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older | 1 | .... | 733 | 734 | (Page 735) | 736 | 737 | .... | 2481 | newer

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    320 kbps | 286 MB | LINKS

    If James Taylor epitomized the definition and the original, late-’60s incarnation of the term singer/songwriter, Dan Fogelberg exemplified the late-’70s equivalent of that term at its most highly developed and successful, with a string of platinum-selling albums and singles into the early ’80s and a long career afterward, interrupted only by a health crisis that led to his untimely death in 2007. He came out of a musical family, born Daniel Grayling Fogelberg on August 13, 1951, in Peoria, IL, where his father was an established musician, teacher, and bandleader. His first instrument was the piano, which he took to well enough, and music mattered to him more than the sports that were the preoccupation of most of the boys around him. At age ten, he was saving and listening to any old records he could find. And if there’s a “God-shaped space” in everyone, Fogelberg’s was filled with music, something his family might’ve guessed if they’d seen how much he loved the music in church but was bored by the sermons. His other great passions were drawing and painting. His personal musical turning point came in the early ’60s, before he’d reached his teens. A gift of an old Hawaiian guitar from his grandfather introduced him to the instrument that would soon supplant the piano, and at age 12, he heard the Beatles for the first time, which not only led him to a revelation about how electric guitars could sound, but also made him notice for the first time the act of songwriting as something central to what musicians did. It was also at that point that he began picking up on the music of Carl Perkins, Chuck Berry, Little Richard, and Buddy Holly, all of whom were, of course, in the Beatles’ repertory.

    CD1
    1. Nether Lands (Live) (5:47)
    2. Once Upon A Time (Live) (4:30)
    3. Stars (Live) (4:11)
    4. Crow (Live) (5:27)
    5. Old Tennessee (Live) (3:56)
    6. Song From Half Mountain (Live) (3:30)
    7. (Someone’s Been) Telling You Stories [Live] (6:05)
    8. To The Morning (Live) (6:55)
    9. Paris Nocturne (Live) (6:30)
    10. Sketches Summer (Live) (1:46)
    11. Sketches Winter (Live) (3:48)

    CD2
    1. Next Time (Live) (5:05)
    2. Manha De Carnival (Live) (5:03)
    3. Guitar Etude #3 (Live) (5:01)
    4. Plastered In Paris (Live) (3:26)
    5. The Chauvinist Song (Live) (2:45)
    6. Full Moon Mansion (Live) (6:31)
    7. Beggars Game (Live) (6:05)
    8. Same Old Lang Syne (Live) (6:06)
    9. All Night Long (Live) (1:23)
    10. Morning Sky (Live) (3:09)
    11. Souvenirs (Live) (5:00)
    12. Illinois (Live) (5:13)
    13. Part Of The Plan (Live) (4:41)
    14. There’s A Place In The World For A Gambler (Live) (8:24)
    15. Along The Road (Live) (4:34)


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  • 05/12/17--08:33: Crystal Sloan 1952-2017
  • The Afropop family has lost a longtime behind-the-scenes player. Back in the mid-’80s in Boston, Crystal Sloan taught me how to present myself as a software technical writer, though I had had no experience with computers prior to that. The money I earned funded my first trips to Africa. And when I transitioned to working mainly with Afropop Worldwide, Crystal advised us on key decisions through four generations of our website, afropop.org.

    A star student at MIT in the ’70s, having worked on the software for the space shuttle, and moving on to an illustrious career as a software developer and consultant, Crystal always kept on top of rapid changes in technology. This remained true even after health issues forced her to move to a remote, rural location in Tennessee, away from all sources of air pollution.

    As a software/Web advisor, Crystal was meticulous, detail-oriented and cautious to a fault. We did not always heed her advice, and sometimes regretted it. But mostly, we did listen and were the better off for it. We were very sorry to hear of her passing on May 8. We will miss her laughter and humor, her stern warnings and her guiding wisdom.

