Народная музыка Татарстана (Мангелек Мон)

March 7, 2017, 2:35 am

≫ Next: Shinyribs – I Got Your Medicine (2017)

≪ Previous: Issa Murad - Joussour (2016)

На этом диске записаны татарские народные песни, составляющие золотой фонд национального музыкального искусства поволжских татар. Их исполняют ставшие легендами Рашит Вагапов, Зифа Басырова, Ильгам Шакиров, Фарида Кудашева, Альфия Авзалова и другие любимые народом певцы. Сложенные многие века и десятилетия назад, эти удивительные песни помогли татарскому народу сохранить свою самобытность, выдержать все невзгоды и испытания судьбы.

Музблог Гусли
http://www.gusli.su/mangelek_mon_tatarstan/

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Shinyribs – I Got Your Medicine (2017)

March 7, 2017, 2:53 am

≫ Next: Issa Murad - Joussour (2016)

≪ Previous: Народная музыка Татарстана (Мангелек Мон)

320 kbps | 108 MB | UL | OB

Kevin Russell spent much of his musical career with the Gourds, an Austin-based Americana band that was highly influential in the development of alt-country and the growing Americana scene. During his lengthy tenure leading that group, Russell would occasionally step out for solo gigs in Houston as Shinyribs, and he released a couple of records under that moniker. Now that the Gourds are on hiatus, Russell is doubling down on his Shinyribs project. He assembled a full band this year and they have a new record coming down the pike with I Got Your Medicine scheduled for 24 February 2017.

Shinyribs is described as an American country-soul, swamp-funk band, the kind of mixed up genre stew that we always seem to love here at PopMatters. In other words, the Louisiana-born Russell is going back to the sounds of his home state with a big dose of New Orleans R&B, a horn section and the excitement of working with a new palette. “I Got Your Medicine” is the album’s first single and it highlights Russell’s change of musical direction with its swampy funk, smooth vocals, and some major influence from one of NOLA’s favorite sons, Allen Toussaint. Russell says, “If Woody Guthrie and Allen Toussaint had collaborated on a song about the slow descent of the working class into pharmaceutical dependence and dwindling economic opportunity. It would sound a lot like this.”

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Issa Murad - Joussour (2016)

March 7, 2017, 3:03 am

≫ Next: 305 Música sin usura 06-03-2017 desplegando velas

≪ Previous: Shinyribs – I Got Your Medicine (2017)

Artist: Issa Murad
Title Of Album: Joussour
Year Of Release: 2016
Label (Catalog#): Mazzika [IM01JO72015J1F/1]
Genre: Jazz, Crossover Jazz, Ethnic Jazz
Quality: FLAC (tracks +.cue,log,scans)
Bitrate: Lossless
Time: 46:23
Full Size: 393 mb
Upload: Turbobit / DepFile

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305 Música sin usura 06-03-2017 desplegando velas

March 7, 2017, 3:18 am

≫ Next: Χ. ΓΚΑΤΖΟΦΛΙΑΣ – Λ. ΑΝΤΩΝΙΑΔΗΣ στων αγίων τα νερά

≪ Previous: Issa Murad - Joussour (2016)

Desplegando velas en derredor...a discreción. Recorremos la geografía y sus músicas. Para más detalles: slumdar2.wordpress.com TIME AND TRACK LIST 01.-00:01:00 jocelyn pook - ghetto 02.-00:04:15 jocelyn pook - blessing of the boat 03.-00:06:19 christian wallumrod ensemble - psalm 04.-00:13:26 christian wallumrod ensemble - sketch 05.-00:16:06 brian dunning & jeff johnson - christ child lullaby 06.-00:21:15 andreas vollenweider & friends - the woman the stone 07.-00:25:04 leahy - little ditty 08.-00:30:07 dakabrakha - karpatskyi rep 09.-00:35:58 vrelo - zanjem zito 10.-00:42:26 hans zimmer - time (inception) 11.-00:47:01 the welcome wagon - march 12.-00:51:07 the welcome wagon - maybe youre right 13.-00:53:51 chris spheeris - lanilei 14.-01:00:42 gjermund larsen trio & nordic - kind of polska 15.-01:06:34 conrad setó - las aguas del olvido 16.-01:15:31 rodrigo leão & orquestra gulbenkian - respirar 17.-01:19:46 michael logozar - the river 18.-01:23:56 billie holiday - strange fruit 19.-01:29:29 laura pergolizi - lost on you .. ::

