Label: Self Released
Жанр: Jazz-World
Год выпуска: 2012
Формат: FLAC (tracks)
Битрейт аудио: Lossless
Продолжительность: 43:11
Размер: 290 Mb
Radio Banska - The Balkan Courtesan (2012)
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Yazz Ahmed - La Saboteuse (2017)
Label: Naim Records
Жанр: Jazz-World
Год выпуска: 2017
Формат: FLAC (tracks)
Битрейт аудио: Lossless
Продолжительность: 57:01
Размер: 333 Mb
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Radio Banska - The Balkan Courtesan (2012)
Label: Self Released
Жанр: Jazz-World
Год выпуска: 2012
Формат: FLAC (tracks)
Битрейт аудио: Lossless
Продолжительность: 43:11
Размер: 290 Mb
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VA – More Oar: A Tribute To The Skip Spence Album (1999)
320 kbps | 171 MB | LINK
Tracklist:
01. Robert Plant – Little Hands
02. Mark Lanegan – Cripple Creek
03. Alejandro Escovedo – Diana
04. Durocs – MargaretTiger Rug
05. Jay FarrarSir Omaha Quintet – Weighted Down (The Prison Song)
06. Mudhoney – War in Peace
07. Robyn Hitchcock – Broken Heart
08. Diesel Park West – All Come to Meet Her
09. Tom Waits – Books of Moses
10. Greg Dulli – Dixie Peach Promenade (Yin for Yang)
11. Ophelias – Lawrence of Euphoria
12. Flying Saucer Attack – Grey – Afro
13. Alistair Galbraith – This Time He Has Come
14. Engine 54 – It’s the Best Thing for You
15. Outrageous Cherry – Keep Everything Under Your Hat
16. Beck – Halo of Gold
17. The Minus 5 – Doodle
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VADIM NESELOVSKYI TRIO
Ο Vadim Neselovskyi είναι πιανίστας, ουκρανός πιανίστας, και το τρίο του, εκτός από τον ίδιο που συνθέτει παίζοντας και μελόντικα, αποτελείται από τον μπασίστα Dan Loomis και τον ντράμερ Ronen Itzik, ενώ σε δύο κομμάτια ακούμε τη φωνή τής γνωστής μας Sara Serpa(γνωστή μας από τις συνεργασίες της με τους Ran Blake, Greg Osby κ.ά.). Το “Get Up and Go” [Jazz Family / Blu jazz productions, 2017] περιλαμβάνει έντεκα κομμάτια, όλα συνθέσεις του Neselovskyi, ο οποίος δεν ζει στην Ουκρανία εδώ και πολλά χρόνια, αλλά επιστρέφει, όποτε του δίνεται η ευκαιρία, για live και ηχογραφήσεις. Το εν λόγω άλμπουμ μπορεί να είναι ηχογραφημένο στη Βοστώνη (σε στούντιο του Berklee College of Music), «πιάνει» όμως το κλίμα μιας εμφάνισης τού Neselovskyi στο μεγαλύτερο τζαζ φεστιβάλ της πατρίδας του, το Alfa Jazz, στην πόλη Lviv (το καλοκαίρι του 2014).
![ajazz%2Bneselowski.jpg]()
Η τζαζ του Neselovskyiείναι ιδιαίτερη – εννοώ πως δεν μπορείς να την κλείσεις σ’ ένα «κουτάκι». Εμφανίζει και αμερικάνικα προχωρημένα στοιχεία και τοπικά (ουκρανικά) ή νοτιο-ανατολικο-ευρωπαϊκά να τα πούμε. Για παράδειγμα το “Who is it?” έχει έναν ξέφρενο ρυθμό, που φέρνει στο μνήμη μας τις παραδοσιακές μουσικές των Βαλκανίων. Αντιθέτως, κομμάτια όπως το “Prelude for vibes” είναι πιο κοντά στην αμερικάνικη… εκλεκτική τζαζ παράδοση (ενός Chick Corea ή ενός Gary Burton ή ενός συνδυασμού τους). Άλλα, πάλι, όπως το “Krai” διατηρούν κάτι από την ψυχρή γοητεία της nordic jazz (δίχως να αποσιωπούνται και κάποιες νεο-κλασικές/ ρομαντικές τάσεις), ενώ υπάρχει και το “Station taiga” ακόμη, με τα φωνητικά τής Sara Serpa, που είναι επίσης «κάτι άλλο».