     


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  • 05/12/17--08:33: Osas–It’s Time
  • Alhousseini Anivolla first came to us with the Niger-based Tuareg guitar band Etran Finatawa. This, his second solo album, was recorded in North Wales with producer/bass player Colin Bass, a veteran of many fine global music projects over the years. Bass guitar aside, Anivolla plays and sings everything here, creating the illusion of a finely tuned, highly disciplined combo. The result is elegant blends of acoustic and electric guitars, often three at once, hand percussion and Anivolla’s deep, grainy voice commanding center stage, mostly alone, with hypnotic, chant-like melodies.

    The sparseness of the soundscape creates a sense of ease and levity, but the subjects Anivolla sings about are profound. Preoccupation with the Tuareg people’s woes, especially since the messy rebellion of 2012-13 in northern Mali, is ever present. The CD notes observe that 400,000 people remain in refugee camps in the aftermath of that still simmering conflict. But these are not political songs. They call for something at once deeper and more practical than “independence.” The recurring theme is that people have forgotten or lost their identity and culture, and need to unify to overcome divisive quarrels. These are themes you might hear from any number of other Tuareg bands—Tinariwen, Tamikrest, Terakaft—but the difference here is that the perspective feels personal. These are ruminations, not of a clan or a band, but of one person, a wanderer, a nomad, a “walking man,” as Anivolla titled his first solo album.

    Rarely have such weighty expressions of desperation, frustration and anger felt so gentle. The opener “Tamejaradetin” plays as ambling acoustic guitar folk, with a plea that people “speak the truth…honest as the morning light.” Picking up the pace and thickening the sound with clean electric guitar melodies, “Chet Azawad” namechecks the desert region that was briefly the name of an independent territory in northern Mali. But the words here don’t express an aspiration to reclaim Azawad as a nation, rather the pain and confusion that prevails in its place today. “Osas (It’s Time)” rolls in 12/8 time and a minor key with Anivolla almost speaking as he calls for peace and “laws to protect us.”

    There are wistful notes of regret and reflection as in the slow, meditative “Idinite,” which questions whether “we” might have “ourselves to blame for what we are experiencing.” The energetic closer “Toumast Enkere,” with its tinde drum and calabash drive and its long concluding guitar jam, goes further with a scold to people who are “gullible” and “blind,” allowing themselves to be lured into conflict and division.

    Recording without a band from the remove of a studio in the U.K., Anivolla might risk too much distance from his subject. But solitude seems to focus him. After all, separation is the central fact of nomadism. In the end, this album succeeds because the artist has such a deep need to say what’s on his mind, and knows exactly how to do it, without any need of artifice or reinvention.


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    320 kbps | 102 MB | LINKS

    The highest-selling Canadian country band in history, The Road Hammers, are gearing up to release a brand-new record, The Squeeze.The new album is a collection of tracks that epitomize what the band has become known for – a truly synergistic blend of classic rock meets country, with a contemporary twist.

    The Road Hammers (comprised of Jason McCoy, Clayton Bellamy, and Chris Byrne) collaborated to write many of the tracks on The Squeeze, which is a unique set of foot-stomping tracks one can’t help but dance to, evocative of the south. From the heart-warming sentiment behind the lead single, “Crazy About You”, which is about continuing to fall in love with long time partners as the years go on, inspired by McCoy’s own marriage; to “The Squeeze”, an up-tempo song co-written with Nashville writer Andrew Petroff and Chris Byrne about ensuring love is good to the last drop – it’s clear that passion for music and love are central themes to the album.

    Co-produced by Gavin Brown (Metric, Tragically Hip and Barenaked Ladies), Scott Baggett (Alison Krauss, Buddy Guy, Bonnie Raitt), Jason McCoy and David Kalmusky, The Squeeze brings forward a new personal side of The Road Hammers. Much like previous records, it reflects the band’s love of wheels on the open road, combined with their softer side, highlighted in a cover of the classic Dawes song, “All Your Favourite Bands”, which showcases Clayton Bellamy’s vocals. This record also forges into new terrain, into the realities of life and love through the fun, Road Hammers lens, without the sugarcoating.


