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    Erik Darling Жанр : Folk, Country Страна исполнителя (группы) : USA Год издания : 1958 - 2006 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 192 kbps Продолжительность : 03:18:16 Наличие сканов в содержимом раздачи : да 01.

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    Martha Schlamme Жанр : Folk Страна исполнителя (группы) : Austria, USA Год издания : 1958 - 1998 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 192 kbps Продолжительность : 01:03:16 Наличие сканов в содержимом раздачи : нет 01.

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    The Kossoy Sisters - The Bowling Green Жанр : Folk, Country Страна исполнителя (группы) : USA Год издания : 1956 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 160 kbps Продолжительность : 00:33:35 01.

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    Robin Roberts - Come On All Ye Fair And Tender Ladies Жанр : Folk Страна исполнителя (группы) : USA Год издания : 1959 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 192 kbps Продолжительность : 00:40:28 Наличие сканов в содержимом раздачи : да 01.

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     :obrigado...

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     :obrigado...

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    Todd Adelman & The Country Mile • Time Will Tell • Жанр : Country/Americana Страна : USA (Boulder, CO) Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:46:05 Наличие сканов в содержимом раздачи : нет 01.

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    Kenny Foster • Deep Cuts Жанр : Country/Americana Страна : USA (Nashville, TN) Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:45:13 Наличие сканов в содержимом раздачи : нет 01.

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    VA - Hits of the 60's (10CD) (2009) FLAC Reup

    EAC rip | 10CD | FLAC - Log - Cue | Release: 2009 | 3.74 GB
    Genre: Rock & Roll, Pop Rock, Soul, Soft Rock, Classic Rock


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    320 kbps | 125 MB | LINKS

    After four CDs, and three San Diego Music Awards, Sara Petite has established herself as a shining light on the local roots scene. Her original songs have the kind of country songbird twang and spunk that made icons out of performers dating from Loretta Lynn and Dolly Parton through Lucinda Williams. While her maturing style incorporates the blues and rock idioms enough to give her faster songs plenty of muscle, her songs in the traditional distaff country singer role are where she demonstrates the ability to project as both the victim of heartbreak, and to flash the allure of a playful temptress. Her new CD is The Road Less Traveled.


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    Charly Reynolds • Kickin' Up Dust Жанр : Country/Pop Страна : USA (Orlando, FL) Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:32:42 Наличие сканов в содержимом раздачи : нет 01.

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    320 kbps | 291 MB | LINKS

    Digitally remastered and expanded two CD edition of this 1986 album. The Art of Noise first appeared in 1983 with a song in their heart, a beat in their soul, and an ignition key in their hand. Formed at a time when the reverberations of punk, post-punk and new wave could still be felt, they were determined to be a different kind of group, a group that set themselves outside the then currents of fashion and style, a group that were the missing link between The Monkees and Talking Heads, ABBA and Kraftwerk, Frank Zappa and The Archies. Their unique sounding instrumental compositions relied heavily on the innovative use of digital samples and computers to create their famous sound collages. Their first China album, In Visible Silence has been newly remastered and expanded with unreleased recordings taken from the original album sessions, single versions, and a multitude of mixes – some available on CD for the very first time. The first disc in the Deluxe Edition includes the remastered original album coupled with The Singles: all the original A-sides and B-sides, including – for the first time ever on CD – the fan favorite ‘Hoops and Mallets’ and an unreleased version of ‘Backbeat’, originally recorded for the 12″ of ‘Paranoimia’. The second disc takes a look back at the recording sessions with The Making Of…: eleven previously unreleased tracks from the cutting room floor. This is the first time any outtake material from this era of Art of Noise has ever been released. Also included on Disc Two is The Mixes Stop Here! All of the 12″ mixes from the In Visible Silence project, several of which – including the rare Last Leg Mix of ‘Legs’ – are previously unreleased on CD.

