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    LP-42_00401 Terciopelo azul
    02 La gran mentira
    03 Mucho tiempo
    04 Australia
    05 Voces
    06 Hey baby

     

     

     

     

    Disco cortesis de: Piwi

    En 1987, Kamenbert graba su MiniLp “Soul nights”. Producido por Servando Carballar para Discos DRO. El disco se grabó en los Estudios Musitron de Madrid y contó con la colaboración de Jose Luis Medrano (Trompeta), Tito García (Saxo) y Ricky Gil (Brighton 64) a los coros.


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    320 kbps | 121 MB | LINKS

    Laura Blackley is a singer, songwriter and purveyor of high lonesome Appalachian blues and soul. She plays ‘folk tunes with a rock n roll soundtrack’ with her band the Wildflowers.


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    LP-42_00401 Terciopelo azul
    02 La gran mentira
    03 Mucho tiempo
    04 Australia
    05 Voces
    06 Hey baby

     

     

     

     

    Disco cortesis de: Piwi

    En 1987, Kamenbert graba su MiniLp “Soul nights”. Producido por Servando Carballar para Discos DRO. El disco se grabó en los Estudios Musitron de Madrid y contó con la colaboración de Jose Luis Medrano (Trompeta), Tito García (Saxo) y Ricky Gil (Brighton 64) a los coros.



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    Folk & Rackare (Folk och rackare) Жанр : Swedish Folk, Contemporary Folk Год выпуска диска : 1981-1996 Страна : 1976 - 1986, Sweden Аудио кодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 2:21:54 Albums: 01.

    Тема на форуме



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    320 kbps | 162 MB | LINKS

    Lotte Kestner is the solo project of Seattle-based musician Anna-Lynne Williams, who spent the last decade singing in the band Trespassers William. Ethereal folk covers with a blend of acoustic and electric elements.


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    Reggae’s mad genius producer-turned-conceptual artist, Lee “Scratch” Perry–A.K.A. The Upsetter–is headed back to New York for a rare performance at S.O.B.’s on May 9. When he last appeared here in 2105, he was accompanied by a giant inflated gorilla for a stage prop. Despite his peculiarities, he is also revered as one of the most influential creators of the production technique known as dub. He worked under the wing of Coxson Dodd at Studio One, went on to produce many songs for Bob Marley and the Wailers and countless other artists, including Max Romeo, Junior Byles, the Heptones, Jah Lion, the Slickers, Prince Jazzbo, Junior Murvin, the Congos, Dr. Alimantado, Augustus Pablo and Mikey Dread. And then he gradually went stark raving nuts—or is it just an act? It is said he set his own Black Ark studio on fire one day. He’s known for covering every surface within reach with paint and incoherent scribbles; for glossolalian rants and insane outbursts. Don’t miss him live on stage!

    This issue of the magazine (then titled The Reggae & African Beat, as I had by then begun broadcasting “The African Beat” program on KCRW-FM) is historically significant. Published in 1983, it is the first color cover for the magazine, following five handmade issues published in xeroxed black and white print. It also features actual typesetting and was printed on a real newspaper press. We also began charging $1 per copy (it was previously a free handout), and offered subscriptions of six issues for $5. The cover image is a marvelous portrait of Scratch designed by illustrator and comic artist A. West.

    The cover feature is a bizarre stream-of-consciousness interview of Lee Perry captured by Doug Wendt, then-host of the reggae program, “Midnight Dread,” in San Francisco, and early Beat contributor. Accompanying sidebars in this issue include an interview with Wayne Jobson, a Jamaican reggae artist who worked with Perry in the late ‘70s on an album that was never finished, who spoke about Scratch’s many weirdnesses; an excerpt from Stephen Davis and Peter Simon’s book Reggae International; and a rudimentary discography by yours truly, who had then only begun to scratch the surface of Lee Perry’s prodigious output.

    READ OR DOWNLOAD PDF Beat2#6p17-21

    LISTEN: Afropop Worldwide Hip Deep program “Dub: The Medium Is the Message.”

