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(Mohan Veena tabla) Vishwa Mohan Bhatt - Mohan's Veena(Sense World Music) MP3, 320 kbps

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Vishwa Mohan Bhatt Mohan Veena / Mohan's Veena Жанр : Mohan Veena tabla Год издания : 2002 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 1:41:15 Треклист : CD 1 Raga Bageshri 1.

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Global A Go-Go: June 28, 2017, Segment 1

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The latest from the Sahara Desert; contemporary Colombian bands rockin' the gaita; flick those cigarette lighters for 70s rock from Turkey; some North African and Middle Eastern dance floor bangers

The Rolling Stones – The Complete British Radio Broadcasts 1963 – 1965 (2017)

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320 kbps | 242 MB | LINKS

Legendary performances on various BBC radio shows from the 1960s. Includes the following shows. SATURDAY CLUB, OCTOBER 26th 1963 SATURDAY CLUB, FEBRUARY 8th 1964 SATURDAY CLUB, MARCH 8th 1964 BLUES IN RHYTHM, MARCH 19th 1964 THE JOE LOSS POP SHOW, APRIL 10th 1964 SATURDAY CLUB, APRIL 18th 1964 BIG BEAT 64, MAY 3rd 1964 SATURDAY CLUB, JUNE 6th 1964 0THE JOE LOSS POP SHOW, JULY 17th 1964 TOP GEAR, JULY 23rd 1964 1RHYTHM AND BLUES, OCTOBER 31st 1964 TOP GEAR, MARCH 6th 1965 BIG BEAT 65, APRIL 18th 1965 YEH! YEH!, AUGUST 30th 1965 SATURDAY CLUB, SEPTEMBER 18th 1965

Volume 1

01. Come On (Saturday Club. 26 Oct 63 Live Broadcast) 02:01
02. Memphis Tennessee (Saturday Club. 26 Oct 63 Live Broadcast) 02:20
03. Roll Over Beethoven (Saturday Club. 26 Oct 63 Live Broadcast) 02:19
04. Don’t Lie To Me (Saturday Club. 8 Feb 64 Live Broadcast) 01:43
05. You Better Move On (Saturday Club. 8 Feb 64 Live Broadcast) 02:43
06. I Wanna Be Your Man (Saturday Club. 8 Feb 64 Live Broadcast) 01:56
07. Mona (I Need You Baby) (Saturday Club. 8 Feb 64 Live Broadcast) 02:18
08. Walking The Dog (Saturday Club. 8 Feb 64 Live Broadcast) 02:42
09. Bye Bye Johnny (Saturday Club. 8 Feb 64 Live Broadcast) 02:18
10. Roll Over Beethoven (Saturday Club. 8 Mar 64 Live Broadcast) 02:23
11. Beautiful Delilah (Saturday Club. 8 Mar 64 Live Broadcast) 02:30
12. Ain’t That Loving You Baby (Blues In Rhythm. 19 Mar 64 Live Broadcast) 01:56
13. Route 66 (Blues In Rhythm. 19 Mar 64 Live Broadcast) 02:54
14. Cops And Robbers (Blues In Rhythm. 19 Mar 64 Live Broadcast) 03:52
15. You Better Move On (Blues In Rhythm. 19 Mar 64 Live Broadcast) 03:05
16. Mona (I Need You Baby) (Live Broadcast) 02:57
17. Hi-Heel Sneakers (The Joe Loss Pop Show. 10 Apr 64 Live Broadcast) 01:55
18. Little By Little (The Joe Loss Pop Show. 10 Apr 64 Live Broadcast) 02:28
19. I Just Want To Make Love To You (The Joe Loss Pop Show. 10 Apr 64 Live Broadcast) 02:13
20. I’m Moving On (The Joe Loss Pop Show. 10 Apr 64 Live Broadcast) 02:08

