Tracklist
01. Vanishing (4:14)
02. When Love Takes Over (3:30)
03. His Eye On The Sparrow (4:44)
04. I'll Be There (4:10)
05. Irreplaceable (3:53)
06. Wild (3:16)
07. I Have Nothing (4:15)
08. I Won't Give Up (4:08)
09. Stop and Stare (3:46)
10. Rather Be (3:52)
11. Free Fallin' (4:01)
Download link:
filejoker_net:
https://filejoker.net/jxsr06skskua/q72x0.A.N.A.N.2014.FLAC.tut2u.rar
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The post Anja Nissen – Anja Nissen (2014) (FLAC) appeared first on MusDL.
Tracklist
1.In The Gloom
2.Seven Years In The Past
3.The Fighter
4.On The Run
5.Eternal War
6.Never Die
7.Battledrums
8.Hades Of Steel
9.Indian Lady
10.The Seventh Year Of The Past
Download link:
filejoker_net:
https://filejoker.net/tse3m7f1sj39/1788m.A.S.Y.I.T.P.1993.FLAC.tut2u.rar
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The post Attack – Seven Years In The Past (1993) (FLAC) appeared first on MusDL.
Tracklist
1 Leon Takes Us Outside
2 Outside
3 The Hearts Filthy Lesson
4 A Small Description of Land
5 Segue – Baby Grace (A Horrid Cassette)
6 Hallo Spaceboy
7 The Motel
8 I Have Not Been to Oxford Town
9 No Control
10 Segue – Algeria Touchshriek
11 The Voyeur of Utter Destruction (As Beauty)
12 Segue – Ramona A. Stone/I Am with Name
13 Wishful Beginnings
14 We Prick You
15 Segue – Nathan Adler
16 I'm Deranged
17 Thru' These Architects Eyes
18 Segue – Nathan Adler
19 Strangers When We Meet
Download link:
filejoker_net:
https://filejoker.net/81sw10ott793/a2k9o.D.B.1.O.1995.FLAC.tut2u.part1.rar
https://filejoker.net/v3pxi5ulsfc9/a2k9o.D.B.1.O.1995.FLAC.tut2u.part2.rar
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The post David Bowie – 1. Outside (1995) (FLAC) appeared first on MusDL.
Tracklist
01. Danger In The Air (04:11)
02. The Dragon From The Hill (05:20)
03. Sunday Morning (03:20)
04. Lonesome Rock'n'Roller (02:44)
05. Stoneway No. 3 (04:04)
06. The Parade (03:08)
07. The Trees (03:36)
08. When The Demon Flies (03:21)
09. Danger In The Air (Later Version) (04:15)
10. Sunday Morning (Later Version) (04:30)
11. Watchtower Visions (02:48)
Download link:
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https://filejoker.net/dvrq5e9pwism/0nm2i.A.D.I.T.A.2000.FLAC.tut2u.part1.rar
https://filejoker.net/j9kvll26pbhk/0nm2i.A.D.I.T.A.2000.FLAC.tut2u.part2.rar
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The post Attack – Danger In The Air (2000) (FLAC) appeared first on MusDL.