    ABOUT “BEST OF THE BEAT ON AFROPOP”


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    Feature image above: Sean Ardoin and Zydekool at the Warehouse in Lafayette, performing a showcase of contemporary zydeco rock and soul. Photos by William Farrington.

    Festival International de Louisiane is an arts festival with a special emphasis on the connection between Acadiana and the Francophone world. Attracting 300,000 attendees each year, the annual event features musical performances by artists from many countries along with workshops, exhibits, visual art, theater and other forms of performance arts. The five-day free festival transforms downtown Lafayette into the festival grounds, including several stages and streets lined with stands selling arts, local dishes, and craft beers.

    The ambience, while unrivaled, isn’t what drew us back: The draw is the music, zydeco and Cajun in particular. Zydeco musician Sean Ardoin explained that “the current idiom of zydeco never leaves southwest Louisiana. The gap is filled by cover bands so they [audiences] never get the real thing.” It’s real in Lafayette, listening to Roddie Romero and the Hub City All-Stars’ funk, rhythm & blues, and Cajun standards surrounded by two-stepping Cajun dancers was like hearing the music for the first time.

    Roddie Romero and the Hub City All-Stars featuring Derek Huston on baritone sax, Eric Adcock, keyboards; Chad Viator, guitar; Gary Usie, drums; and Chris French on bass, at the Blue Moon Cafe in his hometown Lafayette LA, performing regional standards and songs from his latest Grammy-winning album Gulfstream.

    As its name suggests, Festival International invites artists accentuating linguistic and musical bonds linked to France and to the African diaspora. International artists are encouraged to sit in with local musicians at after-hours events. When Steeve Valcourt of Haiti’s Lakou Mizik walked into the Blue Moon Saloon, an after-hours festival venue, he had never heard the Lost Bayou Ramblers. But Steeve knew what he heard at that moment. It was the nago rhythm found in the contradance music of Haiti. He and his bandmates soon joined the Lost Bayou Ramblers on a stage as packed as the tiny dance floor, the drummer shifted from the contradance to a march as the band was introduced, and then segued into the rara rhythm, which followed without a pause. Lakou broke into a carnival chant punctuated by cornets. Both Michot brothers were smiling broadly as the raucous celebration ramped up, another moment that will resonate in my mind for a long time with the joy and kinship that could only be expressed through music.

    Nadine Remy of Lakou Mizik jamming with Lost Bayou Ramblers on stage at the Blue Moon Cafe in Lafayette, following their performance at Festival International.

    Lakou Mizik from Haiti ended their show with a rara parade through a ecstatic Festival International audience in Lafayette, LA. The band’s next release is live rara/electronic collaboration with London-based Nero, an electronic music trio.

    A theme running through my conversation with these artists is the intersection in their music of personal expression and family tradition. As with Andre and Louis Michot and Steeve Valcourt, Sean Ardoin inherited a family tradition of music: zydeco. Zydeco is synonymous with the Ardoin name. His father Lawrence Ardoin and grandfather Bois-Sec Ardoin were well known in the music. Bois-Sec was taught by an older cousin, Amede Ardoin, one of the earliest known zydeco musicians. The knowledge handed down generation to generation gives his voice an authority akin to a West African griot. On stage Sean Ardoin’s warmth lit up the Warehouse, and his booming voice and hard driving beat from his band ZydeKool riveted the audience–a mix of locals and music professionals taking in the LIME showcase. Most had not heard him before: He is coming off a 10-year absence from the music scene, and is focused and healthy.

    After the set he spoke with Afropop. The essence of our conversation centered around the conundrum of being a zydeco artist in the current environment. Ardoin said “That’s me, that’s who I am, nine times out of 10, if you’ve heard zydeco what you heard is not zydeco the way I do it. You either love it or hate it, either way it’s not me. I want to play for people who have never heard it so I can hit them in the face like I just finished doing.” For this reason he calls his music Creole rock and soul, so it is not confused with people’s misperceptions of zydeco.

