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    Taj Mahal - Discography (1968-2017) Исполнитель: Taj Mahal
    Альбом: Discography
    Дата выхода: 1968 - 2017
    Страна: USA
    Категория(и): Blues  Rhythm n Blues  World
    Дата выхода: 1968 - 2017
    Продолжительность: 48:15:16
    Формат: MP3, 320 kbps

    Тадж Махал родился в Нью-Йорке 17 мая 1942 года в семье, которой обязан своим музыкальным воспитанием и интересом к разным культурам. Его отец, Генри Фредерикс (Henry Fredericks), известный джазовый музыкант и аранжировщик, был человеком неординарным. Коллеги называли его гением, он говорил на семи языках, рано начал знакомить сына с лучшими образцами джаза и блюза, оплачивал его уроки кларнета...


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  • 05/18/17--09:46: Music Videos From Cape Verde
  • We touched down in Cape Verde last month for the Atlantic Music Expo, a yearly gathering of music professionals which provides an opportunity for local and international artists to showcase their talents. We report on some of the brilliant Cape Verdean artists we met there on this week’s show, “We Are All Creole: The Atlantic Sound of Cape Verde,” from the traditional batuque sound of Tradison di Terra to the conscious hip-hop of rappers such as Helio Batalha. To give you a  taste of their style and culture, we put together this compilation of colorful music videos by some of the artists featured in the program.

    Elida Almeida – “Bersu d’Oru”

    Helio Batalha – “Txora pa Dentu ft. Sté”

    Kiddye Bonz – Anda Ne Chuva

    BigZ Patronato – Maria

    Adé da Costa – Ka Bu Txora Mama

    Lucibela – “Mi E Dode Na Cabo Verde”

    Tradison di Terra – “Nós Bandera”


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    Cape Verde, land of the the playful coladeira, the entrancing batuque, the high-energy funaná, and of course the sensual morna that Cesaria Évora helped bring to the world. At the intersection of Africa, Europe, and the Americas, Cape Verde’s creole identity is reflected in the richness of its musical output, one which continues to uphold traditions while maintaining a youthful energy and demonstrating an open-mindedness fitting for an archipelago whose diaspora outnumbers its inhabitants. In this program, we travel to Cape Verde’s capital, Praia, for the Atlantic Music Expo, a yearly gathering of music professionals and local and international artists. As the city center bursts with live music, we check in on some of the most exciting sounds coming out of Cape Verde right now, hearing from talented young singer-songwriters such as Elida Almeida and Lucibela; rappers Helio Batalha, Kiddye Bonz, and BigZ Patronato; traditional batuque ensemble Tradison di Terra; and many more.

    Produced by Alejandro Van Zandt-Escobar. Feature photo credit: Atlantic Music Expo 2017

    More on this Program:

     

    Music Videos From Cape Verde

     


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    Las Tardes en Ibiza Chill Music Vol 11 (2017)

    Artist: Various Performers
    Title: Las Tardes en Ibiza Chill Music Vol 11
    Label: Aluminium Records
    Style: Bossa Nova, Samba, Soul, Acid Jazz, Afro-Cuban, Compas
    Release Date: 15-05-2017
    Format: CD, Compilation
    Quality: 320 Kbps/Joint Stereo/44100Hz
    Tracks: 13 Tracks
    Size: 150 Mb / 00:58:47 Min

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    320 kbps | 102 MB | LINKS

    Fort Wayne, Indiana’s Left Lane Cruiser has built a solid reputation as an undeniable force of rhythm and raw energy over the last decade. You can hear the band in action on “Claw Machine Wizard”, the title track from the duo’s upcoming LP, due May 19 from Alive Records. A blast of pure, furnace-hot energy, the tune bridges the distance between hill country blues and Black Sabbath. Drummer Pete Dio’s playing recalls the powerful, responsive (and jazz-inflected) work of Sabbath’s Bill Ward. Meanwhile, guitarist/vocalist Freddy J Evans IV reminds us that both blues and heavy rock took long crawls from the back streets to the main street, tracking layers of soulful grit in along the way.


