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    Amir ElSaffar, Rivers Of Sound - Not Two (2017) Исполнитель: Amir ElSaffar, Rivers Of Sound
    Альбом: Not Two
    Дата выхода: 2017
    Категория(и): World  Fusion  Ethnic  Jazz
    Дата выхода: 2017
    Продолжительность: 01:26:28
    Формат: MP3, 320 kbps


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    Amir ElSaffar, Rivers Of Sound - Not Two (Lossless, Hi Res 2017) Исполнитель: Amir ElSaffar, Rivers Of Sound
    Альбом: Not Two
    Дата выхода: 2017
    Категория(и): World  Fusion  Ethnic  Jazz
    Дата выхода: 2017
    Продолжительность: 01:26:28
    Формат: FLAC, (tracks) 24 bits, 96 KHz, Lossless


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    Amir ElSaffar, Rivers Of Sound - Not Two (2017) Исполнитель: Amir ElSaffar, Rivers Of Sound
    Альбом: Not Two
    Дата выхода: 2017
    Категория(и): World  Fusion  Ethnic  Jazz
    Дата выхода: 2017
    Продолжительность: 01:26:28
    Формат: MP3, 320 kbps


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    Amir ElSaffar, Rivers Of Sound - Not Two (Lossless, Hi Res 2017) Исполнитель: Amir ElSaffar, Rivers Of Sound
    Альбом: Not Two
    Дата выхода: 2017
    Категория(и): World  Fusion  Ethnic  Jazz
    Дата выхода: 2017
    Продолжительность: 01:26:28
    Формат: FLAC, (tracks) 24 bits, 96 KHz, Lossless


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    320 kbps | 76 MB | LINKS

    Plastic Cough, the fantastic debut full length from Seattle WA’s Great Grandpa, is bursting with grunge and pop sensibilities focused around the legendary indie rock sound that’s dominated the Pacific Northwest music scene for the past three decades. Great Grandpa began in Seattle in 2014 when guitarist & vocalist Patrick Goodwin recruited bassist Carrie Miller, drummer Cam LaFlam, and vocalist Alex Menne to form a humble rock band. Inspired by the pop-sensible alternative rock of the 90’s, and offset by a mutual love for noise and math rock, the group set forth to write and record their first EP. During recording, guitarist Dylan Hanwright joined the group, solidifying the lineup. Great Grandpa began performing in the Seattle area in late 2014, frequenting the city’s DIY venues. In March of 2015, their debut EP Can Opener was released on Broken World Media. The EP was met with considerable praise, and has been described as “warm, slightly off-kilter grunge pop”, and “knotty, twisted, and warm rock music that’s as melodically satisfying as it is, at times, confounding.” Great Grandpa began writing their debut LP soon after, and found themselves touring the western US and performing extensively in the Seattle area. Written in 2015 and 2016, Great Grandpa’s debut LP Plastic Cough continues to explore the sonic territory visited in Can Opener, exhibiting infectious melodies across a range of backdrops, from quiet bedroom-pop to explosive, anthemic rock. Plastic Cough is out July 7th via Double Double Whammy.

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    We regret to inform you that the does not work anymore. The main file sharing is In the near future will be added one more file sharing

    Hello. Due to the closure of the datafile, on some albums there are no links to downloading .. Write me a link to the album-I will reload

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    320 kbps | 104 MB | LINKS


    01. Roust-a-bout
    02. I Don’t Have the Want To Anymore
    03. Remember Me
    04. I’ll Follow Jesus
    05. Ashokan Farewell
    06. We Live in Two Different Worlds
    07. Zuma Swing
    08. Journey’s End
    09. Forever and a Day
    10. Mary Jane, Won’t You Be Mine
    11. In His Arms I’m Not Afraid
    12. They’ll Never Take Her Love From Me
    13. Sally, Don’t You Grieve
    14. Wicked Path of Sin

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    320 kbps | 107 MB | LINKS