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    The Road Hammers / The Squeeze Жанр : Country Rock Страна : Canada Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 33:31 Треклист : 01.

    Тема на форуме



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    Chup Chup
    Australian Blonde
    I Said Yeah
    Straight Ahead
    September Song
    I Want You
    Don’t Care
    Seaside
    Howlin’ Down
    In Town
    You Came
    I’m Really Famous
    Precious Love
    My House
    Hole In My Head
    It’s Over

    El primer trabajo de los asturianos esta considerado como uno de los discos mas representativos del indie de los 90


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    Artist: Samuel Mizrahy
    Title: Novamente
    Year Of Release: 2016
    Label: Sony Music Entertainment
    Genre: Pop
    Quality: mp3 320 kbps
    Total Time: 00:50:20
    Total Size: 117 mb


    Tracklist
    ———
    01. Po, Sopro e Eternidade
    02. Sou Teu
    03. Nao Temerei
    04. Tua Paz
    05. Graca
    06. Melhor Te Conhecer
    07. Domingo
    08. Jesus Te Amamos
    09. Rei da Gloria
    10. Pedro
    11. Vejo Deus
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    http://rapidgator.net/file/19d64e5c4ebf4ce54eb21b905fb46b53/-9729SMN16_up.rar.html

    http://ssh.tf/BT6sLs11g/-9729SMN16_up.rar

    http://uploaded.net/file/ia73a9qt/-9729SMN16_up.rar

    The post Samuel Mizrahy – Novamente (2016) appeared first on MusDL.


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    Ferenc Snetberger - Titok (2017) Исполнитель: Ferenc Snetberger
    Альбом: Titok
    Дата выхода: 2017
    Страна: Hungary
    Категория(и): World  Fusion  Jazz
    Дата выхода: 2017
    Продолжительность: 01:00:50
    Формат: MP3, 320 kbps

     


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    https://ti1ca.com/b5ipc8q9-Marie-Myriam-Casimir-Marie-Myriam-Casimir.rar.html

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    1978/1980. Rippage de vinyle nettoyé et égalisé. 320.

    trongloubi

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    Artist: Valerie Lu
    Title: Saudade mon amour
    Year Of Release: 2016
    Label: Sony Music Entertainment
    Genre: Jazz / Pop / Vocal Jazz
    Quality: Mp3 / 320kbps
    Total Time: 37:19 min
    Total Size: 101 MB


    Tracklist
    ———-
    01. F comme femme
    02. La vie en rose
    03. Que reste-t-il de nos amours
    04. Été 42
    05. Tu veux ou tu veux pas (Nem Vem Que Não Tem)
    06. Un homme et une femme
    07. Fascination
    08. La question
    09. Ne me quitte pas
    10. La boite de Jazz
    11. Non, je ne regrette rien
    download.png

    http://rapidgator.net/file/7bedb36a4c54e8e7da49deaa7cfe89ed/ValerieLuAmour.rar.html

    http://ssh.tf/QAZpI6QRg/ValerieLuAmour.rar

    http://uploaded.net/file/ftxtzh0n/ValerieLuAmour.rar

    The post Valerie Lu – Saudade mon amour (2016) 320kbps appeared first on MusDL.


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    Ferenc Snetberger - Titok (lossless, 2017) Исполнитель: Ferenc Snetberger
    Альбом: Titok
    Дата выхода: 2017
    Страна: Hungary
    Категория(и): World  Fusion  Jazz
    Дата выхода: 2017
    Продолжительность: 01:00:50
    Формат: FLAC (tracks+.cue), Lossless

     


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    The Grande • The Grande Жанр : Country/Rock/Americana Страна : United Kingdom (Liverpool) Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:56:58 Наличие сканов в содержимом раздачи : нет 01.