    “Zydeco is one of the only American musics supported by the people who created it in the region it which it was created in. If we don’t get ahold of it it will go the route of rock ‘n’ roll, reggae, the blues.”…. “What I am playing is what is happening here in southwest Louisiana, my version of it.”

    Mathias Muzaza singing “Munaye,” an a cappella tribute to his deceased parents.

    Mokoomba’s high-energy set drawing on their latest release Luyando was a revelation, integrating pan-African influences fused with roots and traditional rhythms. Lead singer Mathias Muzaza stalked across the stage peering at the audience from beneath a fedora. Band members moved unison during the musical breaks of high-energy performance. Trustworth Samende’s strong guitar playing was a highlight, throwing off soukous-tinged riffs and a rock ‘n’ roll-styled solo.

    Mokoomba performing at the Festival International.

    Together for over a decade, the band hails from a town in the Victoria Falls region in the far west of Zimbabwe, bordering on Zambia and Botswana. Bassist Abundance Mutori feels that growing up in the relatively cosmopolitan region exposed bandmembers to influences that can be heard in the music. Speaking Tonga, Luvale and Nyanja, they had more in common linguistically with people in the neighboring countries than with the largely Shona population in the capital, Harare. In the music, Latin, soukous and rock are influences cited by Mutori, but the core rhythms are traditional passed on by elders. Muzaza agreed saying that the source his knowledge of the traditions comes from the rite of passage training he received during a six-month stay in the bush. When he vocalizes, he said, the spirit descends into him and expresses itself, and his voice would flip from a high clear pitch to a growl as the spirit moved him. Another highlight of the set was “Munaye,” a stunningly beautiful a cappella song with organ accompaniment. “You raised me up, I was in your hands, thank you for this precious gift” he sings, in tribute to his deceased parents, drawing on his musical origins in the church choir.

    Mokoomba’s tour continues in the Northeast U.S., dates can be found on their Facebook page.

     

     


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  • 05/07/17--16:19: Golden Age Bollywood
  • Bolly1.jpg

    On Wednesday, May 10, from 7-10 PM EDT, Bodega Pop Live on WFMU's Give the Drummer Radio spins several dozen tracks from Bollywood's Golden Age, from Naushad Ali's trailblazing Anmol Ghadi (1946) to his enduring masterpiece, Mughal-e-Azam (1960), with dips into OSTs by Anil Biswas, O.P. Nayyar, Khemchand Prakash, SD Burman, Shanker-Jaikishan, C. Ramchandra, Madan Mohan, Salil Choudhury, and more. 




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    Beggars And Thieves

    Release Date: March 9, 2010
    Label: Wiser Time Music
    Artist: Wiser Time

    It's a celebration. A coming-of-age of sorts, explains Carmen Sclafani about Wiser Time's latest release, Beggars And Thieves. It's the first album that I've done where I truly feel at ease with myself in the studio and with a band. It comes as a bit of a surprise to read when you consider just how far Sclafani has come since introducing Wiser Time to audiences in 2005, and what has taken him to places across the United States as well as abroad with often little more than a guitar slung across his shoulder. Perhaps it's that very journey that has created that sense of ease and given Beggars And Thieves a stark contrast in sound from previously recorded Wiser Time records. That sound in most cases is a stripped down, rootsy account of the places Wiser Time has been, and told in such a way that would be better suited from some back porch with a bottle of bourbon and some close friends. It's the sound of America's roots. These are stories from the road, and some deeply personal moments,says Sclafani about the nine tracks that are Beggars And Thieves. I think the songs are gonna make people feel like they're sitting right there next to me or the band in the car or motel. In some cases people were literally, right there when the album was recorded at a friend's studio in Brooklyn, NY. For three days, the band was surrounded by friends and musicians to take part in, and celebrate what has become Wiser Time. I wanted to share this with people who have supported me from the beginning and have watched it all evolve, says Sclafani. This record is really the end of a period in my life and the beginning of another, so to be able to celebrate it with so many people is something really wonderful. And celebrate they did, capturing the true spirit of rock n roll that seems to have long since disappeared in these days when so many bands seem to prefer to use technology or the isolation of home recording to create music. We wanted to be together for the whole thing and just get into the whole vibe of it,recalls Sclafani. &We were up all hours, having a great time, crashing on moving blankets and trying any idea that came to mind. So if this is in fact a new beginning of sorts for Sclafani and the band, perhaps it's only fitting that Wiser Time's latest release takes listeners back in time to the sounds of traditional American roots. Like troubadours of old and for a brief moment in time, living like beggars and thieves
    1. Love And Devotion
    2. On Our Way
    3. Take Me Back Home
    4. It's Hard Letting You Go
    5. Revolution
    6. Keep It On
    7. Whiskey And Wine
    8. Working Man's Blues
    9. Seagull

