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(Country) Chance McKinney - Down to Get Up - 2016, MP3, 320 kbps

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Chance McKinney / Down to Get Up Жанр : Country Страна исполнителя (группы) : США Год издания : 2016 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:35:09 Наличие сканов в содержимом раздачи : нет Треклист : 01.

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(Texas Country) Brandon Steadman - Take Me Home - 2016, MP3, 320 kbps

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Brandon Steadman • Take Me Home Жанр : Texas Country Страна : USA (Austin, TX) Год издания : 2016 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:40:16 Наличие сканов в содержимом раздачи : нет 01.

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Parijat – Reiki Healing Waves (2008) (APE)

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Parijat – Reiki Healing Waves (2008) (APE)
Released: 2008 | Track: 8 | Country: Germany | APE | Time: 01:00:32 | Label: Ruf Records – RUF 1203 | 3% Recovery Added | 300 MB
Genre: Folk, World, Country

Tracklist
01. Hearts Awakening
02. Healing Senses
03. Forgiving
04. Reiki Healing Waves
05. Healing the Heart
06. Return to Your Body
07. The Unwinding
08. Return to Yourself
Download link:

Links are Interchangeable – Single Extraction – Premium is support resumable

The post Parijat – Reiki Healing Waves (2008) (APE) appeared first on MusDL.

VA – In Case You Missed It 15 Years Of Dualtone (2016)

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VA – In Case You Missed It 15 Years Of Dualtone (2016)
Country, Indie, Folk, Soul | Dualtone Music
320 kbps | MP3 | unmixed | 2016 | 01:14:57 | 184 Mb

Tracklist:
1. Bobby Bare – Are You Sincere 4:17
2. Shakey Graves – Tomorrow 3:58
3. The Lumineers – Boots of Spanish Leather 4:40
4. Brett Dennen – Wild Heart 2:45
5. Delta Spirit – From Now On (Acoustic) 3:30
6. Robinella – Break It Down Baby 3:30
7. Wild Child – Break Bones 3:45
8. Darden Smith – Perfect Moment 4:28
9. Carey Ott – Am I Just One 3:13
10. Shovels & Rope & Shakey Graves – Unknown Legend 4:28
11. Drew Holcomb & The Neighbors – Wrapped Around Your Finger 3:40
12. Noah Gundersen – Slow Dancer 3:30
13. Ivan & Alyosha – The Worth of the Wait 2:49
14. Rosco Gordon – Cheese & Crackers 3:10
15. Langhorne Slim & The Law – Pony 3:06
16. The Deep Vibration & Gillian Welch – Tennessee Rose 6:00
17. Chris Knight – Down the River 6:58
18. Guy Clark – My Favorite Picture of You 3:32
19. June Carter Cash – Keep On the Sunny Side 2:48
Download link:

Links are Interchangeable – Single Extraction – Premium is support resumable

The post VA – In Case You Missed It 15 Years Of Dualtone (2016) appeared first on MusDL.

(Alt Country, Americana) Facing West - Long Way Home - 2015, MP3, 320 kbps

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Facing West / Long Way Home Жанр : Alt Country, Americana Страна исполнителя (группы) : США Год издания : 2015 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:44:15 Наличие сканов в содержимом раздачи : нет Треклист : 01.

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Cecile Corbel – Songbook Vol. 1-4 (2006-2013)

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Cecile Corbel – Songbook Vol. 1-4 (2006-2013)

Artist: Cecile Corbel
Title Of Album: Songbook Vol. 1-4
Year Of Release: 2006-2013
Label: Keltia Musique
Country: France
Genre: Pop Folk, Celtic, Neo-Classical, Vocal, Singer-Songwriter
Quality: Mp3 / FLAC (tracks)
Bitrate: CBR 320 kbps / Lossless
Time: 2:54:02
Full Size: 488 mb / 1.11 gb

Cecile Corbel – Songbook Vol. 1-4 (2006-2013)