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    320 kbps | 106 MB | LINKS

    Modern Pressure is Daniel Romano’s ambitious and surprising new album, twelve tracks that boldly ask “What age is this? What blooming weight do we carry?”. Written in observational scrutiny beneath the overcast atmosphere of 2016, the record vigorously tackles the present-day heaviness we contain in the jotting bones of our guilty expressions. It pleads for the restoration of empathy and resonance, to fill the empty chamber once again.

    In this chamber, Romano’s voice leads as a lantern. Prolific and resourceful as ever, the recording phase took place in a minimalistic cabin in secluded Finnsäs, Sweden over the month of August 2016 (with additional string and horn players being added at Baldwin Street Sound in Toronto, ON in October, 2016). Engineered by long-time collaborator Kenneth Meehan, the fevered pace of work lent itself to the unrestrained and undeviated nature of the songs themselves.


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    carlos-garo-terry-oldfield-sky-dancer-co



    Carlos Garo me ha hecho llegar este precioso disco recién salido del horno. Y a decir vedad no conocía a este compositor madrileño pero gracias a este tercer lanzamiento suyo he de reconocer que ha tenido un acierto en aliarse con el flautista británico Terry Oldfield, al cual conoció en una de sus giras el año pasado.

    Sobre Terry Oldfield, no hay mucho que añadir para los que tenéis una edad. Ya empezó en los años 70 haciendo sus pinitos con su hermano Mike Oldfield (Tubular Bells, Hergest Ridge, Ommadawn...) y su  hermana Sally Oldfield. Terry, más bohemio y amante de la naturaleza se declinó por la flauta y la new age tras su estancia en la isla griega de Hydra. Desde entonces no ha parado, tanto en solitario como en colaboraciones con otros artistas. Últimamente colabora con su esposa Soraya Saraswati a la que conoció en 2001 en Australia en unos talleres de yoga donde ella impartía clases. Su discografía cercana a los 40 trabajos os da una idea de su labor así como sus dos nominaciones a los Emmy.

    Carlos Garo, joven compositor, músico multiinstrumentista y productor, Garo ha publicado dos discos: The Fifth Palace y Entrance to the Parallel Universe. Desde que publicara su primer álbum en 2012, su sonido que mezcla lo onírico, lo espiritual y lo étnico, ha hecho levitar a fans tanto de España como de Estados Unidos, Polonia, Rusia, Kirguistán, Italia y Australia, entre otros. Su lenguaje genuino le ha valido el reconocimiento internacional al quedar finalista en los Hollywood Music in Media Awards, los Oscar de la música. 




    Esto que acabáis de escuchar es el maravilloso segundo tema del disco, Reach Out, una verdadera gozada. Es la composición más comercial del álbum y el single que ya ha empezado a triunfar en radios e Internet. Puede considerarse el alma de Sky Dancer, ya que simboliza la esencia más espiritual de la New Age, pero a la vez incorpora notas de rock y dance y destapa el talento de Terry Oldfield como vocalista. La temática también resume la tesis del disco: es un llamamiento público a reconectarnos con la naturaleza y con quien tenemos al lado para encontrar la paz y escuchar nuestra voz interior. En definitiva, una defensa tenaz del mindfulness.




    El proceso de creación del disco empezó hace un año, cuando Terry Oldfield compartió escenario con Carlos Garo por primera vez durante la gira que estaba realizando por España. Muy pronto quedó patente la química musical y personal de los dos artistas. El primer tema de Sky Dancer, que ha adoptado el nombre del disco, es una declaración de intenciones: los solos de guitarra y de flauta cobran vida y dialogan como si encarnaran la personalidad de Garo y Oldfield, respectivamente. Fruto de esta complicidad, los 17.000 kilómetros de distancia que separaron a Oldfield (Australia) y Garo (España) durante la elaboración del álbum quedan en anécdota.




    Un guiño al despertar musical de Carlos Garo en su adolescencia experimentando con los instrumentos de su padre y escuchando a Mike Oldfield es el tema Celtic Galaxy que acabamos de escuchar. El joven músico compuso la pieza cuando solo tenía catorce años. Dieciséis años después, la música se ha convertido en la razón de ser de Garo.