    Brisbane-based Angharad Drake has been quietly building a following among Australian folk fans for her gentle, poetic indie folk since the release of her debut EP in 2010. While two more eps followed the fist, Ghost is Drake’s debut album.
    Lyrically, Ghost is an album about finding a sense of identity in the face of love and uncertainty. This search for identity is reflected in the music. Only 24 years of age, Drake’s style is clearly indebted to the influences of Feist, Bon Iver and in particular Laura Marling. Whilst these influences can be heard at times, the best moments of Ghost are when Drake finds her own unique style. In particular, she has a special knack for crafting lyrics that turn back on themselves, articulating the confusion of someone trying to discover a sense of identity.
    The influence of Marling can be most clearly heard on both Armour and Ghost. Armour begins with a gentle acoustic guitar and the gently sung vulnerable lines: “There’s cracks in my armour/ I thought I’d be fine. I wait by the harbour/ But I’m just killing time.” Drake’s talent for lyrics that twist around themselves is again present in the lines: “I don’t think that I’m invincible? But it’s what I need to hear.” In Ghost, a looping acoustic guitar underpins a sorrowful song about being unable to move on after a love affair has ended. Again the indecision is expressed through lyrics that loop around themselves, like the lines, “Now I wanna go, I wanna go, I wanna go/ well I could but I won’t.”

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    Jupiter & Okwess – Kin Sonic (2017)

    • Artist: Jupiter & Okwess
    • Album: Kin Sonic
    • Genre: World Music, Funk
    • Released: 2017
    • Format: MP3 / FLAC
    • Quality: 320Kbps / Lossless
    • Size: 88 MB / 238 MB

    01 – Hello
    02 – Musonsu
    03 – Ofakombolo
    04 – Benanga
    05 – Pondjo Pondjo
    06 – Emikele Ngamo
    07 – Nkoy
    08 – Nzele Momi
    09 – Le temps passé
    10 – Ekombe
    11 – Bengai Yo
    Download Links:
    rapidgator: Download

    rapidgator: Download

    The post Jupiter & Okwess – Kin Sonic (2017) appeared first on

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    Los Del Rio - Fiesta Macarena (1996) (FLAC)
    Los Del Rio - Fiesta Macarena (1996) (FLAC)
    Released: 1996 | Track: 17 | Country: Spain | FLAC | Time: 01:18:07 | Label: Ariola - 74321-39782-2 | Artwork Included | 3% Recovery Added | 902 MB
    Genre: Electronic, House, Latin, Euro House

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    Banco De Gaia - Big Men Cry [20th Anniversary Edition] (Lossless, 2017) Исполнитель: Banco De Gaia
    Альбом: Big Men Cry [20th Anniversary Edition]
    Дата выхода: 2017
    Страна: UK
    Категория(и): Ambient  Downtempo  Dub  World
    Дата выхода: 2017
    Продолжительность: 02:17:08
    Формат: FLAC (tracks), Lossless

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    Maria Barton / Rainful Days (Vinyl Rip) Жанр : Folk Страна исполнителя (группы) : UK Год издания : 1980 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 192 kbps Продолжительность : 00:37:21 Наличие сканов в содержимом раздачи : нет Треклист : 01 Rainful Days 02 On Board 'The Victory' 03 One Time I Went To Holland 04 Don't You Cry No More 05 Sometimes 06 Turning The Tide - Tune 07 Moving In, Moving On 08 When I'm A Spaceman 09 Here I Go Again 10 If You Loved Me 11 For You 12 When The Credits Roll Доп.

