Articles on this Page
- 08/23/17--12:03: _(Traditional Turkis...
- 08/23/17--12:21: _Tanzania Albinism C...
- 08/23/17--13:03: _[ALB][BAL] (Народна...
- 08/23/17--13:03: _(African, Field Rec...
- 08/23/17--13:03: _(African Folklore, ...
- 08/23/17--13:03: _(African Traditions...
- 08/23/17--13:03: _(Славянская музыка)...
- 08/23/17--13:25: _THW DREAM SYNDICATE...
- 08/23/17--13:30: _La Mambanegra
- 08/23/17--14:03: _(Fado) Mísia (Misia...
- 08/23/17--14:09: _Super Japan 4 | Sup...
- 08/23/17--14:20: _Quicksound & Alpha ...
- 08/23/17--14:21: _Sote Sacred Horror ...
- 08/23/17--16:35: _Natacha Atlas - Col...
- 08/23/17--19:37: _Singles Chart Hot 1...
- 08/23/17--21:36: _DMC Bootlegs, Cut U...
- 08/23/17--21:50: _Hillsong - Blessed ...
- 08/23/17--21:50: _The Rolling Stones ...
- 08/23/17--21:50: _The Shadows - Good ...
- 08/23/17--22:50: _The Beatles - Get B...
- 08/23/17--12:21: Tanzania Albinism Collective – White African Power (2017)
- 08/23/17--13:25: THW DREAM SYNDICATE HOW DID I FIND MYSELF HERE? - 2017
- 08/23/17--13:30: La Mambanegra
- 08/23/17--14:09: Super Japan 4 | Super pastiche to super syzygy.
- 08/23/17--14:20: Quicksound & Alpha Yaya Diallo – Mosulu (2017)
- 08/23/17--14:21: Sote Sacred Horror In Design
- 08/23/17--16:35: Natacha Atlas - Collection (1995-2015)
- 08/23/17--19:37: Singles Chart Hot 100 Billboard 02 September (2017)
- 08/23/17--21:36: DMC Bootlegs, Cut Ups & Two Trackers Volume 28 (2017)
- 08/23/17--21:50: Hillsong - Blessed (2002) FLAC (image+.cue)
- 08/23/17--21:50: The Shadows - Good Vibrations (1961-80/1998) FLAC (tracks + .cue)
Özdal (Ozdal) Orhon / Özdal Orhon (1941-1986) - Arşiv Serisi Жанр : Traditional Turkish, Classical Turkish Music Носитель : CD Страна-производитель диска (релиза) : Turkey Год издания : 1998 Издатель (лейбл) : Kalan Müzik Номер по каталогу : CD 100 Страна исполнителя (группы) : Turkey Аудиокодек : FLAC (*.
A delicate, hypnotic voice opens White African Power, the first album by Tanzania Albinism Collective, setting the tone for a record built equally on raw vocals, and lyrics that speak candidly of personal tragedy. “The world is hard, and I’m feeling defeated,” singer Christina Wagulu laments in Swahili. “Hatred, jealousy, and other emotions damage my heart / Disease weighs me down like defeat.”
The album’s 23 short songs create an atmosphere intimacy — as if the listener were eavesdropping on a gathering of friends. Far away from those who have shunned and persecuted them, the musicians are unguarded; they sing about the adversity they’ve faced without wallowing in self-pity. Their music is visceral, cathartic, and deeply personal.
Life has not been easy for these musicians, all of whom were born with albinism, a genetic condition that robs the skin, eyes, and hair of pigment. In rural Tanzania—like much of Sub-Saharan Africa—albinism is often seen as a curse that carries with it dehumanizing myths and dangerous superstitions. Some believe albino body parts are good luck charms, able to cure diseases and bless those who own them; the birth of an albino child is considered a bad omen that will bring poverty and disease to a community. Because of the health challenges they face, as well as the discrimination and structural violence to which they are subjected, albino people some of the most vulnerable in Africa.
“The project in Tanzania was one that we were interested in because of the horrible persecution,” says the record’s producer Ian Brennan, who also helmed Tinariwen’s 2012 Grammy-winning album Tassili, and the Grammy-nominated Zomba Prison Project’s I Have No Everything Here.
The album began to take shape in 2016, when Brennan traveled to Ukerewe, the largest island in Lake Victoria. Life is different for albino people here than it is in the rest of the country. Local lore holds that families used to abandon their albino children on Ukerewe, and that others who fought to survive on the mainland followed and found refuge. Over 80 albino people now live on the island, and there has never been a violent attack or murder. But while violence is rare, discrimination is still omnipresent.
“When I proposed and married my wife, her family did not accept me,” says Riziki Julius, who sings on the album. “They said that I was just a ‘pig,’ and could not be a husband to their daughter. I was happy my wife decided to stick by me. She still gets criticized by relatives and friends for marrying a person with albinism.”
