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    http://i91.fastpic.ru/big/2017/0417/29/326443fd930b2f4eab54df77dc005729.jpg
    Trance Opera – Zombie (1995) (FLAC)
    Released: 1995 | Track: 4 | Country: Germany | FLAC | Time: 00:15:24 | Label: Action Reaction Records – AR04 | 3% Recovery Added | 168 MB
    Genre: Electronic, Eurodance

    Tracklist

    1 Zombie (Radio Version)
    2 Zombie (Instrumental)
    3 Trance Opera
    4 Zombie (Rave Vocal)
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    The post Trance Opera – Zombie (1995) (FLAC) appeared first on MusDL.


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    http://i89.fastpic.ru/big/2017/0417/fc/fc609b5328fc12aa92bfb1c77a6fb1fc.jpg
    Mp3 CBR 320 kbps / Flac (tracks) | Electronic / Ambient | 01:15:36 | 1CD | 175 / 302 Mb

    Tracklist:
    01. On Deaf Hearts Your Prayers They Fall (10:29)
    02. With Broken Wings and Giants Tall (09:15)
    03. Sparkling Legions Turn to Black (11:27)
    04. Your Painted Armor Aches to Crack (08:32)
    05. Clouds Besiege What You Remain (09:57)
    06. Footsteps Fade If Not Your Pain (10:06)
    07. Love Is Never Asking Why (08:43)
    08. It All Ends with the Coming Sky (07:07)
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    The post bvdub – Epilogues for the End of the Sky (2017) Flac / Mp3 appeared first on MusDL.


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    http://i89.fastpic.ru/big/2017/0417/2b/e119c21d02ecd07b8afb8a02b256712b.jpg
    Mp3 CBR 320 kbps / Flac (tracks) | Country / Female Vocal | 01:06:01 | 1CD | 151 / 444 Mb

    Tracklist:
    1. You Still Shake Me (Live) (3:23)
    2. How Do I Get There (Live) (4:35)
    3. Ruby Brown (Live) (4:29)
    4. Count Me In (Live) (3:40)
    5. Angels Working Overtime (Live) (5:51)
    6. Abscence Of The Heart (Live) (4:49)
    7. Loved Enough (Live) (4:51)
    8. Dickson County (Live) (3:42)
    9. Brand New Key (Live) (3:20)
    10. The Train Song (Live) (3:43)
    11. We Danced Anyway (Live) (5:31)
    12. Did I Shave My Legs For This (Live) (5:00)
    13. Strawberry Wine (Live) (7:25)
    14. Everythings Gonna Be Alright (Live) (5:37)
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    The post Deana Carter – Big Bang Concert Series: Deana Carter (Live) (2017) Flac / Mp3 appeared first on MusDL.


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    http://i91.fastpic.ru/big/2017/0417/60/5bc26fd4d7d180ef07bcfb265e43a460.jpg
    The Jeff Healey Band – See The Light (2008) (FLAC)
    Released: 2008 | Track: 12 | Country: Canada | FLAC | Time: 00:49:49 | Label: Blue Label – SPV 305742 CD | Artwork Included | 3% Recovery Added | 367 MB
    Genre: Rock, Blues

    Tracklist

    01 Confidence Man
    02 My Little Girl
    03 River Of No Return
    04 Don't Let Your Chance Go By
    05 Angel Eyes
    06 Nice Problem To Have
    07 Someday, Someway
    08 I Need To Be Loved
    09 Blue Jean Blues
    10 That's What They Say
    11 Hideaway
    12 See The Light
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    The post The Jeff Healey Band – See The Light (2008) (FLAC) appeared first on MusDL.