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Χ. ΓΚΑΤΖΟΦΛΙΑΣ – Λ. ΑΝΤΩΝΙΑΔΗΣ στων αγίων τα νερά

March 7, 2017, 3:32 am

≫ Next: David Bazan - Care (2017)

≪ Previous: 305 Música sin usura 06-03-2017 desplegando velas

Άγνωστα προς εμένα ονόματα, εκείνα του συνθέτη Χάρη Γκατζόφλια και του στιχουργού Λάζαρου Αντωνιάδη, εμφανίζονται στη δισκογραφία μ’ ένα CD-book, που έχει τίτλο «Στων Αγίων τα Νερά» [Μετρονόμος, 2016] περιέχον εφτά «έντεχνα» (όπως τα λέμε) τραγούδια, τα οποία ερμηνεύονται από διαφόρους. Τρία λέει ο πολύ καλός (γνωστός από παλαιότερα) Θοδωρής Βουτσικάκης και από ένα οι Πάνος Ζώης, Κική Τσαλίκη, Κωνσταντίνα Πάλλα και Μέλα Γεροφώτη/ Πάνος Ζώης/ Νόνικα Μαλκουτζή.

Τα τραγούδια είναι περιποιημένα στην ενορχήστρωσή τους, ας ξεκινήσουμε από ’κει, χωρίς όμως αυτή η «περιποίηση» να τους δίνει κι ένα ας-το-πούμε καινοτόμο ηχόχρωμα (ίσως με την πιο… στυγνή εκμετάλλευση του τρομπετίστα Παντελή Στόικου, το τελικό αποτέλεσμα να ήταν διαφορετικότερο). Από μουσικής-συνθετικής πλευράς τα πράγματα είναι οπωσδήποτε ενδιαφέροντα, καθότι οι μελωδίες του Γκατζόφλια είναι στιγμές-στιγμές ευρηματικές («Βάρκα σκηνή», «Θα ’ρθει ο καιρός»), την ώρα κατά την οποίαν οι στίχοι τού Αντωνιάδη δεν είναι από εκείνους που αποκρυπτογραφούνται (πάντα) εύκολα – και τούτο είναι ένα θεματάκι, καθότι άλλο η ευρηματικότητα και άλλο η επιμελημένη δυστροπία. Από πλευράς φωνών ένα θα πω (ή θα ξαναπώ). Άμα έχεις στη διάθεσή σου τον Βουτσικάκη, γιατί να χρησιμοποιήσεις άλλους τραγουδιστές; Που μπορεί να είναι καλοί, εντάξει, αλλά δεν προσφέρουν (επί του προκειμένου) κάτι περισσότερο ή διαφορετικότερο.

Θα επιμείνω λοιπόν και θα πω πως το να γράφεις για μια συγκεκριμένη φωνή μπορεί να καταστεί (όταν έχεις το μελωδικό ταλέντο δηλαδή – που το έχει ο Γκατζόφλιας) από μόνο του το κρίσιμο σημείο σ’ έναν «έντεχνο» δίσκο. Να τον σφραγίζει και να τον καθορίζει εννοώ. Μην το υποτιμούμε αυτό. Οι φωνές είναι εκείνες, που φέρνουν τα τραγούδια στον κόσμο. Μια δεύτερη φωνή θα χρησιμοποιηθεί, ενδεχομένως, για κάποια από τα… δώδεκα τραγούδια ενός άλμπουμ (όταν απαιτείται κάτι τέτοιο), αλλά μια τρίτη και μια τέταρτη θα είναι πάντα too muchγια ένα άλμπουμ επτά θεμάτων.