Volume 2

01. I Just Wanna Make Love To You (Maida Vale Studios, London, April 13th 1964) 02:21
02. Walking The Dog (Maida Vale Studios, London, April 13th 1964) 03:14
03. Not Fade Away (Maida Vale Studios, London, April 13th 1964) 02:05
04. Beautiful Delilah (Maida Vale Studios, London, April 13th 1964) 02:13
05. Hi-Heel Sneakers (Maida Vale Studios, London, April 13th 1964) 02:46
06. Carol (Maida Vale Studios, London, April 13th 1964) 02:31
07. Not Fade Away (Wembley Empire Pool, London, April 26th) 02:15
08. I Just Wanna Make Love To You ((Wembley Empire Pool, London, April 26th) 02:39
09. Im Alright (Wembley Empire Pool, London, April 26th) 02:28
10. Down In The Bottom (Broadcasting House, London, May 25th 1964) 02:51
11. You Can Make It If You Try (Broadcasting House, London, May 25th 1964) 02:16
12. Route 66 (Broadcasting House, London, May 25th 1964) 02:30
13. Confessin’ The Blues (Broadcasting House, London, May 25th 1964) 03:04
14. Down The Road Apiece (Broadcasting House, London, May 25th 1964) 02:01
15. It’s All Over Now (The Joe Loss Pop Show, July 17th 196 03:22
16. If You Need Me (The Joe Loss Pop Show, July 17th 1964) 02:09
17. Confessin’ The Blues (The Joe Loss Pop Show, July 17th 1964) 02:23
18. Carol (The Joe Loss Pop Show, July 17th 1964) 02:40
19. Mona (I Need You Baby) (The Joe Loss Pop Show, July 17th 1964) 02:56

Volume 3

01. Around And Around (Broadcasting House, London, July 17th 1964) 02:42
02. If You Need Me (Broadcasting House, London, July 17th 1964) 02:02
03. I Can’t Be Satisfied (Broadcasting House, London, July 17th 1964) 02:29
04. Crackin’ Up (Broadcasting House, London, July 17th 1964) 02:16
05. Ain’t That Loving You Baby (Playhouse Theatre, London, 01:55
06. 2120 South Michigan Avenue (Playhouse Theatre, London, 03:48
07. Everybody Needs Somebody To Love (Playhouse Theatre, Lo 03:31
08. Down The Road Apiece (Playhouse Theatre, London, March 02:04
09. The Last Time (Playhouse Theatre, London, March 1st 1965) 03:07
10. Interview With Mick & Brian (Playhouse Theatre, London, March 1st 1965) 00:49
11. Everybody Needs Somebody To Love (Wembley Empire Pool, London, April 11th 1965) 02:52
12. Around And Around (Wembley Empire Pool, London, April 11th 1965) 02:23
13. The Last Time (Wembley Empire Pool, London, April 11th 1965) 02:58
14. Mercy Mercy (Maida Vale Studios, London, August 20th) 02:49
15. Oh Baby (We Got A Good Thing Going) (Maida Vale Studios, London, August 20th) 01:54
16. Interview With Mick (Maida Vale Studios, London, August 20th) 00:23
17. (I Can’t Get No) Satisfaction (Maida Vale Studios, London, August 20th) 03:44
18. The Spider And The Fly (Maida Vale Studios, London, August 20th) 03:26
19. Interview With Mick II (Maida Vale Studios, London, August 20th) 00:49
20. Cry To Me (Maida Vale Studios, London, August 20th) 03:06
21. Fanny Mae (Maida Vale Studios, London, August 20th) 02:10

Pride Month Playlist: Listening to Queer and Trans Artists Across the African Planet

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During LGBT Pride Month, Afropop has been celebrating queer and trans musicians throughout the African diaspora. This year, we’ve put together a playlist of some of the hottest and most influential artists who show us what it really means to be black, queer and proud.

LGBT people in many black/African communities face daily harassment, anti-LGBT legislation, and societal erasure for being who they are. Yet these artists on our list are out there proving that they won’t be silent. Some of these musicians like Cuban hip-hop duo Krudas Cubensi have been able to assert themselves as powerful musicians not only with their infectious sounds, but also with the overtly pro-queer messages behind their music. Mista Majah P made waves in Jamaica for becoming the first ever pro-gay reggae musician, and Grammo Suspect recently joined the scene in Kenya as the country’s first openly lesbian rapper.

