01 Terciopelo azul
02 La gran mentira
03 Mucho tiempo
04 Australia
05 Voces
06 Hey baby
Disco cortesis de: Piwi
En 1987, Kamenbert graba su MiniLp “Soul nights”. Producido por Servando Carballar para Discos DRO. El disco se grabó en los Estudios Musitron de Madrid y contó con la colaboración de Jose Luis Medrano (Trompeta), Tito García (Saxo) y Ricky Gil (Brighton 64) a los coros.
320 kbps | 121 MB | LINKS
Laura Blackley is a singer, songwriter and purveyor of high lonesome Appalachian blues and soul. She plays ‘folk tunes with a rock n roll soundtrack’ with her band the Wildflowers.
01 Terciopelo azul
02 La gran mentira
03 Mucho tiempo
04 Australia
05 Voces
06 Hey baby
Disco cortesis de: Piwi
En 1987, Kamenbert graba su MiniLp “Soul nights”. Producido por Servando Carballar para Discos DRO. El disco se grabó en los Estudios Musitron de Madrid y contó con la colaboración de Jose Luis Medrano (Trompeta), Tito García (Saxo) y Ricky Gil (Brighton 64) a los coros.
320 kbps | 162 MB | LINKS
Lotte Kestner is the solo project of Seattle-based musician Anna-Lynne Williams, who spent the last decade singing in the band Trespassers William. Ethereal folk covers with a blend of acoustic and electric elements.
Reggae’s mad genius producer-turned-conceptual artist, Lee “Scratch” Perry–A.K.A. The Upsetter–is headed back to New York for a rare performance at S.O.B.’s on May 9. When he last appeared here in 2105, he was accompanied by a giant inflated gorilla for a stage prop. Despite his peculiarities, he is also revered as one of the most influential creators of the production technique known as dub. He worked under the wing of Coxson Dodd at Studio One, went on to produce many songs for Bob Marley and the Wailers and countless other artists, including Max Romeo, Junior Byles, the Heptones, Jah Lion, the Slickers, Prince Jazzbo, Junior Murvin, the Congos, Dr. Alimantado, Augustus Pablo and Mikey Dread. And then he gradually went stark raving nuts—or is it just an act? It is said he set his own Black Ark studio on fire one day. He’s known for covering every surface within reach with paint and incoherent scribbles; for glossolalian rants and insane outbursts. Don’t miss him live on stage!
This issue of the magazine (then titled The Reggae & African Beat, as I had by then begun broadcasting “The African Beat” program on KCRW-FM) is historically significant. Published in 1983, it is the first color cover for the magazine, following five handmade issues published in xeroxed black and white print. It also features actual typesetting and was printed on a real newspaper press. We also began charging $1 per copy (it was previously a free handout), and offered subscriptions of six issues for $5. The cover image is a marvelous portrait of Scratch designed by illustrator and comic artist A. West.
The cover feature is a bizarre stream-of-consciousness interview of Lee Perry captured by Doug Wendt, then-host of the reggae program, “Midnight Dread,” in San Francisco, and early Beat contributor. Accompanying sidebars in this issue include an interview with Wayne Jobson, a Jamaican reggae artist who worked with Perry in the late ‘70s on an album that was never finished, who spoke about Scratch’s many weirdnesses; an excerpt from Stephen Davis and Peter Simon’s book Reggae International; and a rudimentary discography by yours truly, who had then only begun to scratch the surface of Lee Perry’s prodigious output.
READ OR DOWNLOAD PDF Beat2#6p17-21
LISTEN: Afropop Worldwide Hip Deep program “Dub: The Medium Is the Message.”
Feature image above: Sean Ardoin and Zydekool at the Warehouse in Lafayette, performing a showcase of contemporary zydeco rock and soul. Photos by William Farrington.
Festival International de Louisiane is an arts festival with a special emphasis on the connection between Acadiana and the Francophone world. Attracting 300,000 attendees each year, the annual event features musical performances by artists from many countries along with workshops, exhibits, visual art, theater and other forms of performance arts. The five-day free festival transforms downtown Lafayette into the festival grounds, including several stages and streets lined with stands selling arts, local dishes, and craft beers.