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Cecile Corbel – Songbook Vol. 1-4 (2006-2013)

Artist: Cecile Corbel
Title Of Album: Songbook Vol. 1-4
Year Of Release: 2006-2013
Label: Keltia Musique
Country: France
Genre: Pop Folk, Celtic, Neo-Classical, Vocal, Singer-Songwriter
Quality: FLAC (tracks)
Bitrate: Lossless
Time: 2:54:02
Full Size: 1.11 gb
Upload: Turbobit / DepFile / HitFile

Cecile Corbel – Songbook Vol. 1-4 (2006-2013)

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Cecile Corbel – Songbook Vol. 1-4 (2006-2013)

Label: Keltia Musique
Country: France
Genre: Pop Folk, Celtic, Neo-Classical, Vocal, Singer-Songwriter
Quality: Mp3 / FLAC (tracks)
Bitrate: CBR 320 kbps / Lossless
Time: 2:54:02
Full Size: 488 mb / 1.11 gb

The Rolling Stones – Havana Moon (2016)

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z320 kbps | 274 MB | UL |

Tracks:
1. Jumpin’ Jack Flash
2. It’s Only Rock ‘N Roll (But I Like It)
3. Tumbling Dice
4. Out Of Control
5. All Down The Line
6. Angie
7. Paint It Black
8. Honky Tonk Woman
9. You Got The Silver
10. Before They Make Me Run
11. Midnight Rambler
12. Miss You
13. Gimme Shelter
14. Start Me Up
15. Sympathy For The Devil
16. Brown Sugar
17. You Can’t Always Get What You Want
18. (I Can’t Get No) Satisfaction

ΘΑΝΟΣ ΜΠΡΑΤΣΙΩΤΗΣ ή όταν γράφεις ιστορία μ’ ένα τραγούδι

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Ποιος ήταν ο Θάνος Μπρατσιώτης; Ένας τραγουδιστής που εμφανίστηκε στη δεκαετία του ’60 και που, στις αρχές εκείνης του ’70, είπε ένα εξαιρετικό τραγούδι, το «Θέλω απόψε να σου γράψω» (Σπύρος Παπαβασιλείου – Κ. Βέργος), με δεύτερη φωνή στο άσμα την Σόφη Ζανίνου.
Το τραγούδι αυτό έγινε πανελληνίως γνωστό στο περίφημο “Pot-pouri”, που τραγούδησε ο Δημήτρης Μητροπάνος στα «Λαϊκά ’76» [Philips, 1976] –ήταν το τρίτο μέρος του– και παρότι όλοι σήμερα προσκυνούν τη συγκεκριμένη εκτέλεση, εγώ προτιμώ να προσκυνώ την πρώτη. Όχι πως δεν μου αρέσει και η δεύτερη…
various%2Bpolydor%2B2421008%2B1971.jpg
Το «Θέλω απόψε να σου γράψω» ακούστηκε για πρώτη φορά σ’ ένα LP-συλλογή της Polydor από το 1971, που είχε τίτλο «Μετά τα Μεσάνυχτα» [Polydor2421008], και παρότι η εκτέλεση των Μπρατσιώτη-Ζανίνου πέραν της πρωτιάς είναι και εξαιρετική (κορυφαίο ελαφρολαϊκό τραγούδι – απ’ αυτά που δεν ξαναγράφονται), εντούτοις έχει περάσει, μάλλον, απαρατήρητη (ούτε 9300 προβολές στο YouTube στο κανάλι του takis4545, μέσα σε πέντε σχεδόν χρόνια). Ας της δώσουμε λίγες ακόμη…
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Για τον Θάνο Μπρατσιώτη, δυστυχώς, δεν έχω πολλά στοιχεία. Δεν υπάρχει και τίποτα άξιο λόγου στο διαδίκτυο – πέραν ακόμη κάποιων τραγουδιών του από τις 45 στροφές στο YouTube (ηχογραφημένα κι εκείνα για την Polydor). Αν κι έχω διαβάσει σίγουρα για την περίπτωσή του σε παλαιά περιοδικά, αυτή τη στιγμή μπορώ να θυμηθώ μόνον ένα…
Μοντέρνοι Ρυθμοί, τεύχος 97 (17 Ιανουαρίου 1968). Ο Θάνος Μπρατσιώτης παρουσιάζεται ως τραγουδιστής του νέου κύματος, καθώς εμφανιζόταν στην ιστορική μπουάτ Τετράδιο της Πλάκας…
Όποιος γνωρίζει κάτι παραπάνω το προσθέτει ελεύθερα…