    Тема на форуме



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    David Leivick • Still Chasing The Shadows Жанр : Country/Americana Страна : USA (San Francisco, CA) Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:40:58 Наличие сканов в содержимом раздачи : нет 01.

    Тема на форуме



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    The Piggyback Riders • Midnight At The Tenth Of Always • Жанр : Country/Americana Страна : USA Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:39:30 Наличие сканов в содержимом раздачи : нет 01.

    Тема на форуме



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    Ty Cooper / Fool EP Жанр : Americana / Soul Страна исполнителя (группы) : США Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:17:14 Наличие сканов в содержимом раздачи : нет Треклист : 01.

    Тема на форуме



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    Artist: Zacke
    Title: Fattigkussen
    Year Of Release: 2016
    Label: Universal Music France Digital Only
    Genre: French Hip-Hop/Rap
    Quality: mp3 320 kbps
    Total Time: 00:46:34
    Total Size: 109 mb


    Tracklist
    ———
    01. Rondellen
    02. Ohojaja [feat. Kevin Mukiri]
    03. Tala Fult [feat. Den Svenska Björnstammen]
    04. Sparka upp
    05. Polisen [feat. Constine]
    06. En liten stripsmeny
    07. En glasspinne [feat. Haartland]
    08. Fars dag
    09. Över bron [feat. Peter Morén]
    10. Göra upp en eld [feat. Ansiktet]
    11. Spy på dom
    12. Storgatan 03:25
    13. Fallfrukt
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    http://rapidgator.net/file/098df4e8aec303927e552d19400b197d/-9573ZF16.rar.html

    http://ssh.tf/d9T4MLrUg/-9573ZF16.rar

    http://uploaded.net/file/qh6rhj6s/-9573ZF16.rar

    The post Zacke – Fattigkussen (2016) appeared first on MusDL.


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    David%2BAntony%2BClark-Seleccion%2BNatur

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    Ya ha llovido desde que hice el primer post del blog, allá por 2008, con David Antony Clark como protagonista. Y no me imaginaba que iba a seguir después de tantos años. Recordando aquellos tiempos os traigo otro trabajo suyo, esta vez una bonita recopilación de doce temas extraídos de sus 6 anteriores discos. Es una edición española publicada por el sello Resistencia. Disfrutaremos de unos bellos paisajes sonoros realizados con una sutil mezcla de instrumentos étnicos, sonidos de campo y ritmos electrónicos.

    Curiosamente el duodécimo tema no aparece en esta carátula aunque sí en otras versiones que venden en la red, pero en el disco si que está. Se trata del corte Forest Gods (Los dioses del bosque), perteneciente al disco The man who.

    Se abre la recopilación con el tema Rana bailando del disco Australia Beyond the Dreamtime.



    Ahora le toca el turno al tema Luna negra, perteneciente al trabajo The Man Who Painted Caves.





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    R-2232774-1393642129-3465.jpeg
    Chup Chup
    Australian Blonde
    I Said Yeah
    Straight Ahead
    September Song
    I Want You
    Don’t Care
    Seaside
    Howlin’ Down
    In Town
    You Came
    I’m Really Famous
    Precious Love
    My House
    Hole In My Head
    It’s Over

    El primer trabajo de los asturianos esta considerado como uno de los discos mas representativos del indie de los 90



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    Artist: Carminho
    Title: Carminho Canta Tom Jobim
    Year Of Release: 2016
    Label: Parlophone
    Genre: Bossa Nova, Samba, Fado, World
    Quality: FLAC
    MP3
    Total Time: 45:21
    Total Size: 258 MB
    107 MB


    Tracklist:
    1. A Felicidade (3:53)
    2. O Que Tinha De Ser (2:59)
    3. Estrada Do Sol (Feat. Marisa Monte) (4:03)
    4. Meditaçao (3:10)
    5. Luiza (2:34)
    6. Falando De Amor (Feat. Chico Buarque) (3:32)
    7. Wave (3:10)
    8. Sabia (3:36)
    9. O Grande Amor (3:22)
    10. Retrato Em Branco E Preto (2:46)
    11. Inutil Paisagem (3:24)
    12. Triste (2:57)
    13. Modinha (Feat.Maria Bethania) (3:18)
    14. Don’t Ever Go Away (2:31)