    El álbum está compuesto por siete temas que experimentan con la new age tradicional y lo acercan a las corrientes del rock y el dance más actuales. Sky Dancer ya está disponible en tiendas y plataformas de venta online. También puede escucharse en Spotify.

    https://open.spotify.com/album/6oWMYyDrKew1Ue3Qqi9VG6


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    320 kbps | 102 MB | LINKS

    It’s safe to say that after three tours supporting iconic U.K. singer-songwriter Nick Lowe, no other band knows his compositions as intimately as this veteran Nashville-bred quartet. America’s favorite Mexican wrestling masked surf/twang/pop and roots-rocking instrumental combo was encouraged by Lowe himself to totally rethink these 13 songs they cover from his deep catalog on their 16th studio release.

    Since Los Straitjackets never played by any rulebook other than the one they wrote, this was a logical assignment. Most of the selections originate from early in Nick Lowe’s solo career, with “(What’s So Funny ‘Bout) Peace, Love and Understanding” dating back to Lowe’s short early ’70s stint with U.K. pub rockers Brinsley Schwarz. But the foursome also tackles “Checkout Time” from Lowe’s most recent (2011) studio set which they recreate in a knowingly cheesy, samba style that maintains the melodic lines of the original.

    It helps if you are already a Nick Lowe follower but even for those unfamiliar with his recordings, this is a fun frolic that will send you back to the source to see what you missed. From the opening retro surf-rocking of “Shake and Pop” to the heavy rockabilly/twang of Lowe’s power-popping “Heart of the City” and the ready for a soundtrack take on “I Read a Lot,” Los Straitjackets pull out the stops and check off each of the genres they adhere to within the baker’s dozen set. “Cruel to Be Kind,” Lowe’s biggest solo hit, is transformed into a romantic ’60s slow dance and “I Live on a Battlefield” gets the Surfaris/Ventures treatment in a roaring, rollicking performance impossible not to dance to. The group also digs deep into Lowe’s catalog to extract some dusty gems with the reverb-drenched “You Inspire Me” and the mid-tempo strumming “Lately I’ve Let Things Slide.”

    Established Lowe and/or Straitjacket fans will lap this up since it not only pays tribute to his often overlooked pop gems, but reinvigorates them in idiosyncratic versions most wouldn’t expect. As a bonus, founding Straitjackets member Danny Amis returns from an illness sabbatical, bringing a third guitar to the mix. And to add more authenticity, it’s produced by Neil Brockbank who has worked with Lowe on his previous six releases. Lowe’s 12-year-old son also makes an appearance on percussion.

    Los Straitjackets have always explored new twists on their sound, which included adding various vocalists, recording a full disc of twisting nuggets and covering classic tunes that have influenced them over the decades. This is just one more related side trip in the band’s tenure and, as usual, they rip into it with typical vibrancy, rearranging Lowe’s material so creatively, these sound like Los Straitjackets originals. Imaginative cover art referencing Lowe’s 1978 debut puts the cherry on top of an inspired, lyric free homage to the “Jesus of cool.”


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  • 05/18/17--13:26: Nordisk Sang
  • Folksongs and tunes from Norway

    Norsik%2BSang.jpg

    "This diamond of a recording gives the listener a rare and intimate look at the genuine folk music of Scandinavia, away from the festivals, the hype, and the fusions. Here are the willow bark flutes, the pristine voices, and the fiddles (both hardingfele and standard) of Norway, usually in solo settings, or simple call and responses between an instrument and a voice. Central to the proceedings is singer Kirsten Bråten Berg, a singer of such pure tone and ethereal spaces that the ear swoons upon hearing it. Lesser-known but no less impressive is the voice of Pernille Anker. Hardingfele players Hallvard T. Bjørgum, Torliev Bolstad, and Gunnar Stubseid show the diverse capabilities of this drone fiddle. There are two pieces for transverse flute (one as a duo with a pipe organ that is quite unusual), one for solo dulcimer, and one for willow bark flute to round out the sounds of Norway. There are only two slightly larger ensemble pieces, one a trio for voice, saxophone, and hardingfele, another for voice, hardingfele, bouzouki (the illustrious Ale Möller), and recorder. All the tunes are original save for a beautiful solo fiddle piece by Hans Brimi. This is a worthy collection selected by the Norwegian Heilo label, and it offers a rare look inside the folk tradition." Louis Gibson