    Тема на форуме

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  • 07/07/17--02:45: SUGAR FACTORY κασέτα
  • Έχω ξαναγράψει για τους SugarFactory (για δύο 45άρια τους) το Φλεβάρη του ’14, σημειώνοντας πως… «οι μελωδίες των Sugar Factory ακόμη και όταν είναι θλιμμένες είναι φωτεινές, δεν έχουν σχέση με… καταδικαστικές και doomyκαταστάσεις, καθώς με στίχους θα ταρακουνούσαν ακόμη και τους Tindersticks…». Τώρα, επανέρχομαι στο σχήμα ακούγοντας μια πρόσφατη δική τους κασέτα (πολύ περιποιημένη αισθητικώς), που έχει τίτλο Big Sky Sessions [Logarithm, 2017] και είναι τυπωμένη σε 100 αριθμημένα αντίτυπα.
    Πάω πίσω στα παλιά… «Αντιγράφω από ένα δελτίο Τύπου: Οι Sugar Factoryδημιουργήθηκαν το 2009 από τον Stelreverb (κιθάρες, samples) και την Sophie K. (ακορντεόν, μπάσο). Τo 2013 o Stavros P. αντικατέστησε την Sophie K. Εμπνευσμένοι από την αυτοσχεδιαστική σύγχρονη μουσική και τις μελωδικές γραμμές Ελλήνων και ξένων καλλιτεχνών αναμιγνύουν ‘γλυκές’ μελωδίες κλείνοντας το μάτι στους βιομηχανοποιημένους ήχους». Πολύ σωστά ήταν όλα τούτα, καθώς, μέσα στη γενικότητά τους, ισχύουν και για την κασέτα.
    Τα ορχηστρικά των Sugar Factory μπορεί να έχουν, πάντα, την κιθάρα μπροστά, αλλά δεν ανήκουν σ’ αυτό που αποκαλούμε «κιθαριστικό ροκ». Οι συνθέσεις είναι πιο ελεύθερες, πιο αφηρημένες, παίζοντας όχι μόνο με τις στέρεες μινόρε μελωδίες, αλλά και με μια γερή δόση ambience, όχι πολύ μακριά από ’κείνα που παρουσίαζαν οι Fripp & Eno στο “(No Pussyfooting)”, πίσω στο 1973. Θέλω να πω πως οι αναφορές των Sugar Factory στα πιο «απείθαρχα» κομμάτια τους, όπως είναι το “Crossing the sea” (η ωραιότερη στιγμή της κασέτας), σίγουρα αφορούν στα μακρινά seventies, ενώ, άλλες φορές, και μάλλον στα περισσότερα tracks τού “Big Sky Sessions”, θα μπορούσε κάποιες να ανακαλύψει και ουκ ολίγους eightiesυπαινιγμούς – στον ήχο της 4AD, στα «περιβαλλοντικά» άλμπουμ του Harold Budd κ.λπ. Τις βάσεις αυτών των εγγραφών έχουν κατά νου οι Sugar Factory και πάνω εκεί σχεδιάζουν τις δικές τους κιθαριστικές εξορμήσεις, που είναι στιβαρές και καίριες.

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    Artist: Gilberto Gil
    Title: As Canções De Eu, Tu, Eles
    Year Of Release: 2002 (2000)
    Label: Warner Music Brasil [092746051-2]
    Genre: Brazilian Jazz, Brazilian Pop, Film Score
    Quality: FLAC (tracks+.cue,log,scans)
    Total Time: 48:05
    Total Size: 388 MB

    Review by Philip Jandovský

    This fine and interesting CD is the soundtrack of the movie Eu Tu Eles (Me You Them) and also a tribute from Gilberto Gil to Luiz Gonzaga, one of the most influential Brazilian artists during the 20th century. Gonzaga is widely known as the King of the Baião, and played a key role in developing and popularizing the different music styles of the Brazilian Northeast, such as baião, xote, and forró. Very much true to rugged, unpolished sound of the original versions, yet managing to add his own unique and personal style, Gil interprets several Gonzaga classics such as "Assum Preto," "Asa Branca," "Juazeiro," and "Qui Nem Jiló." Gil also wrote a few songs of his own especially for this movie soundtrack, such as "As Pegadas do Amor" and the nice and mellow "Lamento Sertanejo." Gil also interprets songs by other baião artists, such as the excellent and vibrant "Esperando na Janela" (written by Manuca, Raimundinho do Acordeon, and Targino Gondim), which was a major hit in Brazil in 2000. This is one of Gil’s best albums since the ’70s and also a very authentic and down-to-earth tribute to the old masters of the popular music of the Brazilian Northeast region.

