(Country) Camille Rae - Come Find Me - 2017, MP3, 320 kbps
Pat Metheny Group - American Garage (1979/Unknown) FLAC (image + .cue)
Artist: Pat Metheny Group | Album: American Garage | Label: ECM Records | Catalog #: ECM 1155,827 134-2 | Released: 1979 | Genre: Jazz, Fusion | Country: USA | Duration: 00:35:22
Toby Keith - Greatest Hits 2 (2004)
The Gordian Knot - The Gordian Knot (1968/2007) FLAC (tracks + .cue)
Artist: The Gordian Knot | Album: The Gordian Knot | Released: 1968/2007 | Genre: Pop Rock, Soft Rock | Country: USA | Duration: 00:34:41
Marc Almond - Hits And Pieces: The Best Of Marc Almond & Soft Cell (2017) FLAC (image + .cue)
Artist: Marc Almond | Album: Hits And Pieces: The Best Of Marc Almond & Soft Cell | Released: 2017 | Genre: Synth Pop, New Wave | Country: UK | Duration: 02:33:17
Eloy - Colours (1980) (Vinyl) FLAC (image + .cue)
Artist: Eloy | Album: Colours | Released: 1980 | Genre: Rock, Prog Rock | Country: Germany | Duration: 00:39:34
The Bee Gees - Bonanza, The Early Years (1978) (Vinyl) FLAC (image + .cue)
Artist: The Bee Gees | Album: Bonanza, The Early Years | Released: 1978 | Genre: Pop, Beat | Country: UK | Duration: 00:59:44
Sean Chambers – Trouble & Whiskey (2017)
320 kbps | 105 MB | UL | OB | TB
On March 17th 2017, Sean Chambers will release his newest album entitled Trouble & Whiskey on the American Showplace Music label. The album is produced by Ben Elliott who has recorded classic artists such as Eric Clapton, Keith Richards, Billy Gibbons, and Leslie West among others. The core band on the album, aside from Sean on lead vocals and lead guitar, includes Michael Hensley on Hammond B3 & keyboards, Todd Cook on bass and Kris Schnebelen on drums. Special guests include Jimmy Bennett on guitar on track #8, John Ginty on Hammond B3 on track #4, and Andrei Koribanics on percussion on tracks #1 and #7.
Larissa Tormey – God Loves A Trier (2017)
Saints & Sinners – On the Other Side (2017)
VA – New Order Presents Be Music (2017)
320 kbps | 502 MB | UL |
New Order Presents Be Music is a compilation of productions by members of New Order, including classic dance and electro tracks released on Factory Records between 1982 and 1985, as well as more recent remixes for current artists such as Factory Floor, Marnie, Tim Burgess and Fujiya & Miyagi.
The generic tag Be Music was first used in 1981 and covered studio production work by all four members of New Order: Bernard Sumner, Peter Hook, Stephen Morris and Gillian Gilbert. Sumner often teamed with Donald ‘Dojo’ Johnson of A Certain Ratio, including the pioneering electro cuts featured here by Quando Quango, 52nd Street, Marcel King, Paul Haig and Surprize. Morris and Gilbert worked with Thick Pigeon, Life, Red Turns To and also 52nd Street. Although more rock orientated, Hook proved he was no slouch on the dancefloor either with the mighty Fate/Hate by Nyam Nyam.
‘Producing was a really important sideline,’ recalls Bernard Sumner of the Factory era. ‘It’s OK doing it because although all the groups are skint, you learn a lot and you’re helping somebody.’
After 1985 the band focused more on producing their own records, both as New Order and solo projects such as Electronic, Revenge, The Other Two, Monaco and Bad Lieutenant. However in recent years Stephen Morris in particular has remixed several newer artists, notably London industrialists Factory Floor, as well as former Factory workers A Certain Ratio and Section 25.
