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older | 1 | .... | 531 | 532 | (Page 533) | 534 | 535 | .... | 2475 | newer

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    Obrigado...

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    4-uspjeha-sa-festivala-opatija-59a 4-uspjeha-sa-festivala-opatija-59b

    ШТА ДА КАЖЕМ ОСИМ ДА СУ ОВА 4 УСПЈЕХА ЈЕДНОГ НАШЕГ ФЕСТИВАЛА ЗАБАВНЕ ГЛАЗБЕ ЗАИСТА И 4 УСПЈЕХА А НЕ САМО ТАКО, дакле прави композотиорски успјеси у правом смислу речи за оно доба.

    ЧЕТИРИ УСПЈЕХА 1959


    Filed under: music for all

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    Guy Sweens - Karmic Journey (2017)


    Исполнитель: Guy Sweens
    Альбом: Karmic Journey
    Год издания: 2017
    Стиль: New age, World

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    Erik Wollo - Different Spaces (2017)


    Исполнитель: Erik Wollo
    Альбом: Different Spaces
    Год издания: 2017
    Стиль: Ambient

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     :obrigado...

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    Mais uma vez dizer que esse host é péssimo.Exemplo prático para quem não tem conta premium.Baixar pelo jdownloader2 448 mbs cerca de 3h!!!
    Com tantas opções de hosts raapidíssimos pk esta aberração?
    Enfim...Agradecido, mas passo a maioria das discografias...

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    Bravo
    Ouvindo Alcindo Carvalho
    Obrigad...

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    Mais uma vez dizer que esse host é péssimo.Exemplo prático para quem não tem conta premium.Baixar pelo jdownloader2 448 mbs cerca de 3h!!!
    Com tantas opções de hosts raapidíssimos pk esta aberração?
    Enfim...Agradecido, mas passo a maioria das discografias.

    Já disse que vou mudar de host. Mas a mudança é obviamente gradual. Alguns dos meus posts já têm novos servidores. Querem tudo de uma vez e depois ficam sem nada......

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    Bravo
    Ouvindo Alcindo Carvalho
    Obrigad...

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    Κλεισμένο σε slim paper sleeve, και άρα με ελάχιστες, πάνω του, πληροφορίες, το CD Telepathy & Bop[Joshua Green Music, 2016] του Josh Greenκαι της Cyborg Orchestraσε κερδίζει με τη δύναμη και ενίοτε με την πρωτοτυπία τής μουσικής που περιέχει.
    Βασικά έχουμε να κάνουμε με μια 16μελή μπάντα –ανατρέχουμε για πληροφορίες στο δίκτυο– σύγχρονης μουσικής χοντρικά, καθότι εδώ συνδυάζονται τζαζ ηχοχρώματα, ανακατεμένα με προχωρημένα κλασικά. Jazz-avant να το πεις αυτό που ακούς στο“Telepathy & Bop”; Πιθανώς… Πρόκειται, μάλλον, για έναν καλό χαρακτηρισμό.
    ajazz%2Bgreen.jpg
    Η ποικιλία των οργάνων που είναι, φυσικά, πολύ περισσότερα από τους εκτελεστές τους, καθότι υπάρχουν οργανοπαίκτες που χειρίζονται πέντε και έξι όργανα, όπως ο Todd Groves(EWI, φλάουτο, άλτο, τενόρο, κλαρινέτο, κοντραμπάσο κλαρινέτο), οι πολλές και ποικίλες επιρροές-αναφορές τού Josh Green(είναι ο συνθέτης και των εννέα tracks), που μπορεί βέβαια να ξεκινούν από την jazz και τη σύγχρονη κλασική και να φθάνουν μέχρι το rock, το tango, ακόμη και το tropical, και βεβαίως η ρηξικέλευθη ενορχηστρωτική ματιά, που μπορεί να περιλαμβάνει από «ζαππισμούς», μέχρι αναφορές στην Carla Bley και τον Ligeti, είναι τα κύρια γνωρίσματα της μουσικής στο “Telepathy & Bop”, που διαχέεται σε στιβαρές, αλλά καθαρές δέσμες.
    Δύσκολο να ξεχωρίσεις κομμάτι εδώ (αλλά ας πω τέλος πάντων για το έσχατο “Soir bleu: A rag of sorts”, που έφερε στη μνήμη μου στιγμές από το “The Grand Wazoo”, συνδυάζοντας hints από Astor Piazzolla), καθώς η ενότητα, η δύναμη και η ζωντάνια των συνθέσεων τού Green δεν είναι ούτε από τα συνήθη, ούτε από τα αναμενόμενα.

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    320 kbps | 117 MB | UL |

    This compilation is an African initiative. King Ayisoba once told Makkum Records: “I want to make the world love kologo music like Bob Marley made the world love reggae music.” Most of the tracks on this album were recorded in studios in Ghana. Some are sung in Frafra, others in pidgin English. Some are with a live band and some feature just solo kologo and voice. But all the songs represent a force and unveil a very strong musical power. The connection between kologo music and (delta) blues has been made more than once and that resemblance is not written on ice; the personal and the social messages, the strong rhythms, the push that this instrument -with only two strings spanned over a goatskin on a calabash- can give to people to make sure they don’t ignore the dance floor, all that makes it worth the effort of putting together at least one kologo compilation.