Other artists on our list have found similar success by simply existing as queer voices in their scenes. As Brazilian vocalist Liniker Barros puts it, being a black trans woman performer is “political, because we need representation…It’s extremely important—not just for me, but for each of us—to be occupying all positions, the stages and the countries to continue to resist and exist.” The Angolan rapper Titica epitomizes Liniker Barro’s call for representation by being one of the biggest names in Angola’s techno-rap style called kuduro as an out trans woman despite the country’s harsh anti-LGBT legislation. Similarly, queer singer/songwriter Shishani has been rising up in Namibia’s music industry despite the fact that it is illegal to be gay in her country. Just last year, singer/songwriter Diana King became the first Jamaican musician to come out publicly, and Brazilian rapper Rico Dalasam has recently been breaking gender norms and making his own space within Brazil’s rap scene with powerful lyrics about what it means to be both black and gay. We’ve even included some North American musicians who draw on both their black and queer roots to make distinct musics like Big Freedia’s New Orleans bounce, Haitian-Montrealer Kaytranada’s hip-hop, and Blood Orange’s newest Sierra Leone inspired tracks.

With all the hype around these young, up-and-coming artists, it’s important to remember that many African artists helped pave the way for the black queer icons of today. Some of these leaders on our playlist include Cuban stars like singer-pianist Bola de Nieve and the fashion designer DJ Guy Cuevas, who were both openly gay in the 1940s and ‘70s respectively. Other notables include the South African pop legends Brenda Fassie and Lebo Mathosa, both of whom have served as sources of inspiration for generations of women and queer folks after them. The last two artists listed, South African duo FAKA and South Africa’s “Future Kwaai Diva” Umlilo, are among the new, inspired generation of black queer artists who are showing us exactly what it means to draw from the trailblazers of the past while carving out even more space for the black, queer and proud.

 

Go Africa Harlem Street Festival July 15

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,Like the rest of the subway, the A train might be running late, but you’ll still want to find a quick way to Harlem for the Go Africa Harlem 2017 Street Festival.

The third edition of the one-day street festival takes place July 15 from 10 a.m. to 7 p.m. on 116th Street between Adam Clayton Powell and Frederick Douglass Boulevards in Manhattan. There will be live music, dance, food, beverages, clothing and apparel, all from or celebrating the African continent and diaspora. Medical screening, financial, and city agency services will also be on hand. The festival is free to attend, but you can receive news, updates, and be entered to win prizes if you RSVP here.

Harlem has a place of unique importance in African American culture (to understate something dramatically), and the festival’s goal is to acknowledge and celebrate the cultural connections between the uptown neighborhood, Africa and the Caribbean. This list of artists, spanning from reggae to soul to hip-hop, seems to reflect that:

There will also be Afrocentric fashion designers and chefs, if your wardrobe needs an update or if you are taken by a longing for properly prepared Jamaican jerk goat.

Go Africa Harlem 2017 is presented by the Go Africa Network Inc. in conjunction with Go Africa Health, LLC, Go Caribbean Inc., Go Africa News, LLC and the African Union Expo, LLC.

Rafiya to Perform at Essence Fest in New Orleans

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Music continues to be a male-dominated field, from producers and label executives to performers, particularly in the African and diasporic music genres. It was a breath of fresh air to speak with Rafiya, a New York/New Jersey-based female singer/songwriter thriving and in control of her musical message. Rafiya is not new to Afropop. If you recall, she was one of the performers at our very first residency program at Threes Brewing this spring. She is an energetic performer and dancer whose versatile upbringing lends itself to the many genres and languages she showcases in her music. I was excited to speak with Rafiya since she had just been announced as part of the lineup of Essence Festival in New Orleans (presented by Essence magazine June 29-July 2). She will be the first African performer to participate in Essence’s inaugural Center Stage on July 1 during the annual event, where award-winning artists Diana Ross, Chance the Rapper and Mary J. Blige will be headlining. Read the full interview below to get to learn more about the rising star, Rafiya.