Happy Birthday to Brenda Fassie

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It was Brenda Fassie’s birthday anniversary on Thursday, a perfect opportunity to celebrate the life and legacy of the late South African singer, lost too soon. Fassie died May 9, 2004 in Johannesburg at 39 years old; she would have been 52 today.

Brenda Nokuzola Fassie was born on Nov. 3, 1964 in Langa, a township near Cape Town, and rose to international fame at the age of 19 with the disco-lite hit “Weekend Special.”

Fassie rose to carry the titles “Queen of African Pop” and “Madonna of the Townships,” although when an interviewer brought up this latter nickname, she corrected him. “No, no, no, sweety,” she explained. “Madonna is the Brenda of America.”

Even if she had kept making bubblegum pop music, she still would have been politically significant for being South Africa’s first black pop star. But she also became a more politically aware and active singer, releasing protest songs such as 1990’s “Black President,” a tribute to the then-still-imprisoned Nelson Mandela. Declaring “I am proud to be African,” she stopped singing in English, and sang only in Zulu, Xhosa and Sotho.

Fassie was also open about her bisexuality, at a time when few public figures in Africa or elsewhere were. She had romantic relationships with women after her 1989 marriage ended.

As exceptional as Fassie’s career was, it was frequently in danger of being derailed by the trappings of fame and fortune that are no less tragic for being common: drugs and alcohol. In 1994, just as South Africa was holding its first democratic elections, Fassie was checking into rehab. She had a successful comeback, the top-selling South African album in 1998, and an album a year for the four years following. As success returned, so did her demons, and in 2002 she checked back into rehab for cocaine and alcohol abuse.

Afropop’s Sean Barlow recalled watching her last performance in South Africa on an Easter Monday in Soweto. “At a celebration of female musical artists, she was on stage with—or as one of—the greats, like Yvonne Chaka Chaka,” Barlow says. “Brenda was ailing by then. She arrived in an ambulance, gave a blistering performance, got back in the ambulance and went back to the hospital. It was just a story of her total dedication to her fans.”

Fassie slipped into a coma on April 26, 2004, and died two weeks later. While she was in the hospital she was visited by Mandela, as well as the then-sitting president, Thabo Mbeki.

Although gone for 12 years, her legacy lives on. Her songs are still played at parties and weddings. In honor of her birthday, fans have been posting tributes to her across social media.

Govinda - Collection (1995-2015)

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Govinda - Collection (1995-2015)Исполнитель: Govinda
Альбом: Collection
Дата выхода: 1995 - 2015
Страна: USA
Категория(и): Downtempo  Ambient  Ethnic  World  Dub
Дата выхода: 1995 - 2015
Продолжительность: 04:02:16
Формат: MP3, 320 kbps

Govinda started their activities in 1994, when original members of Keshava (Satya Mana, Pandit Ananda and Yasodanandana), that had some of their new age tracks released on Klaus Schulze label “Innovative communication” decided to change. In that period they met DJ Om, who was quite well known in Los Angeles area, Balearic Islands and Barcelona, and togheter they decided to start Govinda, along with...