    "I might not know who you are, but I know who I am.”
    And things could be no different, when someone who sings these words is someone who has always perceived Fado to be her destiny, but who was only able to openly admit it after she truly understood who she was.
    In 2009, Carminho sang "Fado". This was her fado, the one she owned since an early age, when she listened to her parents’ records, when she witnessed the gathering of fado singers in her own house and when, still a teenager, she began to sing in the Taverna do Embuçado. This "Fado" was the title of her first album, which was one of the most awaited albums in the new generation of fado singers: for those who had already heard Carminho, her talent was obvious, but they had to wait – until she finished her graduation, until she travelled the world, until she knew who she really was.
    And her "Fado" became one of the most acclaimed albums in 2009. It went Platinum – an enviable outcome for a debut album. With "Fado", Portugal surrendered to Carminho’s voice and the doors of the world opened to her talent. It was considered best album 2011 by Songlines magazine, she had shows in European capital cities, in Womex 2011 (Copenhagen) and in the UNESCO headquarters, in Paris, within the scope of Fado as World Heritage candidate. Then came the invitation to participate in Pablo Alborán’s album, which became a phenomenon of popularity in both Portugal and Spain.
    It was about time that “Fado” had a worthy successor. And it’s just around the corner. On 5th March, Carminho reveals her "Alma" (Portuguese word for soul) with 15 new songs, an album again produced and directed by Diogo Clemente, again wisely combining cover versions and originals (in the special edition, the album has 17 songs and a DVD with Carminho live in concertin May 2011 at Lux Frágil, Lisbon.
    The cover versions are less evident. Some not so well known songs by Amália ("Cabeça de Vento"), Dina do Carmo ("À Beira do Cais") or Fernanda Maria ("As Pedras da Minha Rua"), but also from Chico Buarque ("Meu Namorado", de "O Grande Circo Místico") or Vinicius de Moraes ("Saudades do Brasil em Portugal"). The original songs are by Diogo Clemente ("Bom Dia, Amor", about poet Fernando Pessoa), Mário Pacheco ("Talvez", lyrics by Vasco Graça Moura), and Vitorino ("Fado Adeus"). And there are also some new lyrics for traditional fado tunes – one of them, "Folha", written by Carminho herself, and another one, "Impressão Digital", a poem by António Gedeão.
    And it is this mixture of past and present that allows us to unveil the future of Fado, in the unrivalled voice of Carminho. A voice which, in her second album, sustains all that Carminho sings in "Talvez": "I might not know who you are, but I know who I am”.

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    The post Carminho – Carminho Canta Tom Jobim (2016) appeared first on MusDL.


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    Artist: Darrin Wentz
    Title: When You Were Young
    Year Of Release: 2016
    Label: Self Produced
    Genre: Country/Folk/Americana
    Quality: MP3 320 Kbps
    Total Time: 37:56
    Total Size: 102 MB


    Tracklist:
    1. A Place In California (3:46)
    2. When You Were Young (3:35)
    3. Holly Would (3:21)
    4. Diamonds (4:20)
    5. My Girlfriend At The Time (3:47)
    6. Some Night (4:08)
    7. Texas Doesn’t Want Me Anymore (2:38)
    8. Virginia (3:11)
    9. Where Has Dixie Gone (3:51)
    10. Welcome Angels (5:16)
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    http://ssh.tf/SLj1UWQfg/Darrin_Wentz_-_When_You_Were_Young_2016.rar

    http://uploaded.net/file/71gzn7iu/Darrin_Wentz_-_When_You_Were_Young_2016.rar

    The post Darrin Wentz – When You Were Young (2016) appeared first on MusDL.


older | 1 | .... | 733 | 734 | (Page 735) | 736 | 737 | .... | 2481 | newer