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    http://i91.fastpic.ru/big/2017/0417/79/b8c1cc1d97625ae3d16c45ffec94d979.jpg
    The Bourbon Blues Band – The Attic Sessions Vol. 1 (2016) (FLAC)
    Released: 2016 | Track: 7 | Country: Germany | FLAC | Time: 00:43:44 | Label: The Bluesattic | 3% Recovery Added | 280 MB
    Genre: Blues

    Tracklist

    01. Moving On Blue Ground
    02. Boogieman Blues
    03. Weak Side Of Me
    04. Hard Times Blues
    05. Buffalo Flower Fields (with K. Fried)
    06. Blues For A Golden Heart
    07. Free Jam (Caribbean Jelly Part I)
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    Mandingo / New World Power Жанр : World, African, Kora, Electronic Носитель : CD Страна-производитель диска (релиза) : US Год издания : 1990 Издатель (лейбл) : Axiom Номер по каталогу : 422-846 853-2 Страна исполнителя (группы) : Gambia / USA Аудиокодек : FLAC (*.

    Тема на форуме



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    http://i91.fastpic.ru/big/2017/0417/5c/864eb6095c810d4ba314545980ad3a5c.jpg
    Trance Opera – Oleantus (1994) (FLAC)
    Released: 1994 | Track: 4 | Country: Germany | FLAC | Time: 00:21:13 | Label: Dance Street – DST 1219-8 | 3% Recovery Added | 183 MB
    Genre: Electronic, Euro House

    Tracklist

    1 Oleantus (Radio Interlude)
    2 Oleantus (1st Movement)
    3 Oleantus (Timpani Overture)
    4 Oleantus (2nd Movement)
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    http://i89.fastpic.ru/big/2017/0417/cc/d3cdf9e291be27d5bc57554ae2bef3cc.jpg
    Mp3 CBR 320 kbps | Instrumental / Electronic / Beats / Hip-Hop | 00:43:11 | 1CD | 103 Mb

    Tracklist:
    1. Rhodes Deep 04:06
    2. Dr. Goose Robbins 05:14
    3. Expensive Ice Chill Cuts Deluxe 04:58
    4. Arp Island 04:07
    5. So Alive 02:50
    6. So Alive (Instrumental) 02:50
    7. Unusual Weather 04:06
    8. Spearmint 04:43
    9. Try The Bass 04:59
    10. Aquatic Jambiance 05:12
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    The post Ronald Jenkees – Rhodes Deep (2017) appeared first on MusDL.


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    http://i89.fastpic.ru/big/2017/0417/cc/7703c0cb14902dcfa7b826a079cc53cc.jpg
    Flac (tracks | log | cue) | Celtic / Folk Rock | 00:50:20 | 1CD | 355 Mb

    Tracklist:
    1 La Grange (ZZ Top)
    2 Starlight (Muse)/Charlie Brown (Coldplay)
    3 Time for Trad
    4 Fat Bottom Girls (Queen)
    5 Seven Nation Army (White Stripes)
    6 Pressed for Time
    7 The Fallen
    8 Chasing Love
    9 The Way it is
    10 Jump (Van Halen)
    11 Neon (John Mayer)
    12 Everybody Wants To Rule The World (Tears For Fears)
    13 Wild Mountain Thyme
    14 Urban
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    The post Red Hot Chilli Pipers – Octane (2016) FLAC appeared first on MusDL.


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    http://i89.fastpic.ru/big/2017/0417/ed/ab91401e5f230a33fd115577bfdbcded.jpg
    Mp3 CBR 320 kbps / Flac (tracks) | Country / Female Vocal | 00:57:57 | 1CD | 133 / 341 Mb

    Tracklist:
    1. Under The Rainbow (Live) (4:33)
    2. The Song Remembers When (Live) (4:16)
    3. She's In Love With The Boy (Live) (4:55)
    4. I Need You (Live) (3:51)
    5. Thinking About You (Live) (3:39)
    6. On A Bus To St. Cloud (Live) (4:57)
    7. X's And O's (Live) (3:19)
    8. Little Hercules (Live) (5:10)
    9. Nearest Distant Shore (Live) (3:23)
    10. Wrong Side Of Memphis (Live) (3:23)
    11. Walkaway Joe (Live) (4:41)
    12. Believe Me Baby (Live) (3:44)
    13. Midnight Train To Georgia (Live) (4:42)
    14. Somewhere Over The Rainbow (Live) (3:18)
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    The post Trisha Yearwood – Big Bang Concert Series: Trisha Yearwood (Live) (2017) Flac / Mp3 appeared first on MusDL.