The ambience, while unrivaled, isn’t what drew us back: The draw is the music, zydeco and Cajun in particular. Zydeco musician Sean Ardoin explained that “the current idiom of zydeco never leaves southwest Louisiana. The gap is filled by cover bands so they [audiences] never get the real thing.” It’s real in Lafayette, listening to Roddie Romero and the Hub City All-Stars’ funk, rhythm & blues, and Cajun standards surrounded by two-stepping Cajun dancers was like hearing the music for the first time.
Roddie Romero and the Hub City All-Stars featuring Derek Huston on baritone sax, Eric Adcock, keyboards; Chad Viator, guitar; Gary Usie, drums; and Chris French on bass, at the Blue Moon Cafe in his hometown Lafayette LA, performing regional standards and songs from his latest Grammy-winning album Gulfstream.
As its name suggests, Festival International invites artists accentuating linguistic and musical bonds linked to France and to the African diaspora. International artists are encouraged to sit in with local musicians at after-hours events. When Steeve Valcourt of Haiti’s Lakou Mizik walked into the Blue Moon Saloon, an after-hours festival venue, he had never heard the Lost Bayou Ramblers. But Steeve knew what he heard at that moment. It was the nago rhythm found in the contradance music of Haiti. He and his bandmates soon joined the Lost Bayou Ramblers on a stage as packed as the tiny dance floor, the drummer shifted from the contradance to a march as the band was introduced, and then segued into the rara rhythm, which followed without a pause. Lakou broke into a carnival chant punctuated by cornets. Both Michot brothers were smiling broadly as the raucous celebration ramped up, another moment that will resonate in my mind for a long time with the joy and kinship that could only be expressed through music.
Nadine Remy of Lakou Mizik jamming with Lost Bayou Ramblers on stage at the Blue Moon Cafe in Lafayette, following their performance at Festival International.
Lakou Mizik from Haiti ended their show with a rara parade through a ecstatic Festival International audience in Lafayette, LA. The band’s next release is live rara/electronic collaboration with London-based Nero, an electronic music trio.
A theme running through my conversation with these artists is the intersection in their music of personal expression and family tradition. As with Andre and Louis Michot and Steeve Valcourt, Sean Ardoin inherited a family tradition of music: zydeco. Zydeco is synonymous with the Ardoin name. His father Lawrence Ardoin and grandfather Bois-Sec Ardoin were well known in the music. Bois-Sec was taught by an older cousin, Amede Ardoin, one of the earliest known zydeco musicians. The knowledge handed down generation to generation gives his voice an authority akin to a West African griot. On stage Sean Ardoin’s warmth lit up the Warehouse, and his booming voice and hard driving beat from his band ZydeKool riveted the audience–a mix of locals and music professionals taking in the LIME showcase. Most had not heard him before: He is coming off a 10-year absence from the music scene, and is focused and healthy.
After the set he spoke with Afropop. The essence of our conversation centered around the conundrum of being a zydeco artist in the current environment. Ardoin said “That’s me, that’s who I am, nine times out of 10, if you’ve heard zydeco what you heard is not zydeco the way I do it. You either love it or hate it, either way it’s not me. I want to play for people who have never heard it so I can hit them in the face like I just finished doing.” For this reason he calls his music Creole rock and soul, so it is not confused with people’s misperceptions of zydeco.
“Zydeco is one of the only American musics supported by the people who created it in the region it which it was created in. If we don’t get ahold of it it will go the route of rock ‘n’ roll, reggae, the blues.”…. “What I am playing is what is happening here in southwest Louisiana, my version of it.”
Mathias Muzaza singing “Munaye,” an a cappella tribute to his deceased parents.
Mokoomba’s high-energy set drawing on their latest release Luyando was a revelation, integrating pan-African influences fused with roots and traditional rhythms. Lead singer Mathias Muzaza stalked across the stage peering at the audience from beneath a fedora. Band members moved unison during the musical breaks of high-energy performance. Trustworth Samende’s strong guitar playing was a highlight, throwing off soukous-tinged riffs and a rock ‘n’ roll-styled solo.
Mokoomba performing at the Festival International.