Akornefa Akyea: First of all, I want to congratulate you on Essence Festival!

Rafiya: Thank you! I know, I’m so excited, nervous and anxious but so excited.

When do you go down there? It’s on the first night?

Yup! It’s on the first but I leave on the 27th. I’ve been to New Orleans once before, last year actually for the festival. I didn’t get a chance to look at the city much but I really like the vibe and the culture.

Yes! I hope you’re free to relax and enjoy this time. I was reading your bio a little bit and I’m really interested in your background and all the places you’ve lived. I would like to know how your background informs the music that you make.

I was born in Los Angeles but I moved a lot, mostly in West Africa: Benin, Senegal, Cote d’Ivoire, Cape Verde, and actually Barbados as well. So that’s why when people ask for my style of music, it’s hard to box it in. It’s really influenced by all the sounds I’ve heard but there’s always this African background for sure with different languages and different sounds.

Your style is very versatile. I heard a ballad in your song “Je Me Cherche,” then reggae on “Where I’m From” and Afrobeats on “Hustle.”

It’s very versatile. We have songs that have a reggae hint, ballads like you said, other songs are more upbeat but I feel like even if a lot of the sounds are different, it all ties in together. It’s all about positive messages and they all center around Africa.

Was there a place that you lived that spoke to you most musically and made you want to create more music?

I know as far as the culture, Senegal stands out. I was 12 when I lived there, but that’s the country that I always want to go back to. Interestingly, I don’t use mbalax in my music but I like to use the djembe, which is an instrument that they use a lot. But I remember really loving Senegal.

Oh, I want to go so badly!

I definitely recommend it! Whenever someone asks “Where should I go in Africa?” I say Congo, which is where I’m from, but I always say Senegal too! Then Ghana! After those two it’s definitely Ghana.

Can you tell us a bit about your music process?

Well, when I create music it always starts with inspiration. I don’t have a set strategy that I go by but sometimes we come up with the lyrics first, then work with the producer to create the music around it. Other times it will be the other way around and I’ll hear a beat and it evokes emotions which inspire me to write the music after. So it’s not one specific formula.

Who do you collaborate with in terms of production?

I’ve worked with different African producers from Cote d’Ivoire and Mozambique. More recently I worked with a producer, Mr. Lab, who is actually based in Jersey City and I’m going to be working with him for my next project. I’ve had a variety of different producers but they’ve been mostly African so far.

You are a performer through and through. You dance, you sing and you engage the audience. In terms of your performance style, is there anyone that you tried to emulate?

Growing up, I really loved watching Angélique Kidjo. She’s amazing, she has so much energy on stage and she also dances and sings to really put on a show. She’s one of the artists I admire in terms of stage presence and even aspects of her engagement with her culture. She sings in her language and says “I am African and this is my music” to show the whole world. So I would say Angélique Kidjo.

How do you come up with your new choreography?

It depends on the song. For instance, I’ve worked with Eto’o Tsana, she’s Congolese and I’ve collaborated with her before for my last performances. I know her personally as a dancer so I have no problem with collaborating with people who can help me and teach. I go to her and say “Here’s the song, what do you think would be best? I really want this part to be a break-it-down part” and she’ll give suggestions. I’ve also collaborated with Jlyn and she recently helped me to choreograph what I’m going to be performing at Essence, so that’s really, really recent. I love working with her. Dancing is definitely something that I want to improve on and get better at.

How do you think about your style?

For my style, I always want something that’s going to be comfortable. I need to be comfortable, it matters to me a lot [Laughs]. You’ll always see me in jeans or pants so I can move around comfortably and I also like to incorporate African accessories like big necklaces or earrings. My favorite earrings are in the shape of Africa, I wear those a lot. I also like bangles, African fabrics as well. Definitely always a hint of something African or Afrocentric. People have also pointed out my hair and how it’s natural and big and it’s something that they immediately point out, that they recognize about me.