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    poucetg.jpghttps://uptobox.com/kxzo7hbvc02i
    source : henrisalvador-discographie.com, le site incontournable du Monsieur.
    passe : tronwalt


    1/ Le petit poucet.Maurice PON / H. SALVADOR
    2/ La marraine.Michel RIVEGAUCHE / H. SALVADOR
    3/Un jour mon prince viendra.Larry MOREY / Franck CHURCHILL
    4/ L'abeille et papillon.Maurice PON / H. SALVADOR
    5/ Le wagon.SILVANO / H. SALVADOR
    6/ Pauvre Jésus Christ.B.MICHEL / H. SALVADOR
    Face B:
    1/ Petit lapin.Maurice TEZE / H. SALVADOR
    2/ Le géant.LAST / BLENDURF / REEVES
    Adaptation Française: Bernard MICHEL

    3/ Voilactus 
    "petit homme de l'espace".
    Michel RIVEGAUCHE / H. SALVADOR
    4/ La vallée. H. SALVADOR
    Grand prix Maurice CHEVALIER

    5/ Le lion est mort ce soir."The lion sleeps tonight" 
    d'après "WIMOWEH"

    H.Peretti / L.Creatore / G.Weiss / A.Stanton
    version Française H. Salvador
    Orchestre:  Kurt EDELHAGEN

    6/ Seul.Michel RIVEGAUCHE / H. SALVADOR
    Réalisation musicale:Henri SALVADOR

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    Um novo link se for possível joss!
    Obrigado!

    Feito!...  :ovo1:

    :topactu:[/center...

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    320 kbps | 307 MB | LINKS

    GarciaLive Volume Eight presents the Jerry Garcia Band’s November 23rd, 1991 performance at the Bradley Center in Milwaukee, WI. The fall ’91 tour as a whole is widely regarded as one of Garcia’s finest and this particular Saturday evening serves as a further testament to the legend. Fans in attendance at the Bradley Center braved an intense snowstorm and the audience’s palpable energy and enthusiasm was a likely catalyst for this spirited performance. Keyboardist Melvin Seals summarized the group nicely stating ‘That was the magic band. It’s not that the other scenarios didn’t work out but once we got to that level of the band with (drummer) Dave Kemper, John Kahn, Jerry, myself and the singers, Jackie (LaBranch) and Gloria (Jones) we all knew we had something special. That was the band.’

    CD1:

    1. Cats Under The Stars
    2. They Love Each Other
    3. Lay Down Sally
    4. The Night They Drove Old Dixie Down
    5. Reuben And Cherise
    6. Money Honey
    7. My Sisters And Brothers
    8. Deal

    CD2:

    1. Bright Side Of The Road
    2. Waiting For A Miracle
    3. Think
    4. Shining Star
    5. Ain’t No Bread In The Breadbox
    6. That Lucky Old Sun
    7. Tangled Up In Blue


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    http://i89.fastpic.ru/big/2017/0417/02/a09963e319c50df413d5d1ad69223b02.jpg
    The Great Jazz Trio – Collaboration (2004) (FLAC)
    Released: 2004 | Track: 10 | Country: US | FLAC | Time: 00:50:35 | Label: 441 Records – FFO-0028 | Artwork Included | 3% Recovery Added | 329 MB
    Genre: Jazz

    Tracklist

    01. Rhythm-A-Ning
    02. Summertime
    03. Satin Doll
    04. Blue Bossa
    05. Long Ago and Far Away
    06. The Shadow of Your Smile
    07. Autumn Leaves
    08. My Funny Valentine
    09. Moose the Mooche
    10. Memories of You
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    The post The Great Jazz Trio – Collaboration (2004) (FLAC) appeared first on MusDL.