Επαφή: www.metronomos.gr

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David Bazan - Care (2017)

March 7, 2017, 4:02 am

≫ Next: Tom Mank & Sera Smolen - Unlock The Sky (2017)

≪ Previous: Χ. ΓΚΑΤΖΟΦΛΙΑΣ – Λ. ΑΝΤΩΝΙΑΔΗΣ στων αγίων τα νερά

Artist: David Bazan
Title Of Album: Care
Year Of Release: 2017
Label: Undertow Music
Genre: Indie Rock, Indie Folk, Singer-Songwriter
Quality: FLAC (tracks)
Bitrate: Lossless
Time: 35:03
Full Size: 228 mb
Upload: Turbobit / DepFile

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Tom Mank & Sera Smolen - Unlock The Sky (2017)

March 7, 2017, 5:02 am

≫ Next: VA - Roll Columbia: Woody Guthries 26 Northwest Songs (2017)

≪ Previous: David Bazan - Care (2017)

Artist: Tom Mank & Sera Smolen
Title Of Album: Unlock The Sky
Year Of Release: 2017
Label: Ithaca Records
Country: United States
Genre: Folk Blues, Modern Folk, Americana, Singer/Songwriter
Quality: FLAC (tracks)
Bitrate: Lossless
Time: 37:08
Full Size: 212 mb
Upload: Turbobit / DepFile

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VA - Roll Columbia: Woody Guthries 26 Northwest Songs (2017)

March 7, 2017, 5:02 am

≫ Next: Dear Reader - Day Fever (2017)

≪ Previous: Tom Mank & Sera Smolen - Unlock The Sky (2017)

Artist: Various Artists
Title Of Album: Roll Columbia: Woody Guthries 26 Northwest Songs
Year Of Release: 2017
Label (Catalog#): Smithsonian Folkways Recordings ‎ [SFW CD 40226]
Genre: Folk, Country, Acoustic
Quality: FLAC (tracks)
Bitrate: Lossless
Time: 1:44:18
Full Size: 679 mb
Upload: Turbobit / DepFile

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Dear Reader - Day Fever (2017)

March 7, 2017, 6:02 am

≫ Next: if music could talk: If Music Could Talk - March 5 2017, Segment 1

≪ Previous: VA - Roll Columbia: Woody Guthries 26 Northwest Songs (2017)

Artist: Dear Reader
Title Of Album: Day Fever
Year Of Release: 2017
Label (Catalog#): Alternative Pop, Indie Folk, Female Vocal
Country: South Africa
Genre: City Slang [SLANG50101]
Quality: FLAC (tracks +.cue,log,scans)
Bitrate: Lossless
Time: 38:35
Full Size: 239 mb
Upload: Turbobit / DepFile

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if music could talk: If Music Could Talk - March 5 2017, Segment 1

March 7, 2017, 7:24 am

≫ Next: Melanie

≪ Previous: Dear Reader - Day Fever (2017)

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Melanie

March 7, 2017, 8:10 am

≫ Next: ten am stroll.

≪ Previous: if music could talk: If Music Could Talk - March 5 2017, Segment 1

As the great Congolese composer/singer/bandleader Tabu Ley Rochereau approached his final days in 2012, he summoned the musical director of his band, L’Orchestre Afrisa International, from America to his bedside and made a last request. Modero Mekanisi had played saxophone at Tabu Ley’s side since 1974. Now he had one more assignment: to keep the band and the music going, despite the leader’s passing. It has taken this long for Afrisa to honor that wish with a finished recording, the band’s first since 1996, but man, was it worth the wait.

For fans of classic Congolese big-band dance music, this is as fine a release as we’ve heard in many years. It appeals to old-school tastes, with no programmed drums and minimal use of keyboards. Also absent is the chanting “animation” passages, wherein names of patrons (or would-be patrons) are shouted out in an odd blend of crowd pumping and commercial advertising—good fun in appropriate doses, but hardly missed here. Melanie is all about musicianship: groove, guitars—ooooh what guitars!—brass, and lusciously layered, impeccably arranged vocals.