Ένα ιδιαίτερο και κατά τόπους πολύ γοητευτικό τζαζ CD είναι το “Get Up and Go” τού Vadim Neselovskyi Trio.
Επαφή: www.vadimneselovskyi.com
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Ry Cooder & V.M. Bhatt - A Meeting By The River (1993) [2008 SACD]
![Ry Cooder & V.M. Bhatt - A Meeting By The River (1993) [2008 SACD]](http://lossless-galaxy.ru/uploads/posts/2017-06/thumbs/1497806446_folder.jpg "Ry Cooder & V.M. Bhatt - A Meeting By The River (1993) [2008 SACD]")
Artist: Ry Cooder & V.M. Bhatt
Title Of Album: A Meeting By The River
Year Of Release: 1993 [2008]
Label (Catalog#): Analogue Productions [APW 29 SA]
Country: International
Genre: Blues, Folk, World
Quality: DSD64 image (*.iso)
Bitrate: 2.0 > 1-bit/2.8224 MHz
Time: 00:39:51
Full Size: 1,60 GB (+5%rec.)
WebSite: discogs.com
Title Of Album: A Meeting By The River
Year Of Release: 1993 [2008]
Label (Catalog#): Analogue Productions [APW 29 SA]
Country: International
Genre: Blues, Folk, World
Quality: DSD64 image (*.iso)
Bitrate: 2.0 > 1-bit/2.8224 MHz
Time: 00:39:51
Full Size: 1,60 GB (+5%rec.)
WebSite: discogs.com
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Midnight North – Under The Lights (2017)
320 kbps | 102 MB | LINKS
Midnight North will release their second album, Under The Lights. Recorded by David Simon-Baker (Los Lobos, ALO, Jackie Greene, Mother Hips), the album is both a reverence of the collective musical canon of the past, and an offering of styles totally fresh and new, created by a band that is paving the way ahead for the future of Americana music. Above all, it’s superb collection of new material from this four-piece group, who are also hitting the road this summer to tour in support.
The album takes off at a sprint, with the title track “Under The Lights,” a real road song that starts things off on a modern country feel. Then come just about one of the best songs coming out today, “Playing a Poor Hand Well.” A little soulful, a little folky, a little danceable, and a beautiful blending of all the instruments in the band’s arsenal on this record: organ, with some great horn interplay. And, on top of it all, crooned passionately by singer Elliott Peck.
In fact, the whole record benefits from the beauty of multiple stellar voices, and the album is split on vocal lead duty track for between members Peck and lead guitar player, Grahame Lesh. Whereas Peck’s voice is husky but also sparkling at the peaks, Lesh’s is just as satisfying in his grittier style, and on tracks like “Back to California,” it cracks with exasperated emotion. Of course, to be found everywhere on the record is the expert level background harmonies that seem to just fit with any kind of song.
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Jean-Michel caradec - P&M n°9- Reconstruction
Compilation Rca qui contient par miracle ( car autre editeur ) l'inédit "Si ma vie est belle", chanson composée pour la bo du film "Le pion". Cequi me permet de faire un clin d'oeil au sensationnel blog de Francomac.
tron22
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Isobel Anderson – Chalk / Flint (2017)
FLAC | 229 MB | LINKS
CHALK/FLINT demonstrates Isobel’s growing songwriting prowess. With developments in production and instrumentation, this is a vibrant new album from the Belfast-based artist.
The eleven-track album was written and recorded in Belfast, but inspired by Isobel’s childhood home, the jagged white cliffs of South East England’s coastline. The dense instrumental and vocal harmonies, alongside the textured soundscape composition is a nod to Isobel’s MA and PhD in Sound Art.
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Manassas – Pieces (1971/2009)
FLAC | 309 MB | LINK
Pieces is the perfect name for this new Manassas outtakes collection from Rhino. Nobody had combined country, rock, salsa, blues, and bluegrass like Stephen Stills’ powerhouse 7-piece that formed out from the wake of CSNY and the Burrito Brothers, and their eponymous album was a disconnected smattering of “pieces” itself. This new hodgepodge of unheard treats may be scattered, but it’s right in line with tradition and kicks ass like any Manassas fan would expect.