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    VA - African Pearls - Mali 70: Electric Mali (2009) FLAC / 320
    Re-Up

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    320 kbps | 102 MB | LINKS

    Tom Hickox has a voice that comes from the centre of a mountain, something that is given great airing on his second album Monsters In The Deep. Whilst it never seems fair to comment on someone’s background, he does have an impressive musical heritage, an upbringing that has clearly given him great confidence and gravitas.

    Despite his ‘man in the woods’ appearance, Tom Hickox is introspective and articulate. So, ‘The Plough’ is not about returning to the land but about the constellation. On this acoustic track, Hickox is revealed as a dreamer but one who is seeking the highest beauty right here. Looking at the stars, he ponders life and its laws. On ‘Man Of Anatomy’ the piano is undercut by a searing electric guitar and then an unnervingly low note reminiscent of the one in ‘The Close Encounters of the Third Kind’ when the aliens are trying to communicate with us.

    For all its contemplations, Monsters In The Deep is a very earth-bound album. The locations and scenarios are very physical ones: ‘Istanbul’, ‘Korean Girl In A Waiting Room’. Hickox is a romantic traveller with a well-worn knapsack but one who has an intrinsic understanding of what it feels like to want to go back home. On these tracks, the piano and the drums act as an accompaniment to the stories.

    The latter half of the album is considerably heavier, as if Hickox has drunk himself into a depression. It is last orders in ‘Collect All The Empties’. This song is orchestral and cinematic in scope, John Barry on a heath. To be fair, though, Hickox’s voice needs very little backing to make it moving. ‘The clifftops are heavy with thistles and gorse,/The call of the ocean with love and remorse’ is typical of the rhyming couplets on Monsters In The Deep. ‘Mannequin Heart’ and ‘Perseus and Lampedusa’ are similarly soul-bearing. They talk of ‘marigolds’ and ‘swallows soaring’. They are like being buried alive under very rich humus.

    ‘Monsters In The Deep’ itself is decidedly uptempo. Hickox sings, ‘I’m a monster, you know that.’ He must be the least fiendlike person I know. If anything, Hickox is Frankenstein’s monster before he is transformed by human barbarity or a placid underwater creature avoiding detection and cruel hooks. The fade out at the end of the song is him swimming away into the dark depths where the pressure is too much for ordinary humans.

    The album’s title could be interpreted in so many different ways, indicative of the profundity of the music. Tom Hickox is a man who desperately wants to do the right thing, all of which is communicated through a rich reverberation of a voice. He is a man searching for a deeper truth.