First, about those guitars, most of these 11 tracks feature three electric guitar parts: rhythm and mi-solo panned left and right, and lead right up the middle. Those guitar parts are all played two Afrisa veterans, Dino Vangu in Paris and “Huit Kilos” Nseka in Los Angeles. Dino plays lead on the first six tracks and Huit Kilos on the remaining five. Two tracks—“Mela,” a love song to one of Tabu Ley’s wives, and “Ma Fille,” a song for Tabu Ley’s daughter—appear in both Paris and Takoma versions. (Modero and star vocalist Wawali Bonane live in Takoma, Washington, and those last five tracks were mostly recorded there.) It is fascinating to compare the two lead guitarists’ styles. Dino’s sound is fat and chunky with lots of double-stops; Huit Kilos’ is sharp and stinging with piercing single-note precision and clarity. Listeners may have their preference, but both are sterling examples of one of the world’s most blissfully melodious and seductive guitar styles.

Wawali is the dominant lead vocalist, though Dodo Munoko, Djeffard Lukombo and Habiba Batantu take the spotlight at times, and provide robust choral backing throughout. But Wawali’s voice is truly a marvel, full-throated and gentle but easily capable of reaching those high, horn-like tenor notes that Tabu Ley delivered so memorably. “Kaful Mayay,” with its rolling 12/8 groove, is a fine example. This is the song Wawali used to audition for the band in 1974, and here he sings it definitively: Congolese high lonesome magic.

All these songs come from Tabu Ley’s huge canon of compositions, from “Micheline,” a song he wrote for the pre-Afrisa band, African Fiesta, to “Muzina,” the last hit Tabu Ley recorded before entering his brief and ill-fated career in Congolese politics. (See my interview with Modero Mekanisi for more on that.) This version of “Muzina” begins with gorgeous a cappella vocal before a trimmed-down version of the band joins in for the album’s hook-laden finale. The arrangements of these iconic songs is consistently engaging here with rhythm changes, brass passages, smart interplay of vocals and guitar, and never a tired riff or overlong solo. The music is brisk and dynamic at every turn, resulting in an album one just wants to hear over and over. Since long before Buena Vista Social Club, the notion of past veterans coming back to the stage and studio for a twilight run has tugged at heartstrings. Rarely has it been done this well. On Melanie the old guard show us all how it’s done—case closed.

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ten am stroll.

March 7, 2017, 10:02 am

≫ Next: TORGEIR WALDEMAR NO OFFENDING BORDERS - 2017 Νορβηγος τραγουδοποιος στη δευτερη δουλεια του μετα...

≪ Previous: Melanie

to keep with the theme of cool guy french jazz, we have this jammer from 75. it reminds me at times of giallo jazz & other times tropicalia, this is a great album to clean yr apartment to at nine in the morning.

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TORGEIR WALDEMAR NO OFFENDING BORDERS - 2017 Νορβηγος τραγουδοποιος στη δευτερη δουλεια του μετα...

March 7, 2017, 11:36 am

≫ Next: Arthur Gunter – Baby Let’s Play House: The Complete Excello Singles 1954-1961 (2016)

≪ Previous: ten am stroll.

TORGEIR WALDEMAR

NO OFFENDING BORDERS - 2017

Νορβηγος τραγουδοποιος στη δευτερη δουλεια του
μετα το εντυπωσιακο φολκ ντεπουτο του 2014.
Πιστος στο ακουστικο φολκ που τον ανεδειξε, ο νεος
δισκος ειναι πιο ηλεκτρικος, με ορισμενα πιο ροκ
κομματια, με ομορφες μελωδιες που υποστηριζονται
απο δυνατες κιθαρες και μελαγχολικα φωνητικα.
Θα σας θυμισει Neil Young στις πιο καλες του στιγμες,
ειδικα τα τραγουδια ''Summer in Toulouse'' και ''Sylvia''.
Δισκαρα!