What is your mission as a musician and what you hope to accomplish?

It’s definitely to promote African culture and African pride and unity. That’s definitely my main mission but I also always want people to feel loved and uplifted. I want people to feel uplifted, encouraged and motivated. I want to use the power of music to do something good and positive.

I think the social activism portion of music is so important and you can do that with just one song. I know that you perform with your twin sister. How did that come about?

We actually used to be a group when we were little! We were called Gemenic, and then we were called Rafiya, to represent the two of us. Later on, she decided to move on to more of a managerial role and she’s actually part of my management team. She still loves music and loves to sing so when we do live performances, she does my background vocals so she’s still singing in that way.

So would you say you come from a musical family?

Yes, definitely. My grandfather used to be a choir director. My dad wrote poems and his musician friends would turn his poems into songs and my sister and I would sing those songs.

Oh, so he’s a lyricist!

Yeah, pretty much.

In your musical journey, at what point did you realize you wanted to take your singing to the next level?

When I was 8 was when I realized. I had my first recording experience with Oscar Kidjo, who is actually Angélique Kidjo’s brother. I just loved the experience, I loved being in the booth and trying different things and at the end, hearing the final product. It felt like a magical experience. It made me realize “I can do this.” Around that same time, my sister and I had a performance at a stadium in Benin. There were thousands of people and I remember feeling really–happy is too small of a word–feeling really… wow. I remember seeing people’s reactions on stage and they were clapping and dancing. I realized that music is powerful. I don’t know what they were going through that day but in that particular moment they were smiling and I realized I could bring that and that my music could affect people positively. And that was when I was about 8.

Wow, and have you been working on music diligently ever since? Or did you ever consider taking a different path?

Well even now, I’m actually a teacher. I’m not sure if people are aware of that but I teach kindergarten to eighth-grade French and next year I’m going to be teaching sixth to eighth grade. I’ve always been doing music as well as teaching.

Wow, so you also manage a full time job!

Yeah, it can be challenging sometimes to do both because I’ve been managing them both full time. But my favorite phrase is Philippians 4:13, “I can do all things through Christ who strengthens me” and that kind of gives me the power to go and do it. I find it hard and challenging but there’s always a way to do what you’re called to do and what you’re passionate about.

I know that New York can be tough for musicians. What struggles have you faced there as a musician?

I honestly can’t think of too many challenges I’ve faced here as a musician. I’m very involved with Congolese events, like performing for Congo in Harlem, and I know there are a lot of African artists who come together to participate in these African events. But the reception that I get when asking to perform has overall been very positive so nothing really comes to mind as particularly challenging. I’m sure that when we’re done talking I’ll be able to think of some but right now nothing stands out.

For Essence Fest, what does your audience have to look forward to?

I plan on bringing Africa to Essence so they can look forward to having a lot of fun and feeling the African love and pride. I hope that the Africans who are there can feel proud and that everyone can just have a good time and see something different. Apparently, I’m going to be the first African to perform in the Discovery Hour there, which is huge for me.

That’s awesome! Congratulations again! Break a leg at Essence Fest!

Thank you! It’s been a pleasure talking to you.

Roger Clyne and The Peacemakers – Native Heart (2017)

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320 kbps | 102 MB | LINKS

Hailed as one of the most exciting live acts on the road today, Roger Clyne & The Peacemakers are musical beacons of the Southwest fueled by witty and insightful lyrics, crunching guitar riffs, a dynamic rhythm section and tequila. RCPM are the only act to release seven consecutive studio albums to land on the top 10 of Billboard’s Internet Sales Chart, two at No. 1, all released on a 100% independent record label.

Dubbed the “Springsteen of the Southwest” by the Asbury Park Press, Roger Clyne and his guitar have toured around the world over his 20-year career, starting with The Refreshments. The seminal Tempe, Arizona band made big waves in the ’90s both on college and alternative rock radio as well as MTV with the songs “Banditos” (with the infamous chorus, “Everybody knows that the world is full of stupid people”) and “Down Together” as well as writing the theme for TV’s “King of the Hill.”