Pieces collects some leftovers from the Miami sessions that led to the first album (“Witching Hour” “Like A Fox”), warmups and ideas intended for the 2nd Manassas album, Down The Road (“Lies” “Love and Satisfy”), as well as what Stills refers to as “Chris Hillman and Byron Berline teaching me bluegrass” (“Panhandle Rag” “Uncle Pen”). Other tracks are electrified covers from Stephen Stills 1 & 2, the hugely successful solo albums that gave Stephen the freedom to form a band with Doug Sahm level schizophrenia.
There are a number of gems here; “Witching Hour” and “Sugar Babe” are easy classics. Stills throws together the chorus of “Like a Fox” last minute and presages Manfred Mann’s “Fox On The Run” (which the Country Gentlemen would turn into a bluegrass standard) word for word. Only problem, even with Bonnie Raitt lending her voice, I can’t hear past the Manfred version to this one. On Side B, the bluegrass numbers have no knockout picking, but it’s a treat to hear Stills and Hillman harmonize on “Uncle Pen.” “Do You Remember The Americans,” however, is cooler grass than I’ve ever heard. I wish Stills had recorded an entire album in this vein. ”I Am My Brother” is a sick solo blues to prove Stills’ immense talent and soul.
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Kelly McFarling – Water Dog (2017)
320 kbps | 104 MB | LINKS
Kelly McFarling – vocals, guitars, banjo, claps
Avi Vinocur – mandolin, drums, bass, guitars, banjo, vocals
Tim Marcus – pedal steel, dobro
Oscar Westesson – upright bass
Andrew Brennan – guitars
Graham Patzner – fiddle
Andrew Laubacher – percussion
John Elliott – piano
Whiskey Shivers – vocals
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Ekoplekz Bioprodukt
Ekoplekz
Bioprodukt
(Planet MU, 2017)
more details
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Flotation Toy Warning -The Machine That Made (2017)
320 kbps | 130 MB | LINKS
Tracks:
01. Controlling the Sea
02. Due to Adverse Weather Conditions, All of My Heroes Hav
03. Everything That Is Difficult Will Come to an End
04. A Season Underground
05. I Quite Like It When He Sings
06. King of Foxgloves
07. When the Boat Comes Inside Your House
08. Driving Under the Influence of Loneliness
09. To Live for Longer Slides
10. The Moongoose Analogue
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ένα ποίημα του ΣΠΥΡΟΥ ΜΕΪΜΑΡΗ για τον αληθινό πατέρα
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LEA PORCELAIN HYMNS TO THE NIGHT - 2017
LEA PORCELAIN
HYMNS TO THE NIGHT - 2017
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VA - Zaire 74: The African Artists (2017)
Artist: Various Artists
Title Of Album: Zaire 74: The African Artists
Year Of Release: 2017
Label (Catalog#): Wrasse Records [WRASS349]
Genre: World, Funk, Folk, Ethnic
Quality: FLAC (tracks)
Bitrate: Lossless
Time: 1:55:37
Full Size: 722 mb
Upload: Turbobit / DepFile
Title Of Album: Zaire 74: The African Artists
Year Of Release: 2017
Label (Catalog#): Wrasse Records [WRASS349]
Genre: World, Funk, Folk, Ethnic
Quality: FLAC (tracks)
Bitrate: Lossless
Time: 1:55:37
Full Size: 722 mb
Upload: Turbobit / DepFile
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Love Saves the Party w/Carol Mirakove
Help us celebrate the first day of summer!
This Wednesday, June 21, from 7-10 PM EDT, Bodega Pop Live on WFMU's Give the Drummer Radio welcomes poet and fellow traveler Carol Mirakove to the show to spin and chat about some of her favorite dance music - the records that fueled underground parties in New York from the Loft and Paradise Garage to the Mudd Club, Club Negril and Bang the Party.
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The Orchestra Soledad – Vamonos / Let’s Go (2017)
320 kbps | 102 MB | LINKS
“Originally released in 1970 by little-known Chicago imprint Futuro, ‘Vamonos / Let’s Go!’ is the first and only album recorded by Brooklyn neighbourhood salsa band ‘The Orchestra Soledad’. Led by trombonist and singer Hector Ramos, the music of Orchestra Soledad is characterised by brash and energetic salsa arrangements created by Ramos himself, who also composed (or cocomposed) all of the music featured on the LP.
