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    Quero agradecer...

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     :,ju :,j...

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    obrigad...

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    Muito obrigado.....

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    Live at Firehouse 12Daniel Levin Quartet
    Live at Firehouse 12
    (Clean Feed, 2017)
    more details


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    Won't Heal концерт в Доме Печати Жанр : art rock, doom/death, ethnic, acoustic, progressiv Продолжительность : 00:47:15 Год выпуска : 2017 Описание : Наталья Румянцева - фортепиано, синтезатор, вокал Наталья Горева - скрипка Анна Светлакова - флейта Владислав Маслов - аккустическая гитара Евгений Погребняк - ударные Александр Мельников - бас гитара Операторы: Оксана Погребняк, Петр Лукьянов, Сергей Busoman, Артем Арафаилов, Сергей Скворцов Постпродакшн: Евгений Погребняк Фотограф: Андрей Богданов Отдельное спасибо Надежде Мануйловой Доп.

    Тема на форуме



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    Παράξενο LP, σε πρώτη φάση, τυπωμένο σε 300 αριθμημένα αντίτυπα από τη γερμανική «προχωρημένη» ετικέτα Corvo Records. Περί τίνος πρόκειται; Για την πιο πρόσφατη κυκλοφορία του ελβετού πειραματιστή Gilles Aubry ο λόγος, που είναι ηχογραφημένη κατά βάση στο Μαρόκο τη διετία 2013-14. Ο τίτλος της: “And Who Sees the Mystery”.
    core011-cover.jpg
    Το Μαρόκο, ήδη από την εποχή του Brion Gysin και του Paul Bowles (για να μείνουμε στα χρόνια που μας ενδιαφέρουν περισσότερο), εξακολουθεί να τραβάει καλλιτεχνικό δυναμικό από τη Δύση, εντυπωσιάζοντας τους επισκέπτες με την αυθεντικότητα τής κουλτούρας του (όση, τέλος πάντων, έχει απομείνει από δαύτη). Έτσι λοιπόν στο δρόμο που χάραξαν ο Brian Jones, o Ornette Coleman και ο Rebop Kwaku Baah, και που κράτησαν ανοιχτό τα επόμενα χρόνια διάφοροι άλλοι (από την Marianne Faithfull, μέχρι τον Billy Corgan των Smashing Pumpkins), έρχεται να προστεθεί και ο Gilles Aubry, αφού κι αυτός ηχογραφεί με παραδοσιακούς μουσικούς του Μαρόκου (όχι Jajouka, ούτε Gnawa), επιχειρώντας σε «δημιουργικά» αυτοσχεδιαστικά, όπως τα λέμε, περιβάλλοντα.
    Έτσι, εδώ ακούγονται τέσσερις Μαροκινοί από την πόλη Tafraout που παίζουν κρουστά, υπάρχουν οι Singers of Addal (επίσης από την Tafraout), ο Abdallah Haddou που παίζει το πνευστό zamar, καθώς και δύο ακόμη μουσικοί που χειρίζονται κρουστά και oujda(έγχορδο).
    Ήχοι, λοιπόν, απ’ αυτούς, ανακατεμένοι με στούντιο recordings από το Βερολίνο, αποτελούν το ηχητικό υλικό του Aubry, που σε κάθε περίπτωση διακρίνεται για τον improv και κάπως «χαμένο» χαρακτήρα του. Φωνές, ακατανόητες σ’ εμάς, ανακατεμένες με field recordings και επεξεργασμένους, χαμηλής στάθμης, θορύβους, που σε συνδυασμό με τα τυπικά μικρο-ηλεκτρονικά και τους βόμβους, δημιουργούν, όλα αυτά μαζί, ένα άκρως ενδιαφέρον γειωμένο άκουσμα, που αγγίζει προς το τέλος του (β πλευρά) και πιο λαϊκές αποτυπώσεις.
    Πολύ ωραίο το gatefold rap around cover με τον silkscreen πλαστικό φάκελο.
    Επαφή: www.corvorecords.de

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     :obrigado: :cerveja...