    01. Óia Eu Aqui De Novo (3:39)
    02. Baião Da Penha (4:08)
    03. Esperando Na Janela (4:21)
    04. Juazeiro (3:42)
    05. Último Pau-De-Arara (3:20)
    06. Asa Branca (3:37)
    07. Qui Nem Jiló (3:25)
    08. Assum Preto (3:20)
    09. Pau-De-Arara (3:12)
    10. A Volta Da Asa Branca (4:31)
    11. O Amor Daqui De Casa (2:29)
    12. As Pegadas Do Amor (3:29)
    13. Lamento Sertanejo (4:21)
    14. Casinha Feliz (0:32)



    The post Gilberto Gil – As Canções De Eu, Tu, Eles (2002) appeared first on MusDL.

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  • 07/07/17--03:46: Aywa
  • AYWA.jpg

    Aywa Est Un Groupe Né à Montpellier, En 2011, Qui Melent Les Chants Du Maghreb
    Avec Sa Musique Traditionnelle, D'Autres Sonorités Du Monde,Une Part
    D'Inspiration Jazz ou Reggae, Combiné à Un Esprit & Des Riffs Rock

    Aywa Es Una Banda Que Nace En Montpellier En 2011, Mezclan Cantos Del Maghreb
    Con Su Musica Tradicional y Otras Sonoridades Del Mundo, Una Parte
    De Inspiracion Jazz o Reggae, Combinado a Un Espirito y Riffs Rock

    Aywa  Is A Band Who's Born In Montpellier In 2011, Mixing Maghreb's Singing
    With His Traditionnal Music, And Other Sonority Of The World, A Part
    Of Jazz's Inspiration Or Reggae, Combinated To An Spirit & Riffs Rock

    Site Officiel

    Aywa 2013

    01 Delalie
    02 Mimouna
    03 Khalouni
    04 Alame

    Houriya 2016

    01 Salama
    02 Houriya
    03 Le Serpent Qui Danse
    04 Noir Orient

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    Anat CohenThis album serves as the sequel to Alegria Da Casa (2016) — the first on-record meeting between Anat Cohen and the combination of percussionist Alexandre Lora, bandolim whiz Dudu Maia, and 7-string guitarist Douglas Lora. Those three, collectively known as Trio Brasileiro, share Cohen’s loves for choro and experimentation, making them an ideal match for her clarinet. Together, all parties blend festive, folkloric, and foreign sounds into one dynamic package that’s a worldly step beyond their aforementioned debut dalliance.
    Respect for traditions and a thirst for new influences both equally inform this work. It’s simply impossible not to smile at the way that knowledge carries the day without restricting the freedom to roam into different territories.

    113 MB  320 ** FLAC

    Cohen’s frisky clarinet, dancing and prancing over a bustling pandeiro accompaniment, does as it pleases on the invigorating “Sambalelé”; Indian mysticism makes an appearance, formed around a buzzing drone and the exotic explorations of Alexandre Lora’s hand pans on the intriguing “O Ocidente Que Se Oriente”; salsa spices the mix of “Das Neves,” adding another layer of possibility to music of hybridization; tranquility plays a part in the program, exemplified by the soothing “Lulubia”; and spirited choro, of course, has its day as this grouping brings the irresistible excitement of the music to bear on “Choro Pesado.”

    This is definitely the more adventurous of the two programs under discussion here, but neither one outdoes the other in the grand scheme of pleasurable listening. Cohen’s magnetism and musicality, married with the accents of Brazil and the skills of her accomplished colleagues, makes for something incredibly special on these dates. — AllAboutJazz

    Personnel: Anat Cohen: clarinet; Dudu Maia: 10 string bandolim; Douglas Lora: 7-string guitar; Alexandre Lora: pandeiro, hand pans, percussion; Luiz Ungarelli: congas (3, 9).