Together for over a decade, the band hails from a town in the Victoria Falls region in the far west of Zimbabwe, bordering on Zambia and Botswana. Bassist Abundance Mutori feels that growing up in the relatively cosmopolitan region exposed bandmembers to influences that can be heard in the music. Speaking Tonga, Luvale and Nyanja, they had more in common linguistically with people in the neighboring countries than with the largely Shona population in the capital, Harare. In the music, Latin, soukous and rock are influences cited by Mutori, but the core rhythms are traditional passed on by elders. Muzaza agreed saying that the source his knowledge of the traditions comes from the rite of passage training he received during a six-month stay in the bush. When he vocalizes, he said, the spirit descends into him and expresses itself, and his voice would flip from a high clear pitch to a growl as the spirit moved him. Another highlight of the set was “Munaye,” a stunningly beautiful a cappella song with organ accompaniment. “You raised me up, I was in your hands, thank you for this precious gift” he sings, in tribute to his deceased parents, drawing on his musical origins in the church choir.
Mokoomba’s tour continues in the Northeast U.S., dates can be found on their Facebook page.
Release Date: March 9, 2010
Label: Wiser Time Music
Artist: Wiser Time
Release Name: VA-The_Fate_Of_The_Furious_The_Album-OST-2017-C4
Size: 93.68 MB
Genre: Soundtrack
Label: Atlantic Records
Quality: Lame 3.98.4 V0 VBR Joint-Stereo
Time: 49:50
The Fast and the Furious franchise manages to outdo itself with each new movie. The same could be said for its companion albums, which go just as hard. Fate of the Furious, a.k.a. Furious 8, is heavy on trap, electronic, and R&B vibes. "Gang Up," "Go Off," and "Horses" are posse cuts featuring a who's-who of 2017 rap elite: Young Thug, Lil Uzi Vert, Travis Scott, PnB Rock, Kodak Black, and many more. Turn this up in your PZEV, but remember to keep both hands on the wheel.
Tracklist:
01. Young Thug, 2 Chainz, Wiz Khalifa & PnB Rock – Gang Up 3:51
02. Lil Uzi Vert, Quavo & Travis Scott – Go Off 3:37
03. G-Eazy & Kehlani – Good Life 3:45
04. PnB Rock, Kodak Black & A Boogie Wit Da Hoodie – Horses 4:09
05. Migos – Seize The Block 3:59
06. Youngboy Never Broke Again – Murder (Remix) (Feat. 21 Savage) 3:20
07. Bassnectar – Speakerbox (FB Remix) (Feat. Ohana Bam & Lafa 3:08
Taylor)
08. Post Malone – Candy Paint 3:49
09. Kevin Gates – 911 3:12
10. Lil Yachty – Mamacita (Feat. Rico Nasty) 3:22
11. Jeremih, Ty Dolla Sign & Sage The Gemini – Don't Get Much 4:25
Better
12. Pitbull & J Balvin – Hey Ma (Spanish Version) (Feat. Camila 3:14
Cabello)
13. Pinto "Wahin" & DJ Ricky Luna – La Habana (Feat. El Taiger) 2:44
14. J Balvin & Pitbull – Hey Ma (Feat. Camila Cabello) 3:15
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Fleetwood Mac released the second-best selling record of its career in 1987 with Tango in the Night, an album that's sold more than 15 million copies worldwide. It topped the album charts in Britain, peaked at #7 in America, and scored major hits everywhere with "Big Love" and "Little Lies." After topping the U.S. charts in 1982 with Mirage, Fleetwood Mac returned five years later with Tango In The Night. It currently stands as the final studio album released by the quintet of Lindsey Buckingham, Mick Fleetwood, Christine McVie, John McVie and Stevie Nicks.Tracklist:
Disc #1/2 – Original Album – 2017 Remaster
01. Big Love 3:43
02. Seven Wonders 3:42
03. Everywhere 3:46
04. Caroline 3:53
05. Tango In The Night 4:02
06. Mystified 3:09
07. Little Lies 3:41
08. Family Man 4:07
09. Welcome To The Room… Sara 3:42
10. Isn't It Midnight 4:13
11. When I See You Again 3:49
12. You And I, Part II 2:39
Disc #2/2 – Demos, Alternates & B-Sides