When Brennan arrived on the island with his wife, the photographer and filmmaker Marilena Delli, he was shocked by the extent to which the albino community had been ostracized. In partnership with Tanzania-based NGO Standing Voice, Brennan and Delli put out a call for volunteers to participate in a music project. Eighteen people responded, and only one of them had played music before. “What we didn’t know is that they were also discouraged—or even forbidden—from singing and dancing in church, the one place that has traditionally offered sanctuary to oppressed communities,” Brennan says. Initially, the members of Tanzania Albinism Collective were too afraid to pick up instruments or sing. “There was such a lack of confidence—almost a total shut down of creativity,” Brennan claims.
To combat this, Brennan handed out instruments and encouraged the volunteers to take them home, on condition that they try and compose a song each night. With each new effort, their songs improved and slowly, themes of loneliness and alienation began to emerge in their writing. The lyrics are written in Swahili—Tanzania’s official language—as well as Kikirewe and Jeeta, two dialects which have been discouraged and repressed since unification in 1964.
For the first time, members of the collective were able to tell their stories through music. “The project showed us we could do things we never thought possible,” Julius says. “I love music. I enjoy the opportunity to express myself through singing.”
Brennan was less concerned with the band’s lack of formal music training than he was with their lack of confidence. “It’s a very Western idea that input equals output. It’s wrong to assume that in order to be a good musician, ‘I have to listen to this person and that person, or I have to be taught,’” he explains. “Good musicians are good because music comes from inside of them.”
Albanie. Polyphonies vocales et instrumentales (Albania. Vocal and instrumental polyphony) Жанр : Народная музыка и песни, Аутентичное исполнение Носитель : CD Страна-производитель диска (релиза) : France Год издания : 1988 Издатель (лейбл) : Le Chant du Monde Номер по каталогу : LDX 274897 Страна исполнителя (группы) : Albania Аудиокодек : FLAC (*.
Ethiopian Urban And Tribal Music: Mindanoo Mistiru / Gold From Wax (2CD) Жанр : African, Field Recordings Носитель : WEB Год издания : 2017 Издатель (лейбл) : Sub Rosa Номер по каталогу : SR434 Страна исполнителя (группы) : Ethiopia Аудиокодек : FLAC (*.
Amadou Binta Konté And Tidiane Thiam / Waande Kadde Жанр : African Folklore, Hoddu, Pulaar, Senegal Носитель : WEB Год издания : 2017 Издатель (лейбл) : Sahel Sounds / Songs From Home Номер по каталогу : SS-036 / SFH-01 Страна исполнителя (группы) : Senegal Аудиокодек : FLAC (*.
Quicksound & Alpha Yaya Diallo - Mosulu - 2017 Жанр : African Traditions Носитель : WEB Страна-производитель диска (релиза) : Canada Год издания : 17.08.2017 Издатель (лейбл) : Tumbao Records Страна исполнителя (группы) : Canada/Guinea Аудиокодек : FLAC (*.
МЫ СЛАВЯНЕ ! SME SLOVANIA ! 04. Выпуск четвертый - Радегаст Жанр : Славянская музыка Носитель : Minidisc Страна-производитель диска (релиза) : Словакия Год издания : 2016 Издатель (лейбл) : Славянская музыка Номер по каталогу : 04.
THW DREAM SYNDICATE
HOW DID I FIND MYSELF HERE? - 2017
La Mambanegra Est Un Orchestre De Salsa Provenant De Cali
Ils Jouent Une Musique Chaleureuse, Melant A Sa Salsa,
Des Rythmes Latino-Americains, Hip Hop Ou Encore Jamaïcains
La Mambanegra Es Un Orquestra De Salsa Que Viene Desde Cali,
Tocan Una Musica Caliente, y Mezclan A Su Salsa
Ritmos Latino-Americanos, Hip Hop O Tambien Jamaicanos
La Mambanegra Is An Orchestre Of Salsa Coming From Cali,
They Play An Hot Fever Music, Ans They Mix In His Salsa,
Rhythms From Latin-America, Hip Hop Or Again Jamaica
La Mamba Te Invita 2016
01 La Mamba Te Invita
02 Barrio Caliente- Feat Santiago Jimenez
03 La Galeria- Feat Jorge Hurtas
04 Cantare Para Voz- Feat Eddy Martinez
La Galeria 2016
01 El Sabor De La Guayaba- Feat Santiago Jimenez
02 Barrio Caliente- Feat Jorge Huertas
03 La Galeria- Feat Santiago Jimenez
04 Me Parece Perfecto- Feat Andres "Chinito" Escobar
05 Cantare Para Vos- Feat Eddy Martinez
El Callegüeso Y Su Mala Maña 2017
01 Puro Potenkem- Feat Maite Ontele & Denilson Ibarguen
02 El Sabor De La Guayaba- Feat Santiago Jimenez
03 Cantare Para Voz- Feat Eddy Martinez
04 La Compostura- Feat Edgardo Manuel
05 La Fokin Bomba- Feat Santiago Jimenez
06 El Blues De Yemaya- Feat Yasek Manzano
07 Kool And The Mamba
08 Me Parece Perfecto- Feat Andres "Chinito" Escobar
09 El Malembe- Feat Wilson Viveros
10 Barrio Caliente- Feat Jorge Huertas
La Mamba Te Invita 2017
A1 La Mamba Te Invita
B1 La Galeria
Mísia (Susana Maria Alfonso de Aguiarin) Жанр : Fado Год выпуска диска : 1991-2016 Страна : 1955-, Porto, Portugal Аудио кодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 13:23:13 Albums: 01.