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    Redneck Souljers Discography Жанр :Country / Southern Rap Страна исполнителя (группы) : USA Год издания : 2013 - 2015 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 192 - 320kbps Продолжительность : 01:12:19 Наличие сканов в содержимом раздачи : нет 01.

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    Emerson Drive Discography Жанр : Country Страна исполнителя (группы) : Canada Год издания : 2002 - 2015 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : V1 - 320 kbps Продолжительность : 04:44:18 Наличие сканов в содержимом раздачи : нет 01.

    Тема на форуме



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    Bari Leigh • Honey And Gravel Жанр : Country/Pop/Blues Страна : USA (Nashville, TN) Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:23:22 Наличие сканов в содержимом раздачи : нет 01.

    Тема на форуме



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    http://i91.fastpic.ru/big/2017/0508/8b/aceef6d4c757c9c78adac65450d7be8b.jpg

    Release Name: VA-The_Fate_Of_The_Furious_The_Album-OST-2017-C4
    Size: 93.68 MB
    Genre: Soundtrack
    Label: Atlantic Records
    Quality: Lame 3.98.4 V0 VBR Joint-Stereo
    Time: 49:50

    The Fast and the Furious franchise manages to outdo itself with each new movie. The same could be said for its companion albums, which go just as hard. Fate of the Furious, a.k.a. Furious 8, is heavy on trap, electronic, and R&B vibes. "Gang Up," "Go Off," and "Horses" are posse cuts featuring a who's-who of 2017 rap elite: Young Thug, Lil Uzi Vert, Travis Scott, PnB Rock, Kodak Black, and many more. Turn this up in your PZEV, but remember to keep both hands on the wheel.
    Tracklist:
    01. Young Thug, 2 Chainz, Wiz Khalifa & PnB Rock – Gang Up 3:51
    02. Lil Uzi Vert, Quavo & Travis Scott – Go Off 3:37
    03. G-Eazy & Kehlani – Good Life 3:45
    04. PnB Rock, Kodak Black & A Boogie Wit Da Hoodie – Horses 4:09
    05. Migos – Seize The Block 3:59
    06. Youngboy Never Broke Again – Murder (Remix) (Feat. 21 Savage) 3:20
    07. Bassnectar – Speakerbox (FB Remix) (Feat. Ohana Bam & Lafa 3:08
    Taylor)
    08. Post Malone – Candy Paint 3:49
    09. Kevin Gates – 911 3:12
    10. Lil Yachty – Mamacita (Feat. Rico Nasty) 3:22
    11. Jeremih, Ty Dolla Sign & Sage The Gemini – Don't Get Much 4:25
    Better
    12. Pitbull & J Balvin – Hey Ma (Spanish Version) (Feat. Camila 3:14
    Cabello)
    13. Pinto "Wahin" & DJ Ricky Luna – La Habana (Feat. El Taiger) 2:44
    14. J Balvin & Pitbull – Hey Ma (Feat. Camila Cabello) 3:15
    Download link:
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    http://i46.fastpic.ru/big/2017/0508/ca/849a06b563066578e873434291c2ecca.jpg
    Release Name: Fleetwood_Mac-Tango_In_The_Night-(Remastered)-2CD-2017-C4
    Size: 173 MB
    Genre: Rock
    Label: Warner Bros. Records
    Quality: Lame 3.98.4 V0 VBR Joint-Stereo
    Time: 98:40