Tracklist:
1. Roy White – Stare 5:14
2. Sonorous Dreams – Orient Chill 5:29
3. Lazy Hammock – Rise With You (Gabor Deutsch Broken Guitar Mix) 6:51
4. Deep From Street – Shoes 4:30
5. Counterweight – It's Worth A Try 4:13
6. Miklos Vajda – Kräutermann (Koffe Mit Eric Fischer Remix) 8:45
7. Javier Zugara – Crazy Time 5:36
8. MoShang – Stone Bell 4:21
9. Marabou – In Your Shoes 4:22
10. Chill Boy – Big Lake 4:23
11. Gordon Lyu – Round Around 6:29
12. Desert sign – Hidden Way 4:09
13. Drops Of Chocolate – Manos Al Aire 4:29
14. Save As – Let The Music Play 5:30
15. Bruno Costa – Garota Dos Meus Sonhos 5:46
16. Michiko – No Place Like Home 4:03
17. Adam Byrd – After Sunset (Christos Fourkis Somewhere Else Remix) 5:36
18. Lo Tide, Michael Hal – Never Coming Back (feat. Michelle Lokey) 4:00
Download link:
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Tracklist
1. Heroes
2. Star
3. Stranded
4. Revenge
5. The Other Side
6. Heaven Knows
7. Carmen
8. If You Wanna Be Loved
9. How Can I Live Without You
10. Examine
11. Lady Luck
12. Black Day
13. No Excuse
Download link:
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https://filejoker.net/r0ks5x9qpn8m/xxa2v.C.H.J.E.1999.APE.tut2u.part1.rar
https://filejoker.net/1vaxx83ab0w8/xxa2v.C.H.J.E.1999.APE.tut2u.part2.rar
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The post Casanova – Heroes (Japanese Edition) (1999) (APE) appeared first on MusDL.
One worries about The Avett Brothers. If half of the tales the North Carolina trio of brothers–Scott and Seth Avett and Bob Crawford–have spun since their 2002 debut are true, their lives hitherto have been highly debauched, temporarily delightful and regularly depressed soap operas lined with episodic accounts of feminine paramours worth loving and leaving instantly, all across the world. Let’s recount: There’s been “The New Love Song” (repeat daily; say it with conviction), there have been girls named Jenny and Melody Anne (wave goodbye), and girls from Matthews, Locust, Annapolis, Raleigh and Cedar Lane (traveling songs equal love songs). Finally, they’ve stopped brushing their shoulders off.
Even if half of the diary-like entries about the frustrations of love that line the Avetts discography aren’t true, they still manage to render some of the most convincing and compelling evidence today that life and all of its laymen requisites–love, lust, separation, sex, death, damnation and (if you’re a lucky dog) redemption–are one enduring trial by fire. The proof has never sounded as good as it does on their fourth studio album, Four Thieves Gone: The Robbinsville Sessions.
Hitherto, some complained it was simplistic, condescending music, that the Avetts shouted every word because they had little to say. Others griped that the band only sang about girls, getting some and going away. Early fans, however, worried that, if the trio’s sound evolved to meet those two critiques, it would come at the peril of the band’s signature sound: frenetic, raucous punk-rock ballads spewed, spat and steaming from three mouths, an acoustic guitar, a banjo, an upright bass and foot-stomp percussion. Four Thieves Gone triumphs because it is a non-compromise panacea for virtually all of those critics.
The case in point here is “Pretend Love,” a pristine ballad that stays true to their instrumental creed, as an acoustic guitar leads a tale of Scott rescinding on his earlier implied vows of love: “Don’t you know, I’ve a gift and I’ve wrapped it in truth?/ But the gift’s not for you.” It’s delicate, two-part, doo-wop oohs cooing in the background, painfully augmenting an irony as the narrator lets her down hard. Electric guitars and a violin slink and moan in the background. It’s written to foreshadow the fall, and the collapse is delivered perfectly.
Here, the Avetts strengthen their songwriting, making good on things that once were only superfluous thoughts in their work: “Sixteen in July” finds the newly licensed teenager burning on freedom; “A Girl from Feltre,” “Distraction #74” and “The Lowering” register with alternate or simultaneous nostalgia and regret; “40 East,” “Matrimony” and “November Blue Denounced” find contentment in giving up transient crushes for real love (Scott is married, Bob is engaged). The Avetts no longer write like simpletons looking for quick laughs at their old baggage; characters and sense of self are now highly evolved. There’s pathos, not just stories and jokes. The Avett Brothers now seem capable of singing about armchair self-analysis and making it resonate.
For the mantra of a band with a chance to be a phenomenon, see what should be your, my and their anthem, “Color Show,” a life-affirming, piano-and-guitar stomper that encapsulates the confidence and self-awareness with which they now approach their work: “First a whisper, then it grows.”