    Tracklist:

    1. King Ayisoba – Africa (05:01)
    2. Ayuune Sule – Who know tomorrow (04:27)
    3. Agongo – I am suffering (05:06)
    4. Prince Buju – Afashee (04:19)
    5. Atimbila – I have something to say (04:09)
    6. Atamina ft. King Ayisoba – Africa problem (05:53)
    7. Amoru – Yabaa (04:41)
    8. Barnasko – Nsho yaaba (05:04)
    9. Asaa Naho – Home witches (05:13)
    10. King Ayisoba – Nerba (05:15)


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    320 kbps | 117 MB | UL |

    This compilation is an African initiative. King Ayisoba once told Makkum Records: “I want to make the world love kologo music like Bob Marley made the world love reggae music.” Most of the tracks on this album were recorded in studios in Ghana. Some are sung in Frafra, others in pidgin English. Some are with a live band and some feature just solo kologo and voice. But all the songs represent a force and unveil a very strong musical power. The connection between kologo music and (delta) blues has been made more than once and that resemblance is not written on ice; the personal and the social messages, the strong rhythms, the push that this instrument -with only two strings spanned over a goatskin on a calabash- can give to people to make sure they don’t ignore the dance floor, all that makes it worth the effort of putting together at least one kologo compilation.

    Tracklist:

    1. King Ayisoba – Africa (05:01)
    2. Ayuune Sule – Who know tomorrow (04:27)
    3. Agongo – I am suffering (05:06)
    4. Prince Buju – Afashee (04:19)
    5. Atimbila – I have something to say (04:09)
    6. Atamina ft. King Ayisoba – Africa problem (05:53)
    7. Amoru – Yabaa (04:41)
    8. Barnasko – Nsho yaaba (05:04)
    9. Asaa Naho – Home witches (05:13)
    10. King Ayisoba – Nerba (05:15)


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    VBR~263 kbps | 102 MB | UL | OB |

    Torgeir Waldemar took the Norwegian people and music press by surprise with his eponymous debut album in 2014. Who had thought that the black-clad, longhaired and bearded man would deliver an album that captivated and moved us as much as it did. An acoustic masterpiece that sounded like it came straight from the rehearsal room of a young troubadour from Laurel Canyon in the seventies.

    While his previous album cultivated a pure, acoustic sound, we get more rock music this time, and for Torgeir Waldemar nothing is more natural. With his background as a guitar hero in various rock bands, it was only a question of time before distorted tones would assert themselves in his solo career. «No Offending Borders» is a gloriously composite work with both dead honest acoustic laments and grandiose rock songs.

    But the record is so much more than that, and for Torgeir this is a document that shows the seriousness we meet in our everyday lives. Both on the personal level, with relationships that falls apart and the loss of loved ones, but also on a national and global level, with refugee crises, suicide statistics and the weakest members of our society. You may have guessed it already, but this is a solemn record.

    If you’re afraid that Torgeir Waldemar has turned away from what he presented on his debut album, you can relax. Here we get acoustic folk songs like «Falling Rain (Link Wray)», «Island Bliss» and «Souls on a String», but the album also contains more intense rock songs like «Summer In Toulouse», «Sylvia (Southern People)» and «Among the Low». A complete album, you might say … and we’re saying it.

    Aesthetically, it’s also consistent from beginning to end – nothing at all is done by chance here. The historical lines that are drawn in the cover design, are also meant to point back to ourselves and to make us conscious of our past, so that we won’t make the same mistakes again. The cover of the single «Souls on a String» featured a photo of the decorated carrier pigeon from World War I, Cher Ami. It saved a whole British company during the war, when the British were caught in a battle, without any food or ammunition. Cher Ami was sent away, and taken under fire by the enemy, but finally delivered the message that saved the British troops.

    The chair on the cover of «No Offending Borders» is from Kviknes Hotel in Balestrand. This is the chair that Wilhelm II, the King of Prussia and Emperor of Germany, was sitting in when he was told that World War I had started. Wilhelm II was a friend of Norway and spent much time on the west coast in the early 1900s. What would you have done if you were sitting in that chair and received that message? Sit down, think thoroughly about it, while you’re listening to «No Offending Borders».


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     :obrigado: :obrigado...

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    Golden Bough Жанр : Celtic Год выпуска диска : 1988-2006 Страна : January 1980-, San Francisco, CA, United States Аудио кодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 7:12:26 Albums: 01.

    Тема на форуме



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    Brett Young • Brett Young Жанр : Country Страна : USA (Los Angeles, CA) Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:41:45 Наличие сканов в содержимом раздачи : нет 01.

    Тема на форуме



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     :love...

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    Ben Lukas Boysen - Spells (2017)


    Исполнитель: Ben Lukas Boysen
    Альбом: Spells
    Год издания: 2017
    Стиль: Modern Classical, Ambient

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    Susan Anderson Bell • Where The Lights Are Low Жанр : Country Страна : USA (Missouri) Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:40:00 Наличие сканов в содержимом раздачи : нет 01.

    Тема на форуме



older | 1 | .... | 531 | 532 | (Page 533) | 534 | 535 | .... | 2475 | newer