Govinda - Collection (Lossless, 1995-2015)

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Govinda - Collection (Lossless, 1995-2015)Исполнитель: Govinda
Альбом: Collection
Дата выхода: 1995 - 2015
Страна: USA
Категория(и): Downtempo  Ambient  Ethnic  World  Dub
Дата выхода: 1995 - 2015
Продолжительность: 04:02:11
Формат: FLAC (tracks+.cue, tracks), Lossless

Govinda started their activities in 1994, when original members of Keshava (Satya Mana, Pandit Ananda and Yasodanandana), that had some of their new age tracks released on Klaus Schulze label “Innovative communication” decided to change. In that period they met DJ Om, who was quite well known in Los Angeles area, Balearic Islands and Barcelona, and togheter they decided to start Govinda, along with...

LINDSEY STIRLING: "The arena"

(French Folk, Early Music) Folkdove - Folkdove - 1975 (Reissue 2003), FLAC (tracks+.cue), lossless

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Folkdove / Folkdove Жанр : French Folk, Early Music Носитель : CD Страна-производитель диска (релиза) : Germany Год издания : 1975 (2003) Издатель (лейбл) : Amber Soundroom Номер по каталогу : CD 001 Страна : France Аудиокодек : FLAC Тип рипа : tracks+.

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Govinda - Collection (1995-2015)

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Govinda - Collection (1995-2015)Исполнитель: Govinda
Альбом: Collection
Дата выхода: 1995 - 2015
Страна: USA
Категория(и): Downtempo  Ambient  Ethnic  World  Dub
Дата выхода: 1995 - 2015
Продолжительность: 04:02:16
Формат: MP3, 320 kbps

Govinda started their activities in 1994, when original members of Keshava (Satya Mana, Pandit Ananda and Yasodanandana), that had some of their new age tracks released on Klaus Schulze label “Innovative communication” decided to change. In that period they met DJ Om, who was quite well known in Los Angeles area, Balearic Islands and Barcelona, and togheter they decided to start Govinda, along with...

Govinda - Collection (Lossless, 1995-2015)

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Govinda - Collection (Lossless, 1995-2015)Исполнитель: Govinda
Альбом: Collection
Дата выхода: 1995 - 2015
Страна: USA
Категория(и): Downtempo  Ambient  Ethnic  World  Dub
Дата выхода: 1995 - 2015
Продолжительность: 04:02:11
Формат: FLAC (tracks+.cue, tracks), Lossless

Govinda started their activities in 1994, when original members of Keshava (Satya Mana, Pandit Ananda and Yasodanandana), that had some of their new age tracks released on Klaus Schulze label “Innovative communication” decided to change. In that period they met DJ Om, who was quite well known in Los Angeles area, Balearic Islands and Barcelona, and togheter they decided to start Govinda, along with...

Various Artists - Emotional Hawaii Vol.4 (1995) [NRG]

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Front.jpg

Back.jpg

Link download:http://adf.ly/1fMySS
Bài được thực hiện bởi Hà Nguyễn, mọi chi tiết liên hệ qua email: it.hanguyen@gmail.com

Sir Rod Stewart – And Some Of His Early ‘Faces’ (2016)

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cover320 kbps | 201 MB | UL | OB

This set includes CD 1 which is 13 recorded tracks from Rod Stewart early in his career coupled with CD2 that contains 2 tracks that Rod recorded with: Art Wood and…. Ronnie Wood, Ian McLagan, Kenney Jones and Ronnie Lane who of course later became Rod Stewart and the Faces under the band name of Quiet Melon….

CD 2 also contains some of the greatest hits from Rod, covered by rock vocalists Chris Farlowe, Steve Overland (FM) Paul Di Anno (Iron Maiden), Chris Thompson (Manfred Mann’s Earthband), Doogie White (Rainbow & MSG) and Nicky Moore (Samson)… as a tribute to the new Knight of the realm!A great collectors release.Featuring Rod Stewart, Art Wood, Steve Overland, Chris Thompson, Nicky Moore, Chris Farlowe, Jill Saward, Paul Di Anno, Doogie White, Ron Wood, Ian McLagan, Kenney Jones, Ronnie Lane, Kim Gardner.