More than 20 years later, Clyne and Refreshments drummer PH Naffah, along with bassist Nick Scropos and lead guitarist Jim Dalton keep the songs of The Refreshments alive, while adding to their own ever growing musical legacy. RCPM’s new album, Native Heart, will be released on June 30th, 2017.

Isbethelo seGqom

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Gqom is tribal house music for those who prefer to hear influences from their Zulu ancestors, not a sample pack they found on the Internet. If there was any doubt, we can start with the genre name itself, gqom, which comes from the onomatopoeic Zulu word for a drum kick, the main signifier of a good gqom track. The music itself is a product of the townships outside Durban, the third-largest city in South Africa. More than a third of the city is under the age of 19 so it comes as no surprise that young artists are leading the charge. TLC Fam and their label mates Cruel Boyz, Dominowe and Mafia Boyz plus many others represent the future of this house music-inspired genre.

A comparison to Wu-Tang Clan is always difficult to make, but the sheer size of this 23-member group is impressive enough to warrant one. Although the members’ jobs are spread out across a variety of duties, (producing, deejaying, dancing, emceeing, and even promoting a taxi business) they are all considered to be an integral part of the TLC Fam. Producers DJ Magic and Resto handle the brunt of the track creation, maintaining their sound with the distinct “taxi kick” that they’ve popularised. This drum kick is heavily distorted and is especially desirable when seeking out a hip cab to take you to the club so the party never stops. The taxi drivers were turned on to this sound in the early 2010s and have not looked back since as they are constantly searching for the best gqom to play to attract customers (well showcased in this documentary on the genre and the artists behind it). Even without their taxi-driving members, TLC Fam maintains a heavy presence in the cabs, and this album, Isbethelo seGqom, provides proof as to why.

Members of TLC Fam (Photographed by Tommaso Cassinis)

The songs on this LP can best be described as a puzzle made up of all the lost pieces that you’ve accumulated over the years. While other artists in the genre will keep their songs to a more simple formula, TLC Fam works to keep you on your feet, both literally and figuratively. Every track takes its shape as a repetitive drum pattern but is interwoven with samples to leave you guessing as to what will, or could possibly, come next. One might not expect to hear dizzying operatic female vocals paired next to grunts and shouts, as is the case on “Isthakazelo saResto,” but when stitched together, these chopped samples form a dark, beautifully aligned union. This is definitely club music but is much more ominous in tone than anything being played in your average American bar. The droning synth in the background of “Tribute to Nomfundo,” as well as many of the other songs, is eerie but also works to empower when paired with the heavy drums and chants. There comes a brief breakdown where the drums exit and an optimistic synth line removes the shroud, only to immediately throw you back into the hunt, ululations and bird calls sounding in the distance. Zulu influence can be heard all over the album, in their choice of vocals as well as the rhythms and even in most of the track titles. These musicians are proud of their African heritage and are not afraid to show it in every part of their image.

Although some may find the songs too repetitive, the constantly changing soundscapes kept me intrigued as they quickly evolved like the genre itself. The music is often made in cramped concrete houses outside of the city of Durban, but this does not affect the influence that they have on Durban’s club scene. Through these beats, TLC Fam hopes to share their party music and for those around the globe to hear what the underprivileged citizens of South Africa have to say.

You can stream the entire album with the link provided or purchase it on Gqom Oh!’s website: 

 


Bryan Adams – Wembley 1996 Live (2017)

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320 kbps | 281 MB | LINKS

It was July 27th 1996 and a sell-out crowd in excess of 70,000 welcomed Bryan Adams to Wembley Stadium on his 18 Til I Die Tour in support of the multi-platinum album of the same name. 18 Til I Die had been released a few weeks earlier and hit the No.1 spot on the UK Albums Chart and gone Top 5 right around Europe. The show opened with the album’s first hit single The Only Thing That Looks Good On Me Is You and straight away the stage was set for an energetic, hit packed performance which was received with wild enthusiasm by the huge crowd. This is a legendary show for Bryan Adams.

