Moderato con anima – SWR Sinfonieorchester Baden-Baden und Freiburg
    02. Symphony No. 4 in F Minor, Op. 36, TH 27: II. Andantino in modo di canzona – SWR Sinfonieorchester Baden-Baden und Freiburg
    03. Symphony No. 4 in F Minor, Op. 36, TH 27: III. Scherzo: Pizzicato ostinato – Allegro – SWR Sinfonieorchester Baden-Baden und Freiburg
    04. Symphony No. 4 in F Minor, Op. 36, TH 27: IV. Finale: Allegro con fuoco – SWR Sinfonieorchester Baden-Baden und Freiburg
    05. Tristan und Isolde, Act I: Prelude – SWR Sinfonieorchester Baden-Baden und Freiburg
    06. Tristan und Isolde, Act III: Isoldes Liebestod – SWR Sinfonieorchester Baden-Baden und Freiburg
    CD8
    01. Grande messe des morts, Op. 5, H. 75 "Requiem": Requiem et Kyrie – SWR Vokalensemble Stuttgart
    02. Grande messe des morts, Op. 5, H. 75 "Requiem": Dies Irae – Tuba mirum – SWR Vokalensemble Stuttgart
    03. Grande messe des morts, Op. 5, H. 75 "Requiem": Quid sum miser – SWR Vokalensemble Stuttgart
    04. Grande messe des morts, Op. 5, H. 75 "Requiem": Rex tremendae – SWR Vokalensemble Stuttgart
    05. Grande messe des morts, Op. 5, H. 75 "Requiem": Quaerens me – SWR Vokalensemble Stuttgart
    06. Grande messe des morts, Op. 5, H. 75 "Requiem": Lacrymosa – SWR Vokalensemble Stuttgart
    07. Grande messe des morts, Op. 5, H. 75 "Requiem": Offertorium – SWR Vokalensemble Stuttgart
    08. Grande messe des morts, Op. 5, H. 75 "Requiem": Hostias – SWR Vokalensemble Stuttgart
    09. Grande messe des morts, Op. 5, H. 75 "Requiem": Sanctus – David Rendall
    10. Grande messe des morts, Op. 5, H. 75 "Requiem": Agnus Dei – SWR Vokalensemble Stuttgart
    CD9
    01. Isle of the Dead, Op. 29: Ostrov myortvikh (The Isle of the Dead), Op. 29 – SWR Sinfonieorchester Baden-Baden und Freiburg
    02. A Summer's Tale, Op. 29: I. Voices of Life and Consolation – SWR Sinfonieorchester Baden-Baden und Freiburg
    03. A Summer's Tale, Op. 29: II. Midday – SWR Sinfonieorchester Baden-Baden und Freiburg
    04. A Summer's Tale, Op. 29: III. Intermezzo: Blind Musicians – SWR Sinfonieorchester Baden-Baden und Freiburg
    05. A Summer's Tale, Op. 29: IV. In the Power of Phantoms – SWR Sinfonieorchester Baden-Baden und Freiburg
    06. A Summer's Tale, Op. 29: V. Night – SWR Sinfonieorchester Baden-Baden und Freiburg
    Download link:
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    http://s2.1pic.org/files/2017/01/23/9a9f1c0b195935af64ba.jpg
    Sons Of The San Joaquin – One More Ride (2017)
    One More Ride | 2017 | Wicked Cool Records
    Rock and Roll, Punk Rock | MP3 320 kbps | 00:31:17 | 102 mb

    Tracklist:
    01. One More Ride 03:18
    02. The Reason Why 04:22
    03. Don't Fiddle With A Cowboy Hat 02:54
    04. I'll Take You Home Again Kathleen 04:00
    05. I'll Leave The Light On 03:34
    06. How Big Is God 03:51
    07. Don't Ride Away 04:16
    08. All Hail To The Pioneer 03:41
    09. How Great Thou Art 04:55
    10. Down Where The Saguaro Grow 02:50
    11. The Searchers 03:13
    12. It Is Well 03:08
    Download link:
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