Nigerian Reissues, White Noise and Digital Fingerpointing

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The world of collectors, compilers and reissuers of rare African vinyl is a small, tight-knit community, where reputation counts for a lot and rumors fly fast. Right now, something is amiss in the scene, and we think you should know about it. It’s a bit of a long story, a tad confusing, and we’re trying not to take sides, at least not yet.

It concerns an Austrian musician and label owner, Markus Presch, new to the world of African vinyl reissuing, and German DJ, collector and entrepreneur Frank Gossner, who recently retired from years of running the well-known West African vinyl blog and reissue label Voodoo Funk.

header2-3On Tues., Nov. 2, Frank Gossner published a lengthy post on Facebook, which he titled “Nigerian Reissues, Brown Shirts and Electronic Nazi Noise.” The post has since been taken down by Facebook, but you can read it here.

Gossner claims, in no uncertain terms, that Markus Presch, owner of Austrian label PMG/Presch Media GmbH, is a neo-Nazi. This is a particularly striking accusation because PMG has been reissuing a lot of rare Nigerian records in the past two years, attracting the attention of African vinyl lovers around the world.14712799_590414047809373_3152712498014531789_o-2  Before Facebook took it down, Frank’s post had upwards of 400 reactions, many comments, and around 300 shares. What’s going on here?

Gossner claims in his post that Presch (under the name Max Presch) is “one half of the duo” Rasthof Dachau (that’s right, named after the concentration camp), and owner of a mail-order label, Steinklang Industries, described on Discogs as “Power noise and death electronic cult label” associated with the industrial, noise and neo-folk scenes. Gossner points out that the label has released a version of the Nazi anthem, and albums with Nazi-inspired artwork, and that Rasthof Dachau has song titles including “Zyklon B,” “White Power Forces,” “Negros in Sky-Wars,” and “Heilung,” which allegedly samples Nazi mastermind Joseph Goebbels.

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Presch responded to Gossner’s post in depth on the Presch Media Facebook page, starting with “Prejudice, false accusations and outright lies…” He readily acknowledges owning and operating Steinklang, “my first and earliest label, dating back to 1993,” and states “Rasthof Dachau was me, I alone am responsible: Markus Presch, AKA “Max” Presch, but this “Max” does not exist anymore. All details you can read below.”

Presch goes on to claim that he was influenced by Salvador Dali’s “Art must provoke” concept, stating “Art has to be controversial. Without controversy only silence exists. And silence was what caused Auschwitz.” Basically Presch claims altruism, claims he was attempting to shake people up “from their sleep of normality through provocation,” and condemn a neo-Nazi agenda with “a musical project to uncover the evilness of mankind in war, in terrorism and death itself. But in recent times I also saw, that more and more stupid right-wing people started to misuse our protest music and pervert the meaning of our actions, hence I stopped it all.”

Afropop contacted both men, and so far only Gossner has replied, via Facebook Messenger.

“I think these Steinklang releases should be viewed for what they are by anybody who looks at them for themselves…That’s the stragedy [sic] of labels like Steinklang and acts like Rasthof Dachau… they use this sort of imagery to provoke, create controversy and interest but at the same time they deny any responsibility for attracting a Nazi audience. When this becomes too much for them they just change their name and blame everything on the stupidity of everybody else who fails to see the ‘art’ in it all. Especially in the light of the current rise of right-wing populism all over Europe and Austria in particular I am still extremely outraged about Steinklang and M. Presch’s ways to…explain this all away as a misunderstood art project. I mean he’s been doing this for more than 20 years and still sells more current, repacked versions of this stuff even though by now he admitted himself how easily this can be ‘misunderstood’ not only by people like me but also by ‘real’ Nazis.”