    Tracks:

    1.Tveitanvise
    2.Blå tonar fra Lom
    3.Svein i sy' Garde
    4.Jenta i Saueflokken
    5.Helemo og Nykkjen
    6.Smørligråen
    7.Sylfest mork
    8.To Bånsullar etter
    9.Thomaslukkud'n Pa
    10.Trumpen Hass Trond
    11.Kjoeringkjegla
    12.Bånsull
    13.Tirili Tovann 
    14.Min Kvedarlund 
    15.Kivlemøyane 
    16.Våjevise 
    17.Nils og Jens og Gjeidaug 
    18.Budeiesull frå Brimisætra 
    19.Seljefløytetone

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    Blekinge Spelmansförbund

    front.jpg


    Tracks:
    1. Engelska, Pt. 1
    2. Spel-Göran's Waltz
    3. Rinnländer
    4. Polska
    5. Quadrille
    6. Engelska, Pt. 2
    7. Stum's Polska
    8. Kärrsjö Waltz
    9. Polska from Tving
    10. Kalle Nissen's Waltz
    11. Schottis, Pt. 1
    12. Three Tunes
    13. Serpent-Dance Number 2
    14. Polka
    15. Clog Mazurka
    16. Schottis, Pt. 2
    17. Engelska, Pt. 3
    18. Karstorpa-Lasse's Polka
    19. Polska from Blekinge
    20. Quarryman's Polka
    21. Polska
    22. Polka from Tving
    23. Polska
    24. Harpolek
    25. Farmer's Farewell

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  • 05/18/17--13:27: Best Of Sommerhits (2017)
  • Best Of Sommerhits (2017)

    Artist: Various Performers
    Title: Best Of 2017 Sommerhits
    Label: Polystar (Universal Music Austria)
    Style: Synthpop, Future House, Tropical, Indie, Chart-Pop, Dancehall
    Release Date: 19-05-2017
    Format: CD, Compilation
    Quality: 320 Kbps/Joint Stereo/44100Hz
    Tracks: 46 Tracks
    Size: 363 Mb / 02:37:39 Min

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    Singles Chart Hot 100 Billboard (27  May 2017)

    Artist: Billboard Hot 100
    Title: Singles Chart
    Label: Rhino Entertainment Company
    Style: Indie, Folk, Dancehall, Alternative, Bro-Country, Bluegrass, Hip Hop, Reggaeton, Synthpop
    Release Date: 18-05-2017
    Format: Top, Compilation
    Quality: 320 Kbps/Joint Stereo/44100Hz
    Tracks: 100 Tracks
    Size: 765 Mb / 06:08:00 Min

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  • 05/18/17--13:42: Faut Qu'Ca Guinche
  • fqcg.jpg

    Originaire De Grenoble, Faut Qu'Ca Guinche, Est Un Groupe De Chanson Festive
    Et Poétique, Militants Ou Intimistes, Ils Melange Avec Brio Le Rock Guinguette
    Avec Le Swing Festif Pour Créer Ce Son Unique : Le Guinche'n'Roll

    Nativo De Grenoble, Faut Qu'Ca Guinche, Es Una Banda De Canciones Festiva
    y Poeticas, Activistas O Intimistas, Mezclan Muy Bien, El Rock Guingueta
    Con El Swing Festivo, Para Creer Este Sonido Unico : El Guinche'n'Roll

    Native From Grenoble, Faut Qu'Ca Guinche, Is A Band Of Festive's Songs
    And Poetic, Activists Or Intimists, The Mix Well The Rock Guinguette
    With The Festive Swing, For Create This Unic Sound : The Guinche'n'Roll


    Site Officiel

    fqcg%2Bdans%2Bla%2Bb.jpg
    Dans La Bière Et La Bonne Humeur 2009

    01 Caravane
    02 Mignonne
    03 La Rue Mirabeau
    04 Tango
    05 Monop' Au Lit
    06 Le Vieux Port
    07 Marin D'Eau Douce
    08 Ilona
    09 Briquet
    10 Toi (Melancolie D'Une Nuit D'été)

    fqcg%2Btraq.jpe
    Traquenard 2011

    01 Traquenard
    02 Ma Chanson
    03 Le Kiosque
    04 Comme On L'Apelle
    05 Le Bal D'à Coté
    06 La France Du Comptoir
    07 FQCG
    08 Le Temps
    09 Reprend Un Demi
    10 Jah
    11 La Grande Guerre
    12 Rien
    13 La Valse Des Costards

    fqcg%2Breso.jpg
    MP3 (Re)Sortis Les Poubelles 2012
    FLAC (Re)Sortis Les Poubelles 2012