    Fleetwood Mac released the second-best selling record of its career in 1987 with Tango in the Night, an album that's sold more than 15 million copies worldwide. It topped the album charts in Britain, peaked at #7 in America, and scored major hits everywhere with "Big Love" and "Little Lies." After topping the U.S. charts in 1982 with Mirage, Fleetwood Mac returned five years later with Tango In The Night. It currently stands as the final studio album released by the quintet of Lindsey Buckingham, Mick Fleetwood, Christine McVie, John McVie and Stevie Nicks.Tracklist:
    Disc #1/2 – Original Album – 2017 Remaster
    01. Big Love 3:43
    02. Seven Wonders 3:42
    03. Everywhere 3:46
    04. Caroline 3:53
    05. Tango In The Night 4:02
    06. Mystified 3:09
    07. Little Lies 3:41
    08. Family Man 4:07
    09. Welcome To The Room… Sara 3:42
    10. Isn't It Midnight 4:13
    11. When I See You Again 3:49
    12. You And I, Part II 2:39
    Disc #2/2 – Demos, Alternates & B-Sides
    01. Down Endless Street 4:28
    02. Special Kind Of Love (Demo) 2:53
    03. Seven Wonders (Early Version) 4:34
    04. Tango In The Night (Demo) 4:41
    05. Mystified (Alternate Version) 3:28
    06. Book Of Miracles (Instrumental) 4:32
    07. Where We Belong (Demo) 2:53
    08. Ricky 4:26
    09. Juliet (Run-Through) 5:04
    10. Isn't It Midnight (Alternate Mix) 3:39
    11. Ooh My Love (Demo) 3:51
    12. Mystified (Instrumental Demo) 3:18
    13. You And I, Part I & II (Full Version) 6:27
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    http://i91.fastpic.ru/big/2017/0508/d9/63d1f91114d8c0c8eafd5b2b2ecfaed9.jpg

    Release Name:Pond – The Weather Tunes Plus AAC M4A
    Size: 84.43 MB
    Genres: Alternative, Music
    Label: 2017 Pond Band

    Tracklist:
    1. 30000 Megatons
    2. Sweep Me Off My Feet
    3. Paint Me Silver
    4. Colder Than Ice
    5. Edge of the World, Pt. 1
    6. A/B
    7. Zen Automation
    8. All I Want For Xmas (Is a Tascam 388)
    9. Edge of the World, Pt. 2
    10. The Weather
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  • 05/07/17--22:48: Feist-Pleasure-2017-C4
  • http://i91.fastpic.ru/big/2017/0508/ab/4443f5ec15dc426f8cb7e43f887a99ab.jpg
    Release Name: Feist-Pleasure-2017-C4
    Size: 86.53 MB
    Genre: Alternative
    Label: Universal Music Canada
    Quality: Lame 3.98.4 V0 VBR Joint-Stereo
    Time: 53:28

    Six years after her last album Metals, the four-time Grammy nominee and eleven-time Juno award winner returns with a new album called Pleasure out on April 28th.Tracklist:
    01. Pleasure 4:45
    02. I Wish I Didn't Miss You 4:18
    03. Get Not High, Get Not Low 4:57
    04. Lost Dreams 5:18
    05. Any Party 5:22
    06. A Man Is Not His Song 4:41
    07. The Wind 4:35
    08. Century 5:53
    09. Baby Be Simple 6:21
    10. I Am Not Running Away 3:24
    11. Young Up 3:54
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    http://i47.fastpic.ru/big/2017/0508/e3/e56cba80e0c2af4ec58286b9f5c0a3e3.jpg

    Release Name:Russ – There's Really A Wolf Tunes Plus AAC M4A
    Size: 130 MB
    Genres: Hip-Hop/Rap, Music
    Label: 2016, 2017 Russ My Way Inc.