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Arthur Gunter – Baby Let’s Play House: The Complete Excello Singles 1954-1961 (2016)

March 7, 2017, 12:55 pm

≫ Next: Bill Mallonee & The Big Sky Ramblers – The Rags Of Absence (2017)

≪ Previous: TORGEIR WALDEMAR NO OFFENDING BORDERS - 2017 Νορβηγος τραγουδοποιος στη δευτερη δουλεια του μετα...

320 kbps | 166 MB | UL | OB

Arthur Gunter, a seemingly obscure blues singer will never be forgotten because he holds a unique place in American pop history. His first recording, ‘Baby Let’s Play House’ in 1954 for Excello Records of Nashville became one of the first recordings by Elvis Presley.

This is the first time both sides of his Excello singles have been collected together in chronological order and the quality of these sessions are all exciting and typical of the kind of blues popular in the south.

Tracklist:

01. Baby Let’s Play House (2:47)
02. Blues After Hours (2:31)
03. She’s Mine All Mine (2:25)
04. You Are Doing Me Wrong (2:47)
05. Honey Babe (2:35)
06. No Happy Home (2:39)
07. Trouble With My Baby (2:40)
08. Baby You Better Listen (2:38)
09. Hear My Plea Baby (2:37)
10. Love Has Got Me (2:47)
11. Baby Can’t You See (3:04)
12. You’re Always On My Mind (2:40)
13. Ludella (2:57)
14. We’re Gonna Shake (1:57)
15. Don’t Leave Me Now (2:34)
16. Crazy Me (2:48)
17. No Naggin’, No Draggin’ (2:46)
18. I Want Her Back (2:41)
19. Little Blue Jeans Woman (2:30)
20. Mind You Own Business Babe (2:21)
21. My Heart’s Always Lonesome (2:30)
22. I’m Fallin’, Love’s Got Me (2:20)
23. Who Will Ever Move Me From You (2:18)
24. Workin’ For My Baby (2:19)

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Bill Mallonee & The Big Sky Ramblers – The Rags Of Absence (2017)

March 7, 2017, 1:46 pm

≫ Next: (Contemporary Folk, Country, Indie, Americana) Hurray for the Riff Raff - The Navigator - 2017, MP3, 320 kbps

≪ Previous: Arthur Gunter – Baby Let’s Play House: The Complete Excello Singles 1954-1961 (2016)

320 kbps | 116 MB | UL |

Tracklist:

1. The World’s Tip Jar
2. Boom & Bust (Most Decent Folks)
3. Nothing Here Was Ever Meant To Last
4. I pulled Into Reno (‘Cause I Couldn’t Make Salt Lake)
5. If You Pray (You’d Better Cry, Cry, Cry)
6. Mesmerized
7. Coverin’ Ground
8. Two-Finger Wave
9. Jenny Lake
10. The Rags Of Absence

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(Contemporary Folk, Country, Indie, Americana) Hurray for the Riff Raff - The Navigator - 2017, MP3, 320 kbps

March 7, 2017, 2:22 pm

≫ Next: (Celtic) Golden Bough - Коллекция 1988-2011 (11 релизов), MP3, 192-320 kbps

≪ Previous: Bill Mallonee & The Big Sky Ramblers – The Rags Of Absence (2017)

Hurray for the Riff Raff / The Navigator Жанр : Contemporary Folk, Country, Indie, Americana Страна исполнителя (группы) : USA Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 40:43 Треклист : 01.

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(Celtic) Golden Bough - Коллекция 1988-2011 (11 релизов), MP3, 192-320 kbps

March 7, 2017, 2:22 pm

≫ Next: Schiller feat. Kim Sanders - Forever (2008)

≪ Previous: (Contemporary Folk, Country, Indie, Americana) Hurray for the Riff Raff - The Navigator - 2017, MP3, 320 kbps

Golden Bough Жанр : Celtic Год выпуска диска : 1988-2011 Страна : January 1980-, San Francisco, CA, United States Аудио кодек : MP3 Тип рипа : tracks Битрейт аудио : 192-320 kbps Продолжительность : 11:10:20 Albums: 01.

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