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    (…) Η εφημερίδα Μακεδονία της 18/4/1967:
    «Άνευ επεισοδίων εδόθη εις τας Αθήνας η συναυλία των Ρόλλινγκ Στόουνς. Εις το γήπεδον του Παναθηναϊκού εδόθη την εσπέραν η συναυλία των αφιχθέντων το απόγευμα Άγγλων Ρόλλινγκ Στόουνς εκτελούντων περιοδείαν ανά την Ευρώπην. Επειδή εις τα λοιπά ευρωπαϊκά κέντρα, όπου το συγκρότημα είχε δώσει συναυλίας, προεκλήθησαν συμπλοκαί και επεισόδια μεταξύ των εξάλλων νεαρών θαυμαστών των, η αστυνομία έλαβε δρακόντεια μέτρα προς πρόληψιν της διαταράξεως της τάξεως. Εις το γήπεδον του Παναθηναϊκού, εις το οποίον είχον προσέλθει 6000 και πλέον νεαροί, ευρίσκοντο και χίλιοι περίπου αστυφύλακες. Το πρόγραμμα διήρκησε περισσότερον των τριών ωρών μετά το οποίον ευάριθμοι νεαροί επιχείρησαν να εισβάλουν εις το γήπεδον για να αρπάσουν εις χείρας τα ινδάλματά των, η αστυνομία όμως επενέβη και τους διέλυσεν».
    a%2BLIFO%2BRolling%2B7%2BSOS%2Bphoto.JPG
    Τέλος, οι Μοντέρνοι Ρυθμοί, που τα είχαν δώσει όλα για το γεγονός, αφού είχαν τυπώσει ακόμη και έκτακτο τεύχος (εκτός σειράς δηλαδή), δύο μέρες πριν τη συναυλία, την 15η Απριλίου 1967, κάνουν γαργάρα τα των Rolling Stones στο πρώτο, μετά το live και μετά το πραξικόπημα τεύχος τους (το #80 τής 10ης Μαΐου 1967). Αιτία ήταν φυσικά τα επεισόδια και όχι το ροκ γενικότερα, αφού στο ίδιο εκείνο τεύχος (το #80), ανάμεσα σε άλλη σχετική ύλη, βλέπουμε το “Ruby Tuesday” των Rolling Stonesνα φιγουράρει στη θέση 2 του ελληνικού Top-50!
    Το περιοδικό, με το καλημέρα τής αμερικανόδουλης «εθνικής κυβερνήσεως», δεν ήθελε να δείξει πως ένα κομμάτι της νεολαίας, υπό τους ήχους ενός δυτικού νεανικού συγκροτήματος, αυθαδίαζε κι έτσι όλο το ρεπορτάζ των Μοντέρνων Ρυθμών, που θ’ αφορούσε τους Stones από το live της Λεωφόρου, παραλήφθηκε – με τη σύμφωνη γνώμη προφανώς τού εγνωσμένης αντικομμουνιστικής ιδεολογίας και δράσης (ήδη από τα χρόνια του ’40) εκδότη τους Θανάση Τσόγκα.
    Ο Τσόγκας, στο ίδιο εκείνο τεύχος (10 Μαΐου 1967), δεν σπεύδει απλώς να ράνει με μύρα την «επανάστασι», αλλά και να πλέξει, ως γνήσιος αμερικανόφιλος ο ίδιος, το εγκώμιο του αμερικάνικου και γενικότερα δυτικού τραγουδιού (και του ροκ προφανώς), που ταιριάζει με τη νεανική ηλικία, με τη χαρά της ζωής (όπως γράφει) και όχι με τον «θρήνο» των τραγουδιών του απαγορευμένου Θεοδωράκη (αναφέρεται χαρακτηριστικά το «Κλαίει η μάνα μου στο μνήμα»).
    Ακολουθεί κατά πόδας ο Νίκος Μαστοράκης σημειώνοντας:
    «Ανάμεσα σ’ αυτούς που τρόμαξαν τις πρώτες στιγμές (σ.σ. της “εθνικής κυβερνήσεως”) ήταν κι οι νεαροί φίλοι της ξένης μουσικής, που νόμισαν ότι το ραδιόφωνο δεν θα φιλοξενούσε ποτέ ξανά τ’ αγαπημένα τους τραγούδια. Όμως απ’ το βράδυ κιόλας της 21ης Απριλίου αποκατεστάθη η μουσική ομαλότητα των ερτζιανών, κι ανάμεσα στις ειδήσεις που τις άκουγε με κομμένη αναπνοή η Ελλάδα, υπήρχαν και Monkees και Beatlesκαι Aznavourκαι τα πάντα. Η Εθνική κυβέρνησι υποσχέθηκε ότι θα φροντίση τη νεολαία πριν απ’ όλα…».
    Δεν χρειάζεται να το πούμε, επειδή είναι προφανές, αλλά θα το πούμε (επειδή ακούγονται διάφορα, συνεχώς, περί της δήθεν πρόδηλης «επαναστατικότητας» του ροκ). Το ροκ εκείνη την εποχή, στην Ελλάδα, ήταν κομμάτι της αντίδρασης (και μάλιστα της πιο μαύρης). Και δεν ευθυνόταν το ροκ γι’ αυτό, σώνει και καλά, αλλά εκείνοι που το διαχειρίζονταν και το χρησιμοποιούσαν για τους δικούς τους προπαγανδιστικούς σκοπούς.

    Το όλον εδώ…

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     :ovo2...

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     :ovo2...

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