Bonus tracks on the 3xCD box set include Knew Noise by Section 25, produced by Ian Curtis and Rob Gretton of Joy Division way back in 1979, and the complete 22 minute version of Video 586, recorded by New Order themselves in 1982.
All tracks (12 on vinyl, 36 on the CD) are newly remastered. The liner notes feature commentary on the tracks by the artists and also members of New Order. Design by Matt Robertson.
Disc: 1
Disc: 2
Disc: 3
Michael Connors – True to the Dollar (2017)
Tamikrest Kidal
Tamikrest
Kidal
(Glitterbeat Records, 2017)
more details
Ondatrópica Baile Bucanero
Ondatrópica
Baile Bucanero
(Soundway Records, 2017)
more details
Chad Gayi Bhangiya Bholenath Ki (самые зажигательные бхаджаны Шиве)
Музблог Гусли
http://www.gusli.su/chad_gayi_bhangiya_bholenath_ki/
Jagjit & Chitra Singh - Bhakti
Музблог Гусли
http://www.gusli.su/jagjit_chitra_singh_bhakti/
Manish Vyas — Shivoham (2014)
Музблог Гусли
http://www.gusli.su/manish_vyas_shivoham/
Music From the Taj: Symbol of Love – Music from the Taj: Symbol Of Love
Release Date: September 4, 2007
Label: Saregama India Ltd
Artist: Music From the Taj: Symbol of Love
Handpicked romantic ragas feature the best of North & South Indian artists.
- Fond Memories - T.H. Vinayakram
- Strings Of the Heart - Ustad Zakir Hussain
- Love Ballet - V. Balsara
- Slave To Love - Ustad Vilayat Khan
- Landscape Of Love - Ustad Zakir Hussain
- Lightning Of Love - Ustad Amjad Ali
- Made For Each Other - Ustad Bismillah Khan
- Power Of Love - Ustad Alla Rakha
- Touch Of Heaven - Pt. Hariprasad Chaurasia
- Dance Of Sound - Lalgudi G. Jayaraman
- Wedding Bells - T.H. Vinayakram
(Acoustic, Folk, Experimental) Ass (Andreas Söderström Solo) - Discography - 2006-2013 (4 releases), MP3, 320kbps
ΜΙΚΡΑ ΚΕΙΜΕΝΑ ΑΠΟ ΤΟ FACEBOOK 10
Προχθές πέθανε ο 82χρονος James Cotton, ένας από τους μεγαλύτερους αρμονικίστες του blues. Έχω κάμποσα άλμπουμ του (LP+CD) από διάφορες εποχές του και είναι όλα ανεπανάληπτα. Κάποια sixties φοβερά τα είχα αγοράσει, θυμάμαι, από το παλιό δισκάδικο του Πετρουλάκη, στη Μαντζάρου. Να σαν κι αυτό...
Στο εσωτερικό της χώρας οι Γερμανοί αστοί και σοσιαλδημοκράτες φτάσανε στον ανώτατο βαθμό αντιδραστικής μανίας, στην αιματηρή καταστολή της εργατικής κομμουνιστικής εξέγερσης. Στην άγρια δολοφονία του Καρλ Λήμπκνεχτ και της Ρόζας Λούξεμπουργκ, στην εξόντωση των σπαρτακιστών εργατών. Η λευκή τρομοκρατία, ατομική και κατά μάζες, είναι η σημαία κάτω από την οποία βαδίζει η αστική τάξη.(…)».
Τώρα οι ΝΔούδες απλώς γαυγίζουν, χωρίς πρακτικό όφελος.
Ύστερα βέβαια που βγήκανε οι δίσκοι τόσο που τους αρέσανε μέχρι που κλαίγανε από τη χαρά τους.
Μια φορά, όπως και να ’γινε, εμένα μ’ αφουγκράστηκε.
Έτσι πήγαινε το πράμα μέχρι το τέλος του ’31, πάνω-κάτω, σαν έγινε το μεγάλο κακό στου Πίκινου.(…)».