    01 Viens Guincher
    02 Poubelles
    03 Des Mots
    04 Le Sentimental
    05 Pas De Dimanche
    06 Les Seins
    07 Open Bar

    fqcg%2Bmots%2Bmel.jpg
    MP3 Mots Mélées 2015
    FLAC Mots Mélées 2015

    01 Energie Folk
    02 Ma Voix
    03 Pas De Chance
    04 Guerre Ambiante
    05 J'Ai Perdu Mes Amis
    06 Misère
    07 Colleur D'Affiches
    08 Le Peintre
    09 Les Pavés
    10 Poèmes
    11 Gamins
    12 Si Loin
    13 Pas De Hippies

    fqcg%2Borigin.jpg
    MP3 Origin Of Guinche'n'Roll Crew Compilation 2015
    FLAC Origin Of Guinche'n'Roll Crew Compilation 2015

    01 Viens Guincher
    02 Poubelles
    03 Des Mots
    04 Le Sentimental
    05 Pas De Dimanche
    06 Les Seins
    07 Open Bar
    08 Caravane
    09 Mignonne
    10 La Rue Mirabeau
    11 Tango
    12 Monop' Au Lit
    13 Le Vieux Port
    14 Marin D'Eau Douce
    15 Ilona
    16 Briquet
    17 Toi (Mélancolie D'Une Nuit D'été)

    fqcg%2Blive.jpg
    MP3 Live 2016
    FLAC Live 2016

    01 Intro
    02 Les Pavés
    03 Toi
    04 Au Bar
    05 Bla Bla I
    06 J'Ai Perdu Mes Amis
    07 Bla Bla II
    08 Caravane
    09 Gamins
    10 Poèmes
    11 Ma Voix
    12 Comme On L'Appelle
    13 Misère
    14 Guerre Ambiante
    15 Pas De Dimanche
    16 FQCG
    17 La France Du Comptoir
    18 Colleur D'Affiches
    19 La Grande Guerre
    20 Si Loin
    21 Poubelles

    fqcg%2Bj%2527ai%2Bembras.jpg
    J'Ai Embrassé Un Punk 2017

    01 Superficiel
    02 La Liberté
    03 Si Proche
    04 Malins Et Motivés
    05 Ferraille
    06 Mes Rimes S'Ennuient
    07 Au Bord De L'Eau
    08 Elle Criait Nue
    09 Le Bal D'été
    10 Le Bistrot Du Village
    11 Jean Guy
    12 Le Monde Au Naturel
    13 Ma Déesse
    14 Le Petit Paysan
    15 Aux 3 Accords


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  • 05/18/17--14:48: Runnin’ For the Ghost
  • With 11 upbeat jams, Big Mean Sound Machine has delivered an energetic but never obtrusive summer soundtrack. The 10-piece Ithaca, NY-based band’s fourth record, Runnin’ For the Ghost, flirts with genres ranging from soul to funk to Afrobeat to Ethiopian big band, while remaining steadfastly married to the groove.

    Every track is anchored by flittering, relentless drums and rock-solid bass work. The horns swap solos and come together to wring out booming melodic lines, while the guitar pounds out a rhythm line like a typewriter, content with quick solos in the song’s back end.

    It’s a forgiving and adaptable formula that, without ever being ethereal or spacey, neatly fits Brian Eno’s criteria for ambient music: It works no matter how much you pay attention to it. Put Runnin’ For the Ghost on in the background–you’ve got a steady beat and a solid soundtrack. Put it on and scrutinize every track, and the varied diet of influence that fed into the record comes into view.

    You can hear the influence of their contemporary Afrobeat peers like the Souljazz Orchestra or Antibalas on “Seeing the Bigger Picture.” Late album stand-out “Sahara Cell Phones” slips Ethio-jazz over a reggae upbeat just long enough to catch the ear, and the song ends with someone leaving an answering machine message—a classic move even when Sonic Youth deployed it on 1988’s Daydream Nation, and one that’s gone mostly the way of the answering machine.

