Re: [CD] Silvana Peres - Fado No Pé (2017)
Martin Deschamps – Soulshine: Acoustic Sessions (2017)
320 kbps | 81 MB | LINKS
Tracklist:
1. Black Girl (2:24)
2. (Sittin’ On) The Dock Of The Bay (3:35)
3. Jet Airliner (3:57)
4. John The Relevator (2:22)
5. Like A Rock (4:52)
6. On The Road Again (3:07)
7. One Room Country Shack (2:50)
8. Soulshine (4:22)
9. That’s All Right Mama (2:32)
10. You Gotta Move (2:37)
Tabby Thomas – Down In Louisiana: Tabby Thomas Meets Lonesome Sundown (2017)
320 kbps | 165 MB | LINKS
Jasmine’s latest excursion into the swamp blues sounds of Louisiana concentrates on two of the most popular ‘second tier’ artists of the genre. Both artists were involved for much of their career with famed Louisiana producer, Jay Miller and although neither artist ever enjoyed a national R&B chart hit, both enjoyed consistent sales and jukebox hits throughout the 50s and 60s. Tabby Thomas and Lonesome Sundown exuded the New Orleans style probably none more so than Lonesome, he was perhaps the epitome of the swamp blues artists with a recognisable sound full of creative and meaningful lyrics described as ‘the sound of the swamp’. This superb CD from Jasmine is full of the swamp blues classics that no Tabby Thomas or Lonesome Sundown collection would be complete without: “Hoodoo Party”, “‘Popeye’ Train”, “My Home Is A Prison”, “I’m A Mojo Man” and “Gonna Stick To You Baby”. Tabby Thomas is survived today by his son, Chris Thomas King who is himself a popular and respected blues musician and actor having prominent roles in the Oscar winning film “Ray” and the Coen Brother’s “O Brother, Where Art Thou?” amongst others.
Yazz Ahmed La Saboteuse
Yazz Ahmed
La Saboteuse
(Naim Records, 2017)
more details
Re: [CD] Silvana Peres - Fado No Pé (2017)
John Renbourn – Lost Sessions (1996)
FLAC | 265 MB | LINKS
In 1973, shortly after the breakup of the legendary Pentangle, co-lead guitarist John Renbourn recorded a full album’s worth of songs for a solo project. He abandoned the set, instead releasing an entirely different collection of songs as THE HERMIT later that year. The abandoned songs, previously available only via underground tape-trading networks, surfaced several years later as THE LOST SESSIONS.
Line-Up:
John Renbourn – guitars, sitar, vocal
Roy Babbington – six-string electric bass
Terry Cox – drum kit
Keshav Sathe – tablas
Jacqui McShee – back vocals
Claire Denise – cello
Lea Nicholson – concertina
Gordon Huntley – pedal steel
Sue Draheim – fiddle
Tony Roberts – flute, recorders
Tracklist:
1. Just Like Me
2. Sleepy John
3. Riverboat Song
4. Green Willow
5. Seven Sleepers
6. To Glastonbury
7. Floating Stone
8. O Death
9. The Young Man’s Song
Corciolli - Ilusia (2017)
The Refreshments – The Very Best Of The Refreshments (1999-2014): 21 Rockin’ & Rollin’ Tracks (2017)
320 kbps | 167 MB | LINKS
Tracklist:
1. Miss You Miss Belinda (4:24)
2. Veronica (3:33)
3. A Guy Like That (3:49)
4. Musical Fun For Everyone (2:40)
5. 55 Ford (4:24)
6. One Dance One Rose One Kiss (3:17)
7. I Should Be Lovin’ This (2:26)
8. We Just Can’t Win (3:15)
9. Easy To Pickup Hard To Put Down (2:52)
10. Dreams Of You (4:42)
11. Hello Sun Goodbye Rain (4:08)
12. Both Rock And Roll (3:31)
13. Here We Are (3:02)
14. Jukebox (3:00)
15. Cadillac Rock (3:06)
16. A Band’s Gotta Do What A Band’s Gotta Do (2:50)
17. Forty Days, Forty Nights (3:23)
18. Highways & Byways (3:51)
19. My Mustang Ford (2:03)
20. My Heart’s In Tennessee (3:17)
21. Hallelujah (3:06)
Re: [CD] Silvana Peres - Fado No Pé (2017)
Muito obrigado pela sua generosa partilha do link deste excelente "Fado No Pé" de Silvana Peres.
Continuação de uma boa semana...
Bela Fleck – Perpetual Motion (2001)
320 kbps | 354 MB | LINKS
Banjo virtuoso Béla Fleck has certainly broken more boundaries than any other picker in recent memory, from his early days performing bluegrass-inspired folk compositions on Rounder in the late ’70s to his quirky jazz freak-outs with the Flecktones throughout the ’90s. In late 2001, this peculiar innovator released an album of banjo interpretations of classical works by Bach, Chopin, and Scarlatti. Before classical purists roll their eyes, they must remember that the banjo hasn’t always been seen as the instrument of choice of backwoods musicians in the Appalachian mountains, but as recently as the 1940s was used as a primary rhythm instrument in all manner of parlor music. That being said, Perpetual Motion is a bright and unique take on several well-known classical pieces (Moonlight Sonata, Bach’s Cello Suite No. 1) as well as a number of interpretations of Bach’s two-part and three-part inventions. These light and brief inventions act as buffers between the longer, more dramatic pieces, but end up serving as some of the highlights of the album. With Fleck often accompanied by Evelyn Glennie on marimba and Appalachia Waltz musicians Joshua Bell and Edgar Meyer on violin and bass, these short, delicate pieces weave in and out of the album, proving that the banjo can be seen in a different light altogether. Fleck’s picking is uniquely unparalleled in that he can so easily dip his feet into so many different genres with an instrument that is so quickly pigeonholed. The album drifts easily into the background, which is not necessarily a detraction but, knowing the fire that Fleck can unleash from his fingertips, it would have been nice to have a few more impassioned numbers on the album. The closest the ensemble comes to really making some noise is the final track, Paganini’s Moto Perpetuo (arranged in a bluegrass style), which is not necessarily more forceful, but is certainly faster and louder.