01. Down Endless Street 4:28
02. Special Kind Of Love (Demo) 2:53
03. Seven Wonders (Early Version) 4:34
04. Tango In The Night (Demo) 4:41
05. Mystified (Alternate Version) 3:28
06. Book Of Miracles (Instrumental) 4:32
07. Where We Belong (Demo) 2:53
08. Ricky 4:26
09. Juliet (Run-Through) 5:04
10. Isn't It Midnight (Alternate Mix) 3:39
11. Ooh My Love (Demo) 3:51
12. Mystified (Instrumental Demo) 3:18
13. You And I, Part I & II (Full Version) 6:27
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Release Name:Pond – The Weather Tunes Plus AAC M4A
Size: 84.43 MB
Genres: Alternative, Music
Label: 2017 Pond Band
Tracklist:
1. 30000 Megatons
2. Sweep Me Off My Feet
3. Paint Me Silver
4. Colder Than Ice
5. Edge of the World, Pt. 1
6. A/B
7. Zen Automation
8. All I Want For Xmas (Is a Tascam 388)
9. Edge of the World, Pt. 2
10. The Weather
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Six years after her last album Metals, the four-time Grammy nominee and eleven-time Juno award winner returns with a new album called Pleasure out on April 28th.Tracklist:
01. Pleasure 4:45
02. I Wish I Didn't Miss You 4:18
03. Get Not High, Get Not Low 4:57
04. Lost Dreams 5:18
05. Any Party 5:22
06. A Man Is Not His Song 4:41
07. The Wind 4:35
08. Century 5:53
09. Baby Be Simple 6:21
10. I Am Not Running Away 3:24
11. Young Up 3:54
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Release Name:Russ – There's Really A Wolf Tunes Plus AAC M4A
Size: 130 MB
Genres: Hip-Hop/Rap, Music
Label: 2016, 2017 Russ My Way Inc.
Tracklist:
1. I'm Here
2. The Stakeout
3. Act Now
4. Cherry Hill
5. Me You
6. Ride Slow
7. Don't Lie
8. Do It Myself
9. I Wanna Go Down With You
10. Family & Friends
11. What They Want
12. Got This
13. No Turning Back
14. Losin Control
15. Scared
16. Back To You
17. One More Shot
18. Emergency
19. Pull The Trigger
20. MVP
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Tracklist:
01. Thank God 3:10
02. Running Back (Feat. Lil Wayne) 3:35
03. Scarface Rozay Gotti 5:02
04. My Love (Feat. Major Lazer, Wizkid & Dua Lipa) 3:48
05. Fashion Week (Feat. G-Eazy) 3:57
06. Colombia Heights (Te Llamo) (Feat. J Balvin) 3:47
07. CC White 4:14
08. Mathematics 4:02
09. Fish N Grits (Feat. Travis Scott) 2:57
10. Fine Girl (Feat. Davido & Olamide) 4:35
11. Heaven On Earth (Feat. Chris Brown) 3:47
12. My PYT 3:56
13. DNA 3:44
14. Smile (Feat. Phil Ade & Zyla Moon) 4:46
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The post Wale-Shine-2017-C4 appeared first on MusDL.
Tracklist:
01. Best You Ever 3:39
02. You're Good 3:10
03. Fault Line 3:55
04. Heartbreak Now 4:12
05. Hopeless Romantic 3:30
06. Living A Lie 3:34
07. Knock Yourself Out 4:04
08. Temporary Feeling 3:34
09. Carry Me Home 3:26
10. Not A Love Song 3:30
11. Last Night 3:41
12. Bad Side 3:57
13. Shadow 3:34
14. City 4:35
Release Name: Michelle_Branch-Hopeless_Romantic-2017-C4
Size: 94.82 MB
Genre: Alternative
Label: Verve Records
Quality: Lame 3.98.4 V0 VBR Joint-Stereo
Time: 52:21
Hopeless Romantic marks Branch's first solo album since Grammy nominated Hotel Paper (certified Platinum). Produced by Patrick Carney (The Black Keys) and Gus Seyffert (Beck, Norah Jones, SIA), Hopeless Romantic weaves a tale of love-lost and found.
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Release Name:Patti LaBelle – Bel Hommage (2017)
Size: 122 MB
Genres: R&B, Soul
Label: N/A
Tracklist:
1. The Jazz in You (03:59)
2. Wild Is the Wind (05:24)
3. Moanin (02:44)
4. Till I Get It Right (03:20)
5. Moody's Mood (feat. Kem) (03:05)
6. Softly as I Leave You (03:44)
7. Peel Me a Grape (02:48)
8. Don't Explain (04:44)
9. I Can Cook (03:44)
10. Folks on the Hill (03:42)
11. Go to Hell (03:34)
12. Song for Old Lovers (05:54)
13. Here's to Life (05:23)
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