    Tracklist:
    1. I'm Here
    2. The Stakeout
    3. Act Now
    4. Cherry Hill
    5. Me You
    6. Ride Slow
    7. Don't Lie
    8. Do It Myself
    9. I Wanna Go Down With You
    10. Family & Friends
    11. What They Want
    12. Got This
    13. No Turning Back
    14. Losin Control
    15. Scared
    16. Back To You
    17. One More Shot
    18. Emergency
    19. Pull The Trigger
    20. MVP
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  • 05/07/17--22:48: Wale-Shine-2017-C4
  • http://i89.fastpic.ru/big/2017/0508/ed/43c1144ddcc1d300e048809f7e7060ed.jpg
    The Grammy-nominated rapper's new collection features collaborations with features from Travis Scott, Lil Wayne, Chris Brown, Major Lazer, G-Eazy, J Balvin and even Wale's daughter Zyla, to name a few.
    Release Name: Wale-Shine-2017-C4
    Size: 101.61 MB
    Genre: Rap
    Label: Atlantic Records
    Quality: Lame 3.98.4 V0 VBR Joint-Stereo
    Time: 55:20

    Tracklist:
    01. Thank God 3:10
    02. Running Back (Feat. Lil Wayne) 3:35
    03. Scarface Rozay Gotti 5:02
    04. My Love (Feat. Major Lazer, Wizkid & Dua Lipa) 3:48
    05. Fashion Week (Feat. G-Eazy) 3:57
    06. Colombia Heights (Te Llamo) (Feat. J Balvin) 3:47
    07. CC White 4:14
    08. Mathematics 4:02
    09. Fish N Grits (Feat. Travis Scott) 2:57
    10. Fine Girl (Feat. Davido & Olamide) 4:35
    11. Heaven On Earth (Feat. Chris Brown) 3:47
    12. My PYT 3:56
    13. DNA 3:44
    14. Smile (Feat. Phil Ade & Zyla Moon) 4:46
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    http://i47.fastpic.ru/big/2017/0508/7d/3e7a72b0e47ef2ff07c55f48ba4a5b7d.jpg

    Tracklist:
    01. Best You Ever 3:39
    02. You're Good 3:10
    03. Fault Line 3:55
    04. Heartbreak Now 4:12
    05. Hopeless Romantic 3:30
    06. Living A Lie 3:34
    07. Knock Yourself Out 4:04
    08. Temporary Feeling 3:34
    09. Carry Me Home 3:26
    10. Not A Love Song 3:30
    11. Last Night 3:41
    12. Bad Side 3:57
    13. Shadow 3:34
    14. City 4:35
    Release Name: Michelle_Branch-Hopeless_Romantic-2017-C4
    Size: 94.82 MB
    Genre: Alternative
    Label: Verve Records
    Quality: Lame 3.98.4 V0 VBR Joint-Stereo
    Time: 52:21

    Hopeless Romantic marks Branch's first solo album since Grammy nominated Hotel Paper (certified Platinum). Produced by Patrick Carney (The Black Keys) and Gus Seyffert (Beck, Norah Jones, SIA), Hopeless Romantic weaves a tale of love-lost and found.
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    http://i46.fastpic.ru/big/2017/0508/78/4d508d104deeb043b883947a94eb7f78.jpg

    Release Name:Patti LaBelle – Bel Hommage (2017)
    Size: 122 MB
    Genres: R&B, Soul
    Label: N/A

    Tracklist:
    1. The Jazz in You (03:59)
    2. Wild Is the Wind (05:24)
    3. Moanin (02:44)
    4. Till I Get It Right (03:20)
    5. Moody's Mood (feat. Kem) (03:05)
    6. Softly as I Leave You (03:44)
    7. Peel Me a Grape (02:48)
    8. Don't Explain (04:44)
    9. I Can Cook (03:44)
    10. Folks on the Hill (03:42)
    11. Go to Hell (03:34)
    12. Song for Old Lovers (05:54)
    13. Here's to Life (05:23)
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