Tracklist:

01. The Only Thing That Looks Good On Me Is You
02. Do To You
03. Kids Wanna Rock
04. Can’t Stop This Thing We Started
05. This Time
06. 18 ‘Til I Die
07. Have You Ever Really Loved A Woman?
08. Touch The Hand
09. Cuts Like A Knife
10. It’s Only Love
11. Somebody
12. (Everything I Do) I Do It For You
13. Run To You
14. There Will Never Be Another Tonight
15. Seven Nights To Rock
16. I Wanna Be Your Underwear
17. Wild Thing
18. It Ain’t A Party (If You Can’t Come ‘Round)
19. She’s Only Happy When She’s Dancin’
20. Summer Of ’69
21. All For Love
22. Let’s Make A Night To Remember
23. I Fought The Law
24. Heaven

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Re: [CD] Carminho - Carminho Canta Tom Jobim (2016) [FLAC]

Takeifa-Gass Giss-WEB-2017-ENTiTLED

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Download Takeifa-Gass_Giss-WEB-2017-ENTiTLED Free
Artist: Takeifa
Title: Gass Giss
Genre: Ethnic
Year: 2017
Format: MP3
Bitrate: 320 Kbps
Tracks: 10
Time: 00:36:04
Size: 84.87 MB

Tracklist:
01. Takeifa – He jo (3:59)
02. Takeifa – Ndanane feat Baaba Maal (3:06)
03. Takeifa – Macoumba (3:18)
04. Takeifa – Wet (3:40)
05. Takeifa – Penthiou (3:25)
06. Takeifa – Yeke Yeke (3:06)
07. Takeifa – Fire (3:45)
08. Takeifa – Get free (4:08)
09. Takeifa – Supporter (3:19)
10. Takeifa – Mbeur mi (4:18)

Download Takeifa-Gass Giss-WEB-2017-ENTiTLED

The post Takeifa-Gass Giss-WEB-2017-ENTiTLED appeared first on Download Latest Music Releases.

Yemi Alade-Mama Afrique EP-WEB-2017-ENTiTLED

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Download Yemi_Alade-Mama_Afrique_EP-WEB-2017-ENTiTLED Free
Artist: Yemi Alade
Title: Mama Afrique EP
Genre: Ethnic
Year: 2017
Format: MP3
Bitrate: 320 Kbps
Tracks: 10
Time: 00:36:07
Size: 83.61 MB

Tracklist:
01. Yemi Alade – Want You (Ricii Lompeurs Remix) (3:02)
02. Yemi Alade – Charliee (4:07)
03. Yemi Alade – Gucci Ferragamo (3:58)
04. Yemi Alade – Ferrari (French Version) (3:26)
05. Yemi Alade – Na Gode (French Version) (3:24)
06. Yemi Alade – Africa (French Version) (3:57)
07. Yemi Alade – Nakupenda (French Version) (3:28)
08. Yemi Alade feat. Nyashinski – Nakupenda (Swahili Version) (3:28)
09. Yemi Alade – Nakupenda (Portuguese Version) (3:31)
10. Yemi Alade – Go Down (3:46)

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Linda Ronstadt - Prisoner In Disguise (1975) (Vinyl) FLAC (tracks)

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Linda Ronstadt - Prisoner In Disguise (1975) (Vinyl) FLAC (tracks)
Artist: Linda Ronstadt | Album: Prisoner In Disguise | Released: 1975 | Genre: Country, Rock, Soft Rock | Country: US | Duration: 00:36:37

Chris de Burgh - The Road To Freedom (2004) FLAC (image + .cue)

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Chris de Burgh - The Road To Freedom (2004) FLAC (image + .cue)
Artist: Chris de Burgh | Album: The Road To Freedom | Label: East Records | Catalog #: LXZ 040227 | Released: 2004 | Genre: Rock, Soft Rock | Country: Ireland | Duration: 00:43:52