    “Van Chatter” gives the guitars room to take center stage, filling the aural spectrum with swirling delay and pentatonic melodies. The result is somewhere between soukous, highlife, and the jazz fusion groups that revere those genres, like Snarky Puppy or the Heliocentrics. The foot only comes off the gas pedal briefly on “Hired Guns,” when the band slows to a strut.

    The title track, “Runnin’ For the Ghost,” could be a track straight off Tortoise’s 2009 album, Beacons of Ancestorship, and the Chicago post-rock group has an interesting career arc to imagine Big Mean Sound Machine following. Big Mean Sound Machine are somewhere in that outre region of the musical landscape, where fellow instrumental groups like BadBadNotGood and Tortoise roam. Both of those bands started as rhythm sections or backing bands for hire and both of those groups have filled Rolodexes with compelling collaborators, ranging from rappers to indie rock crooners.

    Big Mean Sound Machine is in the enviable position of having established a sound that fits in almost anywhere—it’ll be interesting to see what they do with this considerable potential.


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    Rascal Flatts / Back To Us Жанр : Country Страна исполнителя (группы) : USA Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 45:08 Треклист : 1.

    Тема на форуме



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    Sharon Shannon Жанр : Celtic, Irish, Folk Год выпуска диска : 1991-2011 Страна : 8 June 1968-, Ruan, County Clare, Ireland Аудио кодек : MP3 Тип рипа : tracks Битрейт аудио : 164-320 kbps Продолжительность : 11:13:38 Albums: 01.

    Тема на форуме



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    This week’s installment of “Best of The Beat” from 1997 features the Malian diva Oumou Sangare, who has just released her first album in eight years. [See Banning Eyre’s review of Mogoya here.]

    A goddess among goddesses from the Wassoulu region, renowned for its strong tradition of women vocalists, Oumou emerged on the international scene in 1989, and rose to renown through a series of recordings and tours in the ‘90s. An outspoken campaigner for women’s rights (highly unusual in traditional African societies), she fearlessly delivered her messages against polygamy and inequality.

    She told me: “When I sing, I have I have a message to say to the women—that they have to have courage, they have to get up, they have to choose a man who loves them and refuse to accept forced marriage, they can’t accept to be treated like a slave.”

    In December 1995 I was given the privilege to get behind the scenes and watch one of Africa’s superstars and band at work. On tour with Oumou and her group for three days in the Netherlands, I was also invited to spend a day in the studio as World Circuit producer Nick Gold captured on tape the sounds that would become Oumou’s album, Worotan. I was in the studio when the haunting song, “Djorolen,” was cut; it still remains my favorite of all her compositions.

    We invite you to enjoy the story of my experiences and observations on the road with Oumou and company, and excerpts from my conversation with her, translated from French.

    READ OR DOWNLOAD PDF: Beat16#2Oumou

    ABOUT “BEST OF THE BEAT ON AFROPOP”


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  • 05/18/17--20:29: The Dome Vol 82 (2017)
  • The Dome Vol 82 (2017)

    Artist: Various Performers
    Title: The Dome Vol 82
    Label: Sme Media (Sony Music)
    Style: Alternative, Indie, Tropical, Synthpop, New Wave, Future Bass, Soul, Folk, Electropop
    Release Date: 19-05-2017
    Format: CD, Compilation
    Quality: VBR Kbps/Joint Stereo/44100Hz
    Tracks: 46 Tracks
    Size: 294 Mb / 02:36:00 Min

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    U2 ‎- All That You Can't Leave Behind (2000) FLAC (image + .cue)
    Artist: U2 | Album: All That You Can't Leave Behind | Released: 2000 | Genre: Rock | Country: Ireland | Duration: 00:49:45

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    Toto Cutugno ‎- Grand Collection (2004) FLAC (tracks + .cue)
    Artist: Toto Cutugno | Album: Grand Collection | Label: Квадро-Диск | Catalog #: GCR-149 | Released: 2004 | Genre: Pop | Country: Italy | Duration: 01:19:56

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