This ultra-rare record came to our attention courtesy of DJ Amir who discovered it (along with a ‘battle of the bands’ trophy that the band had won) in a shop located only blocks away from the Bushwick home of Hector Ramos. Immediately captivated by the striking artwork and incredible music, Amir went on to include the track “El Ritmo Soledad” on his 2016 BBE compilation ‘Buena Música Y Cultura’, an album celebrating latin music from across the Americas. The Orchestra Soledad was made up of talented local kids (maybe local heroes), all dreaming of Fania All-Stars fame when they stepped in the studio, sadly destined never to ‘make it’. Yet this one shining album remains, a lasting testament to their brilliance. Raw, authentic 70s street salsa, all the recordings featured on ‘Vamonos/ Let’s Go!’ have a distinctly live, unpolished feel, evoking all the sweat and drama of a hot summer’s night in the barrios of Sunset Park, Bushwick or Williamsburg back in the day.”
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VA – Zaire 74: The African Artists (2017)
In the weeks before 1974’s legendary Rumble in the Jungle between Ali and Foreman, a three-day music festival in Kinshasa united major American R&B artists with their Congolese counterparts. Footage of James Brown and others has shown up on the documentaries When We Were Kings and Soul Power, but this lavish two-CD set is the first time we’ve heard the African performances.
You’re never far from the poisonous influence of Zaire’s military dictator Mobutu, whose authenticité campaign made him a fashionable figure in some Afrocentric circles (there are numerous “Mobutu praise songs”, even one from Miriam Makeba, the only non-Congolese artist here), but even this doesn’t dim the sheer joy of these performances. A loose-limbed set from local rumba hero…
…Franco and Le TPOK Jazz is the centrepiece; his rival Tabu Ley Rochereau provides a frenetic, guitar-heavy rumba-funk stew; Abumba Masikini flirts with acid rock; while Abumba’s sister Abeti mixes soukous with heavy metal. Thrilling stuff. — Guardian
1. Tabu Ley Rochereau and Afrisa – Introduction [02:34]
2. Tabu Ley Rochereau and Afrisa – Celicia [05:20]
3. Tabu Ley Rochereau and Afrisa – Salongo part 1 [02:47]
4. Tabu Ley Rochereau and Afrisa – Salongo part 2 [01:30]
5. Tabu Ley Rochereau and Afrisa – Annie [07:23]
6. Abumba Masikini – Magali Ya Kinshasa [06:48]
7. Abumba Masikini – Limbisa Nga [04:55]
8. Abeti – Mobutu Praise Song 1 [03:31]
9. Abeti – Tuikale [02:33]
10. Abeti – Liwela [02:09]
11. Abeti – Traditional Folk Song [03:03]
12. Abeti – Wandugo Wampenzi [03:49]
13. Abeti – Bibile [02:17]
14. Abeti – Mobutu Praise Song 2 [02:05]
15. Franco and T.P. O.K. Jazz – Introduction [02:14]
16. Franco and T.P. O.K. Jazz – Nzoto [01:51]
17. Franco and T.P. O.K. Jazz – Mosala [02:36]
18. Franco and T.P. O.K. Jazz – Kasai [02:46]
19. Franco and T.P. O.K. Jazz – Koni Ya Bonganga [02:32]
20. Franco and T.P. O.K. Jazz – Balingaka Ngaite [02:34]
21. Franco and T.P. O.K. Jazz – Mabuidi [02:37]
22. Franco and T.P. O.K. Jazz – Instrumental Dance Chant [02:44]
23. Franco and T.P. O.K. Jazz – Kizembike [02:06]
24. Franco and T.P. O.K. Jazz – Lala Nzala [02:57]
25. Franco and T.P. O.K. Jazz – Instrumental [03:05]
26. Miriam Makeba – Umqhokozo [02:39]
27. Miriam Makeba – Mobutu Praise Song [03:10]
28. Miriam Makeba – West Wind [06:48]
29. Miriam Makeba – Amampondo [03:10]
30. Orchestre Stukas – Biboma [03:00]
31. Orchestre Stukas – Cherie [03:51]
32. Orchestre Stukas – Mobutu Praise Song [03:37]
33. Orchestre Stukas – Elatina [04:19]
34. Pembe Dance Troupe – Pembe Dance Song [05:34]
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Larkim Grimm Chasing An Illusion
Larkim Grimm
Chasing An Illusion
(Northern Spy, 2017)
more details
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More Pages to Explore .....