Over five Wednesday nights in August, join Bodega Pop Live on WFMU's Give the Drummer Radio on a 15-hour alphabetical tour of extreme examples of genres (psychedelic, ryukoka), states of being (peaceful, raw) and more from everybody’s favorite stratovolcanic archipelago.
On tonight's show (7-10 PM EDT): Super pastiche, super peace, super pop, super prelude, super prog, super psychedelic, super pulse, super pussycat, super Q, super question, super radio, super raw, super resonance, super reverie, super rock 'n' roll, super ruins, ryukoka, super super shamisen, super Shibuya-kei, super shima-uta, super silence, super single, super space, super stoicism, super subterranean, super syzygy.
Click here to listen to the show and join the conversation!
In 2013, Quicksound composed and produced an album with West African musician Alpha Yaya Diallo. An acclaimed guitarist and singer from Guinea, Alpha sings in several African languages as well as in English & French. Alpha’s music is a blend of elements from the Malenke, Sousou and Foulani cultures of West Africa. Discovered by Peter Gabriel in the late 1980’s, his band Fatala was signed to the Real World Records.
…Mosulu, a partnering of Alpha Yaya Diallo and Montreal production company, Quicksound who have worked their makeover magic with many prominent artists and projects from Lionel Richie to Cirque du Soliel to Bran Van 3000. Also featuring the beautiful voice of French/Guinean chanteuse, Tiranke Sidime, Mosulu‘s 11 tracks find Alpha…
…sounding completely refreshed and re-energized. Quicksound have tastefully introduced his music to the world of programmed beats and pumping bass that update and compliment his intricate guitar patterns and passionate, sustained wails; most effectively on the title/opener, Gakhu and the cinematic, over the top production number, “Master of the Universe”. Classic Alpha compositions would include long, groovy jams that delighted dancers in live performances but were a little unwieldy for radio programmers. Astutely, the Quicksound team keeps the Mosulu package moving with all the songs clocking in at just over 3 minutes. The fades may come too early for some listeners but the old adage, “Keep them wanting more” has never been applied more effectively. Mosulu is a triumph from beginning to end and reinforces Alpha Yaya Diallo’s relevence and vitality.
Sacred Horror In Design
(Opal Tapes, 2017)
Title: Singles Chart
Label: Rhino Entertainment Company
Style: Indie, Folk, Dancehall, Alternative, Bro-Country, Bluegrass, Hip Hop, Reggaeton, Synthpop
Release Date: 23-08-2017
Format: Top, Compilation
Quality: 320 Kbps/Joint Stereo/44100Hz
Tracks: 100 Tracks
Size: 756 Mb / 05:56:28 Min
Title: Bootlegs, Cut Ups & Two Trackers Volume 28
Label: DMC Records
Style: Hip Hop, House, Dance, RnB, Swing, Dancehall, Stage & Screen, Electro, Funk, Soul
Release Date: 20-04-2017
Format: CDr, Compilation, Partially Mixed
Quality: 320 Kbps/Joint Stereo/44100Hz
Tracks: 16 Tracks
Size: 178 Mb / 01:17:40 Min
Artist: Hillsong | Album: Blessed | Released: 2002 | Label: Integrity / Epic | Catalog #: EK6757 | Genre: Worship, Pop
Artist: The Rolling Stones | Album: Complete BBC Sessions 1963 - 1965 | Released: 2017 | Genre: Rock, Classic Rock | Country: UK
Artist: The Shadows | Album: Good Vibrations | Released: 1961-80/1998 | Genre: Instrumental, Rock | Country: UK
Artist: The Beatles | Album: Get Back (A Collection Of Unreleased Albums) | Released: 2010 | Genre: Rock, Classic Rock | Country: UK