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    Trio BrasileiroJazz clarinettists have been prominent in crossing genres to broaden the music’s horizon. Way back in the 1930s, both Benny Goodman and Artie Shaw appropriated synagogue liturgical music and klezmer licks. Chicago-style clarinettist Mickey Katz chose klezmer as his professional style and inspired Don Byron’s hommage CD, Don Byron Plays the Music of Mickey Katz (1993). Later, both Goodman and Shaw dipped confident toes into classical chamber repertoire and even commissioned works from ‘serious’ composers. So did Woody Herman, who asked Igor Stravinsky to compose Ebony Concerto for his First Herd. In the ’50s, bebopper  Tony Scott entered into exotic musical relationships with Serbs, Japanese and Zulus.
    Reassuringly, in Alegria Da Casa, the clarinet is…

    109 MB  320 ** FLAC

    …till outward-bound. Here, the focus is Brazilian music, a simmering cataplana of multiple ingredients like bluesy Portuguese fado and sinuous West African rhythms. Anat Cohen enhances the recipe with her flawless technique, liquid silk tone and personal musical inspirations (jazz, Middle Eastern). On this album recorded in Brasilia in 2013 but only released in 2016, she integrates herself with the skilful musicians of Trio Brasileiro, performing eleven originals and local classics, while recreating the spontaneous and passionate atmosphere of a botequim, a small town corner bar where each band member takes a turn.

    For an East meets West meeting, the rapport is instant and exuberant. You’ll hear choro classics: Santa Morena, Murmurando, echoes of folk idioms, sensuous samba on Waiting for Amalia (with the guest harmonica of Gabriel Grossi). The entire session is soaked in lyricism, frequently expressed in finger-popping unison passages by Anat and Douglas Lora. Altogether, it sounds as though a ball was being had by all. Totally joyous and highly commended.

    Anat Cohen: clarinet, Douglas Lora: 7-string violão guitar, Alexandre Lora: pandeiro & percussion, Dudu Maia: bandolin (Gabriel Grossi guest harmonica, track 3).

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    320 kbps | 126 MB | LINKS


    01. Bottom Of The Bottle 03:40
    02. Geographical Cure 03:30
    03. Really Great Gig 03:33
    04. Hot Sauce 04:54
    05. Noah’s Blues 03:46
    06. Pierre Jourdan 05:11
    07. Hit The Quarter 03:27
    08. Butt Dial Kyle 03:17
    09. Wintertime 06:40
    10. Blues For A Soldier 05:00
    11. Cheap Whiskey And Stale Cigarettes 03:23
    12. Natchez Burning 04:08
    13. Natchez Burning (Reprise) 01:37

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    Artist: VA
    Title: Doo Wop In Germany – Wir Geh’n In Das Wunderland
    Year Of Release: 2009
    Label: Bear Family
    Genre: Schlager
    Quality: MP3 320 kbps
    Total Time: 01:17:46
    Total Size: 195 Mb

    Conceived by popular stars, but also by hardly known, obscure outsiders. But Doo Wop, the fascinating, multi-voice vocal music, especially the black artist from the USA, who was enthusiastic about the Americans 50 years ago and was only able to import into Germany – how is that supposed to happen? It went. Once again the responsible persons in the local record companies proved to be inventive. What was very successful in the US by top stars like Dion & The Belmonts, the Drifters or Crests was passed on to popular German artists. They all contribute to a CD, which for the first time summarizes the German Doo Wop attempts from the end of the fifties and early sixties – and presents successful alongside long-forgotten ones. These attempts, though unconsciously, also partially set the stage for a Doo Wop revival in Germany, when formations such as Kool Cat & The Tailfins and later the Crystalairs again made the realization of this legendary music or vocal form. Free according to the motto that Mary Roos had already given in 1961 with the cover version of a quotation song: I am mu-mu-musically ….!