In his post, Presch addresses Gossner’s attack, writing, “Certain people might again try to turn all possible and impossible things against us, but we know who they are (better, who HE is) and we know why he is doing all that: It’s simple jealousy and greed.”

He explains that he is now a born-again Christian, “Our Lord called and saved me and my family and I found my peace in our Lord five years ago, and with that, I also gave away my nickname ‘Max.’”

He describes his work with Nigerian artists in philanthropic terms: “We at PMG are paying our African artists very well and in Nigeria are many people very thankful to us nowadays and also in other places in Africa. Many poor people who’s live [sic] we touched became real friends and their lives got much better. Please feel free and ask our artists, you can find several of them on Facebook.”

Sure enough, one of the artists, Steve Black, has published a lengthy statement in full support of Markus Presch and PMG. Since Presch contacted him via Facebook earlier this year, Black has served as the label’s agent in Nigeria, and according to him, “Since April this year till now PMG RECORDS has paid more than $50,000 to artists in Nigeria and Ghana. And payment is made upfront before the release of any artist.” He goes on to describe a school fund Presch has established in Nigeria, and concludes “It is…very laughable that Frank Goosner [sic] and his gang are trying very hard to use our past to hunt us by writing a lot of bulshit [sic] about Markus belonging to the Nazi group or whatever, the reader should know that everyone including Frank Goosner had his/her past so we don’t dwell in the past as we cannot continue to live in the past. What matters is the moment and the future.”

These are the details so far. As one of the commenters on Gossner’s post put it, “So. Either this guy [Presch] is a diabolical pathological liar, or you’ve just committed massive slander…”

Now is a good time to repeat that Afropop Worldwide reserves judgment until more information comes to light. Meanwhile Gossner and Presch continue to fire personal shots at each other: Presch claimed that Gossner is jealous and withholding contact information for the Kelenkye Band (licensed by Voodoo Funk for this reissue), and Gossner claims that we will soon see an article published by a third party (that would be Nigerian collector Uchenna Ikonne of Comb & Razor, who spoke out against PMG in this German-language piece in Thump) detailing the shady business dealings of PMG. He also took shots at Austria (“PMG, seemingly coming out of nowhere [well, they’re from Austria, same thing…]”) and left a vaguely threatening comment on Presch’s post “The post yesterday was just for starters… the real meat and potatoes are yet to come and maybe all questions will be answered, who knows? According to my experience it’s often hard to get the truth out of you Jesus people but we will try. Oh and one more thing Markus: The stench of your pompousness makes it unbearable to breath [sic] and it is quite nauseating.”

The personal jabs and odd territorial overtones of this dispute bring to mind a 2010 article by Boima Tucker, “The Scramble For African Vinyl” for Africa Is A Country. Boima talks about the colonial overtones of mostly white European and American DJs who travel to Africa to “discover” rare records, shaping the narrative of African music to their own taste. In this piece, Boima points (if somewhat laterally) at none other than Frank Gossner as an example of how the echoes of colonialism can be heard in the African vinyl reissue scene.

Gossner responded via Messenger, “I have to admit that I was pissed off at how I was being accused of neo-colonial behavior simply because of my European heritage… Jealousy and mean-spirited or self-serving attitudes are very common in this field which is one of the reasons I decided to leave this all behind me.”

Seems like jealousy is a common complaint in the scene, then. Meanwhile the comments are growing and morphing on all the posts, and on this U.K.-based vinyl forum Very Good Plus, where a user joked, “Somewhere on a white power forum there’s a post identical to the first one, but with the roles reversed…THIS IS VERY SERIOUS!!!! Markus Presch is the man behind countless Nigerian funk reissues!! Now I feel disgusted whenever I look at my Nazi Drone Classic LP! And not in ze ‘good’ disgust way! What shall we do guys????”

We’ll be watching this story closely, and we’ll keep you updated.

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