    Tracklist:

    01. Opus 4 (2017 Remastered Version)
    02. Paranoimia (2017 Remastered Version)
    03. Eye of a Needle (2017 Remastered Version)
    04. Legs (2017 Remastered Version)
    05. Slip of the Tongue (2017 Remastered Version)
    06. Backbeat (2017 Remastered Version)
    07. Instruments of Darkness (2017 Remastered Version)
    08. Peter Gunn feat. Duane Eddy 2017 Remastered Version
    09. Camilla (2017 Remastered Version)
    10. The Chameleon’s Dish (2017 Remastered Version)
    11. Beatback (2017 Remastered Version)
    12. Paranoimia feat. Max Headroom 7” Mix 2017 Remastered Version
    13. Legs (7” Mix) (2017 Remastered Version)
    14. Hoops and Mallets (2017 Remastered Version)
    15. Something Always Happens (2017 Remastered Version)
    16. Why Me? (2017 Remastered Version)
    17. A Nation Rejects (2017 Remastered Version)
    18. Backbeat (Reprise)
    19. World War II
    20. The First Leg
    21. Happy Harry’s High Club
    22. Chameleon 4
    23. Beddoo-Bedoo
    24. Panic
    25. Camel
    26. Second Legs
    27. Trumpton Boogie
    28. Chameleon 1
    29. A Nation Regrets
    30. Legs (Inside Leg Mix) (2017 Remastered Version)
    31. Legs (Last Leg Mix) (2017 Remastered Version)
    32. Peter Gunn feat. Duane Eddy Extended Version 2017 Remastered Version
    33. Peter Gunn feat. Duane Eddy The Twang Mix 2017 Remastered Version
    34. Paranoimia feat. Max Headroom Extended Version 2017 Remastered Version
    35. Paranoimia feat. Max Headroom The Paranoid Mix 2017 Remastered Version


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    320 kbps | 105 MB | LINKS

    The Mastersons aren’t particularly familiar with the idea of “downtime” anymore. Part of Steve Earle‘s band the Dukes and a duo themselves, husband and wife Chris Masterson and Eleanor Whitmore moved to Los Angeles, Calif., in October — they’re also session musicians, so living in LA means more opportunities to do that and still be able to go home at night — but they won’t be around much in the coming months. Masterson and Whitmore will be hitting the road with Earle, in support of his forthcoming new album, So You Wannabe an Outlaw, and they’re also touring on an album of their own, Transient Lullaby, out Friday (May 19).

    “Our life seems so crazy sometimes,” Whitmore admits. Adds Masterson, “You never stop. And that’s good, and we love what we do, and we’re really lucky to be doing it, but we kind of never stop.”

    Originally solo artists, Masterson and Whitmore got married in August of 2009, started playing with Earle in late 2010 and released their debut album as a duo, Birds Fly South, in 2012. As Masterson tells The Boot, “Working full time with someone you’re intimately involved with us a full-contact sport,” and although they’ve tried to set boundaries and off hours, “we’re either writing or traveling or tending to something …”

    It’s Earle who gets much of the credit for putting the Mastersons together, musically speaking. When the two became part of the Dukes, Earle suggested that they start getting some material together so that he could feature them during his shows; the couple was already writing together and had been toying with the idea of officially forming a duo, “but [Earle] kind of lit the fire under us,” Whitmore says.

    “It couldn’t have happened more organically; I couldn’t have dreamed that up,” Masterson says. The Mastersons funded Birds Fly South themselves and invited their friends to play on it. Then, “momentum sort of built itself,” Masterson recalls: They sold the record at Earle’s shows, “and it picked up a little steam;” New West Records came calling, and “it all just sort of happened.”


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    320 kbps | 102 MB | LINKS

    With an old-soul collection of self-penned story songs and an entrancing syrup-and-sandpaper vocal rasp, it’s hard to listen to Jade Jackson’s Gilded and not picture her as a seasoned veteran wistfully looking back over a lifetime filled with more downs than ups. On the contrary, Jackson’s debut album is an arresting introduction for this young songwriter that showcases her gift for melodic storytelling and her grasp of the beauty found in a song sung blue. Reminiscent of Lucinda Williams, Emmylou Harris and Mazzy Star’s Hope Sandoval, Jackson’s somber songs unfold with the easy grace of dusty sunsets and open-road drives, while her more spirited numbers are driven by a punk swagger (“Good Time Gone”) and a south-of-the-border slink (“Troubled End”).