VA - Ibiza Summer House 2017 (2017) FLAC (tracks)

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VA - Ibiza Summer House 2017 (2017) FLAC (tracks)
Artist: VA | Album: Ibiza Summer House 2017 | Label: Planet House Music | Catalog #: PHM 166 | Released: 2017 | Genre: Funky, Club, House | Country: International | Duration: 02:28:59

Little River Band – The Big Box (2017)

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FLAC | 1,9 GB | LINKS

Little River Band is an Australian rock band formed in Melbourne in 1975. They were the first Australian rock group to enjoy sustained commercial success in the United States. During their career the band have sold more than 30 million records and scored 13 American Top 40 hits. This box set is a collection of The Little River Band original albums, interviews and new live video and audio performances from the bands 2015, 40th Anniversary Tour. There is also an accompanying booklet. This collection is a must for all Little River Band fans.

Disc 1 / 5 Where We Started From
Disc 2 / 5 One Night In Mississippi
Disc 3 / 5 Test Of Time
Disc 4 / 5 Rearranged
Disc 5 / 5 Revisited

Yemi Alade-Mama Afrique EP-WEB-2017-ENTiTLED

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Download Yemi_Alade-Mama_Afrique_EP-WEB-2017-ENTiTLED Free
Artist: Yemi Alade
Title of Album: Mama Afrique EP
Genre: Ethnic
Year of Release: 2017
Tracks: 10
Total Time: 36 minutes and 7 seconds
Format: MP3
Bitrate: 320 Kbps
Total Size: 83.61 MB

# Song Title Artist Time
01 Want You (Ricii Lompeurs Remix) Yemi Alade 3:02
02 Charliee Yemi Alade 4:07
03 Gucci Ferragamo Yemi Alade 3:58
04 Ferrari (French Version) Yemi Alade 3:26
05 Na Gode (French Version) Yemi Alade 3:24
06 Africa (French Version) Yemi Alade 3:57
07 Nakupenda (French Version) Yemi Alade 3:28
08 Nakupenda (Swahili Version) Yemi Alade feat. Nyashinski 3:28
09 Nakupenda (Portuguese Version) Yemi Alade 3:31
10 Go Down Yemi Alade 3:46

Release: Yemi_Alade-Mama_Afrique_EP-WEB-2017-ENTiTLED

The post Yemi Alade-Mama Afrique EP-WEB-2017-ENTiTLED appeared first on AlbumDL.

Adam Ben Ezra - Pin Drop (lossless, 2017)

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Adam Ben Ezra - Pin Drop (lossless, 2017)Исполнитель: Adam Ben Ezra
Альбом: Pin Drop
Дата выхода: 2017
Страна:
Категория(и): Fusion  World
Дата выхода: 2017
Продолжительность: 00:45:54
Формат: FLAC, (tracks + .cue), Lossless

 

Adam Levy and Anthony da Costa – Neighbors (2017)

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320 kbps | 116 MB | LINKS

Neighbors is the first collaborative recording from Adam Levy & Anthony da Costa. Friends who have admired each other’s work for many years, Adam and Anthony had never played a note of music together before the session for this album. Recorded over the course of two days in Austin, Texas, “Neighbors” features songs written by both Levy and da Costa, two men nearly 25 years apart in age. The resulting collection represents a wide range of life experience, while finding common ground in life’s classic themes of love, loss, and retrospection.

Adam Levy is an accomplished guitarist who has played alongside luminaries such as Norah Jones, Tracy Chapman, and Allen Toussaint. His compositions have been recorded by Norah Jones, Glen Phillips (Toad the Wet Sprocket) and Miles Zuniga (Fastball).

Anthony da Costa has been writing songs since the age of thirteen, and was the youngest winner ever of the Kerrville and Falcon Ridge Folk Festival songwriting competitions. He currently tours alongside Grammy Award-winning artist Sarah Jarosz as her guitarist and harmony singer.

Together, Levy and da Costa form a natural partnership of guitars, voices and perspectives. Neighbors is the result of that unique connection.

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