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    Bravo
    Ouvindo Amália Rodrigues
    Obrigad...

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     :D:obrigado::obrigado::obrigado: :obrigado...

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     :s...

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     :obrigado...

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    Quero agradecer.
    Vocês são os maoires...

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    Obrigado...

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    Bom Fad...

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  • 02/02/17--11:17: Dan Baird – SoLow (2017)
  • z320 kbps | 108 MB | UL | OB

    SoLow Dan’s first ever solo album, as in, an album recorded without a band. Dan is best known as the lead singer and rhythm guitarist from the chart-topping 1980s rock band The Georgia Satellites. Baird formed The Georgia Satellites in 1980 and left the band in 1990 to pursue a solo career. He is often credited as a pioneer in cowpunk and alt-country music, which combines elements of rock music, country music, outlaw country, and punk rock.


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    zzx320 kbps | 164 MB | UL | OB

    Pioneering English traditional folk powerhouse, Eliza Carthy, first assembled the Wayward Band in 2013 in order to explore and celebrate her long and varied career in folk music; ‘the last truly underground music scene’. To do this Eliza put together a team of hugely talented people from across the UK, and set out on the road to promote her ‘Best Of’ compilation, Wayward Daughter (Topic Records), which coincided with a biography of the same name. Since then the band has become a festival favourite, and Eliza has been awarded the MBE for services to folk music. Eliza and the Wayward Band loved playing together so much it seemed natural and inevitable, as well as characteristically ambitious, that this 12-piece would set about recording an album. Early in 2016 they did just that. ‘Big Machine’ is the result and the renowned Real World and Rockfield Studios are where it all happened. ‘Big Machine’, produced by Jim Sutherland, will be released by Topic Records in February The material represents a healthy slice of everything good that is happening in traditional music now, across a sparkling spectrum of sound. The album features three contemporary songs; Eliza’s own “You Know Me” about the migrant crisis and notions of hospitality (featuring MC Dizraeli), a powerful cover of Ewan Maccoll’s Radio Ballad “The Fitter’s Song” (at the behest of Peggy Seeger – and the song which inspired the album title) and an affectionate reworking of “Hug You Like a Mountain” (Rory MacLeod), re-imagined here as a duet with Teddy Thompson. There are also several examples of the Broadside ballad collections housed in Chetham’s Library in Manchester given a new twist with music by Eliza and the band. This follows an acclaimed programme Eliza presented for Radio 4 about the Manchester Ballads last year, covering everything from songs about and caused by domestic abuse (“Devil in the Woman”, “Fade and Fall (Love Not)”), to love of the seafaring life (“The Sea”). Added to that a couple of searing instrumentals, a song about dying from custard poisoning and a heartbreaking traditional ballad “I Wish that the Wars were all Over” (performed live with the band onstage in Real World Studios’ Studio One and featuring Irish superstar Damien Dempsey), and you begin to get the picture. A very Big picture, a Big Machine firing on all cylinders. ‘Big Machine’ is one of Eliza Carthy’s most adventurous and accomplished works to date — and given that Eliza is the most passionate and groundbreaking English traditional singer of her generation, ‘Big Machine’ is an album you really won’t want to miss. The plush deluxe 44 page hardbook version of the album includes an 8 track bonus CD featuring two solo tracks recorded by Eliza for the Hull Truck Theatre performance of Janet Plater’s ‘The Gaul’ play; 3 demo tracks from the original Big Machine prep sessions; a sublime take on The Kinks’ ‘Sunny Afternoon’; full band track, ‘Stingo’ and MC Dizraeli’s spoken word, ‘Aleppo in the sun as it was.’


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    Поиск и изучение необычайных волшебных существ приводят магозоолога Ньюта Саламандера в Нью-Йорк. Скорее всего, он отбыл бы на поезде дальше, если бы не не маг (так в Америке называют магглов) по имени Якоб, оставленный в неположенном месте магический чемодан и побег из него фантастических животных Ньюта.

    Музблог Гусли
    http://www.gusli.su/ost_fantastic_beasts/

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