    1. Ted Herold – Wunderland (2:22)
    2. Octavios – Little Darling (2:20)
    3. Mary Roos – Ich bin mu-mu-musikalisch (2:02)
    4. Bert Suplie – Glück in der Liebe (2:14)
    5. Jack van Doorn – Das war nicht nett von dir (3:26)
    6. Mariano – Sunny mit dem blonden Haar (2:13)
    7. Bert Berger – Küsse von Babette (1:59)
    8. Teddy Fischer – Jede Nacht im Traum (2:26)
    9. Little Gerhard – Jung und verliebt (2:31)
    10. Laurie London – Schritt für Schritt (2:36)
    11. Ingela Brander – Dunkelblaue Augen hatte er (2:09)
    12. Maria & Franco Duval – Sechzehn Jahre (2:34)
    13. Bestsellers – Einerlei (2:39)
    14. Chris Howland – Blonder Stern (2:44)
    15. Yankees – Halbstark (2:12)
    16. Detlef Engel – Mr. Blue (2:20)
    17. Werner Hass – Rikscha Mann (2:14)
    18. Michael Paje – Schade um dich Angelina (2:26)
    19. Honey Twins – Charly Brown (2:10)
    20. Harry Glück – Blue Moon (2:10)
    21. Pirko Manola – Bam-Schi-Bam (2:37)
    22. Fredy Brock – Schaut, schaut das ist meine Braut (2:06)
    23. Peter Beil – Einsam geh’ ich durch die dunkle Nacht (2:28)
    24. Ronny Twen – Hipp Hipp (2:37)
    25. Ivo Robic – Lass dein Little Girl nie weinen (2:14)
    26. Billy Sanders – Yakety Jak (1:55)
    27. Henri Salvador – Der Löwe schläft heut’ Nacht (2:42)
    28. Akki – Diana (3:00)
    29. Ralf Bendix – At The Hop (2:34)
    30. Pichi – Null Uhr Zehn (2:33)
    31. Kitty Sisters – Was bleibt einer Frau ohne Liebe (2:42)
    32. Benny Quick – Motorbiene (2:31)

    The post VA – Doo Wop In Germany ~ Wir Geh’n In Das Wunderland (2009) appeared first on MusDL.

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    Artist: Gros Oiseau
    Title: Zonzon
    Year Of Release: 2017
    Label: Cheptel Records
    Genre: french, post hip-hop, post-punk
    Quality: FLAC (tracks)
    Total Time: 39:05 mins
    Total Size: 232 MB

    Enfin la détonation qu’on attendait. Elle résonne contre les parois des immeubles de la cité urbaine. La bombe à retardement avait été placé depuis longtemps entre de bonnes mains. Il fallait dégoupiller pour qu’enfin, après une bonne année d’attente, elle nous explose à la face. Gros Oiseau nous présente donc son nouveau poussin: Zonzon.
    Mixture musicale acide qui prend ses racines dans les plus profondes caves des années 80 ‐quand les Béruriers Noirs ou Metal Urbainfaisaient des doigts d’honneur et que les boîtes à rythme snobaient les batteurs.Le clavecin synthétique martèle le crâne. Le texte ‐ cynique, drôle et sincère ‐ se déroule sous nos yeux, nous colle à la peau comme le goudron et les plumes.
    Phrasé/scandé/rap/punk de Sleaford Mods francophone. Basses spasmodiques.Gros Oiseauest une overdrive en train d’exploser à la scène comme à la ville.
    01. Gros Oiseau – Ma zonzon
    02. Gros Oiseau – 100 ans
    03. Gros Oiseau – Plainpalais
    04. Gros Oiseau – Les mechants
    05. Gros Oiseau – Moi ce que je crois
    06. Gros Oiseau – Biche
    07. Gros Oiseau – Doux Jesus

    The post Gros Oiseau – Zonzon (2017) appeared first on MusDL.

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