    Effortlessly fluctuating between the disparate personas of a confident spitfire and a wide-eyed ingénue, Jackson writes songs that beautifully strike the balance between determined perseverance and an openness to lessons she has yet to learn. With immediately accessible lyrics that deal with themes that are diary-level personal – “I’d shoot out the sun if I had someone to walk in the dark with” (“Bridges”) – and ones that are engagingly universal – “Waking up for the first time is when you don’t stop running at the finish line” (“Finish Line”), Jackson writes in a way that allows the listener to find out as much about themselves as they do about her. Melancholic nostalgia runs hand-in-hand with forward-facing optimism throughout, as Jackson sings lines like “Please don’t cry, boy/it’s been fun but my motorcycle only seats one” (“Motorcycle”) and “Lord, when will my tides turn?/Let me walk over the bridges I’ve burned” (“Bridges”) with equal conviction.

    Instrumentally, the 11 songs on Gilded are an intoxicating sonic mixture of classic country, rustic Americana, west coast punk, coffeehouse folk and more, an amalgam that Jackson credits to an upbringing soundtracked by her father’s record collection that was rich with Hank Williams, Bruce Springsteen, George Jones, The Smiths and The Gun Club. However, it was Jackson’s first concert of her own choosing—Social Distortion at age 13—that proved to be career-defining (and prophetically foreshadowing). A decade later, Jackson performed at an inconspicuous coffeehouse gig where the wife and son of Social D’s Mike Ness were in attendance. The punk rock legend loved Jackson’s sound and offered to work with her, eventually going on to produce Gilded. Ness’ creative genius is strongly felt throughout the album—especially in his deft use of country-tinged atmospherics and instrumental space—and he even contributes some incendiary guitar work on the lively “Good Time Gone.”

    Along with Ness’ guiding presence, Gilded is also buoyed by additional instrumental input from old hands like Sara Watkins (who plays fiddle on five songs) and Greg Leisz (who contributes some tasty pedal steel to “Finish Line”). While this is Jackson’s first notable release, she’s actually been writing and performing for over a decade – a fact that lends credence and context to the heightened level of maturity and sophistication that, while not often found on a debut album, is in overabundance here.


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    Emel Mathlouthi - Ensen (2017) Исполнитель: Emel Mathlouthi
    Альбом: Ensen
    Дата выхода: 2017
    Страна:
    Категория(и): World
    Дата выхода: 2017
    Продолжительность: 00:51:10
    Формат: MP3, 128-320 kbps




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    Αυτό που συμβαίνει στη χώρα με το μουσικό της παρελθόν, δηλαδή το μουσικό μας, είναι για να τραβάς τα μαλλιά σου. Σημαντικότατοι δημιουργοί, κάθε χώρου, βρίσκονται για δεκαετίες στο σκοτάδι, με το έργο τους να παραμένει άγνωστο στο πλατύ κοινό. Ή σ’ ένα πλατύτερο τέλος πάντων. Αντιλαμβάνεσαι, δε, πόσο πίσω βρίσκεται αυτού του τύπου η έρευνα και περαιτέρω η αποκατάσταση ορισμένων (πολλών) ονομάτων στην Ελλάδα, αν συγκρίνεις με το τι συμβαίνει στις ΗΠΑ ή την Αγγλία, στις ανάλογες περιπτώσεις, εδώ και δεκαετίες.
    Όταν στην από ’κει πλευρά του Ατλαντικού άξιοι δημιουργοί του blues, της jazz ή της country από τις αρχές του προηγούμενου αιώνα, ακόμη και με ελάχιστη δισκογραφία, «απολαμβάνουν» τεράστιας υστεροφημίας (γίνονται εκδόσεις, γράφονται βιβλία ή κεφάλαια σε βιβλία, άρθρα σε περιοδικά κ.λπ.), εδώ αναλόγου βαρύτητας και βεληνεκούς δημιουργοί χάνονται, δεκαετίες τώρα, στο πιο βαθύ σκοτάδι. Γιατί, μήπως από την Αμερική δεν είδαμε εσχάτως μια τέτοια έκδοση «αποκατάστασης» ενός δικού μας ανθρώπου; Αναφέρομαι, φυσικά, στον Κώστα Μπέζο (Α. Κωστής) και στο αμερικάνικο άλμπουμ του “The Jail’s a Fine School” [Mississippi / Olvido] από το 2015 (με τα προπολεμικά κομμάτια του). Μένει, τώρα, να δούμε και κανα αμερικάνικο LPμε τα τραγούδια του Σωτήρη Γαβαλά, για να δέσει όπως πρέπει η κρέμα.
    a%2BLIFO%2BGavalas%2B2.jpg
    Τραγούδι του Σωτήρη Γαβαλά άκουσα για πρώτη φορά στις αρχές του ’80, στην εποχή της ρεμπετοαναβίωσης. Ήταν το κλασικό του «Ηρωίνη και μαυράκι», που είχε τραγουδήσει ο Στελλάκης Περπινιάδης το 1936, και ξανά το 1983 το Ρεμπέτικο Συγκρότημα Θεσσαλονίκης με τον Αγάθωνα Ιακωβίδη. Ίσως αυτό να είναι και το πιο γνωστό τραγούδι τού Γαβαλά, εν τω μεταξύ, από τα καμιά 15αριά που πρόλαβε να «χτυπήσει» στη δεκαετία του ’30.

    Η συνέχεια εδώ…

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    320 kbps | 105 MB | LINKS

    In February of 1971, Larry Ray and Bill Szymczyk fled an earthquake and a debauched L.A. music scene to claim their own slice of utopia in Denver, Colorado. After meeting and bonding at ABC-Dunhill, where Ray landed as general manager, and where Szymczyk had breezed in from New York – fresh off his first real hit as a burgeoning engineer/producer with BB King’s “The Thrill is Gone” – they’d often daydreamed about starting their own label. In Denver, Ray and Szymczyk settled on the name Tumbleweed Records, and through industry connections they secured multi-million-dollar financing from Gulf + Western, whose head honchos believed they were bankrolling the hippie movement’s next big thing. But instead of producing the next Janis Joplin or Jimi Hendrix, Ray and Szymczyk turned their sights on idiosyncratic wunderkinds like Pete McCabe, moody songwriters Robb Kunkel and Danny Holien, psych-folk rocker Arthur Gee, all the while providing a platform for more established musicians like Albert Collins and Dewey Terry (of Don & Dewey fame), while launching the career of Michael Stanley. It was the best of times, it was the worst of times, and, per Szymczyk, it was a “bitchin’ disco time.” Drugs, parties, poetry, celebrities, money-Tumbleweed had it all, except airplay and distribution. Two years after it’s storied start, the label was finished. Ray would go on to various opportunities, including producing five country albums alongside Bill Halverson, while Szymczyk would soon skyrocket to fame after producing The Eagles’ Hotel California. Yet most of Tumbleweed’s artists have been relegated to thrift store bin obscurity-until now. This landmark release not only showcases Ray’s vision and Szymczyk’s early work, but begins a major reappraisal of Tumbleweed’s catalog by bringing these songs out of the shadow of the Rocky Mountains and back into the spotlight.

    Tracklist:

    01. Danny Holien – Colorado
    02. Dewey Terry – Sweet as Spring
    03. Robb Kunkel – Turn of the Century
    04. Arthur Gee-Whizz Band – Sunday Sherry
    05. Michael Stanley – Rosewood Bitters
    06. Dewey Terry – Do on My Feet (What I Did on the Street)
    07. Danny Holien – Hick
    08. Arthur Gee – Plain Talk
    09. Robb Kunkel – Abyss
    10. Pete McCabe – Late Letter


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    Love Ballads (4CD Box Set) (2013) FLAC Reup

    EAC rip | 4CD | FLAC - Log - Cue | Release: 2013 | 1.69 GB
    Genre: Pop, Rock, Ballads

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    http://quantic.org https://www.facebook.com/nidia.gongora Filed under: Alternative, Alternative Fusion World Music, World Music Tagged: 2017, Alternative, Alternative World Music, Curao, Nidia Góngora, Quantic, World Music

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    320 kbps | 101 MB | LINKS

    If you can imagine Tom Petty singing vocals for the Eagles while BB King plays dirty blues, then you have a taste of the awesomeness that is Jeffrey Halford. On his eighth CD, Lo-Fi Dreams, he strips down his sound and lets the magic erupt.


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